Tag Archives: literary

An archive in exile: Arturo & Ilsa Barea

By Eva Nieto McAvoy

Arturo and Ilsa Barea’s archive and library have been kept in a terrace house near Finsbury Park for the past 40 years. Their niece Uli Rushby-Smith inherited this large collection in the 1970s and has taken upon herself the daunting task of looking after the estate and ensuring that the Bareas’ legacies are kept alive by promoting several new editions of their work. It was through Arturo Barea’s biographer Michael Eaude that I came into contact with Uli, the terrace house, the papers and the books in 2011. I was interested in writing a PhD thesis on Arturo Barea and having access to the archive was a wonderful oportunity. Aside from researching for my thesis ‘A Spaniard in Hertfordshire: The Intellectual Exile of Arturo Barea’, I catalogued the papers and, in the process, became personally involved in this wonderful story. When I first arrived, about twenty boxes of articles, letters, drafts, newspaper cuttings and scrapbooks belonging to Arturo and Ilsa, and several walls covered with the books of five generations (from Ilsa’s parents to her great nieces) were awaiting me. The results of the organizing and cataloguing can now be enjoyed by users for the Weston Library, the new home of Arturo and Ilsa Barea’s papers.

Photographs in the archive, photo by Sonia Boué

Photographs in the archive, photo by Sonia Boué

The Bareas started their exile homeless, but also paperless and bookless. They managed to bring over a case with personal and family documents and some photographs from their previous life in Spain. But that’s about it. For the most part, this archive is an exile’s archive: written in exile, built in exile, read in exile and kept in exile until today.

I have to confess that my weekly visits to the archive, working in the nostalgic living room furnished with Biedermeier cabinets, with walls full of books and magazines, blue china and netsuke that belonged to Ilsa, overlooked by the solemn presence of Barea’s grandfather clock, are still my favourite part of the research. Each letter or photograph has a story behind it and more often than not, Uli has filled in the blanks with her memories of Arturo and Ilsa.

Arturo Barea (Badajoz 1897 – Faringdon, Oxfordshire 1957) was a Spanish writer, literary critic and broadcaster. A socialist and active member of the UGT (the Socialist trade union) during the Spanish Civil War, Barea was the head of the Press Department of the Republican Foreign Office in Madrid, dealing with foreign press correspondents such as Ernest Hemingway or John Dos Passos. During this time, he met and married his second wife, the Austrian socialist Ilsa Barea (née Ilse Pollak), his life-long companion, collaborator and translator.

Ilsa & Arturo in their garden

Ilsa & Arturo in their garden

In 1938 Barea and Ilsa left Spain for France and then England, where they arrived in March 1939. It was during his early years in exile that Barea became a well-known contributor of articles and short stories to Horizon, Time and Tide, the New Statesman, the Times Literary Supplement and Tribune, aside from contributing the essay ‘Struggle for the Spanish Soul’ to Orwell’s wartime series Searchlight Books. He was also a regular broadcaster for the BBC Latin American Service under the penname ‘Juan de Castilla’. Barea is the author of the autobiographical trilogy The Forging of a Rebel, which was first published in English by Faber&Faber (1941-1946) and edited by T.S Eliot. The trilogy was an immediate international success and was translated into nine languages during the forties. The Spanish edition came out in Argentina in 1951 and it was only published in Spain in 1977 after Francisco Franco’s death. Barea never returned to Spain and became a British national in 1948.

Ilsa Barea (1902-1973), née Pollak, was a socialist political activist, journalist and translator. Born in Vienna into a liberal family, Ilsa was politically active early on, particularly in the areas of propaganda and education. She was a member of the Austrian Communist Party initially then later the Austrian Social Democratic Party. In 1936, she was employed by the Press Department of the Republican Foreign office in Madrid. During this period of the Spanish Civil War, she met Arturo Barea. They were both working as censors at their headquarters in the Telefonica (the title of her serialised novel published in the Austrian Arbeiter-Zeitung in 1949). After the death of her first husband, Leopold Kulcsar,  in January 1938, Ilsa married Arturo and together they fled Spain.

