Category Archives: Women

The Elspeth Huxley catalogues are now online

Black and white portrait of Elspeth Huxley as a young woman, 1935, held by the National Portrait Gallery, UK

Elspeth Josceline Huxley (née Grant), 3 May 1935
by Bassano Ltd, half-plate glass negative
NPG x26719, © National Portrait Gallery, London

The three catalogues covering the Elspeth Huxley archive are now online [1] [2] [3].

Elspeth Josceline Huxley (née Grant) (1907-1997), an author and journalist who wrote extensively about Kenya and East Africa, was raised on her parents’ struggling coffee farm 30 miles from Nairobi. Educated mainly at home (except for a short stint at an English boarding school before she managed to get herself expelled) she spent her youth in Kenya but returned to England to study for an agriculture diploma at Reading University and then at Cornell in the United States. She never lived in Kenya again but the country continued to occupy her and she visited often and travelled widely across Africa and the rest of the world with her husband, Gervas Huxley, who established the International Tea Marketing Expansion board. They married in 1931 while she was working as a press officer, and Huxley continued to write to earn money.

Her first major commission was the biography of Hugh Cholmondeley, a leader of the European settlers in Kenya. White Man’s Country: Lord Delamere and the Making of Kenya (1935) became a definitive history from the settlers’ point of view.  Following this, Huxley stayed briefly on the Kikuyu reserve and out of this experience came her first novel, Red Strangers (1937), about the Kikuyu experience of white settlement of Kenya. She went on to write numerous detective novels including 1938’s Murder on Safari, as well as a stream of journalism on topics including Africa, farming and environmental issues. From the 1950s to the 1980s Huxley published further works about Kenya including a history of the Kenya Farmer’s Association, Out in the Midday Sun: my Kenya (1985) which was an edited collection of tales from European settlers, travel accounts and analyses of East Africa, and her semi-autobiographical, and most popular, works The Flame Trees of Thika (1959) and The Mottled Lizard (1962). Flame Trees of Thika was adapted for television in 1981. Huxley also wrote biographies of explorers and pioneers including David Livingstone and Florence Nightingale and spent time on commissions relating to Africa including a tour of central Africa from 1959-1960 as an independent member of the Monckton commission to advise on that region.

Her archive includes correspondence and diaries as well as working notes and research for numerous books including White Man’s Country and her well-reviewed economic and social analysis of British East Africa The Sorcerer’s Apprentice: A Journey Through East Africa (1948).

For further information see the Elspeth Huxley article in the Dictionary of National Biography.

The catalogue of the archive of Averil Cameron –available soon!

Averil Cameron is a historian of late antiquity, classics and Byzantine studies. She was professor of Late Antique and Byzantine History at King’s College London and Warden of Keble College, Oxford, from 1994 to 2010.

She has been associated with various academic societies including as founding director of the Centre for Hellenic Studies at King’s College London. Since 2018 she has been President of the Society for the Promotion of Byzantine Studies.

She has published several works, including; Agathias (1970), History as Text (1989) and The Byzantines (2006). The archive comprises papers and correspondence mainly relating to Cameron’s academic work. This includes books, published and unpublished lectures, and articles.

This collection will be available soon.

Catalogue of the archive of Averil Cameron

Three books of Averil Cameron

The catalogue of the archive of Dr Emilie Savage-Smith – available soon!

Dr Emilie Savage-Smith is a historian of science specialising in Islamic celestial globes. Islamic celestial globes are spherical maps of the sky that give the viewer a ‘God’s’ eye view of the stars and constellations, with Earth at the centre, originating from lands where Islam was the predominant religion.

Celestial globe

Savage-Smith graduated from DePauw University in 1962 and completed her Ph.D. at the University of Wisconsin-Madison in 1969. She was professor of the History of Islamic Science in the Faculty of Oriental Studies at the University of Oxford from 2006 to 2019, and a fellow and archivist of St Cross College, Oxford, 2004-2021.

She has authored several books, including Islamicate Celestial Globes: Their History, Construction and Use, 1985. She was named a fellow of the British Academy, 2010, and the Medieval Academy of America, 2020.

Celestial globe

This collection is the largest research archive of material on Islamic celestial globes in the world, with over two-hundred globes and instruments dating back to 1080 featured. It comprises her papers, photographs and drawings collected over the course of her career. Her collection of objects was donated to the History of Science Museum.

This collection will be available soon.

