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Percy Manning catalogue

The new catalogue of the Percy Manning collection is now available online.

Percy Manning centenary poster

Manning centenary

Percy Manning was a historian, folklorist and archaeologist with a special interest in Oxfordshire. When he died in 1917 he bequeathed his extensive collection to the Bodleian Library, the Ashmolean Museum and the Pitt Rivers Museum. It includes not only his own research notes and books on Oxfordshire history but also his personal collection of everything from medieval manorial records to watercolour paintings by established artists to actual archaeological finds (the archaeological papers went to the Ashmolean, and the artefacts to the Pitt Rivers). It’s a fascinating collection, full of hidden and forgotten histories as well as beautiful paintings and drawings of buildings and views across Oxfordshire which date back to the eighteenth century.

Created with the financial support of the Marc Fitch Fund, this new finding aid brings together all our existing descriptions of the Percy Manning archive, which were previously scattered across a variety of book, manuscript, map and even music catalogues. It also allowed us to do something new: to list all the Oxfordshire places that are named or referenced in the collection, whether it’s a manorial map of Bladon, or a snippet of folklore from Bicester. If you live in Oxfordshire, try searching for your town, village, or city, and see what you can find!

Oxford is celebrating Percy Manning’s centenary this spring with an array of events and activities including (but not limited to!) an exhibition in the Weston Library, a study day on 18 February at the Oxford University Department of Continuing Education, a lecture at the Weston on 22 March, a museum trail at the Pitt Rivers Museum, an Ashmolean showcase of Percy Manning’s archaeological finds and a City Museum exhibition on Mummers and Maypoles. Other events include the unveiling of a blue plaque, family activities, music workshops, and a Centenary Celebration Concert with Magpie Lane and the Headington Quarry Morris Dancers. Full listings are available at the Folk in Oxford website.

‘We used to correspond’: the letters of Barbara Pym and Philip Larkin

A reading of the letters of Philip Larkin and Barbara Pym by Oliver Ford Davies and Triona Adams, with an introduction by Anthony Thwaite, OBE.

Date: 10 December 2016, 6.00pm – 8.00pm

Venue: Blackwell Hall, Weston Library, Broad Street, Oxford, OX1 3BG

When Philip Larkin first wrote to Barbara Pym in 1961 it was the minor poet approaching the celebrated novelist. While their literary fortunes were to change dramatically the correspondence and the friendship remained steady over nearly 20 years. Highly entertaining, fascinating and often deeply moving, the Pym-Larkin letters tell the story of an extraordinary relationship between two very different characters united in their passion for the written word and of fall and rise of a literary career.

Tickets cost £20, including refreshments.

To book please contact the Friends of the Bodleian Administrator on 01865 277234 or at fob@bodleian.ox.ac.uk.

Further details at http://www.bodleian.ox.ac.uk/bodley/friends/fob-events/2016/we-used-to-correspond

Norman Heatley Lecture, 2016

On the 1st of November, Jeremy Farrar, the director of the global medical research charity the Wellcome Trust and a former professor of tropical medicine at the University of Oxford, came to the Weston Library to deliver the annual Norman Heatley Lecture which this year celebrated the 75th anniversary of the first clinical trials of penicillin in Oxford in 1941.

Norman Heatley (and cat) with one of his original ceramic penicillin culture vessels

An older Norman Heatley (and cat) with one of his original ceramic penicillin vessels – a modified bed pan. Image from penicillinstory.org.

In those very early days penicillin was enormously difficult to make, both unstable and finicky to extract. So difficult, in fact, that the patient in one of the very first clinical trials, a policeman called Albert Alexander, died when they ran out of the drug only five days into his treatment. It was Norman Heatley, who worked at Oxford’s Sir William Dunn School of Pathology alongside Howard Florey and Ernst Chain, who was the practical genius who invented the tools and techniques which made it possible to extract and purify penicillin in a large enough quantity to reliably use on humans.