While in exile, Ilsa continued supporting the Spanish Republican struggle by publishing articles in Time and Tide, New Statesman, Times Literary Supplement, and Tribune. In August 1939 she joined the BBC Monitoring Service in Evesham, translating broadcasts from German and Spanish alongside Ernest Gombrich, George Weidenfeld, Martin Esslin and Anatol Goldberg. She was an exceptionally gifted linguist. Later her work focused on evaluating foreign writers, translating many of them for English and American publishing houses. She also broadcast for the BBC on a number of subjects.

Vienna. Legend and Reality (Secker and Warburg, 1966)

Vienna. Legend and Reality (Secker and Warburg, 1966)

Ilsa was a close collaborator of Arturo’s, influencing his work in many ways. Her most important contribution was the translation of his trilogy The Forging of a Rebel into English, praised for its quality in many reviews. The legacy of her father, Valentin Pollak, a well-known Viennese teacher and educationalist, was carried on in Ilsa’s work as a teacher herself and interpreter for Labour Parties and Unions across Europe. She became a British national in 1948, but after Arturo’s death in 1957, she returned to Vienna regularly, spending the last years of her life there. She is the author of Vienna: Legend and Reality (1966), a social and cultural history of the city.

Arturo and Ilsa shared a life of letters until his death in 1957; he wrote; she wrote and translated what he had written in Spanish into English. Snooping around the couple’s papers I can imagine them in their cottage in Eaton Hastings, working at their shared desk piled with papers threatening to tip over while listening to the radio in the background and having endless discussions about politics in several languages as they shared the house with a mixture of family members and friends from different places. It is precisely this mixture of languages and intellectual traditions which has a very strong presence in the archive and the library.

It is overall surprising to find a comparatively small proportion of material in Spanish – letters and documents in English, German, French, Danish and even Swedish open a window onto an important period of European history. The archive is an important repository of Spanish culture in exile, but also of Austrian culture and, even more importantly, of the internationalism that permeated the anti-fascist struggle of the Second World War and the anti-communist struggle during the Cold War.

The Forge, The Track and The Clash (Faber & Faber, 1941, 1943, 1946)

The Forge, The Track and The Clash (Faber & Faber, 1941, 1943, 1946)

Some of the most important holdings in the archive are the original and annotated typescripts of Arturo and Ilsa’s work like Arturo’s La Raiz Rota, Ilsa’s Vienna, as well as their many short stories, articles and even unpublished poetry by Ilsa. Sadly there is no typescript of La forja de un rebelde, but only a few chapters in French and the first two pages of La forja in Spanish, probably from 1938.

Arturo and Ilsa’s papers are hard to separate. Aside from their close intellectual collaboration, she often wrote letters on his behalf, particularly when they first arrived – many of them explaining Arturo’s limitations with English. But Arturo could read in English, and the number of British classics in their library gives credence to a biographical note of 1941 which explained “that his spoken English is still atrocious, but he is beginning to appreciate Jane Austen”. There is an incredible articulation of Spain and Britain in Barea’s work and in the archive and library. On the shelves we can find Don Quijote de la Mancha sitting quite comfortably next to Tristram Shandy. Letters to Cyril Connolly and John dos Passos are written in Spanish and are mixed with those of Arturo to his family back in Madrid. As expressed in one of Barea’s obituaries, he served as an “interpreter between two different civilizations and ways of life”.

Uli tells us that the Bareas spent most of their time writing letters and reading newspapers and magazines, ranging from the Manchester Guardian to Picture Post. All of these activities have left traces in the archive as well. Apparently, one of Uli’s jobs was to help them read through the morning papers, to cut out all the news relating to whatever topic they were writing about at the moment and to paste the clippings in scrapbooks – all of which are also in the archive.

Throughout their careers, Arturo and Ilsa wrote book reviews and articles about the literature and authors of their homelands. They also had an important role in promoting, and often translating into English, Spanish authors such as Camilo J. Cela and other writers in exile like Guillermo de Torre, Ramón J. Sender, Esteban Salazar Chapela, Francisco Ayala or Max Aub. After Arturo’s death, Ilsa continued this work as a translator from Spanish and German, but also as a reader for British publishing houses, as an editor, and as an interpreter, particularly for trade unions. We can find most of this paperwork in the archive, aside from around 12 boxes of correspondence that traces Arturo and Ilsa’s work and life in exile.

