Research Uncovered—Capture, Model, Interpret: new ways of imaging ancient text artefacts

RTI Dome 7. Credit: Custom Imaging; https://custom-imaging.co.uk/projects/dome-7/

What: Capture, Model, Interpret: new ways of imaging ancient text artefacts

Who: Jacob Dahl and Kirk Martinez

When: 13:00—14:00, Tuesday 30 May 2017

Where: Weston Library Lecture Theatre (map)

Access: all are welcome

Admission: free

Imaging systems have been developed over the years to capture images of  objects which are more detailed, have accurate colour and have  revolutionised our records of our cultural heritage. Some objects have subtle surface details which are difficult to capture. We have been using a technique called “reflectance transformation imaging”. This allows the viewer to move a virtual light around to highlight the detail of interest. This talk will explain the technique and show the systems we made to capture hundreds of images.

Seal impression on the proto-Elamite tablet Sb 04832 captured from an RTI dome image made in the Louvre. Credit: Cuneiform Digital Library Initiative; http://cdli.ucla.edu/P008022.

Jacob Dahl is a specialist of the pre-Classical cultures and languages of the Near East. He has written on early Babylonian socio-economic history, early Near Eastern writing systems, and Sumerian literature. He works on the decipherment of proto-Elamite, the last undeciphered writing system from the ancient Near East with a substantial number of sources (more than 1600 tablets divided between the Louvre Museum and the National Museum of Iran). Initially inspired and influenced by archaic cuneiform from Mesopotamia, proto-Elamite was a very short-lived writing system (ca. 3100 – 2900 BC) used across much of what today constitute the Islamic Republic of Iran.As a co-PI of the Cuneiform Digital Library Initiative he seeks to document and safeguard Mesopotamia’s contribution to our shared world history by making its ancient records available freely online.

Kirk Martinez is a Professor of Electronics and Computer Science at the University of Southampton. His imaging and image processing research includes the VASARI and MARC projects on high resolution colorimetric imaging,  In Viseum a new system was designed to allow web browsers to view high resolution images (which became IIPimage). He founded the VIPS image processing library. He has developed nine RTI imaging systems and is currently collaborating with Jacob Dahl in Oriental Studies on the
imaging of ancient seals.

Yorkshire Sound Women Network on Tour

What: Oxford meet of the Yorkshire Sound Women Network

Who: Amy V Beeston, Liz Dobson, Pip Willcox

When: 18:00—20:00, Thursday 11 May 2017

Where: The Jam Factory (map)

Access: open to women of all ages

Admission: free

Booking: no booking required: just turn up!

We are delighted to welcome two of the leading lights of the Yorkshire Sound Women Network (YSWN), Liz Dobson and Amy Beeston, to Oxford where we will be co-hosting a meet in a cafe—YSWN on tour!

YSWN’s glorious mission is to inspire and enable more women and girls to explore sound and music technology. This first meeting in Oxford marks the start of our own sister network, supported by the Fusing Semantic and Audio Technologies project.

Women and girls of all ages are invited to come together to meet new people and talk about sound and music technology in an informal setting, tea and cake provided!

There is no pressure to share work with the group, but if there is something you would like to bring along for people to look at/listen to you are more than welcome.

 

If you would like to find out more about YSWN, you can join their mailing list through their Facebook page. There is more information about the network  in Sheffield through the Sheffield YSWN Facebook group or Sheffield YSWN Google group. You can also read more about the series of workshops which took place in Sheffield as part of Catalyst:Festival of Creativity.

For more information about this event, please contact pip.willcox@bodleian.ox.ac.uk. For any queries about YSWN’s events please contact yswnsheffield@gmail.com.

We look forward to seeing you on 11 May!

Dr Amy V Beeston

I am a postdoctoral researcher at the University of Sheffield, working in the ‘Speech and Hearing’ and ‘Music Mind Machine’ research groups. I develop tools to extract meaningful data from audio signals, and am particularly interested in using principles of human audition to improve the performance of machine listeners in everyday environments.

Dr Liz Dobson

I am a senior lecturer in music technology at the University of Huddersfield with an OU PhD in education and social psychology. My academic work examines relationships between community, learning and creative practice in music technology, leading me to create informal communities for knowledge sharing.Â

Pip Willcox

I am the Head of the Centre for Digital Scholarship at the Bodleian Libraries, and a Senior Researcher at the University of Oxford e-Research Centre where I work on the EPSRC project, Fusing Semantic and Audio Technologies for Intelligent Music Production and Consumption (EP/L019981/1). I co-direct the Digital Humanities at Oxford Summer School and convene its introductory workshop strand. With a background in textual editing and book history, my current work investigates narrative and the intersection between the material and the digital, exploring the experimental humanities.