Catalogue of the archive of Dr Emilie Savage-Smith

Science in the Islamic World | History of Science Museum

 

‘On the roll’: a brief history of matriculation

It’s that time of year again when a new cohort of undergraduates arrives in Oxford to matriculate at the University. Matriculation is the formal admission of a student to membership of the University. Students, who have already been admitted to their colleges (which are legally and administratively separate from the central University), are then presented by that college to the University for matriculation. In celebration, the University Archives’ blog for October looks at matriculation through some of the records we hold of this longstanding Oxford tradition.

The history of matriculation is somewhat obscure for the University’s early years. Before the existence of colleges, students lived in private lodgings and were under the supervision of individual teaching masters. It’s generally understood that the University required every scholar to be on the roll or in the register (in rotulo or in matricula) of one of these masters. It appears, however, that this requirement was not enforced and there are, sadly, no surviving rolls or registers in the Archives documenting these early students. For the first few centuries of its existence, the University repeatedly tried, and seemingly failed, to get its students systematically recorded.

In 1420 a royal ordinance was issued which enacted that all scholars should reside in a college or hall, under the guardianship of a principal and that they, and their servants (more about them later), should swear an oath to observe the University’s statutes. The fact that this ordinance had to be revived in 1552, and the continued absence of any records of this process, suggests that it, also, was ignored. The 1552 ordinance is in fact the reason behind the creation of the earliest surviving list of persons residing in colleges and halls of the University. This list appears in a Chancellor’s register of the period, a register used for a wide range of University business.

Christ Church members 1552

Entry listing members of Christ Church in the Chancellor’s register, 1552 (OUA/Hyp/A/5, fol 68v)

The list is divided into sections for each college and each starts with the senior members of that college: masters (magistri in Latin) being denoted by the prefix ‘Mr’, and doctors, by ‘D’. It then goes on to list the junior members, ie students. There is no information about when a particular person entered the University or how long they’d been at the college. It isn’t, strictly-speaking, a record of matriculation at all, merely a list of names providing a simple snapshot in time.

In 1564 the University appointed a committee to look again into matriculation and draw up new regulations governing it. Their work culminated in the University’s first matriculation statute introduced in 1565. This required all scholars and privileged persons (more about them later, too) who, if 16 or over, should swear to observe the University’s statutes. The 1565 statute required students to be registered within seven days of their admission to a college or hall (or if living in the town under the supervision of a master), and to give the University certain personal information such as their age and place of residence.

The statute also established a scale of fees at matriculation whereby different amounts were charged depending on the matriculant’s social status. At the top of this list were the sons of princes, dukes and marquises (who paid 13 s 4d to matriculate). There then followed (in descending order) the sons of counts or viscounts; barons, bishops or baronets; esquires, deacons or archdeacons; knights and gentlemen. Until finally, at the bottom, the sons of plebeians (who paid only 4d). The ranks were peculiarly arranged – higher status individuals were separated into very small categories whilst the remaining 90% of the population were lumped together, effectively, as ‘plebs’.

The statute also made provision for a register or book of matriculations to be kept by the University. The very first matriculation register of the University was created that year. It is divided into sections, one for each college or hall. At first the entries are very much like the 1552 list of names, simply a snapshot roll-call for certain years, and not proper matriculation records. There are also long gaps in the register in which hardly any entries are recorded. Clearly the colleges were still not co-operating with the new matriculation statute. But the University persisted and in 1568 it set up yet another committee to look at the issue. The first proper matriculation entries in this register begin in c1571, presumably as a result of their efforts. In Christ Church’s entry (the first college listed in the register), for example, the first dated matriculation is in 1572. But there are still gaps in the register after that which suggest that matriculations were not being systematically recorded.

From 1581, a new restriction on matriculation came into force. From that date all matriculating students over the age of 16 were required to declare their assent to the Thirty-Nine Articles of the Church of England, the Book of Common Prayer and the oath of Royal Supremacy. In order to demonstrate this assent, the matriculating student swore the oath of supremacy and signed his name on pages bound up in a register with a copy of the Thirty-Nine Articles. This effectively barred anyone who was not a member of the Church of England from entering the University; students who were Roman Catholic, Jewish, Muslim or non-conformist protestants, for example, were now excluded.

