The M. Deneke-Mendelssohn Collection

by Martin Holmes
Alfred Brendel Curator of Music, Bodleian Libraries

Fig. 1: Oil sketch by Carl Begas (1794-1854) of Mendelssohn aged 12, shortly before his flowing locks were cut off (MS. M. Deneke Mendelssohn e. 5). The full portrait for which this study was made is sadly lost.

A major milestone in the ongoing music manuscript and archives cataloguing project has been reached with the conversion of the first two volumes of the printed catalogue of the Bodleian’s Mendelssohn collection (https://archives.bodleian.ox.ac.uk/repositories/2/resources/7530). (The third volume is devoted to printed music so lies outside the scope of this project, but its contents are already included in the SOLO catalogue.)[1]

Given the importance of England to Mendelssohn’s career and his perhaps disproportionate prominence in and influence on the musical life of this country, it is not inappropriate that there should be a Mendelssohn archive here, in his almost-adopted homeland. However, the collection contains far more material than that relating specifically to his activities on this side of the English Channel.

The Library owes the existence of its Mendelssohn collection not to any direct relationship of the composer to the City of Oxford but to the fact that one of the composer’s grandsons, Paul Victor Mendelssohn Benecke (1868-1944) settled in Oxford in the 1890s, first as a student and later as a Fellow of Magdalen College. Paul took a great interest in the family treasures he had inherited from his mother and set about adding to his collection by persuading his cousins to part with other items, including the series of 27 volumes (known as the ‘Green Books’) containing practically all the correspondence received by the composer from the age of 12. (The extremely fragile ‘Green Books’ are currently undergoing a programme of disbinding and conservation which it is hoped will help facilitate a future digitization project.)

Fig. 2: A letter from Goethe to the 16-year-old Mendelssohn. The composer had first visited Goethe when he was only 12 and he made a deep impression on the elderly poet. (MS. M. Deneke Mendelssohn b. 4 (13).

In Oxford, Paul Benecke renewed an acquaintance with Margaret (‘Marga’) Deneke (no relation despite the similarity of name), whose family had been neighbours of the Beneckes in Camberwell. From 1916, Marga Deneke lived with her sister at ‘Gunfield’, a large house in Norham Gardens where they held frequent concerts and musical soirées which were well-known on the Oxford music scene, attracting occasional visits from the likes of Albert Schweitzer, Paul Wittgenstein and Albert Einstein, as well as more local musicians.

Eventually, following Marga’s own purchase of a Mendelssohn manuscript, Paul decided to pass on his entire collection to her and it was moved to her North Oxford home. After Paul’s death in 1944, Marga set about accumulating whatever other Mendelssohniana she could find, encouraging other descendants of the composer to sell or give items to her growing collection. Additions at this time included the remarkable series of sketchbooks, acquired from the Swiss branch of the family, which demonstrate the composer’s prodigious artistic talent and provide a record of his frequent travels. Much of the collection was deposited in the Bodleian in the 1950s and 60s for safe keeping and, following Marga’s death in 1969 and that of her sister in 1973, the collection passed formally into the ownership of the Library which has since tried to augment it further as opportunity and funds allow.

Fig. 3: The Pass of Killicrankie as sketched by Mendelssohn on his famous Scottish tour of 1829 (MS. M. Deneke Mendelssohn d. 2, fol. 19). You can follow Mendelssohn’s travels virtually at https://www.mendelssohninscotland.com/ where many of the Scottish sketches are reproduced.

Most of Mendelssohn’s completed music manuscripts were given to the Royal Library in Berlin in 1878 (now the Staatsbibliothek (SBPK)). Major music manuscripts are therefore generally lacking from the Oxford collection. Instead, it is particularly rich in biographical material: in addition to the correspondence and the sketchbooks, the other papers in the collection reflect every aspect of the composer’s life, from his childhood to his death, and include documents such as his elementary school reports, early harmony exercises, diaries, account books, albums and a large portion of Mendelssohn’s personal library – even a couple of his conducting batons, his death mask and a lock of his hair. There certainly are music manuscripts in the collection, including both his first and last compositions, but most are sketches or early drafts which, to some, are arguably more interesting than the finished fair copies. Other members of the family are also represented in the collection, notably Felix’s talented sister Fanny Hensel and his wife Cécile.

Fig. 4: The opening bars of the Hebrides Overture, probably Mendelssohn’s most famous work, inspired by his Scottish tour of 1829. Final autograph draft score, purchased in 2002 with funds provided by the Heritage Lottery Fund, the Friends of the Bodleian and individual donors. (MS. M. Deneke Mendelssohn d. 71, fol. 1)

As one of the Library’s most important music collections, the Deneke-Mendelssohn archive is in high demand, not only from music scholars but also from historians researching the many people who corresponded with Mendelssohn and those interested in the Romantic movement more broadly. As Mendelssohn’s talent as an artist becomes better known, the sketchbooks and watercolours are generating considerable interest and, with the recent publication of the first real attempt at a comprehensive list of Mendelssohn’s drawings and paintings{2}, that interest is likely to grow further. In addition to the artwork, other highlights of the collection include the autograph vocal score of Elijah, the Mendelssohns’ Honeymoon Diary, performing materials from the composer’s revival of Bach’s St Matthew Passion and the final autograph score of the Hebrides Overture (a more recent acquisition).

The catalogue now published online in Bodleian Archives & Manuscripts is based on the text of Margaret Crum’s printed catalogue of 1980 and 1983 but incorporates the large number of corrections and amendments made to the reading room copy over many years, principally by the former Music Librarian, Peter Ward Jones (himself a leading authority on Mendelssohn). Other updates have been made (as time has allowed), including descriptions of items acquired since the printed catalogues were published and references to more recent scholarship. It is hoped that the launch of the online catalogue will further raise awareness of the collection and make it easier for scholars and other musicians to discover and access the wealth of fascinating material it contains.

