Tag Archives: literary papers

The Elspeth Huxley catalogues are now online

20th century, Archives and Modern Manuscripts, Humanities, Modern, Newly available (2024), Social Sciences, Women, , , , ,
Black and white portrait of Elspeth Huxley as a young woman, 1935, held by the National Portrait Gallery, UK

Elspeth Josceline Huxley (née Grant), 3 May 1935
by Bassano Ltd, half-plate glass negative
NPG x26719, © National Portrait Gallery, London

The three catalogues covering the Elspeth Huxley archive are now online [1] [2] [3].

Elspeth Josceline Huxley (née Grant) (1907-1997), an author and journalist who wrote extensively about Kenya and East Africa, was raised on her parents’ struggling coffee farm 30 miles from Nairobi. Educated mainly at home (except for a short stint at an English boarding school before she managed to get herself expelled) she spent her youth in Kenya but returned to England to study for an agriculture diploma at Reading University and then at Cornell in the United States. She never lived in Kenya again but the country continued to occupy her and she visited often and travelled widely across Africa and the rest of the world with her husband, Gervas Huxley, who established the International Tea Marketing Expansion board. They married in 1931 while she was working as a press officer, and Huxley continued to write to earn money.

Her first major commission was the biography of Hugh Cholmondeley, a leader of the European settlers in Kenya. White Man’s Country: Lord Delamere and the Making of Kenya (1935) became a definitive history from the settlers’ point of view.  Following this, Huxley stayed briefly on the Kikuyu reserve and out of this experience came her first novel, Red Strangers (1937), about the Kikuyu experience of white settlement of Kenya. She went on to write numerous detective novels including 1938’s Murder on Safari, as well as a stream of journalism on topics including Africa, farming and environmental issues. From the 1950s to the 1980s Huxley published further works about Kenya including a history of the Kenya Farmer’s Association, Out in the Midday Sun: my Kenya (1985) which was an edited collection of tales from European settlers, travel accounts and analyses of East Africa, and her semi-autobiographical, and most popular, works The Flame Trees of Thika (1959) and The Mottled Lizard (1962). Flame Trees of Thika was adapted for television in 1981. Huxley also wrote biographies of explorers and pioneers including David Livingstone and Florence Nightingale and spent time on commissions relating to Africa including a tour of central Africa from 1959-1960 as an independent member of the Monckton commission to advise on that region.

Her archive includes correspondence and diaries as well as working notes and research for numerous books including White Man’s Country and her well-reviewed economic and social analysis of British East Africa The Sorcerer’s Apprentice: A Journey Through East Africa (1948).

For further information see the Elspeth Huxley article in the Dictionary of National Biography.

The archive of John Masefield is now available

20th century, Archives and Modern Manuscripts, Humanities, Modern, Newly available (2024), , ,

On the tote bag that you can purchase from Blackwell’s bookshop on Oxford’s centrally located Broad Street, there is a poem by John Masefield:

I seek few treasures, except books, the tools
Of those celestial souls the world calls fools.
Happy the morning giving time to stop
An hour at once in Basil Blackwell’s shop
There, in the Broad, within whose booky house
Half of England’s scholars nibble books or browse.

Black and white portrait of John Masefield by Elliott & Fry, 1910s, National Portrait Gallery [NPG x82495], CC BY-NC-ND 3.0 Deed

John Masefield by Elliott & Fry, 1910s, NPG x82495, CC BY-NC-ND 3.0 Deed

Masefield, whose archive catalogue is now online, was Poet Laureate for thirty-seven years, and wrote many collections of poems, adventure novels, children’s novels, and plays. And yet when I asked in Blackwell’s out of curiosity whether I could purchase a copy of his poems, I was met with quizzical looks. Few had heard his name, and his works are not stocked. During my time as an intern for the Bodleian Library’s Archives and Modern Manuscripts department, I have learned a great deal not just about archiving, the diligence required, and the many departments involved – conservation, rare books, digital archiving, web archiving – but I have also discovered much about the man behind the tote bag.

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New catalogue: literary papers of Sarah Caudwell

20th century, Archives and Modern Manuscripts, Cataloguing, Humanities, Modern, Newly available (2021), Women, , , ,

The full catalogue for the Literary Manuscripts of Sarah Caudwell held at the Bodleian Library is now available online via Bodleian Archives & Manuscripts.