The University appears to have tightened up its recording of matriculations after this and the entries in the register become fuller and more comprehensive. Each student was now required to provide the following information to the University: his age, the rank or status of his father, and his county of origin. Age was required by the University as it determined whether or not the student was required to take the oath of supremacy (if under 16, he was not required to do so). The father’s rank or status was still required in order to determine the matriculation fee. The county of origin was useful to colleges, as certain college fellowships and scholarships were limited to those born in specified counties, but it is not clear why the central University needed that information. From 1616, the registers begin to note whether the person matriculating was the eldest or second son, etc. Eldest sons of certain ranks were granted privileges relating to their studies, such as dispensations from particular University requirements. From 1622, the matriculation registers also contain the name of the student’s father and (it is not clear exactly which), either the parish in which the student was born, or the parish in which the father resided.

Christ Church matriculations 1570s

The first Christ Church matriculations, 1570s (OUA/SP 1, fol 20v)

What is also clear from the earliest matriculation entries, such as those of Christ Church, is that the ages of students matriculating ranged more widely, and, by and large, students were much younger than today. In the list pictured, Robert Sydney matriculated aged only 12; Edward Montague, aged 13. Putting aside the possibility of less-than-truthful entries, it is certainly the case that students matriculated at a younger age in centuries past. In the late 16th century, their ages ranged between 7 and 30, with one record found of a five-year old, Audley Mervin, matriculating in June 1618 (but it is suspected this might be a clerical error for ‘15’). The general trend has been for students to get older over the centuries until they reach the, more usual, age of 18+ as today.

Some students may have wanted to avoid having to assent to the beliefs of the Church of England and so deliberately came up to Oxford before they were 16 (at which age it became compulsory). Some may have been young boys sent to Oxford at the same time as an older brother. What other records held here show is that most of these very young matriculants rarely proceeded to a degree.

The information given by the matriculants was not checked or verified, as far as we know, and so was not necessarily entirely accurate. Like many records kept by archives, the information these registers contain has its limitations. It is what someone wanted the University to believe, not necessarily what was the case. Some students deliberately understated their social rank in order to pay smaller fees, for example; there’s evidence from college records that students sometimes assigned themselves a lower status to the University, and a much higher one to their college.

There’s also evidence that not every student at a college even matriculated. The University’s matriculation records contain errors and omissions when compared to college admission records. Students unwilling to subscribe, for example, might avoid matriculating entirely. It appears, however, that attendance at colleges without matriculation was rare by the end of the 17th century and had mostly ceased by the middle of the 18th.

A far greater range of people were admitted to membership of the University at this time than today. One large group of these were privileged persons. Privileged persons (personae privilegiatae) were, generally, of two types: servants or tradesmen. Servants (servientes) could be either personal servants or common servants. Any University member could bring his personal servant to Oxford with him and have him admitted to the status of privileged person. ‘Common servants’ included lower-ranked University officers such as bedels, or college servants such as manciples or cooks. The other type of privileged person were tradesmen and workmen of the town (privilegiati), people such as booksellers, brewers or carriers. Privileged status conferred on them the right to trade with the University and its members and gave them access to a large and wealthy customer base that the non-privileged tradesman did not have. Privileged persons appear in the matriculation registers until the late 18th century, often in a separate list at the back of the volumes.

In 1870 the University introduced a new system for recording student information at matriculation: the matriculation form. Completed by each matriculating student, in their own hand, this asked for personal information. For the first 20 or so years, the form was very small, requiring students to give much the same type of information as they had done for years past: ie name, age, whether the matriculant was the eldest or second child, place of birth, father’s name and ‘quality’, date of matriculation and college.

Oscar Wilde's matriculation form

Matriculation form of Oscar Wilde, 1874 (from OUA/UR 1/1/6)

Dates of birth, school and father’s present address were added to the form in 1894, a useful addition for both the University at the time and the genealogist of the future. But one has to wonder how practically useful some of the other information on the form now was. The University had asked for the same kind of information from its students for centuries, long after some of it was of any use at all. Would the fact that a student was a third son be of any relevance in 1890? One suspects not, as the privileges that status had once offered had long since disappeared.

The social ranks had also changed quite dramatically over time and the particular terms used had changed, or lost, their meaning so much that by the 19th century they’d become rather meaningless. Matriculating students were using, and misusing, outdated terminology established over 200 years earlier. In 1891 the confusion felt on all sides led the University to change the question from father’s rank or ‘quality’ to occupation.