References:

[1] Catalogue of the Mendelssohn papers in the Bodleian Library, Oxford, vols. 1-2, compiled by Margaret Crum (Tutzing: Hans Schneider, 1980-1983); volume 3, compiled by Peter Ward Jones, was published in 1989.

[2] Ralf Wehner, ‘»Mit Deinen Rebusen machst Du uns doch alle zu Eseln«.Zu einigen Bilderrätseln von Felix Mendelssohn Bartholdy’, Mendelssohn-Studien, Bd. 20 (2017), pp. 111-126.

Fig. 5: Sketch of Pozzuoli, Naples (20 May 1831), showing Mendelssohn’s particular skill and love for drawing buildings and boats. He was less good at drawing people! (MS. M. Deneke Mendelssohn d. 3, fol. 3)

Fig. 6: The Château de Chillon (23 Dec 1843). This tiny watercolour by Mendelssohn measures only a few centimetres across (MS. M. Deneke Mendelssohn c. 49, fol. 97). Done from a pencil sketch at MS. M. Deneke Mendelssohn e. 1, fol. 4, made the previous year.

Fig. 7: A particularly fine example of Mendelssohn’s signature, appended to a presentation copy of his Schilflied, dated 24 March 1845 (MS. M. Deneke Menedelssohn c. 101)

Fig. 8: Mendelssohn’s final composition, the Altdeutsches Frühlingslied (‘Old German Spring Song’), written on 7 October 1847. The text alludes to the death of his beloved sister Fanny earlier in the year. Combined with overwork, the shock of her sudden death had sapped him of his strength and he succumbed to his final illness just a few weeks later.

Clarendon Archive: The School Empire-Tour

Between 1926 and 1939, the School Empire-Tour Committee, an offshoot of the Church of England Council of Empire Settlement, organised a series of Empire tours for British public school boys that started with a trip to Australia in 1926 [1], and ended with a tour of Canada in 1939. In between, these tours took groups of young men to South Africa, New Zealand, East Africa, the West Indies, and (twice) to India, and the family archive of the Earls of Clarendon in the Bodleian Library contains what might be a uniquely complete record of one of these India tours.

The Royal Commonwealth Society (RCS) collections at Cambridge University Library hold most of what survives of the School Empire-Tour Committee’s records since most were destroyed when the headquarters of the RCS, then known as the Royal Empire Society, was bombed in 1941. The surviving records include some minute books, reports, correspondence, lists of tours and their participants, and an album with group photographs – but little else, which makes the existence of this small collection in the Clarendon archive a particular treasure.

Lord Hyde's list of souvenirs to buy in India, overlaying his packing list, 1929

Lord Hyde’s list of souvenirs to buy in India, overlaying his packing list, 1929 [click to enlarge]

In the winter of 1929-1930 Lord Hyde, the 23 year-old son and heir of the 6th Earl of Clarendon, acted as the unpaid advance agent for the Committee’s first tour of India, for 27 mainly English public school boys (25 English and 2 from Edinburgh and Duns in Scotland) [2]. The Clarendon archive includes Lord Hyde’s tour memorabilia, photographs, his typed tour report with many useful suggestions for future tours (not least ‘One great thing to avoid…is an early start; the boys sleep like logs’), and even a list of clothes to pack, including ‘trousers, grey flannel’ and ‘ties, black evening’ [3].

It also includes a letter from the Hon. Margaret Mary Best, the Honorary Secretary and beating heart of the School Empire-Tour Committee, commenting in enthusiastic red ink that ‘SOME OF THE DIARIES ARE VERY INTERESTING’, a tantalising reference to what was likely a pile of travel diaries from the boys who participated, subsequently lost in the bombing. She also thanks Lord Hyde for arranging lectures for the party to help them understand what they were seeing, and the papers include notes on Hindu gods and a short ‘Outline of the History of Hindustan, 1000-1761’ (typed on P&O writing paper, so possibly a last-minute research effort, or a relic of lectures offered on the long voyage) as well as numerous printed guides, mainly from the Archaeological Department of H.E.H. The Nizam’s Government, Hyderabad.

The ten week tour was both extensive and exclusive, announced in advance in the newspapers, and well supported by local government officials. Included in the collection is a seating plan for a 9 December 1929 luncheon for the boys at Government House in Calcutta and a souvenir sports programme [4] for an event celebrating the arrival of Maharani Cinakuraja Saheb Scindia, president of the council of regency of the princely state of Gwalior (now in Madhya Pradesh), at Baroda (now Vadodara in Gujarat) on Saturday 1st February, 1930. The sports programme featured a variety of sports, including an elephant race and multiple types of wrestling, with the names of the wrestlers also listed.

An information pamphlet about Darjeeling, from the Indian State Railways publicity department, c. 1929

An information pamphlet about Darjeeling, from the Indian State Railways publicity department, c. 1929

Aside from official events, the group, who travelled for much of their journey on a special passenger train with ‘Empire School Tour’ emblazoned on the side, followed a busy itinerary drawn up by the India Office, staying at private homes, schools, colleges and state guest houses along the way. The official itinerary is not included in the papers but the tour took in some of the tourist highlights of central and northern India, right up to the Himalayas and the frontier with Afghanistan. Lord Hyde kept picture postcards of the Ellora Caves and Daulatabad Fort (in Maharashtra, not too far from Mumbai), as well as Darjeeling in the far north of India, plus a guidebook to the holy city of Varanasi, then called Benares (and, intriguingly, three postcards of Ceylon, although it is unlikely that they sailed to Sri Lanka) as well as colourful timetables and memorabilia produced for tourists by Indian State Railways. Lord Hyde also took some highly evocative photographs, with shots of landscapes and temples and forts (and, of course, the Taj Mahal) as well as group photos of young men in shorts and sun helmets and numerous snaps of the animals they hunted along the way. (Hyde was particularly keen that shooting should be allowed on all future tours: ‘I am quite convinced that without the shooting, the tour might have been regarded as purely an educational one and therefore rather a drudgery’.) [5]