Sarah Caudwell was the pseudonym of Sarah Caudwell Cockburn (1939-2000), a barrister who used her in-depth knowledge of property law and tax in her finely-tuned crime fiction novels.

Sarah was born in London in 1939, the daughter of Jean Iris Ross (1911–1973), a journalist and actress thought to be the inspiration behind Christopher Isherwood’s fictional heroine Sally Bowles. Her father, who left Ross three months after Sarah’s birth, was the journalist (Francis) Claud Cockburn (1904–1981).

Sarah studied classics at Aberdeen University before going on to study law at St Anne’s College, Oxford where she successfully campaigned to allow women to become members of the Oxford Union and take part in debates. She had a successful career at the bar before going on to work for Lloyd’s Bank in their trust division which she left only to concentrate more fully on her writing.

Her novels largely centre around the character of Professor Hilary Tamar (an Oxford don whose gender is never revealed to the reader) and a group of young barristers, to whom Tamar acts as a kind of mentor. The four books in the series are written in various locations including Corfu, Venice, Sark, and a fictional English village. The first book in the series was Thus was Adonis Murdered, published in America in 1981. This was followed by The Shortest Way to Hades in 1985. Her next novel, The Sirens Sang of Murder, was published in 1989 and won the 1990 Anthony award for Best Novel. The final book in the series, The Sibyl in Her Grave, was published posthumously in America in 2000.

Sarah Caudwell's four novels

Sarah Caudwell’s four novels

The collection contains around 200 wirebound reporter’s notebooks full of Caudwell’s jottings for her novels (alongside notes for cryptic crossword puzzles), as well as draft printouts of sections from her novels and publisher’s proofs.

-Rachael Marsay

Jenny Joseph poetry notebooks digitised

20th century, 21st century, Digitisation, Humanities, Modern, Spotlight, Women, , , , ,

Digitised copy of 'Warning', from Jenny Joseph's poetry notebooks [MS. 12404/41]

Digitised copy of ‘Warning’, from Jenny Joseph’s poetry notebooks [MS. 12404/41]

Five of Jenny Joseph’s poetry notebooks [MS. 12404/41] have been digitised and you can now see every page on Digital.Bodleian.

The notebooks are a rich distillation of 60 years of Jenny Joseph’s writing career, starting in 1949, just before she came to the University of Oxford to study English. The third notebook (page 3) includes a draft of her most well-known poem, ‘Warning‘ – When I am an old woman I shall wear purple / With a red hat that doesn’t go, and doesn’t suit me – two famous first lines which you can see corrected in this draft.

She wrote the poem in 1961 and first published it in the newsletter of the old people’s home her husband was working in at the time, and then in the magazine The Listener in 1962. She revised it further for her 1974 Cholmondeley Award winning poetry collection Rose in the Afternoon. The poem was a slow burner which surged in popularity in the 1980s, particularly in America, and it was widely anthologised and re-used for everything from tea-towels to cancer campaign adverts. The poem took on a life of its own, even losing its author at times – the Jenny Joseph archive includes a poster that attributes the lines to a mythical ‘Anonymous’. In 1996 ‘Warning’ was voted Britain’s favourite post-war poem and it even inspired new social groups like the Red Hat Society, a club for women over 50. You can find recordings of Jenny Joseph reading ‘Warning’ on YouTube, and readings of four other poems at the Poetry Archive.

 

Dame Hermione Lee archive now available

20th century, 21st century, Humanities, Modern, Newly available (2021), Women, , , , , , , , , ,
Photograph portrait of Professor Dame Hermione Lee, by John Cairns (2020)

Professor Dame Hermione Lee, by John Cairns (2020) (reproduced with permission)

The archive of British academic and biographer Professor Dame Hermione Lee is now available at the Weston Library, comprising the working correspondence and papers of a notable author, academic, and public intellectual, including literary papers, academic and scholarly papers, and papers relating to Lee’s journalism, public lecturing and broadcasting work.