In this year’s Norman Heatley Lecture – “1941 to 2041– a changing world” – Jeremy Farrar focused on the astonishing advances in global health care in the 75 years since the development of penicillin, but also on some of the challenges that we now face. Those challenges include ever more antibiotic resistance; the greater likelihood of global pandemics as more people travel further, more quickly; and the sharp increase we’ve seen in the amount of time it takes to get from the research stage to a workable, useable drug.

Technicians making penicillin in the Sir William Dunn School of Pathology, University of Oxford, using Norman Heatley's modified bedpans, 1941.

Two technicians extracting penicillin in the Sir William Dunn School of Pathology, University of Oxford, using Norman Heatley’s modified bedpans, 1941.

To accompany the lecture a small display in the Weston Library’s Blackwell Hall featured items from the Bodleian’s important collection of documents from the early years of antibiotics, including this photograph of two of the “pencillin girls” (Ruth Callow, Claire Inayat, Betty Cooke, Peggy Gardner, Megan Lankaster and Patricia McKegney) who were recruited to make enough of the drug for clinical trials.

New catalogue: The Past & Present Society

the Past & Present Society website

The Past & Present Society website

The catalogue of the archive of the Past & Present Society is now available online. The Oxford-based Society was founded in 1952 in order to publish the history journal Past & Present, which it continues to do, while also running its own history book series and conferences, and appointing two post-doctoral fellows every year.

The archive covers the period 1952-2011 and mainly comprises peer review comments on submitted articles, as well as papers relating to books published by the society and the organisation of annual history conferences and research seminars, plus administrative papers for the Society itself and for the journal. The archive will be most relevant to researchers interested in twentieth-century historiography and academic publishing.

 

Foot-men

Statues from Villa dei Papiri in Ercolano. By Marie-Lan Nguyen (2011). Wikicommons.

Statues from Villa dei Papiri in Ercolano. By Marie-Lan Nguyen (2011). Wikicommons.

20 September 1720

“Yesterday was a great foot-race at Woodstock, for 1400 libs, between a running footman of the duke of Wharton’s, and a running footman of Mr. Diston’s, of Woodstock, round the four mile course. Mr. Diston’s man being about 35 years of age (and the duke’s about 45) got it with ease, outdistancing the duke’s near half a mile. They both ran naked, there being not the least scrap of anything to cover them, not so much as shoes and pumps, which was looked upon deservedly as the height of impudence, and the greatest affront to the ladies, of which there was a very great number.”

–A transcript from “Reliquiae Hearniane, ii. 112″ in Percy Manning’s volume of notes on sports and pastimes in Oxfordshire (Weston Library, MS. Top. Oxon. d. 202).

 

This blog post is written as part of our project to increase the accessibility of the Bodleian's Percy Manning holdings in the run up to the centenary of Manning's death in 2017. We are grateful to the Marc Fitch Fund for its generous support of this project.

Hot air ballooning

Here’s how you make a hot air balloon:

Take 23 yards of red and white persian silk, and sew them together in alternate strips.

Then mix:

Boil for about an hour over a slow fire, strain when cool, and mix with an ounce and a half of spirits of turpentine.

Use this mixture to varnish and seal the seams of the balloon.

Create gas to fill your balloon by combining 19 pounds of iron filings, 40 pounds of concentrated vitriolic [sulphuric] acid, and five times as much water in a barrel which is connected by a copper siphon to another barrel that is nearly filled with water. Connect that barrel to the balloon itself by a long metal tube.

(Avoid fire at all costs. And beware explosions.)

Continue reading

Oxfordshire folklore

A hedgehog

A very lean hedgehog, by erinac@eus – own work, Public Domain

Did you know that the fat of a hedgehog can cure deafness? Or that killing a black beetle brings on rain? Or that you should spit on the ground if you pass a pair of grey horses? Or that you can cure cramp by tucking some brimstone under your pilow?

So say the people of Oxfordshire, as recorded by Percy Manning, an antiquarian and archaeologist, in the early twentieth century.

These charms against illness and bad luck are from a series of folklore notes  which cover topics ranging from animals to ghosts, omens, weather maxims and witches, altogether a wonderful compendium of wit, wisdom, magical thinking and superstitions in Oxfordshire.