The stated reason for these tours was to interest the boys in the country ‘with a view to their settling in the country’, with the implication that they were being introduced to the dominions that they might administer one day, and indeed one of the boys’ activities was to stay with District Officers in the Punjab to see how the District was managed [6]. Hyde himself came from a family with a long history in the British government and imperial administration. His father, the 6th Earl of Clarendon, was Parliamentary Under-Secretary of State for Dominion Affairs and Chairman of the Overseas Settlement Committee from 1925-1926, and kept a keen eye on the inaugural School Empire Tour to Australia. In December 1929, as Lord Hyde and the boys were starting their India tour, the 6th Earl was selected to be the next Governor General of South Africa. Lord Hyde himself, however, never reached those heights. He died in a shooting accident in South Africa on 27 April 1935, aged 28.


A menu from the Langham Hotel, 10 Oct 1930

A strange, Indian-inspired menu from the Langham Hotel, 10 Oct 1930, featuring ‘Filet de Sole Ganges’ and ‘Haricots Verts au Ghee’, perhaps from a tour reunion meal [click to enlarge]

Footnotes

[1] The director of the first Australia tour, Rev. G.H. Woolley, V.C., M.C., wrote about it in his autobiography Sometimes A Soldier in 1963.

[2] ‘Public school’ means, confusingly enough, an elite private school. The Duns boy, and top of the alphabetical list of tour participants, was J.S. Arbuthnot, of Wedderburn Castle. He was then at Eton but was better known latterly as the Conservative M.P. Major Sir John Sinclair-Wemyss Arbuthnot (1912-1992).

[3] As well as a list of Hyde’s baggage, including ‘1 bag of golf clubs’ and ‘1 cinematograph camera in black case’. Sadly no film survives.

[4] The programme is written in Marathi, with thanks to Emma Mathieson, the Bodleian’s Modern South Asian Studies Librarian, for the translation.

[5] A post-tour letter to Hyde from Dr. M.J. Rendall, the Chairman of the School Empire-Tour Committee, suggests that ‘Drink’ [of some sort] was a problem on the tour, and that the ‘experience of this Tour may lead us to modify our instructions’. Lord Hyde was also clear that he wanted the boys to be better selected for future tours, so it wasn’t an entirely happy holiday. (This was also true of the original Australia tour: one boy had to be sent home early for joy-riding and crashing a £1000 car [Simpson, D (ed.) (1978), ‘The spirit of a lion and the appetite of a robin: Margaret Best and the School Empire Tours’, The Royal Commonwealth Society, Library Notes, New Series no. 226, p.2.])

[6] Although, as Hyde points out, if this was made explicit in India ‘I very much doubt if you would get any co-operation with the Indian schools, for their great object seems to be Indianisation’ and so broadening minds and promoting mutual sympathy was given as the justification instead, although Hyde was sceptical that sympathy had been achieved on either side.

These papers, of the Earls of Clarendon of the second creation, are currently being catalogued and will be available to readers in 2022. This work was funded by the National Heritage Memorial Fund, the Friends of the National Libraries, and the Friends of the Bodleian.

 

New Conservative Party Archive releases for 2021

Conservative Research Department (CRD) briefings on the poll tax, the Gulf War, and the UK’s entry into the Exchange Rate Mechanism (ERM), plans and correspondence surrounding publicity of the poll tax, preparations for local elections and by-elections, and think tank research notes on a range of important topical issues, are among newly-available Conservative Party Archive files released by the Bodleian under the thirty-year-rule.

As in previous years, many of our new releases are drawn from our collections of CRD files, including policy briefings prepared for Members of Parliament, opposition monitoring files, publicity for the poll tax, and preparations for local and by-elections. This year we will also be releasing research notes from the Progress Trust think tank, available to consult for the first time, as well as correspondence, papers and meeting notes from Conservatives in the European Parliament and the Women’s Organisation of the Conservative Party.

This blog post will briefly examine some of the highlights included in the newly-released files, illustrating their value for researchers of the Conservative Party and historians of British political history.

Conservative Research Department Briefings, 1990

This year’s releases under the thirty-year rule include a wide range of policy briefings prepared by the Research Department. These briefings, generally prepared for Conservative MPs and Peers ahead of parliamentary debates, provide an important insight into the Party’s thinking and their strategy when dealing with key issues of the day. Notable subjects covered by the briefings being released this year include the poll tax, the short-lived entrance of the UK into the ERM, and the Gulf War. Among these briefings are also those written by David Cameron as Head of the Political Section of the CRD from 1989 to 1992 (see file CRD/B/23/10 for his Political Information briefs, including handwritten annotations).

A selection of CRD briefings from the Environment file, covering the Community Charge, including answers to topical questions, explanations of the safety net, rebates and transitional relief, and criticisms of Labour policy – CPA CRD/B/11/9.

Other topics included in the briefs from 1990 include the economy, environment, education, foreign and home affairs, and transport, all valuable resources for those studying specific or general aspects of the Thatcher era.

CRD briefing from the Environment file entitled ‘Global Warming and World Climate Change’, including quotes from a speech made by Margaret Thatcher to the United Nations – CPA CRD/B/11/9.