Hermione Lee studied English Literature here at Oxford University and then taught at the College of William and Mary, the University of Liverpool, and the University of York before, in 1998, returning to Oxford, where for ten years she was the Goldsmiths’ Professor of English Literature, as well as the first female professorial fellow of New College. Between 2008 and 2017, Lee served as the president of Wolfson College, Oxford (founding the Oxford Centre for Life-Writing), and is now Emeritus Professor of English Literature. In 2013 she was made Dame for her services to literary scholarship.

Hermione Lee is a major figure in the academic study of life-writing and the archive reflects her teaching life as both a university academic and public lecturer and speaker, including research notes and lecture texts in her principle teaching areas of American literature, post-colonial and Commonwealth literature and 19th-21st-century biography.

To the wider public, Lee is perhaps best known for her broadcasting and biographies. The archive contains extensive research material and drafts for her award-winning biographies of Virginia Woolf (1996), Edith Wharton (2006) and Penelope Fitzgerald (2013). It also includes research and drafts for her biographies of Elizabeth Bowen (1981) and Willa Cather (1989); her OUP Very Short Introduction to Biography (2009); her collection of essays on life-writing, Body Parts (2005); as well as research and drafts for scholarly articles and essays and for Lee’s decades-long career as a book reviewer and literary journalist.

Lee first came to prominence as a journalist and commentator as the presenter of Channel 4’s flagship literary discussion programme Book Four from the day Channel 4 launched in 1982. She has since presented numerous TV and radio programmes for broadcasters including the BBC, some in partnership with her friend, the author Julian Barnes. The archive will be a useful resource for those interested in the history of literary programming in the UK, not least because it contains multiple shooting scripts.

Another feature of the archive is Lee’s meticulous research for that ephemeral book festival phenomenon: the public interview and round table discussion. It includes preparatory material for a series of encounters with Nobel Prize winner Doris Lessing, as well as authors including Margaret Atwood, Ben Okri, Joyce Carol Oates, John McGahern, Anita Desai and Salman Rushdie.

This extensive working archive of an academic, biographer and broadcaster is now available to readers in the Weston Library.

Cataloguing was generously funded by the Wolfson Foundation.

The Natasha Spender archive is now available

20th century, 21st century, Humanities, Modern, Newly available (2019), Women, , , , , , , , , , ,

Programme for a piano recital by Natasha Litvin (later Spender) in 1944, from MS. 6647/54The archive of Natasha Spender, concert pianist, academic, and wife of the poet Stephen Spender, is now available.

Natasha Spender, Lady Spender, née Litvin (or Evans), was born on 18 April 1919, the illegitimate daughter of Ray Litvin and Edwin Evans, who was a well-respected (but married) Times music critic.

Ray Litvin (d. 1977) was from a family of Lithuanian Jewish refugees and grew up in Glasgow. She became an actress and was by 1915 a regular with Lilian Baylis’s Old Vic theatre company but in 1926 her career was crushed when she caught typhoid fever and became profoundly deaf.

Young Natasha, who had been fostered out during her early years, went on to spend her holidays with the wealthy and very musical family of George Booth (son of the social reformer Charles Booth) and his wife Margaret at their home Funtington House in West Sussex. A gifted pianist, Natasha trained at the Royal College of Music and following graduation, studied with the musician and composer Clifford Curzon and the pianist Franz Osborn before starting her professional career. During the war, she gave concerts for ENSA and in 1943 she, along with the actress Dame Peggy Ashcroft and the poet Cecil Day-Lewis, founded the Apollo Society which presented poetry with a musical accompaniment. She appeared often on television and radio including as the soloist in the very first concert televised by the BBC. She also gave recitals in the UK and abroad, including a concert for former prisoners in the Bergen-Belsen concentration camp. In the 1960s Natasha made a move into academia after earning a degree in psychology and from 1970 to 1984 she taught music psychology and visual perception at the Royal College of Art. She later contributed to the Grove Dictionary of Music and Musicians.

Natasha met the poet Stephen Spender in 1940 at a lunch party hosted by Horizon, a literary journal that Stephen was co-editing at the time. They married in 1941. For decades, the Spenders were central figures in the London (and international) literary scene, with Stephen Spender’s career as a writer, professor, lecturer, editor and delegate taking them all over the world, with long periods in America.