A very significant change to matriculation took place in 1871. Subscription at matriculation remained obligatory until 1854 when it was abolished by the Oxford University Act. But religious tests for membership of the University were not finally abolished until 1871 when the Universities Tests Act enabled those of all faiths and none to matriculate. This began the opening up of matriculation to a greater number and range of people.

The University took a little longer to allow women to matriculate. Although women had been studying in Oxford, at the women’s colleges set up in the city from the 1870s onwards, they were still not allowed to matriculate. Women could sit and pass University examinations but until they could matriculate, under the University’s longstanding regulations, they were not allowed to graduate. This finally changed in 1920.

Isobel Matthew's matriculation form

Matriculation form of Isobel Millicent Matthew, 1920 (from OUA/UR 1/2/1)

The first woman to matriculate, Isobel Millicent Matthew, did so on 7 October 1920. As her matriculation form shows, the University had to change its standard male-centric matriculation form for its new women matriculants. But instead of taking the opportunity to review the forms and see whether the information they were asking for was relevant to the 20th century, the University decided to simply tweak them, change their colour, and replace all masculine vocabulary with feminised versions. As a result, the form now asked its female matriculants for some entirely irrelevant information: no-one in the University would ever need to know whether the matriculant was an eldest daughter. This had no bearing on any University procedure. The men’s forms were also restructured into this new, enlarged format, but the redundant information continued to be collected.

The matriculation registers continued to be maintained after the forms were introduced in 1870. These were completed, as they always had been, by University administrative staff and from the 1870s, they simply copied the information from the forms into the registers, effectively creating a second (often much more legible) copy of the information. By 1924, however, the time taken to maintain the parallel series of matriculation registers could no longer be justified and the University decided to stop keeping them. From then on, the forms themselves were to be the official record of matriculation. The last register entries were made in 1925.

The University continued using the matriculation forms all through the twentieth century. The occasional review added another piece of required information to the form (such as the type of school attended, nationality, or proposed subject of study) as demands grew on the University to report statistics of the nature of its student body. It therefore had to add to the forms the kind of information which it needed to answer the questions being asked of it by others (such as social origin, class, income and background). By and large, however, the content, and purpose, of the forms remained the same.

With the advent of computerised student systems in the 1980s, the University revised the matriculation form yet again, with a view to standardising data collection and speeding up the production of statistics. The inevitable progress of technology meant that the decision to stop creating paper matriculation forms at all was finally taken in 2005.

Much has been written about the University’s early matriculation records. A good discussion of the period between 1571 and 1622 can be found in Andrew Clark’s Register of the University of Oxford Vol II, Part I, (published by the Oxford Historical Society in 1887).

For further information about how to access the information in the matriculation records, please see the guidance on the University Archives’ website at https://www.bodleian.ox.ac.uk/universityarchives/guides/past-members. The guidance includes links to published registers, available online, of those who matriculated before 1892. It also provides contact details for sources of information regarding students matriculating after 1892.

For a detailed look at the changing student body of the University over time, see Lawrence Stone’s chapter entitled ‘The Size and Composition of the Oxford student body 1580-1910’ in The University in Society, Vol I Oxford and Cambridge from the 14th to the Early 19th Centuries (Princeton, 1974).

The University recently commemorated the 150th anniversary of the 1871 Universities Tests Act with the creation of the ‘Opening Oxford 1871-2021’ website at  https://openingoxford1871.web.ox.ac.uk/

For information about matriculation today, see the University’s main website at https://www.ox.ac.uk/students/new/matriculation

Photographer Helen Muspratt’s archive is now available

A bride in a flower-decorated Oxford punt, being steered by the groom or a groomsman, c. 1960s

The punting bride, a wedding photograph by Helen Muspratt, Ramsey & Muspratt, c. 1960s, ©Bodleian Libraries

The archive of the portrait and documentary photographer Helen Muspratt is now catalogued and available in the Weston Library.

Helen Muspratt (1907-2001) first made her name as a skilled, experimental portrait and documentary photographer in the 1930s.

Muspratt was introduced to Lettice Ramsey (1898-1985) by their mutual friend Fra Newbery, the retired head of the Glasgow School of Art. Lettice Ramsey was a Cambridge graduate and a widowed young mother of two who had excellent contacts in Cambridge and in the winter of 1932, Muspratt joined her in Cambridge to create the studio Ramsey & Muspratt. They soon expanded into Oxford. Some of those Ramsey & Muspratt photographed during this period were the intellectual and left-wing luminaries of the day, including Virginia Woolf, C.P. Snow, Dorothy Hodgkin, Guy Burgess, Donald Maclean and Anthony Blunt, as well as Julian Bell, who was Lettice Ramsey’s lover. Muspratt’s photographs in the 1930s are notable for her experimental approach, including the use of double negatives and solarisation, inspired by the photographer Man Ray.