Poll Tax Publicity

The introduction and fall-out from the widely criticised Community Charge (commonly known as the ‘poll tax’) dominated the late Thatcher years, and as a result this year’s de-restrictions contain many files discussing it, providing a fascinating insight into how the Party responded to criticisms and tried to combat the negative electoral impact of the new tax. These files include not only the comprehensive briefings mentioned above, but also Research Department preparation for advertising and party-political broadcasts to promote and provide more information on the poll tax. File CPA CRD 5/10/3 includes various drafts of a proposed local government advertising campaign which was tested using research groups, in the form of propositions with supporting facts. The image below shows an annotated copy of a plan for this campaign, giving historians of this era a useful insight into how the Party viewed misinformation as a key factor in the discontent surrounding the tax, and the methods they used to try and tackle this.

Annotated copy of a proposed local government advertising campaign to combat the negative public opinion of the poll tax – CPA CRD 5/10/3.

Also among newly-available files highlighting the poll tax as a high priority issue during local election campaigning, file CPA CRD 5/17/2/4 comprises drafts of a script for the Local Government Party Political Broadcast on 2 May 1990. The script involves a husband and wife dispelling numerous misconceptions about the poll tax, for instance the husband saying “I thought the whole idea was everybody pays the same” and his wife explaining “That everybody who can pay, pays something, yes. But not all the same. I mean students like young Tom get 80% off their poll tax”.

Local Elections and By-Elections Papers and Briefings

A particularly strong area in this year’s releases are Research Department files on local elections and by-elections in 1990. These files include large briefing packs for local elections, briefings and papers for by-elections, and various correspondence. Such files would be particularly useful for any historians of the specific locations of these by-elections, including Bradford North, Bootle, and Eastbourne, as well as anyone studying the policies of the Thatcher era in general.

Further, the image below demonstrates how these files can give an interesting insight into how the Party prepared for elections in Labour strongholds.

Briefing on ‘Lines to Take’ in the event of different election outcomes, Bradford North By-election file – CPA CRD/5/21/6.

Ebury Research Notes, 1989-1990

A further highlight of the releases this year are the Ebury research notes produced by the Progress Trust think tank. These research notes should prove to be a highly useful resource for historians of the period, with a vast range of topics covered.

The images below give an insight into the types of topics covered by these notes. With the House of Commons being first broadcast to the public in November 1989, the research note on the right gives suggestions as to how MPs should and shouldn’t behave, concluding “In short, forget the traditions of the House of Commons; forget that it used to be your place of work. It is now a place where you are on show. Bad luck.” This file (CPA CTT/PT/4/6/1) also includes notes on a whole host of further topics, such as the poll tax (with research notes on the reasons for unpopularity, possible remedies, and ideas for reforming the poll tax), the popularity of Thatcher, the environment, education, and the economy.

Ebury Research Notes on Nigel Lawson’s Resignation and Televising Parliament – CPA CTT/PT/4/6/1.

These notes also comprise interesting information on relations with Europe, another highly contentious issue of the day. The images below show a research note on the issue of Britain’s membership of, and relationship with, the European Economic Community (EEC), a useful source for anyone studying the history of Britain’s, and the Party’s, relationship with Europe.

Ebury Research Note on Britain’s membership of the EEC – CPA CTT/PT/4/6/1.

Ebury Research Note on Britain’s membership of the EEC – CPA CTT/PT/4/6/1.

All the material featured in this blog post will be made available from 1 Jan 2021. The full list of de-restricted items will be published shortly on the CPA website, where past de-restriction lists from previous years are also available.

Ode to Life! Կենաց – ‘Songs for Christmas’

We are delighted to welcome this beautiful Artist’s Book of Christmas songs into the Bodleian’s collection after its eventful journey to reach the library.

Ode to Life! Կենաց – ‘Songs for Christmas’ has been created by Krikor Momdjian, who is an Armenian visual artist and poet living in the Netherlands. Krikor was one of the finalists in the Bodleian’s competition Redesigning the Medieval Book and this edition has been developed from the manuscript that he entered. He was inspired by an English medieval manuscript of carols in the Bodleian’s collection, which reminded him of the Armenian popular Christmas carols he sang in his youth and the chants he used to sing at Christmas Eve services in the Cathedral of Bethlehem when he was a young seminarian.  The Bodleian’s copy is one of a limited edition of five Leporellos especially meant for museums and unfolds to an impressive 22 metres long.

Krikor had very much wanted to travel from his home in the Netherlands to deliver the book in person but the pandemic meant that this was going to be impossible. He reluctantly decided to post the book and sent it soon after the end of the first national lockdown, but the library building was still closed and the courier was unable to deliver the package. Krikor feared the book might be lost and it took many weeks to slowly wend its way back to the anxious artist through locked down Europe. After the book finally arrived back in the Netherlands, Krikor posted it a second time and, with very fitting timing, this collection of joyous Christmas songs has it has at last made it the library.

Ode to Life! Կենաց – ‘Songs for Christmas’: Cosmological Relations between Colours, Forms and Numbers, reflects the essence of the message of Krikor’s artistic creations in images and words. It is above all a celebration of life in an attempt to bring us human beings near to the notion of the Divine. Life is cherished and celebrated in its constant renewal, an idea which is at the core of Krikor’s work and philosophy of life. The whole book is full of  ‘Songs for Christmas’, poems that came to Krikor in the English language, which he also then wrote down in Armenian (his mother tongue). He combined the poems with images (etchings, monotypes), revealing their interaction with colours and forms and numbers, reflecting the development of his philosophy as an artist over the forty years since he first settled in the Netherlands.

Our grateful thanks to Krikor for this wonderful Christmas gift to the library.

 

Protest in the archives: The history of anti-black protest in Oxford’s History

The thing that drew me to this internship was the opportunity to redefine and recapture black history at Oxford. A part of a joint project with the Museum of Oxford, the internship allowed me to explore the varied history of political activism in anti-black discrimination. It also gave me the chance to reinstate black political actors into the conversation of anti-racism and recognise their work and importance in the progress we have made so far and how they have inspired us to continue this work.