In the 1950s, Natasha became friends with the terminally alcoholic, noir author Raymond Chandler, who fell in love with her. The exact nature of their relationship became an ongoing source of speculation among his biographers. This, along with controversies over unauthorized biographies and interpretations of Stephen Spender’s life led to Natasha fighting hard for the rights of biographical subjects and particularly for her husband’s reputation. Following Stephen Spender’s death in 1995, Natasha founded the Stephen Spender Memorial Trust, which continues to promote poetry in translation, and she collaborated first with John Sutherland on an official biography of her husband (published in 2004) and then with Lara Feigel on an updated edition of Spender’s journals (published in 2012). Natasha also published articles about friends and associates, including Dame Edith Sitwell and Raymond Chandler, and her archive includes an unfinished memoir covering the early years of her life and marriage. She died on 21 October 2010 at the age of 91.

The papers will be of interest to readers researching the history of early twentieth century theatre and performance, the academic field of visual perception, and the literary circle of Stephen Spender.

Jenny Joseph archive is now available

20th century, 21st century, Humanities, Modern, Newly available (2019), Women, , , , , , ,
Jenny Joseph standing in a lane Minchinhampton, Gloucestershire, 2009 © Georgie Brocklehurst

Jenny Joseph in Minchinhampton, 2009 © Georgie Brocklehurst

The catalogue of the archive of the British poet Jenny Joseph is now available online.

Jenny Joseph (1932-2018) is best known for her much-loved poem ‘Warning’ with its famous opening lines:

 

 

When I am an old woman I shall wear purple

With a red hat that doesn’t go, and doesn’t suit me

It was 1961 and Joseph was still in her 20s when she wrote ‘Warning’ for the newsletter of the old people’s home her husband was working in at the time. It was first published in The Listener magazine in early 1962 and then revised for her 1974 Cholmondeley Award winning poetry collection Rose in the Afternoon. The poem wasn’t an immediate hit but it built up steam through the 1980s in the UK and abroad (particularly in the US), becoming much anthologised, reprinted and re-used, featuring in everything from tea-towels to cancer campaign adverts. The poem took on such a life of its own that the archive includes an unauthorised poster attributing the lines to a mythical ‘Anonymous’. In 1996 it was voted Britain’s favourite post-war poem and it even inspired a social movement: the Red Hat Society, a group for women over 50. (You can find recordings of Jenny reading ‘Warning’ and other poems at the Poetry Archive and on YouTube).

Jenny Joseph was born in Birmingham and raised in Buckinghamshire. She won a scholarship to St Hilda’s College in Oxford to study English, and graduated in 1953. She trained as a secretary and then as a reporter, starting at the Bedfordshire Times and moving to the Oxford Mail. She sailed to South Africa in December 1957 and worked as a secretary and as a reviewer for the leftist newspaper New Age. In February 1959 she had just started teaching at Central Indian High School in Johannesburg when she was expelled from the country for reasons stated as ‘economic grounds or on account of standard or habits of life’ – likely connected to her anti-apartheid views and associations. She returned to London and thereafter lived mainly in London and in Minchinhampton in Gloucestershire.

She married pub landlord Charles Coles in 1961 and had three children while continuing to write, teach English as a foreign language, and lecture in language and literature for the Workers Education Association and West London College.

Jenny Joseph’s poetry was first published and broadcast on radio in the early 1950s on programmes like Thought For The Day and Poetry Please. Her first poetry collection, The Unlooked-for Season, was published in 1960 by Scorpion Press (in 1962 it received a Gregory award for poets under 30). She did a great deal of work for children – writing six children’s reading books in the 1960s, teaching workshops in schools, and in 2000 publishing All the Things I See – Selected Poems for Children. Her last poetry collection Nothing like Love (a collection of love poems) was published in 2009. In 1995 Joseph won the Forward Prize for her poem ‘In Honour of Love’ and her experimental fiction work Persephone (1986) won the 1986 James Tait Black Memorial Prize for fiction. She was elected a Fellow of the Royal Society of Literature in 1999.

The archive is particularly strong on business correspondence, with a section dedicated to her most popular poem, ‘Warning’ that includes not only agency correspondence and fan letters but artefacts (from cartoons to quilts) that were inspired by the poem.

Cataloguing was generously funded by Jenny Joseph’s friend Joanna Rose, and by Joseph’s family.