Tag Archives: ephemera

New catalogue: the postcard collection of the artist Tom Phillips, part 2

by Bethany Goodman

NOTE: This post discusses themes of death and racism.

 

The artist Tom Phillips (1937-2022) pursued numerous interests throughout his lifetime, one of which was his extensive collection of photographic postcards. The Bodleian has acquired this collection, which ranges from the late 1890s into the 1960s, and it is now catalogued and available to readers at the Weston Library. Further background to this collection was covered in a previous post [part 1], which also highlighted the postcards’ often humorous nature.

However, the collection is intended to present a holistic view of our collective human nature, and human nature isn’t always so light-hearted. The postcards are as broad in scope as they are in number, encapsulating the events and trends of the wider world in which their subjects lived. This postcard, for example, seems innocuous enough until you turn it around and read the message, and the scene is retrospectively contextualised in a darker light.

Figure 1 MS. 19966/88

 

 

 

 

 

 

 

 

 

 

 

War is a pervasive theme within the collection, with numerous boxes dedicated to depictions of the service of both men and women. Its impact is also clearly seen, both through the box labelled ‘War Wounded’ and the individual stories which some postcards tell.

This postcard depicts Harold, and his wife Allie, shortly before the outbreak of World War I. Turning the card over, a bleak picture of the impact of war is immediately visible, as we learn of Harold’s death. The author dates this tragedy to 1914. However, it is likely that Harold Oxford actually died on the 10th August 1915, as the Dardanelles Campaign did not begin until February 1915. This image was likely originally taken for cheerful posterity, but, over the course of a few years, the impact of world events turned the postcard into a memorial instead.

Figure 2 MS. 19966/11

This postcard depicts a different Harold, serving as a leading aircraftsman in the RAF during World War II. Unfortunately, his postcard represents the majority within this collection, with little or no further information available to link the subjects to their personal stories. In the case of this Harold, we have little insight as to who he was, where he served, or if he survived the war.

Around 28 million military personnel died in World War I and World War II. Several hundred service men and women are depicted within this collection, therefore it is likely that many of them were killed during the same conflicts which their postcards were intended to commemorate.

Figure 3 MS. 19966/16

 

 

 

 

 

 

 

 

 

 

 

Even without the presence of corresponding messages, the images of the postcards themselves often convey a damning reality, as is the case for the numerous examples of racism and othering portrayed within this collection.

Just over 15% of the boxes contain at least one instance of racist imagery. In most cases this is in the form of blackface. In one box, a racial slur is used, followed by postcards which depict people ‘dressed up’ as both a Ku Klux Klan member and Hitler. Amongst the images of new puppies, manicured gardens and proud shopkeepers, a parallel side of society emerges.

The starkness with which these attitudes and portrayals are represented is confronting.

Tom Phillips perhaps aimed to acknowledge this, as he compiled a collection which showcases the multi-faceted nature of the world we live in – both the good and the bad.

New catalogue: the postcard collection of the artist Tom Phillips, part 1

by Bethany Goodman

A collection of photographic postcards, supplemental to Tom Phillips’ primary archive, is now catalogued and available to readers at the Weston Library.

Tom Phillips (1937-2022) studied at St. Catherine’s College before undertaking a varied career, teaching art, including a stint as the Slade Professor of Fine Art at Oxford University; creating art, including portraits, tapestries, sculptures and art books; writing operas, such as Irma (1970); and serving on several committees for cultural bodies, including the British Museum.

Another personal passion, however, was his collection of photographic postcards. Phillips collected around 50,000 of them throughout a lifetime of scouring flea markets and collectors’ fairs, which the Bodleian has now acquired.

Tom Phillips authored a book on the subject, The Postcard Century (2000), and curated a National Portrait Gallery exhibition, We are the People (2004), but perhaps his view on the legacy of the format is best seen through the postcards themselves.

The collection has been maintained in the original order and categories which Tom Phillips himself arranged them in. The scope of content ranges across the whole spectrum of human life, from ‘Babies’ to ‘Workers’ to ‘Weddings’ to ‘Family Groups’ to ‘Funeral’. It stops off at expected places in-between, such as ‘Sport’, ‘Gardens’, ‘Toys’ and ‘Animals’, as well as the unexpected, with ‘Fantasy transport’ perhaps a highlight on that front.

Ranging from the late 1890s into the 1960s, the collection presents a rich visual resource for historians and researchers, while also showcasing one of our most ubiquitous human characteristics: a desire to be remembered.