Arturo Barea broadcasting for the BBC Latin American Service

Arturo Barea broadcasting for the BBC Latin American Service

The archive also illustrates Barea’s relationship with Latin America. Articles for the Argentinian newspaper La Nación, around 650 of the 850 broadcasts he wrote for the BBC Latin American Service, fan-mail to “Juan de Castilla” and details of his 1956 trip to Argentina, Chile and Uruguay – including airplane tickets and a record of all the vaccines he needed.

Arturo’s past as a non-intellectual also sneaks into the archive in rather unexpected ways. One of his major projects was to design a bookshelf system that could be assembled and dismantled by anyone in order to adapt to different spaces and uses, decades before IKEA had the same idea. Drawing on his previous experience in a patent agency in Spain, Arturo tried to patent his design. The shelves still stand in Uli’s living room, more than 60 years after Arturo first built them.

Today, the Bareas’ archive is arguably still in exile. The donation to the Bodleian is an important step in assuring access to its holdings for future generations of scholars – although researchers will now miss Uli and her partner Eugene’s wonderful meals and conversations. One question that comes to mind is why not send the holdings back to Spain, as has happened with other Spanish Republican exiles’ libraries? The return to Spain is often seen as a reconciliation following the injustice of the years of expulsion.

Several reasons are behind the decision to donate the archive to the Bodleain. The cosmopolitanism of the holdings; the fact that Arturo’s work is difficult to separate from that of his wife, which represents a whole chapter of Austrian culture in exile; and the fact that the transnational character of their work might be best represented in Britain, as an example of the internationalism of the war and post-war periods. It is also a much needed reminder of how Britain’s (often reluctant) hosting of European exiles resulted in the political, cultural and social contributions of Europeans to British culture and politics.

Most importantly, it is undeniable that Ilsa and Arturo started their exile struggling to overcome the violent loss of the life they were forced to leave behind. In 1956 Arturo still felt that ‘la patria se siente como un dolor agudo’ – the homeland feels like an acute pain. But Ilsa and Arturo were also able to embrace exile as a new beginning, a new life together in a foreign land that soon became home.

Archives, libraries, books and scrapbooks can help exiles keep links with their homeland, but can also ground them to their new homes. Arturo and Ilsa’s archive is testimony to this. If, in Adorno’s words, “To those who no longer have a homeland, writing becomes home”, the archive is already home and it belongs here, in Britain more than there, in Spain.

A life in letters: a tribute to Jenny Joseph

Miriam Margolyes

Miriam Margolyes

On Sunday 13th May the actress Miriam Margolyes will be in Oxford to perform a public reading of poems by Oxford alumna Jenny Joseph, the author of Warning:

‘When I am an old woman I shall wear purple
With a red hat which doesn’t go, and doesn’t suit me’

The event, hosted by the Bodleian and St Hilda’s College, celebrates the life and work of Jenny Joseph, who died this January, and will include a selection of poetry ranging across her more than 50 year-long writing career. She donated her literary archive to the Bodleian in 2017.

The reading will be at the beautiful, seventeenth-century Convocation House in the Old Bodleian Library from 11.30pm-1.00pm. Tickets cost £12 (£10 concessions), including tea/coffee and a pastry. You can book tickets online at What’s on, or phone the box office at 01865 278112 (there is a £2 booking fee for phone bookings).

Please note that tickets will not be available on the door.

New Catalogue: The Archive of Hilary Bailey

The catalogue of the archive of Hilary Bailey is now available online here.

Hilary Bailey (1936 – 2017), was a writer and editor whose career spanned many decades and genres. Her early output largely focussed on science fiction, with many of her short stories, including The Fall of Frenchy Steiner (1964), published in the science fiction publication New Worlds during the 1960s, and during this time she also co-authored The Black Corridor (1969) with her then husband, the science fiction writer Michael Moorcock; Bailey served as editor of New Worlds from 1974 to 1976 .

Her social circle contained a number of science fiction writers who were fellow contributors to New Worlds, including Graham Hall, another science fiction writer and editor of New Worlds whose papers are also included within the archive.

