Category Archives: Century

The Shāhnāmah of Ibrāhīm Sulṭān – Available Online from Digital.Bodleian

VIEW IBRĀHĪM SULṬĀN’S SHĀHNĀMAH ONLINE
The Shāhnāmah – Book of Kings (or King of Books) – is an epic poem written in Persian by Abū l-Qāsim Firdawsī of Ṭūs. Completed in about 1010 CE, the book is composed of some 60,000 verses which narrate the history of Greater Persia from mythical beginnings until the Arab conquests of the 7th century.

Said to be the longest poem ever to have been written by a single person, the significance of Firdawsī’s Shāhnāmah to the Persian-speaking world can be compared to that of the works of Homer to Greece.

No manuscript copies of the Shāhnāmah survive from the 11th or 12th centuries, and only two from the 13th century are still extant, but many copies from the Timurid and Safavid periods are preserved in Library collections today.

Three of the grandsons of Tīmūr (Tamerlane) are known to have had lavish copies of Firdawsī’s Shāhnāmah or Persian Book of Kings made for them. The Shāhnāmahs of Bāysunghur, Muḥammad Jūkī, and Ibrāhīm Sulṭān are preserved in the Golestan Palace, Tehran, the Royal Asiatic Society, London, and the Bodleian Libraries, Oxford, respectively.

Left: Shamsah showing inscription dedicated to Ibrāhīm Sulṭān. (MS. Ouseley Add. 176, fol. 12a). Right: Ibrāhīm Sulṭān holding court outdoors. (MS. Ouseley Add. 176, fol. 1b).

Thought to have been made in Shiraz sometime between 1430 and Ibrāhīm Sulṭān’s death in 1435, this copy of the Shāhnāmah is known for its exceptional miniature paintings and exquisite illuminated panels.

The manuscript was acquired by Sir Gore Ouseley, a Diplomat and Linguist, during travels in the East in the early 19th century, and came into the Bodleian in the 1850s along with many other of Sir Gore’s collections. It is now preserved as MS. Ouseley Add. 176.

Ibrāhīm Sulṭān’s Shāhnāmah is now digitally available online via Digital.Bodleian. Recently, its sibling Muḥammad Jūkī’s Shāhnāmah was published online by the Royal Asiatic Society; both in good time for Nawruz or Persian New Year on 20th March!

REFERENCES

Abdullaeva, F., & Melville, C., The Persian book of kings : Ibrahim Sultan’s Shahnama (Treasures from the Bodleian Library). Oxford: Bodleian Library, 2008.

Beeston, A. F. L., Hermann Ethé, and Eduard Sachau. Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû Manuscripts in the Bodleian Library . Oxford: At the Clarendon, 1889.

Robinson, B. W.,  A Descriptive Catalogue of the Persian Paintings in the Bodleian Library. Oxford: Clarendon, 1958.

The Bodleian Libraries would like to thank the Bahari Fund for helping to make this digitization project possible.

The UK Web Archive Ebola Outbreak collection

By CDC Global (Ebola virus) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

By CDC Global (Ebola virus) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

Next month marks the four year anniversary of the WHO’s public announcement of “a rapidly evolving outbreak of Ebola virus disease (EVD)” that went on to become the deadliest outbreak of EVD in history.

With more than 28,000 cases and 11,000 deaths, it moved with such speed and virulence that–though concentrated in Guinea, Liberia and Sierra Leone–it was feared at the time that the Ebola virus disease outbreak of 2014-2016 would soon spread to become a global pandemic.

No cure or vaccine has yet been discovered and cases continue to flare up in West Africa. The most recent was declared over on 2 July 2017. Yet today most people in the UK unless directly affected don’t give it a second thought.

Searching online now, you can find fact sheets detailing everything you might want to know about patient zero and the subsequent rapid spread of infection. You can find discussions detailing the international response (or failure to do so) and lessons learned. You might even find the reminiscences of aid workers and survivors. But these sites all examine the outbreak in retrospect and their pages and stories have been updated so often that posts from then can no longer be found.

Posts that reflected the fear and uncertainty that permeated the UK during the epidemic. The urgent status updates and travel warnings.  The misinformation that people were telling each other. The speculation that ran riot. The groundswell of giving. The mobilisation of aid.

Understandably when we talk about epidemics the focus is on the scale of physical suffering: numbers stricken and dead; money spent and supplies sent; the speed and extent of its spread.