Digitizing The Stage: registration open

Registration is now open for this joint Folger Shakespeare Library and Bodleian Libraries conference!

C. Walter Hodges (1909-2004), “Cutaway view sketch of the Globe Playhouse,” Folger Shakespeare Library Collection.

What: Digitizing the Stage: Rethinking the Early Modern Theatre Archive

When: 10–12 July 2017

Where: Weston Library, Bodleian Libraries, Broad Street, Oxford OX1 3BG (map)

Access: all are welcome to attend and to submit a proposal for a contribution (see below)

Admission: £150; £100 for students/unwaged/early career researchers (up to 3 years after award of highest degree)

Registration: registration is required

The Bodleian Libraries and the Folger Shakespeare Library will convene a conference from 10-12 July, 2017, on digital explorations of the early modern theatre archive. We are interested in applying approaches from other disciplines, genres, and time periods which can prompt new thinking about the ways we preserve, describe, research, and teach the early modern stage; as well as in hearing from early modernists who engage with their subject through digital means. Seeking to foster a spirit of collaborative experimentation, we invite proposals in the full range of project completion taking the form of 20-minute papers, as well as “lightning talks,” panel discussions, multimedia presentations, and others.

Invested in both material and method, Digitizing the Stage is a singular opportunity to consider the future of the early modern archive. Attendance will be limited to 100 participants, with registration opening shortly.

For more information, please see the conference website.

Digitizing the Stage is organized by the Centre for Digital Scholarship, Bodleian Libraries; the Folger Shakespeare Library; and Professor Tiffany Stern, Royal Holloway, University of London.

Research workshop—Digital Research with OUP Data: a workshop

Book a place!

What: Digital Research with OUP Data: a workshop

When: 10:00—12:30, Friday 26 May 2017

Where: Weston Library Lecture Theatre (map)

Access: all members of the University are welcome

Admission: free

Booking is required

 

Are you interested in working with OUP data?

Oxford University Press is offering members of the University the opportunity to work directly with the data that underpins some of its most popular digital content. The resulting digital research projects will be able to unlock more scholarly potential in these resources, beyond what is available through their current interfaces. The resources involved at this stage are as follows:
  • Oxford Dictionary of National Biography (ODNB) and American National Biography (ANB)
  • Oxford English Dictionary (OED) and related resources
  • Grove Art and Music
  • Oxford Scholarly Editions Online (OSEO)
This workshop provides a rare opportunity to hear from OUP staff working on these resources and their data, and from academic experts who use them, in a meteor-shower of brief talks. It will include an introduction to digital research, to potential sources of funding to pursue projects, and to relevant issues of intellectual property and terms of use. Break-out groups will give you the opportunity to discuss ideas with OUP and academic experts, and with your peers. A concluding discussion will look towards practical next steps.
Whether your interest is in the content or the technology, and whatever your experience level with digital projects, this workshop will be of interest both for its content and the opportunity to meet potential collaborators from across the University.
Potential uses could involve making OUP data available by for discrete projects, or linking the data to research resources or to University collections. Any project will depend on the availability of collaborative resource from OUP, which may give priority to work in fields of its particular interest. During the workshop there will be the opportunity to discuss and shape project ideas with fellow researchers and colleagues from OUP. As projects born out of the workshop take shape, we will host future events where the ongoing research and its results can be discussed and showcased.
The workshop is free to attend and is organized by TORCH Digital Humanities, the Centre for Digital Scholarship, and Oxford University Press.

Programme

  • 10.00    David De Roure (Oxford e-Research Centre): welcome and introduction from TORCH Digital Humanities and the Centre for Digital Scholarship
  • 10.05    Ruth Langley and Judy Pearsall (OUP): welcome and introduction from Oxford University Press
  • 10.10    Andrew Fairweather-Tall (Humanities Division): Funding
  • 10.15   Session 1: ODNB and ANB: Jo Payne (OUP) with Howard Hotson (History Faculty) and Chris Warren (Carnegie Mellon University)
  • 10.35   Session 2: OED: James McCracken (OUP) with Janet Pierrehumbert (Oxford e-Research Centre)  and Alfie Abdul-Rahman (Oxford e-Research Centre)
  • 10.55   Session 3: Grove: Jo Payne (OUP) with Jonathan Cross and Julia Craig McFeely (Music Faculty)
  • 11.15   Session 4: OSEO: Rupert Mann (OUP) with Miranda Lewis (History Faculty)
  • 11.35   Break-out groups
  • 12.15   General discussion chaired by Pip Willcox (Centre for Digital Scholarship): next steps
  • 12.30   Close
For each of Sessions 1-4 OUP staff will introduce the product and suggest possibilities for research; University staff will then present brief potential case studies.