Muspratt met her husband, Oxford University graduate and Communist Party organiser Jack Dunman (d. 1973) in Cambridge where he was working for the railway. In 1936 Muspratt went on a tour of the Soviet Union with a group organised by the Society for Cultural Relations with the USSR, and her photographs from the trip were used in lecture tours to drum up support for the Soviet Union during World War II. With a commission from the Left Book Club in 1937, Muspratt did her last major documentary series, producing haunting photographs of out-of-work miners and labourers in South Wales and Liverpool, and she also joined the Communist Party. Ramsey and Muspratt’s business partnership was formally dissolved at the end of February 1945, but their respective Cambridge and Oxford studios retained the name Ramsey & Muspratt, and the pair remained friends.

From World War II onwards, while her husband worked as a full-time, rural Communist Party organiser and editor of The Country Standard, Helen Muspratt supported her family as a hardworking studio photographer. From her studio on Cornmarket Street in Oxford she staged lively portraits of everyone from babies to brides to new graduates. Muspratt also loved to photograph architecture, and she photographed Oxford and its environs for John Betjeman. She did a final documentary series when she was commissioned in 1946 by a group of campaigning doctors to photograph elderly patients in the Victorian workhouse-like conditions of the Poor House near Wantage.

Her archive, which mainly comprises prints and negatives, is a wonderful window into Oxford and its environs in the latter half of the twentieth century, as well as pioneering experimental photography of the 1930s. It also includes correspondence with her husband and her parents that are relevant to British Communist Party and left-wing political history. Muspratt’s work, including her 1930s experimental portraiture, is celebrated in the book Face: Shape and Angle by her daughter Jessica Sutcliffe (available from the Bodleian shop).

New: Catalogues of the Archives of Enid Starkie and Joanna Richardson

Enid Starkie (1898-1970) was a literary critic whose love of France lead her to study and write on authors such as Baudelaire, Gide, Flaubert and Rimbaud. She was a fixture of the Oxford academic scene from her first arrival at Somerville College in 1916 until her death in 1970.

When Starkie started at Oxford in 1916 women were not allowed to matriculate and therefore could not obtain a degree. It was only in October 1920 that women were permitted to matriculate and, using their previously gained examinations, were awarded degrees for the first time. Starkie, having completed her examinations in Modern Languages with distinction in June 1920, matriculated and graduated as BA on 30 October 1920.

After a brief period away from Oxford to obtain her doctorate at the Sorbonne in Paris and to teach at Exeter University, she returned to Somerville as the Sarah Smithson Lecturer in French literature. She made her home at Somerville becoming a fellow, and later reader in French literature. During her career she successfully campaigned for the Professor of Poetry at Oxford to be a poet, rather than a critic, and helped raise the profiles of those she wrote about, including securing honorary doctorates for Gide and Jean Cocteau.

After her death, Starkie’s papers were deposited in the Bodleian for use by her friend, and former student, Joanna Richardson to write her biography.

Dr Joanna Richardson (1925–2008) studied Modern Languages at St Anne’s Society, Oxford, and after graduating with a third-class degree began graduate study under Enid Starkie. Her thesis was rejected and she was not awarded a DPhil at the time, it was only in 2004 she was awarded DLitt from the University of Oxford for her published body of work. She published her first biography in 1952 on Fanny Brawne, muse of poet John Keats. This started a fascination with the subject and during her life she wrote biographies on British and French 19th-century figures including Keats, Tennyson, Baudelaire and Verlaine. She was awarded the prix Goncourt for biography for Judith Gautier, 1989, the first time someone outside of France, and a woman, won the prize.

These collections consist of Starkie’s papers, along with Richardson’s working notes, as well as some personal papers of Richardson’s.

Collecting COVID: Oral Histories now available

The Collecting COVID project has been underway at the Bodleian Libraries and History of Science Museum since late 2021, with an active collecting programme achieving a range of material acquisitions relating to the University’s research response to COVID-19.  To complement the physical COVID-19 collections established at both institutions, the Bodleian has also been collecting oral history interviews, all conducted by writer and broadcaster Georgina Ferry.