Whilst UKWA regularly collects the websites of major news channels and governmental agencies, what we wanted to capture was the public dialogue on, and interpretation of, events as they unfolded. To see how local interests and communities saw the crisis through the lenses of their own experience.

To this end, the special collection Ebola Outbreak, West Africa 2014 features a broad selection of websites concerning the UK response to the Ebola virus crisis. Here you can find:

  • The Anglican community’s view on the role of faith during the crisis;
  • Alternative medicine touting the virtues of liposomal vitamin C as a cure for Ebola;
  • Local football clubs fundraising to send aid;
  • Parents in the UK withdrawing children from school because of fear of the virus’ spread;
  • Think tanks’ and academics’ views on the national and international response;
  • Universities issuing guidance and reports on dealing with international students; and more.

Active collection for Ebola began in November 2014 at the height of the outbreak whilst related websites dating back to the infection of patient zero in December 2013 have been retrospectively added to the collection. Collection continued through to January 2016, a few months before the outbreak began tailing off in April 2016.

The Ebola collection is available via the UK Web Archive’s new beta interface.

New Catalogue: The Archive of Hilary Bailey

The catalogue of the archive of Hilary Bailey is now available online here.

Hilary Bailey (1936 – 2017), was a writer and editor whose career spanned many decades and genres. Her early output largely focussed on science fiction, with many of her short stories, including The Fall of Frenchy Steiner (1964), published in the science fiction publication New Worlds during the 1960s, and during this time she also co-authored The Black Corridor (1969) with her then husband, the science fiction writer Michael Moorcock; Bailey served as editor of New Worlds from 1974 to 1976 .

Her social circle contained a number of science fiction writers who were fellow contributors to New Worlds, including Graham Hall, another science fiction writer and editor of New Worlds whose papers are also included within the archive.

Hilary Bailey’s post-New Worlds output tended not to fall under the genre of science fiction. Her first solo full length novel, Polly Put The Kettle On (1975), was the first Polly Kops novel she wrote, and the character would later feature in Mrs Mulvaney (1978) and As Time Goes By (1988) – novels focussing on a woman in London through the 1960s to the 1980s.

Indeed, much of Bailey’s work had a focus on women, including her retellings and sequels of classic novels – including Frankenstein’s Bride (1995) – an alternate telling wherein Victor Frankenstein agrees to build the monster a wife rather than spurning the suggestion and Mrs Rochester (1997), which imagines Jane Eyre’s life a number of years  into her marriage to Edward Rochester. Women were also the focus of her historical fiction novel, The Cry From Street To Street (1992), which imagined the life of a victim of Jack the Ripper and Cassandra (1993), a retelling of the fall of Troy. She also authored a biography on Vera Brittain.

Draft artwork for the book jacket of As Time Goes By (1988)

Her most recent work ranged from the speculative fiction Fifty-first State (2008), a novel set in the then near-future of 2013, looking at politics within the United Kingdom, to imagining Sherlock Holmes’ sister in The Strange Adventures of Charlotte Holmes (2012).

The archive comprises a large amount of correspondence both personal, with family, friends and other writers and professional, with publishers and literary agents, as well as artwork for book jackets, early draft manuscripts for novels and assorted miscellanea.

Bailey’s archive also includes a small series at the end consisting of correspondence and draft writings belonging to Graham Hall (1947-1980), a friend of Bailey’s and fellow New Worlds contributor, editor, science fiction writer and general science fiction enthusiast. As Hall’s writing career was cut short by his death in 1980, aged just 32, his name is perhaps not as easily recognisable as those of his correspondents. His correspondence contains interesting information regarding science fiction enthusiasts in the 1960s, from Hall’s early involvement with fanzines and hopes to compile bibliographies for the work of more well-known science fiction writers, to his involvement with the scene and time as editor of New Worlds. Hall’s illness and death are chronicled in Michael Moorcock’s novel, Letters from Hollywood (1986).

DPC Email Preservation: How Hard Can It Be? Part 2

Source: https://lu2cspjiis-flywheel.netdna-ssl.com/wp-content/uploads/2015/09/email-marketing.jpg

In July last year my colleague Miten and I attended a DPC Briefing Day titled Email Preservation: How Hard Can It Be?  which introduced me to the work of the Task Force on Technical Approaches to Email Archives  and we were lucky enough to attend the second session last week.