If you’d like to read them for yourself, they can be found in the Percy Manning archive at the Bodleian Library at MSS. Top. Oxon. d. 190-192.

This blog post is written as part of our project to increase the accessibility of the Bodleian's Percy Manning holdings in the run up to the centenary of Manning's death in 2017. We are grateful to the Marc Fitch Fund for its generous support of this project.

Executions in Oxford

Another snippet from the Percy Manning archive, this time from his ‘Oxford Collections’ scrapbooks which contain notes, newspaper clippings and assorted ephemera on topics ranging from Academic Halls to Earthquakes to Knucklebone Floors, to Lady in the Wall to …. Well, it’s wonderfully diverse!

This one is a simple clipping from the Oxford Times of 21 July 1888, and a chilling reminder of where the saying ‘you might as well be hung for a sheep as a lamb‘ comes from. A compendium of executions carried out in Oxford between 1778-1888, it lists 44 men and their capital crimes, which range from murder to… sheep-stealing.

A list of executions in Oxford, 1778-1888, from MS. Top. Oxon. d. 180, fol. 69.

Executions in Oxford, 1778-1888, from MS. Top. Oxon. d. 180, fol. 69 – click to enlarge

John Grace, John Cox and Richard Cox were executed on the 27th of March 1786 for stealing sheep (joined at the gibbet by Miles Ward, whose crime was robbing Magdalen College, Oxford); Jessie Wiggins was executed for stealing sheep on the 24th of March 1801 and Richard Wiggins (a relative?) on the 2nd of August 1818. There are five horse thieves too, the last of whom was executed as late as 1827, after which the list of crimes men are executed for narrows sharply to highway robbery, arson and murder.

It’s perhaps interesting that no women were executed – it’s likely that they were transported instead – although one woman is listed, poor Mrs. Barmister, whose husband James was executed for her murder on the 10th of July 1815.

The list also includes Thomas White, who robbed Blenheim House (Palace?), and Charles Walter Wyatt, the postmaster of Witney, whose crime was stealing money from his customers’ mail. They were executed together at Oxford Castle on the 6th of August 1787 in front of ‘a prodigious assemblage of spectators’. Manning’s scrapbook includes a description of their deaths copied from Gentleman’s Magazine.

A description of the execution of Thomas White and Charles Walter Wyatt, from MS. Top. Oxon. d. 180, fol. 68.

The execution of Thomas White and Charles Walter Wyatt, from MS. Top. Oxon. d. 180, fol. 68 – click to enlarge

These two particular deaths were notable because they were executed

…according to a new mode, the more sensibly to affect the prisoners who were made spectators of the melancholy catastrophe

Literally spectators – their fellow prisoners were compelled to stand near the gallows and watch. And then

the cords were fixed, the caps pulled over their faces & in little more than 2 minutes having themselves requested dispatch, the platform sunk & the unhappy wretches were launched into eternity

Unfortunately though, it looks like the Oxford Times list of 1888 is incomplete. The Oxfordshire History Centre has a fuller list here (taken from Oliver’s City of Oxford Almanack, 1929) and it adds more sad detail, including more sheep and horse thieves like Joseph Wren, aged only 17, who was executed in March 1783 for stealing a horse, bridle and saddle. And William Bowler, aged 23, executed in the same month for stealing a single sheep. Yes. Just one.

Using the Oxfordshire Record Office list for the period 1778 to 1836, I tallied:

  • 1 execution for forgery
  • 2 for arson
  • 5 for murder
  • 14 for stealing a horse or sheep
  • 16 for every other kind of theft, including burglary and highway robbery

After 1836 people were executed for murder alone, 13 more executions up to 1921. 18 murders in 144 years seems like quite a small number, somehow (perhaps I’ve been watching too much Morse). Then again, nobody in these lists is being executed for manslaughter or any other killing offence. In Oxford’s courts, it seems, ending somebody’s life really did mean less risk to your neck than nicking that proverbial lamb. Grim.

This blog post is written as part of our project to increase the accessibility of the Bodleian's Percy Manning holdings in the run up to the centenary of Manning's death in 2017. We are grateful to the Marc Fitch Fund for its generous support of this project.