The first batch of born digital audio files have now been made publicly accessible through the University Podcasts website.

https://podcasts.ox.ac.uk/series/collecting-covid-oral-histories

Consisting of 20 episodes relating to the interviews of 13 researchers and academics spanning across academic divisions, the interviews reveal an insight into some of the incredibly impactful work happening behind the scenes during the height of the pandemic. From drug discovery/repurposing, vaccine trials and development, government policy tracking and development of mass testing programmes, the interviews offer the listener a window into our recent past and into the immense efforts taken to combat a global health emergency.

The Collecting COVID project is funded by the E. P. A. Cephalosporin Fund.

The Earls of Clarendon catalogue is now online

You can find the new catalogue of the family and working papers of seven Earls of Clarendon (2nd creation) online at Bodleian Archives and Manuscripts.

The archive adds considerably to the Bodleian’s existing collections of Clarendon family papers, which include the seventeenth-century state papers of the very first Earl of Clarendon (1st creation) who was chief advisor to Charles I and Lord Chancellor to Charles II. His heirs in the Hyde and Villiers families took up the mantle and continued to serve the British government and the royal family well into the twentieth century. Notable postings included the 4th Earl of Clarendon serving as Viceroy of Ireland during the Great Famine and later as Foreign Secretary, and the 6th Earl of Clarendon serving as Governor-General of South Africa in the 1930s.

The archive includes approximately 800 letters from Queen Victoria and correspondence with monarchs and statesmen including Frederick the Great of Prussia and Viscount Palmerston. It also includes intimate family and estate papers, including letters between mothers and sons and husbands and wives.

I have been blogging about interesting items I’ve found along the way, ranging from 19th-century condoms to letters from the front during the American War of Independence (plus one extremely cute dog) and you can find those posts all here at the Archives and Manuscripts blog.

The happiest day of your life (#ArchivesAreYou)

A bride in wedding dress and veil posing for the camera holding a corgi dog, c. 1960s

Bride + corgi, c. 1960s, ©Bodleian Libraries

Helen Muspratt (1907-2001) was a skilled experimental and documentary photographer of the 1930s who produced haunting photographs of pre-war Russia and Ukraine as well as the Welsh valleys in the depths of the Great Depression. For most of her life, however, she was a hardworking studio photographer. From her studio on Cornmarket Street in Oxford she staged lively portraits of everyone who crossed the threshold, from playful toddlers to students celebrating degree days. And she was also a skilled wedding photographer, a job which consumed many Saturdays. Our collection of her wedding photographs spans the 1940s to the 1970s and showcases ordinary people, usually unnamed, in a beautiful array of wedding fashions.

 

New catalogue: Archive of John Hungerford Pollen and the Pollen family

The archive of John Hungerford Pollen and the Pollen family has now been fully catalogued and made available to readers. The catalogue is available to view online via Bodleian Archives and Modern Manuscripts.

The collection contains a wide range of correspondence, including letters sent between John Hungerford Pollen and John Henry Newman. While most of these letters relate to the creation of Newman’s University Church in Dublin, they also bear testament to a lifelong friendship. Other notable correspondents in the collection include Wilfrid Scawen Blunt, Evelyn Waugh, and the poet and artist David Jones.

The archive also contains many visual pieces such as numerous sketchbooks belonging to John Hungerford Pollen and various photographs, including a portrait of John Hungerford Pollen by the renowned early photographer Julia Margaret Cameron as well as family photographs of home life at Newbuildings.

Photograph of the Pollen Family (John and Maria Hungerford Pollen with their ten children)Photograph of the family of John Hungerford Pollen (with beard, standing centre), unknown photographer, Archive of John Hungerford Pollen and the Pollen Family, Oxford, Bodleian Libraries, MS. 17906 Photogr. 3.

Personal records in the collection include: an account by John Hungerford Pollen’s wife Maria of the aid she and her daughter Margaret gave to Italian police to recover some stolen Burano lace; a transcript of the diary of Anne Pollen between 1870 and 1881 detailing her life prior to becoming a nun at the Convent of the Sacred Heart, Roehampton; and the wartime diaries kept by her sister Margaret between 1914 and 1919.

More information on the collection and Pollen family can be found in a series of blogposts posted in November 2020 to mark the bicentenary of John Hungerford Pollen’s birth.

-Rachael Marsay