Arranging a second session gave Chris Prom (@chrisprom), University of Illinois at Urbana-Champaign and Kate Murray (@fileformatology), Library of Congress, co-chair’s of the Task Force the opportunity to reflect upon and add the issues raised from the first session to the Task Force Report, and provided the event attendees with an update on their progress overall, in anticipation of their final report scheduled to be published some time in April.

“Using Email Archives in Research”

The first guest presentation was given by Dr. James Baker (@j_w_baker), University of Sussex, who was inspired to write about the use of email archives within research by two key texts; Born-digital archives at the Wellcome Library: appraisal and sensitivity review of two hard drives (2016), an article by Victoria Sloyan, and Dust (2001) a book by Carolyn Steedman.

These texts led Dr. Baker to think of the “imagination of the archive” as he put it, the mystique of archival research, stemming from the imagery of  19th century research processes. He expanded on this idea, stating “physically and ontologically unique; the manuscript, is no longer what we imagine to be an archive”.

However, despite this new platform for research, Dr. Baker stated that very few people outside of archive professionals know that born-digital archives exist, yet alone use them. This is an issue, as archives require evidence of use, therefore, we need to encourage use.

To address this, Dr. Baker set up a Born-Digital Access Workshop, at the Wellcome Library in collaboration with their Collections Information Team, where he gathered people who use born-digital archives and the archivists who make them, and provided them with a set of 4 varying case-studies. These 4 case-studies were designed to explore the following:

A) the “original” environment; hard drive files in a Windows OS
B) the view experience; using the Wellcome’s Viewer
C) levels of curation; comparing reformatted and renamed collections with unaltered ones
D) the physical media; asking does the media hold value?

Several interesting observations came out of this workshop, which Dr. Baker organised in to three areas:

  1. Levels of description; filenames are important, and are valuable data in themselves to researchers. Users need a balance between curation and an authentic representation of the original order.
  2. “Bog-standard” laptop as access point; using modern technology that is already used by many researchers as the mode of access to email and digital archives creates a sense of familiarity when engaging with the content.
  3. Getting the researcher from desk to archive; there is a substantial amount of work needed to make the researcher aware of the resources available to them and how – can they remote access, how much collection level description is necessary?

Dr. Baker concluded that even with outreach and awareness events such as the one we were all attending, born-digital archives are not yet accessible to researchers, and this has made me realise the digital preservation community must push for access solutions,  and get these out to users, to enable researchers to gain the insights they might from our digital collections.

“Email as a Corporate Record”

The third presentation of the day was given by James Lappin (@JamesLappin), Loughborough University, who discussed the issues involved in applying archival policies to emails in a governmental context.

His main point concerned the routine deletion of email that happens in governments around the world. He said there are no civil servants email accounts scheduled to be saved past the next 3 – 4 years – but, they may be available via a different structure; a kind of records management system. However, Lappin pointed out the crux in this scenario: government departments have no budget to move and save many individuals email accounts, and no real idea of the numerics: how much to save, how much can be saved?

“email is the record of our age” – James Lappin

Lappin suggested an alternative: keep the emails of the senior staff only, however, this begs the questions, how do we filter out sensitive and personal content?

Lappin posits that auto-deletion is the solution, aiming to spare institutions from unmanageable volumes of email and the consequential breach of data protection.
Autodeletion encourages:

  •  governments to kickstart email preservation action,
  • the integration of tech for records management solutions,
  • actively considering the value of emails for long-term preservation

But how do we transfer emails to a EDRMS, what structures do we use, how do we separate individuals, how do we enforce the transfer of emails? These issues are to be worked out, and can be, Lappin argues, if we implement auto-deletion as tool to make email preservation less daunting , as at the end of the day, the current goal is to retain the “important” emails, which will make both government departments and historians happy, and in turn, this makes archivists happy. This does indeed seem like a positive scenario for us all!

However, it was particularly interesting when Lappin made his next point: what if the very nature of email, as intimate and immediate, makes governments uncomfortable with the idea of saving and preserving governmental correspondence? Therefore, governments must be more active in their selection processes, and save something, rather than nothing – which is where the implementation of auto-deletion, could, again, prove useful!