What follows are a selection of some of the department’s favourite postcards, to offer an idea of the breadth (and humour) of the collection.

Figure 1 (Toys, MS. 19966/41)

 

Abigail Spokes –

‘When she’s out of oat milk’

 

 

 

 

 

 

 

 

 

Figure 2 (Knitting, MS. 19966/88)

 

Amanda Sykes –

‘Waiting for someone to say “I like your outfit” so you can say “thanks I made it myself!”’

Figure 3 (Cats, Birds, Pets etc., MS. 19966/68)

 

 

 

 

 

 

 

 

 

Bethany Goodman –

‘Typical weekend plans’

 

 

 

Figure 4 (Readers & Writers, MS. 19966/18)

 

 

Charlotte McKillop-Mash –

‘Oscar Wilde cosplay?’

 

 

 

 

 

 

 

 

Figure 5 (Rural / Agriculture, MS. 19966/28)

Evie Morris – ‘Growing up, we didn’t have a farm but my dad wished we did and kept loads of crazy animals. I desperately wanted geese and one year we tried to hatch a dozen, and got one. I named her Sandy and loved her dearly until my parents gave her away. The look in this lady’s eye says she is suspicious that her fowl might also be taken away. She looks wise to the game, and mischievous’

Figure 6 (Cats, Birds, Pets etc., MS. 19966/68)

 

Francesca Miller –

‘The life of a cat owner – once again forced to stand because your cat has stolen your chair!’

 

 

 

 

 

 

 

 

Figure 7 (Horse & Donkey, MS. 19966/14)

 

 

Hannah Jordan –

‘She is too small for that horse’

 

 

 

Figure 8 (Figures in a landscape, MS. 19966/46)

 

 

Marion Lowman –

‘Best foot forward’

 

 

 

Figure 9 (Dogs, MS. 19966/42)

 

 

Miranda Scarlata –

‘Nobody sent me the memo that we were wearing monochrome today! – said from the perspective of the dog’

Conference Report: Archives and Records Association Annual Conference 2021

The Archives and Records Association (ARA) Annual Conference 2021 was held 1st–3rd September 2021. In this blog post, Rachael Marsay reports on some of the highlights of the conference, held entirely online this year for the first time.


Logo for the Archive and Records Association 2021 Virtual Conference

There were three themes to this year’s conference: sustainability, diversity, and advocacy. Though each day of the conference covered one theme, one of the stand-outs of the conference was just how interlinked all three strands were.

Day one’s keynote speaker was Jeff James, Chief Executive and Keeper at The National Archives. Jeff talked about environmental sustainability, as well as the sustainability of the record and of the archives sector. He mentioned how The National Archives at Kew are committed to lowering their carbon footprint, which has been reduced by 80% since 2009. This has been achieved by building on scientific research with regards to buildings, bringing both a financial and environmental benefit. He also spoke of records at risk, referring to the work of the Cultural Recovery Fund, the Covid-19 Archives Fund for records at risk and the Crisis Management Team alongside already established fund streams such as the Archives Revealed grant scheme. Digital records were flagged as records at risk and he stressed the need for the sector to work in partnership and collaboration, both together and with digital giants (such as Microsoft and Google) with regards to developing digital products. Sector skills include the need for records professionals to gain digital skills through schemes and strategies such as Plugged In Powered Up, the Novice to Know-How online training resource created by the Digital Preservation Coalition, the Digital Archives Learning Exchange, and the Bridging the Gap traineeship programme.

The fragility of born-digital records, identified as critically endangered by the Digital Preservation Coalition, was a common theme throughout the conference. Even the most modern of records are at risk (CD-Rs for example, have a lifespan of under 10 years). Particular digital records discussed related to oral history interviews, often seen as ‘history from below’, recording the lives of those with ‘hidden histories’ off mainstream records, such as women and members of the LGBTQ+ community. Challenges to preserve digital material include cost, knowledge, skills and training, technology, and resources, as well as issues surrounding ‘gatekeeping’ and access to material. Rachel MacGregor (Digital Preservation Officer at The Modern Records Centre, University of Warwick) emphasised the need to record, describe, and catalogue born digital collections well in order to ensure that that they can be utilised by researchers, and explored some of the standards and guidance currently available.