THE UK IS NOT INNOCENT, MS. 18592/13, item 6

THE UK IS NOT INNOCENT, MS. 18592/13, item 6

For my research I focused on the idea of ‘Protest, Power and Posters’, identifying how the art and cultural medium of posters and other types of ephemera highlight and capture contemporary race issues. Furthermore, how certain themes and messages in these ephemera have sustained and been reproduced throughout Oxford’s history of protest all the way to the present. I was able to look through the Anti-Apartheid Movement (AAM) archives, the Joint Action Commission Against Racial Intolerance (JACARI) archives and Rhodes Must Fall 2.0 posters from this summer.

A theme that I also wanted to highlight within my research was British complicity in the mistreatment of black individuals.

The poster above, created for a 2020 Black Lives Matter protest in Oxford, details black British individuals who have had their lives taken by violence and institutional brutality. I was particularly drawn to this poster, as it forces us to recognise a global issue or an ‘American’ issue as a national and local one as well, instead of painting Britain as a society where anti-blackness doesn’t exist.

JACARI Lunchtime Meetings poster, John Johnson Collection, Oxford Union Societies box J5

JACARI Lunchtime Meetings poster, John Johnson Collection, Oxford Union Societies box J5

An episode of Oxford’s race history that really interested me was the ‘Colour Ban’ in the 1950s and 1960s, enacted on POC (people of colour) Oxford students. This was brought to the public’s attention as JACARI, the largest student organisation at that time, published a report in 1963. This report featured the statistic that 62% of landladies had stated that they would not lodge African/Asian students. The poster on the right advertises a lunchtime discussion group to discuss this matter alongside other issues associated with race relations such as Fascism in Britain. Both of these posters highlight the need to continue to address Britain’s own race issues as part of global anti-blackness and not cast them aside as an American problem.

 

 

Xaira Adebayo, Summer Intern 2020, Bodleian Libraries and Museum of Oxford

UK Web Archive mini-conference 2020

On Wednesday 19th November I attended the UK Web Archive (UKWA) mini-conference 2020, my first conference as a Graduate Trainee Digital Archivist. It was hosted by Jason Webber, Engagement Manager at the UKWA and, as normal in these COVID times, it was hosted on Zoom (my first ever Zoom experience!)

The conference started with an introduction and demonstration of the UKWA by Jason Webber. Starting in 2005 the UKWA’s mission is to collect the entire UK webspace, at least once per year, and preserve the websites for future generations. As part of my traineeship I have used the UKWA but it was interesting to hear about the other functions and collections it provides. Along with being able to browse different versions of UK websites it also includes over 100 curated collections on themes ranging from Food to Brexit to Online Enthusiast Communities in the UK. It also features the SHINE tool, which was developed as part of the ‘Big UK Data Arts and Humanities’ project and contains over 3.5 billion items which have been full-text indexed so that every word is searchable. It allows users to perform searches and trend analysis on subjects over a huge range of websites, all you need to use this tool is a bit a Python knowledge. My Python knowledge is a bit basic but Caio Mello, during his researcher talk, provided a useful link for online python tutorials aimed at historians to aid in their research.

In his talk, Caio Mello (School of Advanced Study, University of London) discussed how he used the SHINE tool as part of his work for the CLEOPATRA Project. He was specifically looking at the Olympic legacy of the 2012 Olympics, how it was defined and how the view of the legacy changed over time. He explained the process he used to extract the information and the ways the information can be used for analysis, visualisation and context. My background is in mathematics and the concept of ‘Big Data’ came up frequently during my studies so it was fascinating to see how it can be used in a research project and how the UKWA is enabling research to be conducted over such a wide range of subjects.

The next researcher talk by Liam Markey (University of Liverpool and the British Library) showed a different approach to using the UKWA for his research project into how Remembrance in 20th Century Britain has changed. He explained how he conducted an analysis of archived newspaper articles, using specific search terms, to identify articles that focused on commemoration which he could then use to examine how the attitudes changed over time. The UKWA enabled him to find websites that focused on the war and compare these with mainstream newspapers to see how these differ.

The Keynote speaker was Paul Gooding (University of Glasgow) and was about the use and users of Non-Print Legal Deposit Libraries. His research as part of the Digital Library Futures Project, with the Bodleian Libraries and Cambridge University Library as case study partners, looked at how Academic Deposit libraries were impacted by e-Legal Deposit. It was an interesting discussion around some of the issues of the system, such as balancing the commercial rights with access for users and how highly restrictive access conditions are at odds with more recent legislation, such as the provision for disabled users and 2014 copyright exception for data and text mining for non-commercial uses.

Being new to the digital archiving world, my first conference was a great introduction to web archiving and provided context to the work I am doing. Thank you to the organisers and speakers for giving me insight into a few of the different ways the web archive is used and I have come away with a greater understanding of the scope and importance of digital archiving (as well as a list of blog posts and tutorials to delve into!)

Some Useful Links:

https://www.webarchive.org.uk/

https://programminghistorian.org/

https://blogs.bl.uk/webarchive/2020/11/how-remembrance-day-has-changed.html

http://cleopatra-project.eu/

 

John Hungerford Pollen: Family

This is the last in a series of five blog posts to mark the bicentenary of John Hungerford Pollen whose archive has recently been acquired by the Bodleian Libraries.

