Tag Archives: BBC

New catalogues: Papers of A.J. Ayer and Papers of Ruth Pitter (or: Everything is connected)

At first sight, they don’t have much in common: A.J. Ayer (1910-1989),  a philosopher known for his promotion of logical positivism and close association with humanist ideas who  enjoyed socialising at clubs in London and New York, and at college dinners in Oxford, and Ruth Pitter (1897-1992), a poet deeply rooted in natural mysticism and spirituality, who preferred a much more reclusive life in a Buckinghamshire village.

However,  Ayer and Pitter have a connection, not only through the fact that their respective papers both share an archival home in the Bodleian’s special collections.

Both were regular contributors to the BBC talk show The Brains Trust in the late 1950s and early 1960s, and they actually met and talked, at least once, as this letter from the papers of Ruth Pitter confirms:

‘Fan mail’ received by Ruth Pitter after her appearance on The Brains Trust of 28 May 1957, with retrospective comment by Pitter.  MS. 7154/3.

The ‘other prof’ whose name Ruth Pitter could not remember when annotating her correspondence in the 1970s must have been Julian Huxley, an evolutionary biologist and zoologist (John Betjeman, the poet, writer and broadcaster, completed the Brains Trust panel for that episode of the programme).

Which questions the Brains Trust discussed in May 1957 we do not know, but any queries about religion, divinity, spirituality, nature and evolution, morals and family values would have sparked a lively debate between Pitter who, inspired by C.S. Lewis’s religious broadcasts and writings, had joined the Anglican Church in the 1940s, on one side, and Ayer and Huxley, both staunch rationalists and secular humanists, on the other.

Ruth Pitter donated her extensive correspondence with C.S. Lewis to the Bodleian Library, and around the same time started sorting and extensively annotating her own papers with view to bequeathing them to the Bodleian. The archive comprises literary papers and other material relating to Ruth Pitter’s career as a poet (c.1903-1983 and some posthumous material), as well as personal correspondence with an emphasis on literary and social letters (1911-c.1988) and personal and financial papers (1897-1988), including material relating to Pitter’s decorative painting business Deane & Forester. Also included are photographs (c.1884-1981), prints, drawings, engravings and watercolours (c.1900-1989), audio recordings of interviews with, and songs and poems by, Ruth Pitter (1981-1987 and n.d.), and material relating to Ruth Pitter which was collected by her friend Mary Thomas (1897-1998).

A.J. Ayer’s papers arrived at the Bodleian in 2004, donated by his son Nick. The material comprises personal and professional correspondence and papers, as well as papers – mainly manuscript and typescript versions – relating to A.J. Ayer’s books, essays, lectures, articles and other (published) works. While the material spans Ayer’s academic and professional life from c.1930 to 1989 and includes some posthumous material, there is an emphasis on material from the late 1960s, the 1970s and the 1980s.

For both collections, online catalogues are now available: Papers of A.J. Ayer and the Papers of Ruth Pitter.

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New Catalogue: Papers of Louis MacNeice

The catalogue of the papers of the Northern Irish poet and playwright Louis MacNeice (1907-1963) is now available online.

MacNeice studied Classics at Oxford from 1926, and together with Stephen Spender and Cecil Day-Lewis, he became part of the circle of poets and writer that had formed around W.H. Auden. His professional life began in 1930 as a lecturer in Classics, but in 1941 he joined the BBC and for the next twenty years produced radio plays and other programmes for the Features Department.

Whilst he also wrote articles and reviews, theatre plays, a novel and even a children’s book, MacNeice is best known for his poetry. Between 1929 and 1963, he published more than a dozen poetry volumes, such as Autumn Journal (1939) – regarded by many as his masterpiece, Springboard (1944), Holes in the Sky (1948), Ten Burnt Offerings (1952), and Visitations (1957). His last poetry volume, The Burning Perch came out just a few days after MacNeice’s untimely death in autumn 1963.

Amongst other works published posthumously were a book entitled Astrology (1964), Selected Poems (1964) edited by W.H. Auden, the autobiography The Strings are False (1965) edited by E.R. Dodds, and Varieties of Parable (1965), as well as the radio/ theatre plays The Mad Islands and The Administrator (1964), One for the Grave (1968) and Persons from Porlock (1969), and the song cycle The Revenant (1975).

(Frederick) Louis MacNeice by Howard Coster,
nitrate negative, 1942. NPG x1624.
© National Portrait Gallery, London.
(CC BY-NC-ND 3.0)

The archive at the Bodleian Libraries comprises more than 70 boxes of literary papers and other material relating to Louis MacNeice’s career as a writer, as well as extensive personal and professional correspondence, and some personal papers. Continue reading

Vintage Computing Festival

Yesterday I took a trip to the first official Vintage Computing Festival in Britain. I was a little surprised to hear that it was the first, but I imagine that there are plenty of ‘unofficial’ gatherings too. This event was held by the National Museum of Computing in Bletchley Park, which warrants a visit in its own right.

For the weekend’s festival, Bletchley was transformed into vintage computing heaven: a couple of marquees and the ground floor of the house were packed with computers of all makes and models, each one up and running and ready for some hands-on time. The vast majority were being used for gaming – chuckie egg was all over the place – but I did spot the odd word-processing application here and there.

I thought I’d post some pictures from two exhibits that really caught my eye.

First was the BBC playing the 1980s BBC Domesday project from laserdisc. Look right and you’ll see some video footage that we found having searched for ‘falklands’. I’ve read quite a bit about the BBC Domesday laserdiscs over the years (after the CAMiLEON project they’ve become digital preservation folklore), but seeing the content at stake, and interacting with it on a contemporary platform is something quite special. I also suffer from BBC Micro nostalgia (though this is a Master).

This other I’m including partly for nostalgic reasons (I loved my spectrums, and so did my sister and my grandfather 🙂 ), and partly because it amused me. Twittering from a spectrum! Whatever next?!

-Susan Thomas

Carved in Silicon

Just found an article on the BBC site that is of interest – ‘Rosetta stone’ offers digital lifeline. Some nice pointers to research on the life of CDs and DVDs with numbers to use at presentations and it is comforting to read that what we’re trying to do Just Aint Easy(tm).

I rather like this too:

“…the digital data archivists’ arch enemy: magnetic polarity

(I added the bold!)

Does that make digital archivists like the X-Men ? 😉

-Peter Cliff