Lizzie Bennett – Blacksmith

Percy Manning (1870-1917), an Oxfordshire antiquarian, archaeologist, and local historian, bequeathed his collection of drawings and prints, photos and detailed notes on everything from sports and pastimes to local folklore (and much more besides) to the Bodleian Library, while his archaeological collections went to the Ashmolean and Pitt Rivers Museums.

To mark the upcoming centenary of his death, the Bodleian is contributing to a mapping project that will pinpoint these collections against the places they relate to, and this involves adding more details to our existing catalogue.

This collection is full of delights, from 18th-century prints of rural idylls that are now thoroughly built-up Oxford suburbs to detailed notes on Oxfordshire dialect words and obscure local festivals.

Elizabeth Bennett, blacksmith, in a 1708 manuscript account of works at Blenheim Palace, Woodstock, MS. Top. Oxon. c. 230, fol. 45v.

MS. Top. Oxon. c. 230, fol. 45v – Click to enlarge

And this pleasing thing, the last entry in a 1708 account book that records building and landscaping work done on the then-unfinished Blenheim Palace in Woodstock, Oxfordshire, only 3 years into what would be an eyewateringly expensive 29-year construction project.

An account of blacksmithing work done in December 1708 by Eliz[abeth] Bennett at Blenheim ‘Castle’, her job included making 32 dozen holdfasts for the joiners (at 2 shillings a dozen), making new handles for three saws, mending a pump in the meadows, and making wedges and clouts (patches or plates) used in the stairs. But in addition to making items for a fixed price, she also charged for work by the pound weight. Twenty five pounds of iron works for a grindstone at 4 pence a pound earned her 8s 4d (100 pence total) and 31 pounds of wedges and clouts, also at 4 pence a pound, made her 10s 4d.

The total for what would have been several days or weeks of highly skilled work? 4 pounds, 17 shillings, 2 pence. Not bad at all if you compare it to a female servant’s income at about that time – maidservant Sarah Sherin made £4 a year in 1717, while in the farming world, a female labourer called Goody Currell was paid 4 pence a day at an Oxfordshire farm in 1759, fifty years later.

Elizabeth appears three times in this account book, which only covers the outlay on  Blenheim from October to December 1708. In October (fol. 9v) she had a more lucrative commission, earning a handsome £8 12s 9d doing very similar work, including another 12 dozen holdfasts (this time, puzzlingly, at a mere 6d per dozen, a quarter of the amount charged in December – perhaps they were a simpler design?). She also made small cramps at 3½d per pound: over two hundredweight of small cramps which, needless to say, is a lot of small cramps, earning her £3 19s 0d.

Nothing has made me so grateful for decimalisation as checking the maths of an early modern accountant. Elizabeth made precisely 2 hundredweight, 1 quarter, and 19 pounds of small cramps in October. That’s an astonishing 271 pounds of metal work. 3½d per pound earns her 948½ pence. And with 240 pence in a pound (20 shillings in a pound, 12 pence in a shilling) that’s… well, have fun working that one out. By my reckoning it comes to £3 19s and 0.4d, so they seem to have shorted her a farthing or so. I had the benefit of a digital calculator, however. Kudos to Mr Henry Joynes, the architect who signed off on these accounts.

In November, Elizabeth made over £14 making more small cramps (a lot more – 767 pounds total) and 12 ‘gudgeons’, which the Oxford English Dictionary tells me means:

A pivot, usually of metal, fixed on or let into the end of a beam, spindle, axle, etc., and on which a wheel turns, a bell swings, or the like

But how much would a male blacksmith have been making? Well, luckily, the account book also has entries for a John Silver, Blacksmith, who earned himself the grand sum of £46 9s 9d in October, and then £12 9s 9d in December. Interestingly, however, he was paid exactly the same pound rate of 4d to make wedges and clouts (but was paid 4d a pound to make holdfasts for the joiners, rather than being paid by the dozen). Plus he, like Elizabeth, was paid 3½d per pound to make small cramps. Was this a smiths’ guild-mandated price? Or perhaps the result of a tendering process: did Elizabeth and John simply offer the lowest bids? Would they have charged more than this usually, or about the same?