Day two’s keynote speaker was Arike Oke (Managing Director, Black Cultural Archives) who spoke about experiences with diversity, aptly described as the equitable and mindful bringing together of difference; diversity should not be seen as static, but as a perpetual movement, both including and evolving difference. In her talk, Arike raised the point of classifying and being classified, and several sessions across the three days referred to how language and terminology impacted the use of records or archives created by or for particular communities. The use of historic terminology can be a barrier to access, particularly when words hold negative connotations that can cause distress to users. This was explored in several sessions in relation to LGBTQ+ related records and archives (including those kept at the Parliamentary Archives of the UK Parliament), as well as colonial collections such as the Miscellaneous Reports Collection held by the Royal Botanic Gardens in Kew. Thoughts on how to address the issues included guides or notes explaining the context and why such words were used, including modern terms or names in brackets, inviting feedback, and for events, giving participants time and space to process information.

The importance of being open to keeping more ephemeral material and objects (e.g. pin badges, leaflets and posters) was also highlighted, particularly in shedding light on lives not necessarily recorded in more traditional forms. Christopher Hilton of Britten Pears Arts gave an interesting presentation on the multitude of receipts kept by Benjamin Britten and his partner Peter Pears for tax purposes. The receipts were important in shedding light on their relationship by providing evidence that they maintained clearly separate financial lives, demonstrating how important it was for their professional lives at that period that their records could be used to demonstrate a ‘plausible deniability’ should their personal relationship be questioned. The receipts were also records of businesses in Aldeburgh which are now long gone, provoking memories for older residents and providing a tangible link between the archive and the town.

Day three’s keynote speaker was Deirdre McParland, Senior Archivist at the Electricity Supply Board (Ireland) whose inspirational talk focussed on the importance of advocacy and that ‘archives are for life, not just anniversaries’. Deirdre spoke of how archives should be pro-active and innovative when it comes to advocacy, and that projects should be strategically planned to include promotion as standard. Deirdre’s talk was followed by a talk by Jenny Moran and Robin Jenkins from the Record Office for Leicestershire, Leicester and Rutland, and Richard Wiltshire of the Crisis Management Team. Jenny, Robin and Richard talked about saving the archive of the travel firm Thomas Cook after the company’s sudden collapse: an excellent example of how swift action, negotiation and successful advocacy led to the ensured survival of the archive. The conference was nicely brought to a close by a talk by Alan and Bethan Ward on their project Photographs from Another Place. Their talk, given from the perspective of the archive user, showed how a bit of archival research revealed the names and stories behind a group of forgotten and unlabelled glass plate negatives. It was, for me at least, a timely reminder of the enduring value of archives.


A selection of further reading recommendations made by speakers and participants:

 

To prevent mail robberies!

A United Kingdom General Post Office printed poster on how to securely send bank notes through the post, 9 Feb 1782

General Post Office poster on how to securely send bank notes through the post, 9 Feb 1782 [click to enlarge]

A helpful 18th-century public information campaign by the General Post Office advises the unwary about how to safely send bank notes through the post.

It is recommended to all Persons, at present uninformed, who may have Occasion to send BANK NOTES by the Post, to cut them in two Parts, according to the following Specimen where it is marked with a  black Line, and send them by different Posts; first writing the Name, Date and Year at one End of the Note, and the Letter and Number at the other End; by this Means each Part will contain a sufficient Specification of the Whole, and prevent any kind of Difficulty in the Payment of it at the Bank of England…in case of the Loss of the other Part.

Highway robbery–your money or your life!–was a very real and present danger in 1782, so this was useful advice.

Bank notes, which were issued in denominations up to a staggering £1000, were a much more discreet and sensible way to carry or send money than hauling around bags of golden guineas, and interestingly, it seems that the growing circulation of notes was one of the reasons for the decline in highway robbery in England in the 19th century, because paper currency was more traceable than coins. And it tickles me to think that it’s possible that enough people started using this secure, two-step technique to send their money through the post that it was no longer worth the effort to hold up a mail coach.

Also notable? This poster only concerns Bank of England notes. The Bank of England did not have a monopoly on issuing paper currency in England and Wales in the 18th century (or for a surprisingly long time afterwards), but this reminder that the Bank would make good on half a note might have encouraged people to use their notes rather than a provincial bank’s.

Another thing it’s interesting to see is the use of the placeholder names John Doe and the now less well-known Richard Roe. To a British reader these might sound very American, but those names have actually been used in English law since the middle ages, and John Doe still is, in some instances, even though we don’t use it to name unidentified bodies!

These papers, of the Earls of Clarendon of the second creation, are currently being catalogued and will be available to readers in 2022.