Hilary Bailey’s post-New Worlds output tended not to fall under the genre of science fiction. Her first solo full length novel, Polly Put The Kettle On (1975), was the first Polly Kops novel she wrote, and the character would later feature in Mrs Mulvaney (1978) and As Time Goes By (1988) – novels focussing on a woman in London through the 1960s to the 1980s.

Indeed, much of Bailey’s work had a focus on women, including her retellings and sequels of classic novels – including Frankenstein’s Bride (1995) – an alternate telling wherein Victor Frankenstein agrees to build the monster a wife rather than spurning the suggestion and Mrs Rochester (1997), which imagines Jane Eyre’s life a number of years  into her marriage to Edward Rochester. Women were also the focus of her historical fiction novel, The Cry From Street To Street (1992), which imagined the life of a victim of Jack the Ripper and Cassandra (1993), a retelling of the fall of Troy. She also authored a biography on Vera Brittain.

Draft artwork for the book jacket of As Time Goes By (1988)

Her most recent work ranged from the speculative fiction Fifty-first State (2008), a novel set in the then near-future of 2013, looking at politics within the United Kingdom, to imagining Sherlock Holmes’ sister in The Strange Adventures of Charlotte Holmes (2012).

The archive comprises a large amount of correspondence both personal, with family, friends and other writers and professional, with publishers and literary agents, as well as artwork for book jackets, early draft manuscripts for novels and assorted miscellanea.

Bailey’s archive also includes a small series at the end consisting of correspondence and draft writings belonging to Graham Hall (1947-1980), a friend of Bailey’s and fellow New Worlds contributor, editor, science fiction writer and general science fiction enthusiast. As Hall’s writing career was cut short by his death in 1980, aged just 32, his name is perhaps not as easily recognisable as those of his correspondents. His correspondence contains interesting information regarding science fiction enthusiasts in the 1960s, from Hall’s early involvement with fanzines and hopes to compile bibliographies for the work of more well-known science fiction writers, to his involvement with the scene and time as editor of New Worlds. Hall’s illness and death are chronicled in Michael Moorcock’s novel, Letters from Hollywood (1986).

Jenny Joseph celebration with Miriam Margolyes

Miriam Margolyes

Miriam Margolyes

On Sunday 10th December the actress Miriam Margolyes will be in Oxford to perform a public reading of poems by Oxford alumna Jenny Joseph, the author of Warning:

‘When I am an old woman I shall wear purple
With a red hat which doesn’t go, and doesn’t suit me’

The event, hosted by the Bodleian and St Hilda’s College, celebrates the recent gift of Jenny Joseph’s literary archive to the Bodleian and will include a selection of poetry ranging across her more than 50 year-long writing career. There will also be a free display of material from the archive in the Weston Library over that weekend.

The reading will be at the beautiful, seventeenth-century Convocation House in the Old Bodleian Library from 12pm-1.30pm. Tickets cost £8, including tea/coffee and a pastry. You can complete our booking form at What’s On to reserve tickets in advance. (Please note that tickets will not be available on the door.)

Dancing all night with Aphra Behn: a recently acquired diary of Jeffrey Boys of Betteshanger, 1667

 

The library recently acquired a little Gallen almanac of 1667. This work, itself a rare book (we have traced a handful of Gallen almanacs in the Bodleian, and none for 1667), has become a unique manuscript as it contains a diary of Jeffrey (or Jefferay) Boys of Betteshanger, Kent for the year 1667. The catalogue has just been published online. Although the diary covers only 12 pages (one per month), it is of considerable interest as a record of Restoration London. In the words of the bookseller  Samuel Gedge, who identified the author and the significance of the diary, the diarist “offers a masterclass in Restoration dandyism: gambling, socialising, drinking, dancing and theatregoing”.

Jeffrey Boys (1643-1703) was a young lawyer at Gray’s Inn, one of many sons of John Boys (d. 1678), possessor of the manor of Betteshanger in Kent. John Boys was married three times, and the numerous references to brothers, sisters and cousins in the diary refer to step-relatives and brothers and sisters-in-law as well as full siblings, and all can be traced in pedigrees of the Boys family and John Boys’s will held in the National Archives. Jeffrey’s mother and father make a brief appearance in the diary when ‘Father & Mother Let’ come to London. Jeffrey’s mother was named Letitia.