To conclude, Lappin presented a list of characteristics which could justify the preservation of an individuals government email accounts, which included:

  • The role they play is of historic interest
  • They expect their account to be permanently preserved
  • They are given the chance to flag or remove personal correspondence
  • Access to personal correspondence is prevented except in case of overriding legal need

I, personally, feel this fair and thorough, but only time will tell what route various governments take.

On a side note: Lappin runs an excellent comic-based blog on Records Management which you can see here.

Conclusions
One of the key issues that stood out for me today was, maybe surprisingly, not to do with the technology used in email preservation, but how to address the myriad issues email preservation brings to light, namely the feasibility of data protection, sensitivity review and appraisal, particularly prevalent when dealing in such vast quantities of material.

Email can only be preserved once we have defined what constitutes ’email’ and how to proceed ethically, morally and legally. Then, we can move forward with the implementation of the technical frameworks, which have been designed to meet our pre-defined requirements, that will enable access to historically valuable, and information rich, email archives, that will yield much in the name of research.

In the tweet below, Evil Archivist succinctly reminds us of the importance of maintaining and managing our digital records…

What I Wish I Knew Before I Started – DPC Student Conference 2018

On January 24th, four Archives Assistants from Archives and Modern Manuscripts visited Senate House, London for the DPC Student Conference. With the 2018 theme being ‘What I Wish I Knew Before I Started’, it was an opportunity for digital archivists to pass on their wealth of knowledge in the field.

Getting started with digital preservation

The day started with a brief introduction to digital preservation by Sharon McMeekin from the Digital Preservation Coalition. This included an outline of the three basic models of digital preservation: OAIS, DCC lifecycle and the three-legged stool. (More information about these models can be found in the DPC handbook.) Aimed at beginners, this introduction was made accessible and easy to understand, whilst also giving us plenty to think about.

Next to take the stage was Steph Taylor, an Information Manager from CoSector, University of London. Steph is a huge advocate for the use of Twitter to find out the latest information and opinion in the world of digital preservation. As someone who has never had a Twitter account, it made me realise the importance of social media for staying up to date in such a fast-moving profession. Needless to say, I signed myself up to Twitter that evening to find out what I had been missing out on. (You can follow what was happening at the conference with the hashtag #dpc_wiwik.)

The final speaker before lunch was Matthew Addis, giving a technologist’s perspective. Matthew broke down the steps that you would need to take should you be faced with the potentially overwhelming job of starting from the beginning with a depository of digital material. He referenced a two-step approach – conceived by Tim Gollins – named ‘Parsimonious Preservation’, which involves firstly understanding what you have, and secondly keeping the bits safe. In the world of digital preservation, the worst thing you can do is do nothing, so by dealing with the simple and usually low-cost files first, you can protect the vast majority of the collection rather than going straight into the technical, time-consuming and costly minority of material. In the long run, the simple material that could have been dealt with initially may become technical and costly – due to software obsolescence, for instance.

That morning, the thought of tackling a simple digital preservation project would have seemed somewhat daunting. But Matthew illustrated the steps very clearly and as we broke for lunch I was left thinking that actually, with a little guidance, it probably wouldn’t be quite so bad.

Speakers on their experiences in the digital preservation field

During the afternoon, speakers gave presentations on their experiences in the digital preservation field. The speakers were Adrian Brown from the Parliamentary Archives, Glenn Cumiskey from the British Museum and Edith Halvarsson from the Bodleian Libraries. It was fascinating to learn how diverse the day-to-day working lives of digital archivists can be, and how often, as Glenn Cumiskey remarked, you may be the first digital archivist there has ever been within a given organisation, providing a unique opportunity for you to pave the way for its digital future.

Adrian Brown on his digital preservation experience at the Parliamentary Archive

The final speaker of the day, Dave Thomson, explained why it is up to students and new professionals to be ‘disruptive change agents’ and further illustrated the point that digital preservation is a relatively new field. We now have a chance to be the change and make digital preservation something that is at the forefront of business’s minds, helping them avoid the loss of important information due to complacency.

The conference closed with the speakers taking questions from attendees. There was lively discussion over whether postgraduate university courses in archiving and records management are teaching the skills needed for careers in digital preservation. It was decided that although some universities do teach this subject better than others, digital archivists have to make a commitment to life-long learning – not just one postgraduate course. This is a field where the technology and methods are constantly changing, so we need to be continuously developing our skills in accordance with these changes. The discussion certainly left me with lots to think about when considering postgraduate courses this year.