This week’s blog posts on John Hungerford Pollen would not be complete without mentioning one very important aspect to Pollen’s life: his family. As we have seen, in September 1855, Pollen married Maria LaPrimaudaye in Woodchester Priory, Stroud, Gloucestershire. Maria was likewise interested in the decorative arts and, in later life, would become an expert in lace, publishing Seven centuries of lace in 1908. Maria looked back at their relationship a few years later and neatly summed up their characters:

I have often thought that my husband’s high-mindedness and singleness of purpose, together with a most resolute will, and almost incredible indifference to pain, discomfort or any of the minor troubles of life, clearly show the likeness to his Roman ancestor, just as my natural levity and high spirits and over-sensitiveness to trifles are excused, I hope, by my French descent. (1)

  J.H. Pollen, sketch of Maria Pollen, 10 Nov 1862, sketchbook (left) and photograph of Maria Pollen, n.d., by unknown photographer, photograph album (right), Bodleian Libraries, Pollen archive, currently uncatalogued

In 1858, the Pollens moved to 11 Pembridge Crescent, Bayswater, which became their London home for the rest of their married life. They were to have ten children all together, two girls and eight boys (2):

  • Anne Gertrude Mary Pollen (1856-1934)
  • John Hungerford Pollen (1858-1925)
  • Walter Michael Hungerford Pollen (1859-1889)
  • Anthony Cecil Hungerford Pollen (1860-1940)
  • Francis Gabriel Hungerford Pollen (1862-1944)
  • George Charles Hungerford Pollen (1863-1930)
  • Margaret (‘Daisy’) Winifred Pollen (1864-1937)
  • Arthur Joseph Hungerford Pollen (1866-1937)
  • Stephen Hungerford Pollen (1868-1935)
  • Clement Hungerford Pollen (1869-1934)

The children frequently appear throughout Pollen’s sketchbooks, one of which is dedicated to ‘Babies 1866’.

    

J.H. Pollen, sketches of Francis Gabriel Hungerford Pollen (‘tell me about the wolf’), 22 April 1866 and Anthony Cecil Hungerford Pollen, 7 December 1866, sketchbook, Bodleian Libraries, Pollen archive, currently uncatalogued

J.H. Pollen, sketch of Anne Gertrude Mary Pollen, 8 October 1876, sketchbooks, Bodleian Libraries, Pollen archive, currently uncatalogued

Between 1871 and 1875, to keep costs down, John and Maria decided to take their children abroad to be educated. They spent five years living in an old house in Munster, Westfalia, where the children could have a good Catholic primary education more cheaply than could be found in England. When the youngest child (Clement) was six years old, the family permanently moved back to England and divided their time between London and Newbuildings, the house in Sussex they rented from Pollen’s good friend Wilfred Scawen Blunt. Maria would look back very fondly to the happy and content years when all the family were together at Newbuildings:

…to my children love of home and all that that word means is signified by the word ‘Newbuildings’ and none other… (3)

Newbuildings Place, one mile north of Dragons Green, West Sussex, seen from the east, 2016, originally posted on Wikimedia Commons by Antiquary (CC BY 4.0)

Back in England, the boys went on to study at Newman’s Oratory School in Edgbaston, Birmingham. Pollen’s eldest son and namesake, John Hungerford, became a Jesuit priest and historian. He was asked to draw together the history of the order in England and is consequently credited with being a key person in the history of the order’s archives. His brothers Anthony Cecil and George Charles also entered the priesthood: Anthony became a noted composer and George, who had a keen interest in chemistry and geology, became a Fellow of the Geological Society.

Walter became a soldier and became ADC to Lord Ripon, Viceory of India between 1883 and 1884 (when Pollen was Lord Ripon’s private secretary). Walter became part of the Survey of India Department between 1884 and 1887, though he was invalided out due to fever. He returned to the east in 1888 and became Survey Officer to the Lushai Expedition in early 1889, but died of fever in Chittagong in March that year. Stephen likewise became a soldier and also served as ADC to two successive Viceroys in India (Lord Lansdowne and Lord Elgin) before serving in the South African campaign. Francis became a naval officer who fought in the war in Sudan between 1884 and 1885. He became part of the Naval Brigade in the Gordon Relief Expedition in Burma in 1886. Both Francis and Stephen retired in 1902, but returned to service during the First World War. Arthur struck out a different career to his siblings, training as a barrister and becoming a businessman, inventor and journalist. Anne, who published a memoir of her father in 1912, entered a religious community and became a nun.

J.H. Pollen, sketch of family at Newbuildings, 27 August 1880, sketchbook, Bodleian Libraries, Pollen archive, currently uncatalogued

In the days before his death, Pollen celebrated his 82nd birthday together with his family in Pembridge Crescent, having lived long enough to see the foundation stone being laid for the new Victoria and Albert Museum over three years earlier.(4) Whilst Pollen’s career was certainly varied, his interest for art, design, and architecture never wavered and his steadfast commitment to his religious faith, his friendships, and his family never failed. The final word in his daughter Anne’s memoirs of her father was left to Sir George Birdwood:

From Anne Pollen, John Hungerford Pollen, 1820-1902 (London, 1912), p.388.

-Rachael Marsay


References

1) A note on Newbuildings by Maria Pollen, 1914, unpublished, Bodleian Libraries, Pollen archive, currently uncatalogued.
2) According to Anne Pollen, a further child, the Pollen’s youngest son Benjamin Hungerford Pollen, died an infant in 1875. Anne Pollen, John Hungerford Pollen, 1820-1902 (London, 1912), p.372.
3) A note on Newbuildings by Maria Pollen, 1914
4) Anne Pollen, John Hungerford Pollen, p.369.

John Hungerford Pollen: Friendships

Today marks the bicentenary of John Hungerford Pollen’s birth. This is the fourth in a series of five blog posts to mark the bicentenary of John Hungerford Pollen whose archive has recently been acquired by the Bodleian Libraries.