The most extraordinary aspect of the diary however is Boys’s meetings with the female playwright Aphra Behn, with whom he is clearly acquainted. Aphra goes by the name of ‘Astrea’, and her identity might not have been established but for the fortunate discovery in 1930 of another Jeffrey Boys diary of 1671. Astrea was apparently a name Aphra Behn adopted when she was a spy in Antwerp. Sadly, the whereabouts of the original diary is not presently known, but the discoverer, though not recording where he saw it, wrote it up in Notes and Queries, noting that Boys records that he saw Astrea’s play the Forc’d Marriage, and then that ‘Astraea’s boy brought me her play the Amorous Prince’.

[May] 29 Sisters, Mrs An. Farew[ell], Astrea & divers men set up dauncing at Spr[ing] gard[en] all night

The 1667 diary shows that Jeffrey Boys’s connection with Aphra Behn was more intimate, and went back further than could be discovered from the the 1671 diary. She makes her first of five appearances in Boys’s 1667 diary on 29 May when Boys, his sister, Astrea and ‘divers men set up dauncing at Spr[ing] gard[en] all night’. The date of this first entry is noteworthy because it is known from other sources that Aphra Behn had returned from her spying mission to Antwerp earlier that month (see her entry in the Dictionary of National Biography). It is clear from this entry that Boys already knew Astrea, and as she is treated in the same way as all his other friends and relatives mentioned in the diary, it is likely that they had known one another a long time.

 

The diary has numerous interesting references to life in Restoration London. On 14-15 Jan 1667 Boys records attendance at various plays. He saw the ‘Indian Queen’ (‘it not having been acted in a long time’) and its companion the ‘Indian Emperor’ performed over two days, ‘the whole Court almost except th[ei]r Maj[est]ies being there’. This was Thomas Killigrew’s production, the man who was later to stage Behn’s plays and who was also connected with her spying activies. In February 1667 Boys helped to set up an Anatomy Club, missing its first meeting as he was watching Spanish rope dancers. At a later meeting he saw ‘a dog well anatomized’.

November  ….lost my cloake in Lincolns In field  … bought new sword [he lost his old one]. had new Periwig.

Boys also attended the ‘Humorous Lovers’ by the ‘Duchesse of Newcastle’ exactly, he says ‘as shee writ it’. It is supposed that the Duke of Newcastle actually wrote the play, but Pepys also saw it at the same time, and he too believed it to have been written by the Duchess.

Boys seems to be following Pepys around. He and his companions saw a ‘riding of Skimington’ on 10 June 1667 in Greenwich. This was a form of community retribution meted out on people deemed to be acting anti-socially, and Pepys witnessed the very same incident in Greenwich on the same day:

[from Pepys Diary 10 June 1667] ‘…in the afternoon took boat and down to Greenwich, where I find the stairs full of people, there being a great riding there to-day for a man, the constable of the town, whose wife beat him.’

The diary gives an interesting picture of places of entertainment in post-Fire London. Several taverns are mentioned, the favourite being the Bacchus, where once again we find Boys and others dancing all night with Astrea in December 1667. In October Boys was up all night again, this time at ‘La Frouns’ (or possibly La Trouns – if anyone has information about this institution, please let us know). Among his companions on this occasion were ‘Ld Bellamounts daughters Lady Frances and Persiana’. Frances Bard, daughter of the Earl of Bellomont, was Prince Rupert’s mistress and mother of his natural son Dudley.  According to some accounts, the relationship ended in 1667.

At the end of the volume, Boys has copied out the steps for various country dances – perhaps he and Aphra Behn tried a few of them!

‘We used to correspond’: the letters of Barbara Pym and Philip Larkin

A reading of the letters of Philip Larkin and Barbara Pym by Oliver Ford Davies and Triona Adams, with an introduction by Anthony Thwaite, OBE.

Date: 10 December 2016, 6.00pm – 8.00pm

Venue: Blackwell Hall, Weston Library, Broad Street, Oxford, OX1 3BG

When Philip Larkin first wrote to Barbara Pym in 1961 it was the minor poet approaching the celebrated novelist. While their literary fortunes were to change dramatically the correspondence and the friendship remained steady over nearly 20 years. Highly entertaining, fascinating and often deeply moving, the Pym-Larkin letters tell the story of an extraordinary relationship between two very different characters united in their passion for the written word and of fall and rise of a literary career.