Research Uncovered—Digitization for Research at the Bodleian: Creating Tools for Active Scholarship

Book a place!

What: Digitization for Research at the Bodleian: Creating Tools for Active Scholarship

Who: Judith Siefring and Emma Stanford

When: 13:00—14:00, Tuesday 16 May 2017

Where: Centre for Digital Scholarship, Weston Library (map)

Access: all are welcome

Admission: free

Booking is required

Institutions like the Bodleian Libraries have been digitizing their holdings for decades now. These digitized collections have not always been easy to find or use, but in the last few years the International Image Interoperability Framework (IIIF) has opened up a vast range of possibilities for creators and users of these collections. In theory, researchers can now compare, share, remix and annotate digitized objects from institutions across the world, whether to transcribe marginalia, read a damaged palimpsest, or reconstruct the leaves of a fragmented codex. In practice, however, this nascent technology can be difficult to use.
 
Two recent projects, Digital.Bodleian and the Digital Manuscripts Toolkit, have explored the possibilities of IIIF at the Bodleian, with a focus on creating usable tools for research. Using these projects as a jumping-off point, this talk will serve as an introduction to IIIF through the lens of scholarship. Judith and Emma will provide an overview of currently available
tools, discuss what works and what doesn’t, and share what they’ve learned about facilitating scholarly engagement with digitized materials. The talk will be aimed at researchers and library and museum staff, but all are welcome to attend.

Emma Stanford is the Digital Curator at Bodleian Digital Library Systems and Services (BDLSS). Among other things, she manages Digital.Bodleian and conducts IIIF training workshops in the Centre for Digital Scholarship.

Judith Siefring is the Head of Digital Research at Bodleian Digital Library Systems and Services, where she led the Mellon-funded Digital Manuscripts Toolkit project.

Access: Please meet at 12.55 by the Information Desk in the Weston Library’s Blackwell Hall to be taken to the Centre for Digital Scholarship. If you have a University or Bodleian Reader’s card, you can also get there through the Mackerras Reading Room on the first floor of the Weston Library, around the gallery, having checked any bags into a locker (£1 returnable deposit) before you head upstairs.

Research Uncovered—A Linked Open Data Buddhist Text Archive

Book tickets!

We are delighted to co-host this talk from visiting  expert Jeff Wallman with our colleagues at the University of Oxford’s Oriental Institute.


What: A Linked Open Data Buddhist Text Archive

Who: Jeff Wallman

When: 15:30—16:30, Monday 8 May 2017

Where: Weston Library Lecture Theatre (map)

Access: all are welcome

Admission: free

Booking is required

Buddhist thought and culture has been expressed in a surprisingly large number of languages from a huge variety of sources, spanning an immense temporal and geographical range. The earliest works were written in an Indic language closely related to Sanskrit, but the first actual Buddhist canon was compiled in Pali in Sri Lanka in the early centuries of the first millennium A.D. While Sanskrit versions of early writings were never compiled into a canon as such, Pali, Sanskrit, and Prakrit texts began to be translated into Chinese in the first century CE.  By the sixth century, the Chinese had compiled their first version of the canon. Chinese Buddhists also wrote many other valuable and important works on Buddhist ritual, story, literature, biography, monastic law, and philosophy outside of the canon itself.   Later, the Tibetans began translating Buddhist scriptures into their own language. The first Tibetan canon was systematized in the late thirteenth century. In addition to the canon, Tibetans wrote tens of thousands of important extra-canonical works as well. Beginning in the thirteenth century, the Tibetan canon was translated into Mongolian. In Southeast Asia, where the Pali canon is used, we find many extra-canonical works of Buddhist narrative, poetry, ritual, philosophy, and monastic law, written in the vernacular languages of Sinhala, Burmese, Thai, Cambodian, and Lao. Canonical and important extra-canonical literature is also to be found in Western and Central Asia as well as in Indonesia.  The same is true for East Asian countries such as Korea, Japan, and Vietnam. Finally, many works that have been written in or translated into English and other Western languages.