One constant theme throughout John Hungerford Pollen’s life was the ease with which he made friends and the long term commitment that came with Pollen’s friendship. In return, Pollen was offered several life-changing opportunities and we have already seen in this blog series how John Henry Newman and William Makepeace Thackeray both influenced the direction of Pollen’s career. In today’s blog post, we will see how two other friendships changed the course of Pollen’s life.

George Frederick Samuel Robinson, 1st Marquess of Ripon and 3rd Earl de Grey, by George Frederic Watts, oil on canvas, 1895, NPG 1553 © National Portrait Gallery, London (CC BY-NC-ND 3.0)

In 1867, Pollen resigned his post at the South Kensington Museum when he was invited to become private secretary to Lord Ripon (1827-1909). Ripon was a fellow Catholic convert and became one of Pollen’s closest friends in later life. In 1880, Ripon was appointed Viceroy of India, a position he was to hold for four years. Though Pollen remained in London during most of this period, he visited India towards the end of the Viceroyalty in 1884. Whilst in India, Pollen commissioned exhibits for the Colonial and Indian Exhibition of 1886 and also advised the Maharaja of Kuch Behar [Cooch Behar] on the decoration of his palaces.

J.H. Pollen, sketches of Delhi, 17 November 1884 and of elephants, sketchbooks, Bodleian Libraries, Pollen archive, currently uncatalogued

In 1902, Lord Ripon wrote of Pollen:

To me, he was a very dear friend, whose association with me had made me intimately acquainted with all the qualities of his admirable character; so gentle, and yet where matters of principle were concerned so firm… so perfect a gentleman and so good a man, that he won not only the sincerest respect, but the truest affection of all who knew him. (1)

The poet and writer Wilfrid Scawen Blunt (1840-1922) was a longstanding friend of Pollen’s wife’s family, the LaPrimaudayes, having first made their acquaintance as a child in Italy in 1852; after his marriage to Maria LaPrimaudaye, Pollen also became one of Blunt’s good friends. Anne, Blunt’s wife, was the daughter of William King, 1st Earl of Lovelace, and the Hon. Augusta Ada Byron (the pioneering mathematician now known more familiarly as Ada Lovelace). The Blunts owned Newbuildings Place in Sussex and in 1875 they leased it to the Pollen family who had by now expanded their brood to ten children.

Sketch of Ashley Combe, Porlock, Somerset (house belonging to Ada Lovelace), 1851, sketchbook, Bodleian Libraries, Pollen archive, currently uncatalogued

In 1886, Pollen became caught up with Blunt’s campaign for Home Rule in Ireland and when Blunt stood as a Liberal at Kidderminster, Pollen accompanied him during his election campaign (like Blunt’s other attempts to sit for Parliament, it was unsuccessful). Things were, however, to take a serious turn in October 1887 when Blunt chaired an anti-eviction meeting in Woodford in Galway which had been expressly banned by Arthur Balfour, the Irish chief secretary. Blunt was subsequently arrested and tried at Portumna, receiving a sentence of two month’s imprisonment with hard-labour. Pollen was there throughout the trial and Blunt would later remark that Pollen ‘was a very staunch friend to his friends’. (2)

Wilfrid Scawen Blunt by Alexander Bassano, albumen carte-de-visite, circa 1870, NPG x1375 © National Portrait Gallery, London (CC BY-NC-ND 3.0)

The Pollens rented Newbuildings until 1889, when relations between the two families irretrievably broke down (Blunt’s daughter Judith had accused Pollen’s sixth son, Arthur Joseph Hungerford Pollen, of over-familiarity). Nevertheless, the friendship between Blunt and Pollen appears to have transcended even this disagreement.

J.H. Pollen, sketch of Newbuildings, May 1882, sketchbook, Bodleian Libraries, Pollen archive, currently uncatalogued

Tomorrow’s blog post is the last in this series and will focus on those closest to Pollen: his family.

-Rachael Marsay


References

1) Anne Pollen, John Hungerford Pollen, 1820-1902 (London, 1912), p.325.
2) Ibid, p.346.

Common Threads: From Past to the Present

The race and diversity narratives project with the Bodleian Libraries and the Museum of Oxford allowed me to explore a crucial aspect of the city of Oxford and its inhabitants. For my research I looked at the Anti-Apartheid Movement (AAM) archives, dating back to the 1960s, directly in correlation with the contemporary Rhodes Must Fall (RMF) 2.0 protests from summer and the global Black Lives Matter movement.

MSS. AAM 607. Reproduced with the permission of the Anti-Apartheid Movement Archives Committee.

MSS. AAM 607. Reproduced with the permission of the Anti-Apartheid Movement Archives Committee.

It was fascinating to trace the common elements between these two historical protests that the city of Oxford has witnessed. The simple but powerful Black Power Fist signifies just how connected the movements are. A poster from the 1980s for ‘End Repression in South Africa’ depicts a man raising his fist and can be directly compared with a picture from 2020 RMF movement and a protestor using the same powerful symbol.

Beyond significant symbols, the city as a space, the involvement of the students and city dwellers together, all become a part of the continued common history.

‘Rhodes Must Fall’ in Oxford, June 2020.

‘Rhodes Must Fall’ in Oxford, June 2020.

The AAM archives hold several letters and correspondences between the local chapter and the national one, between AAM and Oxford citizens who want to be more involved and supportive of the movement, minutes and proceedings of Oxford City Meetings and AAM meetings. The call for protests above is similar to the calls we send out today, the method of dissemination might have evolved, the sentiment remains the same – to unify and stand together.

One particular incident that stood out to me was the boycott of the Apollo Theatre during the Christmas of 1987 because the theatre starred Marti Caine, an actress who said: ‘The best thing we can do for the blacks is send them back into the jungle to recover their culture.’ The protest and the boycott led to Caine issuing a public apology and signing the AAM petition. Caine and Rhodes, Apollo Theatre and Oriel College, these are not the same issues, but similar in how spaces and people come to represent ideologies, often extremely problematic ones, but simultaneously how a unified stand against such ideas brings them down.