Tickets cost £20, including refreshments.

To book please contact the Friends of the Bodleian Administrator on 01865 277234 or at fob@bodleian.ox.ac.uk.

Further details at http://www.bodleian.ox.ac.uk/bodley/friends/fob-events/2016/we-used-to-correspond

New Catalogue: Evan Jones Archive

The catalogue of the Evan Jones archive is now online and the material available for readers to consult.

Born in 1927 in Portland, Jamaica, Jones was educated in both Jamaica and Pennsylvania before studying at Wadham College, Oxford. He graduated in 1952 with a BA (Hons) in English literature and initially went into teaching, but came to establish himself as a poet, novelist, playwright and screenwriter.

The archive consists of screenplays, typescripts, correspondence and publicity material relating to Jones’ poems, novels and screenplays, as well as audio-visual material for the films and television programmes he worked on. Perhaps most notably, the collection contains material concerning his seminal The Fight Against Slavery.

Written by Jones in 1973 and broadcast by the BBC in 1975, The Fight Against Slavery is a 6-part television series which documents the outlawing of slavery in the British Empire. The episodes are based in Africa and the West Indies and tell a story from 1750-1834, with the characters and narrative based on real people and actual events.

The archive includes annotated drafts and typescripts of the different episodes, and the later novel adaptations of the screenplays. There is also publicity material of the series produced by the BBC and printed advertisements for it, as well as contemporary newspaper reviews. The personal letters in the collection indicate that it was well-received and generated much discussion and official correspondence relays the processes behind its broadcast. VHS copies of the series are also in the archive, and will be digitised for preservation and to make them accessible long-term.

Evan Jones is a descendant of both slaves and slave owners, and The Fight Against Slavery seems like a personal effort to disclose the struggles of particular individuals to eradicate the slave trade, with Jones himself introducing each episode.

Not all of Jones’ oeuvre holds the weightiness of this dramatisation though, with films such as Modesty Blaise, a comedy starring Monica Vitti and Dirk Bogarde loosely based on a comic strip of the same name, and the television play Madhouse on Castle Street which features songs performed by Bob Dylan, also being examples of Jones’ screenwriting. As well as this, he is known for the screenplay of the film Escape to Victory. The main plot of this film revolves around a football match between the English and Germans in a German prison camp during World War II, and it stars Michael Caine and Sylvester Stallone. Material on these and other works also feature in the archive, demonstrating the wide-ranging subjects and genres Jones worked on.

Outside of Jamaica, Evan Jones’ writing is perhaps not as well known as his screenplays; but since the 1950s when he wrote ‘Song of the Banana Man’ in an Oxford pub in response to a challenge to show what he thought Jamaican literature should be like, he has returned time and again to his homeland and themes of race, family and identity. Almost half a century later and the banana man’s song still resonates with Jamaicans and ex-pats alike and you can find ‘Song of the Banana Man’ featuring in the Favorite Poem Project http://www.favoritepoem.org/ of Robert Pinsky, the 39th Poet Laureate of the United States.

‘Song of the Banana Man’ was the first poem to use Jamaican patois in a way that was accessible to a broader audience and Ian Thomson[1] cites it as a major influence on the dub poets of the ’70s.

Jones was asked to write Protector of the Indians–a historical book about Bartolomé de las Casas–in 1958 but most of his other literary papers remained unpublished while his career in screenwriting took off. Aside from a series on West Indian history and folklore for children (1989-1991)[2] for Macmillan’s Caribbean Writers collection that is still taught in classrooms today, he has mainly focused his energy on film and television; though he had always had the time to write articles and editorials about Jamaica for various publications.

However, in the 1990s he set out to write a novel because there was a story inside him that wanted to be told. Stone Haven (1998): a fictional historical epic with a semi-autobiographical core, chronicles the lives and loves of the Newton family as they rise to political power. Jones’ close ties to and abiding love for Jamaica informs its pages and it has drawn critical praise for its realistic portrayals of life on the island.

This diverse collection of papers and audio-visual material spanning over six decades of Jones’ life will be a great resource for future researchers.