Poster for the 1898 National Exhibition of Women's Labour, Netherlands (Gemeentemuseum, The Hague). Uploaded to wikicommons by Jan Toorop.

Poster for the 1898 National Exhibition of Women’s Labour, Netherlands (Gemeentemuseum, The Hague). Uploaded to wikicommons by Jan Toorop.

And as for who Elizabeth Bennett was? An interesting puzzle! It isn’t so unusual to come across craftswomen in this period and earlier – there’s a picture of a woman forging a nail in the 14th-century Holkham Bible – and the work of women silversmiths like Hester Bateman is extremely collectible to this day. Like Hester, it’s likely that Elizabeth was a widow carrying on her husband’s trade, but there are no Bennetts listed on this (very unofficial) directory of Oxfordshire blacksmiths, and no Bennetts working near Oxfordshire either. Perhaps she was a member of a local craft guild – possibly an Oxford guild? – but surviving records are poor (although a good chunk of the what’s left is, conveniently enough, here at the Bodleian). Perhaps she took an apprentice after 1710, in which case, there should be a registration record. And there’s always parish records, of course, to, try and track down her baptism and death dates, and any marriages. I for one, would love to know more!

This blog post is written as part of our project to increase the accessibility of the Bodleian's Percy Manning holdings in the run up to the centenary of Manning's death in 2017. We are grateful to the Marc Fitch Fund for its generous support of this project.

Getting Started with Digital Preservation

On 28th April 2016 we attended the Digital Preservation Coalition’s workshop entitled ‘Getting Started with Digital Preservation’. It was a brilliant introduction into the processes involved in undertaking digital preservation, the tools currently available and the standards such work should adheres to.

The day began with an overview of what digital preservation is. Sharon McMeekin explained that digital preservation is an active process that needs to be integrated into daily business rather than being tackled as an aside or as a temporary initiative. It requires early intervention and work on an ongoing basis. She gave some specific advice on the kind of systems that should be used for digital preservation:

  • They need to be resilient, based on standards and be able to be tested
  • They must include error checking and refreshment, be multi-media compatible, self-reporting and backed-up
  • They must provide authenticity checks on data to show alterations by generating a checksum for each digital item. This is unique to the item and would only change if the item has changed (by, for example, degradation or alteration)

We then moved on to Assessing Institutional Readiness. This was described as a benchmarking process to determine the actions required for digital preservation, and revolves around asking the following questions:

  • How much of the organisation is in scope?
  • How much can you rely on others?
  • What will you gain from the exercise?

Sharon suggested using the NDSA Levels of Digital Preservation in this endeavour to create a document which identifies risks, sets objectives, prioritises developments and can be used as an advocacy tool.

We were introduced to the risks affecting digital material:

  • Media/technology obsolescence
  • Media/technology failure
  • Human error
  • Natural disaster
  • Malicious damage
  • Viruses
  • Network failure
  • Disassociation

One way to combat these issues is to migrate the data into a more technologically-stable, secure format and control access to the data through passwords and systems. Metadata which follows the PREMIS standard should also be recorded and preserved alongside the data so its context is not lost. The DPC recommends undertaking a risk assessment whereby the risk, its consequences, likelihood and impact are analysed and priorities are drawn out.

We were shown DROID, a characterisation tool developed by The National Archives which analyses the files on a system, recording how many files there are, how big they are and what formats they are in. It also generates a checksum for each file.

Digital Asset Registers were recommended to use as a coordination tool for actions. They gather all necessary information (Asset name/Location/Owner/Format etc.) into one place, assigning responsibilities and producing a document which can be shared, expanded and updated.

Some final advice we were given was:

  • Think of digital preservation as a shared activity, engaging stakeholders and assigning responsibilities to colleagues
  • Continually update your own skills and knowledge by attending training and identifying useful resources

Having attended this engaging and worthwhile workshop, we now have some foundation knowledge on what is involved in digital preservation and feel ready and excited to begin work on digital preservation at the Bodleian.