If you are new to the archiving field and want to gain an insight into digital preservation, I would highly recommend the annual conference. I left London with plenty of information, ideas and resources to further my knowledge of the subject, starting my commitment to life-long learning in the area of digital preservation!

 

 

Web-Archiving: A Short Guide to Proxy Mode

Defining Proxy Mode:

Proxy Mode is an ‘offline browsing’ mode  which provides an intuitive way of checking the quality and comprehensiveness of any web-archived content captured. Proxy Mode enables you to view documents within an Archive-It collection and ascertain which page elements have been captured effectively and which are still being ‘pulled’ from the live site.

Why Use Proxy Mode?

Carrying out QA (Quality Assurance) without proxy mode could lead to a sense of false reassurance about the data that has been captured, since some page elements displayed may actually present those being taken from the live site as opposed to a desired archival capture. Proxy Mode should therefore be employed as part of the standard QA process since it prevents these live-site redirects from occurring and provides a true account of the data captured.

Using Proxy Mode:

Proxy Mode is easy to setup and involves simply downloading an add-on that can be accessed here. There is also an option to setup Proxy Mode manually in Firefox or Chrome.

Potential Issues and Solutions:

Whilst using Proxy Mode a couple of members of the BLWA team (myself included) had issues viewing certain URLs in Proxy Mode often receiving  a ‘server not found’ error message.  After corresponding with Archive-It I discovered that Proxy Mode often has trouble loading https URLs. With this in mind I loaded the same URL but this time removed the ‘s’ from https and reloaded the page. Once Proxy Mode had been enabled this seemed to rectify the issue.

There was one particular instance however where this fix didn’t work and the same ‘server not found’ error message returned, much to my dismay! Browsers can sometimes save a specific version of the URL as the preferred version and will direct to it automatically. I discovered it was just a case of clearing the browser’s: cache, cookies, offline website data and site preferences. Once this had been done I was able to load the site once again using Proxy Mode #bigachievements.

Oxford College Archives

A new website for Oxford College Archives has been launched at https://oac.web.ox.ac.uk/.

Painting of Oxford students entitled 'Conversation Piece, Worcester College' by Edward HallidayThe site includes a general introduction to the archives held by the Oxford colleges, individual pages on most of the colleges (with further links to catalogues etc.) and links to associated archives in the City and University.  There is also an FAQ page, a glossary of all those odd Oxford terms, and a bibliography.  The site will be enhanced and updated regularly.

New Conservative Party Archive releases under the 30 year rule

Top-level strategy papers that detail the Thatcher government’s efforts to secure a third term are among papers newly-released by the Conservative Party Archive for 2018. The previously-restricted documents, now made available for the first time under the 30 year rule, form part of an extensive series of party papers from the election year of 1987, including drafts of the Conservative manifesto, detailed plans of campaign activities, and election briefings prepared by the Conservative Research Department. This piece briefly examines two such documents from one of the newly-released files [CRD 4/30/7/25], private briefings prepared for the Prime Minister’s election planning meetings in December 1986 and April 1987, to illustrate the research potential of these newly-available collections.

Although the 1987 election ultimately resulted in a second landslide for Thatcher’s Conservatives, the party was far from certain of such an outcome. ‘We believe that the electorate will be in a more questioning mood than in 1983 in the aftermath of the Falklands’, the December 1986 report cautioned, stressing the need for the party to develop and communicate clear plans for the future rather than simply seeking re-election on the basis of past achievements. The changing nature of the electoral map prompted particular concern. Although the Conservatives had opened up a narrow polling lead, the report identified a ‘sharp North-South disparity’, which posed a serious risk to the Conservative position: while the party’s national polling suggested a parliamentary majority of 20, this ‘disappeared entirely and left us in a minority of 2’ when regional variations were taken into account. In an echo of the party’s present-day challenges, the report additionally flagged up the dangers of the growing age-gap in the party’s support: ‘the under 45 group, and particularly first time voters, are still a cause of considerable concern.’

The Conservative Party’s electoral position was complicated by the growing North-South political divide. [CRD 4/30/7/25].