[1] Thomson, I. The Dead Yard: Tales of Modern Jamaica (2009)

[2] Jones, E. Tales of the Caribbean (1989-1991)

New catalogue: The Montgomery family papers

A small collection, this is the archive of a close-knit family of intellectuals, Robert Montgomery (1859-1938), his son Neil Montgomery (1895-1979), Neil’s wife Margaret (1896-1984) and their children, Lesley Le Claire (1927-2012) and Hugh Montgomery (1931-2008).

Robert Montgomery was an Argyll-born weaver’s son who became a headmaster in Huddersfield. While the archive is light on his papers, it may contain a long-lost gem of Highland romanticism, Robert’s draft novel The Last of the Clans. Or perhaps not – as his son, Neil, wryly writes in a preface:

“For the main part, however, the novel is hardly a success. My father never intended to publish it, or if he ever entertained such an idea he quickly abandoned it.”

Neil Montgomery was a distinguished psychiatrist who became the superintendent of Storthes Hall Hospital, a Huddersfield asylum. He had a strong interest in metaphysics, literature and theological matters with a particular interest in the philosophical poetry of Denis Saurat (1890-1958), an Anglo-French scholar, writer and broadcaster.

The Montgomery children went on to excel in divergent fields. Hugh Montgomery studied at Merton College, Oxford and  became a physicist, working among other places at the Harwell Research Laboratory in Oxford. He was a member of the Scottish Arctic Club and one of the features of the family archive are his photographs of expeditions to Greenland and Iceland in the 1970s and 1980s. Lesley Montgomery (who in 1986 married Alan Le Claire, also a physicist and originally Hugh Montgomery’s boss) became a much respected librarian, finishing her career as Librarian of Worcester College, Oxford (1977-1992). She was an expert, in particular, on seventeenth-century Britain, a hub of scholarly work on the period, and friend to researchers, reflected in the large pile of letters from Eric Sams, a musicologist and a Shakespeare scholar. The archive also features Lesley’s literary works as a playwright and author, including the script she wrote for Worcester College students to dramatize the Putney Debates of 1647, which was eventually produced for BBC radio. She went on to write other BBC Third Programme documentaries and to write and lecture on subjects including Kenelm Digby (manuscripts collected by Digby can be found in the Bodleian [PDF]).

The Montomery family archive is notable for the warmly affectionate, psychologically informed, intellectually stimulating, and open-minded correspondence between family members. In a letter from Neil Montgomery to Lesley, then 24, on the 16th of June, 1951, he writes about divorce, repression, the emancipation of women and the sexual sphere.

“The insistence on feminine chastity is of course a culture pattern belonging to a firmly based patriarchal society […] the demand for chastity of wives and daughters is basically the jealousy of the “Old Man”, the father, against all younger males. […] Nevertheless in a properly regulated society the vote will be a useful thing to have. So too will sexual freedom. Women will then be able to choose chastity freely and not forced to accept it as something imposed upon them by the lordly male. And that, unless I am much mistaken, will be in basic accord with the normal woman’s nature. […] Deep in her bones woman knows what the biological meaning of all this sex business is. She must have a stable home for the children which are born. Therefore she is instinctively against promiscuity. […] So then I come back to my genial Victorian corner. The sanctity of marriage is not overthrown. Women can still be paragons of virtue, and at the same time I can lay claim to be in the vanguard of modern thought. Did ever you know a better of [sic] example of having one’s cake and one’s halfpenny?”

The archive is particularly strong on early twentieth-century psychological theories, and their intersections with literature, philosophy and theology. It is also notable for Neil Montgomery’s correspondence with Philippe Mairet and W.T. (Travers) Symons, editors of the New English Weekly; the long sequence of letters from Eric Sams to Lesley Le Claire; a series of draft articles written by the mathematician Ethel Maud Rowell; and the transatlantic, wartime letters written by Margaret Montgomery (the honorary secretary of the Huddersfield Association of University Women) to Lydia Lagloire of Quebec City, Canada (a fellow University Woman) which touch on conditions in the U.K. and Canada and the political situation in Quebec, among many other matters.

Catalogue of the papers of the Tilling Society now online

 

The papers of the Tilling Society (1982-2006), a group set up to celebrate the life and works of the author Edward Frederic Benson (1867-1940), have been catalogued and are available for readers to consult.