The idea of common elements or ‘threads’ between the two protests, for me, reflects how the fight for racial equality is an ongoing conversation and struggle but it has multiple sides to it. While the positives show that the people of Oxford have time and again stood up against the injustice, the counter-question becomes why have these injustices continued well into the 21st century? A critical exploration of archives at the Bodleian relating to the city of Oxford allowed me to ask these questions while contributing to and continuing the conversation. It is perhaps in these historically extending common threads across the decades that the meaning of ‘a movement and not a moment’ truly shines through as minority identities continue their struggles against historical and contemporary injustices.

MS. 18592/3, item 6.

MS. 18592/3, item 6.

Devika
Summer Intern 2020, Bodleian Libraries and Museum of Oxford
MPhil Modern South Asian Studies (2019-2021), St Antony’s College, University of Oxford

 

John Hungerford Pollen: Art, design, and architecture

This is the third in a series of five blog posts to mark the bicentenary of John Hungerford Pollen whose archive has recently been acquired by the Bodleian Libraries.

Pollen’s interest in architecture can be seen throughout his sketchbooks: here showing a sketch of Cefnamwlch House and garden, 2 October 1851 [above] and of Longleat from the garden, 14 September 1852 [below], Bodleian Libraries, Pollen archive, currently uncatalogued

In 1857, John Hungerford Pollen moved to London with his small family (now consisting of his wife, Maria, and their eldest child, Anne Gertrude Mary, who was born the previous year). This was to prove crucial in Pollen’s burgeoning career in art, design, and architecture, encouraged by his uncle, Charles Robert Cockerell, the architect of the Ashmolean Museum in Oxford.

In London, Pollen soon joined the newly formed Hogarth Club, founded by notable members of the Pre-Raphaelite Brotherhood, which counted among its members Dante Gabriel Rossetti, William Morris, Edward Burne-Jones, William Holman Hunt, and John Ruskin. Though the Hogarth Club was short lived, the friendships he made lasted throughout his life. Pollen’s daughter Anne sat for Burne-Jones and appears in his 1884 painting King Cophetua and the Beggar Maid.

Through John Ruskin, Pollen was commissioned in 1858 to design the carvings for the façade of the new University Museum of Natural History in Oxford. The museum’s founders and the architect, Benjamin Woodward, were inspired by the Pre-Raphaelite movement and employed some of the finest artists and craftsmen of the day to work on the building. In the summer of 1858, Ruskin also commissioned Pollen to work on the mural decoration of the Oxford Union library alongside fellow artists Dante Gabriel Rossetti, Edward Burne-Jones, and William Morris, depicting scenes from Arthurian myth.

John Hungerford Pollen’s original design for the main entrance, c.1860
© Oxford University Museum of Natural History

More commissions were to follow in the 1860s and 1870s, which proved very productive decades for Pollen. His association with the architect Benjamin Woodward continued when he designed rooms for James Anthony Lawson’s new house, Clontra, near Dublin and a picture gallery for the Marchioness of Ormonde at Kilkenny Castle. Among many other commissions, he also designed interiors at Blickling Hall, Aylsham for William Kerr, eighth Marquess of Lothian, and designed the fresco decoration at Alton Towers for the Earl of Shrewsbury.

Pollen’s knowledge and interest in art and design also led to his appointment as one of the jurors for the International Exhibition held in London in 1862. The following year, at the suggestion of his friend William Makepeace Thackeray, he was appointed by Sir Henry Cole as Assistant Keeper at the South Kensington Museum (now the Victoria and Albert Museum), which had opened on the present site in 1857. As Assistant Keeper, Pollen produced catalogues of furniture, sculpture, and metalwork.(1) He also taught in the Government School of Design and submitted entries to the Encyclopædia Britannica.

Pollen’s daughter Anne would later write about his time at the South Kensington Museum in her biography:

…from 1864 until the last few years of his life, travelling became a duty. His connection with the South Kensington Museum necessitated an average of at least two yearly journeys for the acquisition of objects by purchase or loan; nor was he ever without one or more private commissions to furnish houses or rooms, to add to collections of china, to procure old hammered iron, tapestry, hangings, or what not; to give an opinion as to the authenticity of pictures, or their value…

He negotiated the removal of whole rooms, with their fittings and furniture, to South Kensington, or he procured casts of sculptures and mouldings, so that during the whole time of his connection with the museum it was increasing in representative completeness, and that at a money cost to the nation comparatively trifling.

He was acquainted with shops and dealers, private collectors, connoisseurs, of all nations; retaining an opinion that London was after all the best place for purchase, if you knew where to go. Hunting here and there, he was able to acquire easily many beautiful and valuable things. (2)

J.H. Pollen, various sketches of coats of arms and decorative carved devices, one labelled ‘SKM’ (South Kensington Museum), sketchbooks, Bodleian Libraries, Pollen archive, currently uncatalogued

Pollen continued to be internationally recognised in other ways: he was a juror for the International Exhibition in Dublin (1865) and also for the Exposition Universelle in Paris (1867), where he was awarded a gold medal for the first part of his ‘Universal catalogue of books on art’.

In 1876, Pollen resigned his post as Keeper at South Kensington Museum and embarked upon the next chapter of his varied career, which will be explored in tomorrow’s blog post.

-Rachael Marsay


References

1) A copy of John Hungerford Pollen’s Gold and Silver Smiths’ Work (South Kensington Museum Art Handbooks, London, 1879) is available to view online].

2) Anne Pollen, John Hungerford Pollen, 1820-1902 (London, 1912), p.308-309.