The prospect of a lost majority was still taken seriously on the eve of the election campaign, as the papers prepared for a top-level meeting at Downing Street on 16 April 1987 reveal. Although Party Chairman Norman Tebbit’s paper on general strategy began with the cautious observation that the government were favoured to win ‘with a smaller but working majority’, he warned that ‘the prospect of a hung parliament is attractive to the press and will be promoted by those hostile to us’. To counter this, he urged, the party needed to polarise the issues as far as possible, presenting a Conservative majority as the only alternative to weak or extreme government: ‘Our aim should be to make the supreme issue whether there will be a continuation of Conservative Government or through a “hung” Parliament a Labour administration with Alliance or other minority party support.’

Strategies aside, the party’s election plans also give a fascinating insight into how the party sought to understand and reshape its image going into the election. Discussing the party’s loss of support during the middle of 1986, the CCO Campaign Plans document warned of a ‘a growing perceived conflict between the two important themes of “Calvinism” or “individual responsibility” on the one hand, and “caring” on the other […] reflected in serious concerns about unemployment, health care, education and pensions’. Yet the strategy paper also reveals a resistance to any significant change in course: the proposal to organise the Prime Minister’s campaign tours around the theme of ‘regeneration’ is pointedly removed from the draft document in favour of a more individualistic emphasis on ‘believing [in] people’ and ‘personal property’. Similarly on Thatcher’s own image, the paper goes out of its way to reject suggestions that she adopt a ‘soft’ image, instead recommending a campaign focused upon her strengths: ‘leadership, strength and experience.’

Early plans emphasised that the Prime Minister campaign on the idea of ‘Regeneration’, but as the notes in the margin show others favoured a more ideological campaign theme. [CRD 4/30/7/25].

These papers will provide an essential resource for scholars of the 1987 general election and the politics of the Thatcher era, complementing the Conservative Party Archive’s existing collections of published material from the campaign. The Bodleian has also additionally taken receipt of a large donation of previously undocumented files from this period, so it is hoped that the CPA will be able to continue to expand its collections on the 1987 general election in years to come.

Among the new releases is the first draft of the 1987 Manifesto [CRD/4/30/7/29], shown here next to the final version [PUB 157/4].

The material examined in this blog post will be made available from 1 Jan 2018. In addition to papers on the 1987 general election, the list of newly-released papers also includes material on the introduction of the poll tax, the party’s private polling and opinion research, and a wide range of briefings produced by the Conservative Research Department. For a full list of derestricted items, see the CPA website.

Significance & Authenticity: a Briefing

As an Ancient History graduate, significance and authenticity of source information characterised my university education. Transferring these principles to digital objects in an archival situation is a challenge I look forward to learning more about and embracing. Therefore I set off to Tate Britain on a cold Friday morning excited to explore the Digital Preservation Coalition’s briefing: Significance & Authenticity. Here are some of my reflections.

A dictionary definition is not enough

The morning started with a stimulating discussion led by Sharon McMeekin (DPC), on the definitions of these two concepts within the field of Digital Archives and the context of the varying institutions the delegates were from. Several key points were made, and further questions generated:

Authenticity

  • Authenticity clearly carries with it evidential value; if something is not what it purports to be then how can it (claim to) be authentic?
  • Chains of custody and tracking accidental/intended changes are extremely relevant to maintaining authenticity
  • Further measures such as increasing metadata fields – does this ensure authenticity?

For an archival record to retain authenticity there must be record of the original creation or experience of the digital object; otherwise we are looking at data without context. This also has a bearing on how significant an archival record is. A suggestion was also made that perhaps as a sector too much over-emphasis is placed on integrity checking procedures. Questions surfaced such as: is the digital preservation community too reliant on it? And in turn, is this practical process approach to ensuring authenticity too simplistic?

Significance

  • Records are not just static evidence, they are also for appreciation, education and to use
  • Should the users and re-users (the designated community) be considered more extensively when deciding the significance of a digital object?
  • Emulation as a digital preservation action prioritises the experience of using the data: is this the way to go regarding maintaining both the significant properties together with the authenticity?

There was no doubt left in my mind that the two principles are inextricably linked. However, not only are they increasingly subjective for both the record keeper and the end user, they must be distinguished from one another. For example, if a digital object can be interpreted as both a game and a book, yet the object was created and marketed as a book, does this make it any less significant or authentic? Or is the dispute part of what makes the object significant; the creation, characterisation and presentation of data in digital form is reflective of society today and what researchers may (or may not be) interested in in the future? We do not know and, as a fellow delegate reminded, cannot prejudice future research needs.