Spanning from the early-nineteenth century up until 2009, the papers consist of material collected by the Tilling Society relating to both E.F. Benson and the administration of the Society. It includes correspondence, stories and articles by E.F. Benson and members of his family; as well as ephemera, photographs and audio-visual material relating to theatrical, televised and radio productions of his stories. In addition, it contains circulars, documentation and photographs produced by the Society.

The last page of a letter from E.F. Benson to his friend Canon John Fowler

The last page of a letter from E.F. Benson to his friend Canon John Fowler

Whilst the original letters of E.F. Benson and copies of his early publications will have obvious appeal to researchers, this lively archive also tracks the popular afterlife of Benson’s works in material relating to dramatisations of his stories, and is evidence of the Tilling Society’s admiration and appreciation of the author – papers on and photographs of the annual events the Tilling Society held for its members demonstrate their great love for E.F. Benson and his stories and characters.

A souvenir brochure from a Tilling Society ball

A souvenir brochure from a Tilling Society ball

New catalogue: Stephen Spender archive

The catalogue of the Stephen Spender archive is now online.

Stephen Spender at the B.B.C., n.d.

Stephen Spender at the B.B.C., n.d.

Sir Stephen Spender (1909-1995), poet, playwright, author and critic, was the longest surviving member of the ‘Auden Group’ (Oxford poets Louis MacNeice, W.H. Auden and Cecil Day-Lewis and the Cambridge-educated novelist Christopher Isherwood).

Although he studied at Oxford, at University College, Spender ultimately failed to take a degree and moved, with Isherwood, to the more sexually liberated Weimar Germany, starting a three year relationship with a former soldier called Tony Hyndman (1911-1980). Isherwood’s experience in Germany was worked into his novel Goodbye to Berlin (1939), which was famously made into the film Cabaret (1972), starring Liza Minnelli. Spender meanwhile, wrote The Temple (finally published in 1988) which was unpublishable at the time due to its homosexual content.

Moving back to England, Spender flirted with joining the Communist Party, and was briefly involved in the Spanish Civil War on the Republican side as a writer and delegate. In December 1936, he married Inez Maria Pearn (1914–1977), a modern languages postgraduate at Oxford. By 1941, they were divorced and Spender married Natasha Litvin (1919-2010), a concert pianist, with whom he had two children.

Disqualified, by health and age, from military service in World War II, he became a London fireman with the Auxiliary Fire Service while also co-editing the literary magazine Horizon with Cyril Connolly (1903-1974). After the war, Spender earned a living in colleges across America as a lecturer and university professor. From 1965 to 1966 he served as the poetry consultant at the Library of Congress (effectively the U.S. Poet Laureate) and alongside his teaching, he worked as co-editor of the monthly magazine Encounter from its inception in 1953 to its funding scandal in 1966-7, when it was revealed that the magazine had been subsidized by the C.I.A., at which point Spender resigned. He also continued to publish poetry, drama, novels, short stories, essays, literary criticism and journalism right up to his death in 1995, and was well known for his autobiographical works, including World Within World (1951).

Beyond his writing and teaching, Spender campaigned against censorship and the persecution of writers, founding the Writers and Scholars Educational Trust, which became Index on Censorship. He was knighted in 1983.

A longtime member of the literary establishment in the UK and the USA, Spender’s archive includes a rich correspondence with hundreds of notable people, from J.R. Ackerley to Virginia Woolf, and not least with his wife Natasha Spender. It includes long sequences  of correspondence with W.H. Auden and T.S. Eliot (mainly photocopies of originals held by U.S. archives), and also sequences of original correspondence with Cecil Day-Lewis, Christopher Isherwood and his partner, the artist Don Bachardy, as well as Spender’s good friends Isaiah Berlin, Joseph Brodsky and John and Rosamond Lehmann. His correspondence also recounts the implosion of his editorship of Encounter. Another feature are numerous notebooks and loose draft material for Spender’s poetry and other literary works.

See also the Dictionary of National Biography entry for Spender; Stephen Spender, the Authorized Biography by John Sutherland (2005); and the National Register of Archives for a list of institutions across the U.K. and the U.S. holding Spender archival material.