Building on the open mindedness that the  discussion encouraged, we were then fortunate enough to hear and learn from practitioners of differing backgrounds regarding how they ensure significance and authenticity of their collections. One particular example had me contemplating all weekend.

Significance & Authenticity of Digital Art by Patricia Falcao & Tom Ensom (Tate)

Patricia and Tom explained that they work with time-based media art and its creators. Working (mostly) with living artists ensures a short chain of provenance, however the nature of the digital art means that applying authenticity and significance is in no way straightforward. A principle which immediately affects the criteria of significance is the fact that it is very important that the Tate can exhibit the works, illustrating that differences in organisations will of course have a bearing on how significant a record is.

One example Tom analysed was the software based Brutalism: Stereo Reality Environment 3 by Peruvian artist Jose Carlos Martinat Mendoza:

Brutalism: Stereo Reality Environment 3 2007 Jose Carlos Martinat Mendoza born 1974 Presented by Eduardo Leme 2007, accessioned 2011 http://www.tate.org.uk/art/work/T13251

The artwork comprises of a range of components: high speed printers, paper rolls,  a web search program and accompanying hardware, movement sensors and a model replica of the Peruvian government building ‘El Petagonito’ which is a symbol of brutalist architecture. The computer is programmed to search the web for references to ‘Brutalism’ and the different extracts of information it gathers are printed from mounted printers on the sculpture, left to fall to the floor around the replica.

Tom explained that retaining authenticity of the digital art was very much a case of the commitment to represent the artists work together with the arrangement and intention. One method of ensuring this is the transfer of a document from the creator called ‘Installation Parameters’. For this particular example, it contained details such as paper type and cabling needs. It also contained display specifications such as the hardware being  a very visible element of the art work.

Further documentation is created and stored to preserve the original authenticity and thus unique significance of the artwork and the integrity of its ‘performance’.  Provenance information such as diagrams, process metadata and the original source code is stored separately to the work itself. However, Tom acknowledged there is no doubt the work will need to change and in turn will be reinterpreted. Interestingly, the point was made that the text itself on the paper itself is time sensitive; live search results related to Brutalism will evolve and change.

Looking ahead, what will happen when the hardware fails? And even, what will happen when nobody uses printers anymore? Stockpiling is only a short term plan for maintaining authenticity and significance. Furthermore, even if hardware can be guaranteed then the program software itself generates different issues. Software emulation, code-change tracking systems and a binary analysis are all to be explored as a means to enable authenticity but there will always be a risk and need for alternative solutions.

Would these changes reduce the authenticity or significance? I believe authenticity is associated with intention and so perhaps if changes are communicated to the user with justifications this could be one way of maintaining this principle. Significance, on the other hand, is more tricky. Without the significant and notable properties of the work, is significance automatically lost?

This case study reinforced that there is much to explore and consider when approaching the principles of authenticity and significance of digital objects. To conclude, Tom and Patricia reinforced that within the artistic context, decisions around authenticity and significance are made through collaborative dialogues with the artist/creator which does indeed provide direction.

Workshop

After 3 more talks and a panel session the briefing ended with a workshop requiring us to evaluate the significance and authenticity of a digital object provided. As a trainee digital archivist I can be guilty of shying away from group discussions/exercises within the community of practice, so I was really pleased to jump in and contribute during the group workshop exercise.

Thank you to the DPC and all involved for a brilliant day.

Jenny Joseph celebration with Miriam Margolyes

Miriam Margolyes

Miriam Margolyes

On Sunday 10th December the actress Miriam Margolyes will be in Oxford to perform a public reading of poems by Oxford alumna Jenny Joseph, the author of Warning:

‘When I am an old woman I shall wear purple
With a red hat which doesn’t go, and doesn’t suit me’

The event, hosted by the Bodleian and St Hilda’s College, celebrates the recent gift of Jenny Joseph’s literary archive to the Bodleian and will include a selection of poetry ranging across her more than 50 year-long writing career. There will also be a free display of material from the archive in the Weston Library over that weekend.

The reading will be at the beautiful, seventeenth-century Convocation House in the Old Bodleian Library from 12pm-1.30pm. Tickets cost £8, including tea/coffee and a pastry. You can complete our booking form at What’s On to reserve tickets in advance. (Please note that tickets will not be available on the door.)