Buddhist Digital Resource Center (BDRC) has developed a preservation ecosystem to digitally preserve source texts and document Buddhist cultural heritage.  The preservation of Buddhist texts requires the ability to document the complex and multi-faceted elements of textual history. Relationships between texts in different languages, encoded in regional scripts spanning a broad historical range requires scholarly analysis and validation. Using the power of the semantic web, cultural heritage and digital asset metadata is modeled as linked open data governed by an RDF ontology and expressed as JSON-LD documents.  Source documents are scanned in a rapidly growing 12 million page image archive with open APIs to provide page-level access. A full-text resource generated from transcripts and optical character recognition, based on a multi-layer text architecture, provides a deep search environment. In this presentation I will explore BUDA’s architecture and capabilities, including deep search, faceted browse, SPARQL querying, multi-layer texts and web annotations, and strategies for multi-language scholarly metadata creation and management.

Jeff Wallman is the Executive Director of the Buddhist Digital Resource Center (formerly Tibetan Buddhist Resource Center).

Research Uncovered—A rock and a hard place: creating the Online Corpus of Inscriptions of Ancient North Arabia

What: A rock and a hard place: creating the Online Corpus of Inscriptions of Ancient North Arabia

Who: Daniel Burt

When: 13.00—14.00, Tuesday 2 May 2017

Where: Centre for Digital Scholarship, Weston Library (map)

Access: all are welcome

Admission: free

The Arabian Peninsula lies at the heart of the Middle East. Today, it is of enormous strategic and commercial importance and this was also the case in antiquity. Yet, most of what we know about its ancient history, languages and cultures comes from contemporaries looking at it from outside, such as the Assyrians, Greeks, and Romans, or from much later reports on what was considered the “Age of Ignorance”.

This talk gives an overview of inscriptions found in North Arabia, and outlines the process of creating the Online Corpus of Inscriptions of Ancient North Arabia (OCIANA) database. It will be of interest to anyone wanting to understand how complex databases are designed. In particular, it focusses on using FileMaker Pro for research databases.

Daniel Burt graduated from the University of Manchester in the early 1990s and went on to work in a variety of technical roles involving data architecture in the private sector and the computer games industry, before joining Cancer Research UK where he developed a prize-winning database managing clinical administration within the Medical Oncology Unit at the Churchill Hospital in Oxford.

Following on from his work for Cancer Research UK, Daniel worked on a number of development contracts for clients including The Department of Health and Oxford University Press, before joining the University of Oxford in 2005. Over the last 12 years he has been involved in creating databases and websites for individual departments and research projects across the Humanities Division, as well as for The Ashmolean Museum, The Museum of Natural History, and the Pitt Rivers Museum. During his time at Oxford, Daniel has worked on projects funded by, amongst others, the Arts and Humanities Research Council, the Leverhulme Trust, the Wellcome Trust, and the National Lottery Heritage Fund, and has taught courses on working with digital images and assets and database development to both undergraduate and postgraduate students.

Access: Please meet at 12.55 by the Information Desk in the Weston Library’s Blackwell Hall to be taken to the Centre for Digital Scholarship. If you have a University or Bodleian Reader’s card, you can also get there through the Mackerras Reading Room on the first floor of the Weston Library, around the gallery, having checked any bags into a locker (£1 returnable deposit) before you head upstairs.

Call for Papers—Digitizing the Stage: Rethinking the Early Modern Theatre Archive

The Folger Shakespeare Library and the Bodleian Libraries are delighted to announce a jointly convened conference and welcome proposals for papers.

C. Walter Hodges (1909-2004), “Cutaway view sketch of the Globe Playhouse,” Folger Shakespeare Library Collection.

What: Digitizing the Stage: Rethinking the Early Modern Theatre Archive

When: 10–12 July 2017

Where: Weston Library, Bodleian Libraries, Broad Street, Oxford OX1 3BG (map)

Access: all are welcome to attend and to submit a proposal for a contribution (see below)

Admission: £150; £100 for students/unwaged/early career researchers (up to 3 years after award of highest degree)

Registration: registration is required and will open shortly

 

The Bodleian Libraries and the Folger Shakespeare Library will convene a conference from 10-12 July, 2017, on digital explorations of the early modern theatre archive. We are interested in applying approaches from other disciplines, genres, and time periods which can prompt new thinking about the ways we preserve, describe, research, and teach the early modern stage; as well as in hearing from early modernists who engage with their subject through digital means. Seeking to foster a spirit of collaborative experimentation, we invite proposals in the full range of project completion taking the form of 20-minute papers, as well as “lightning talks,” panel discussions, multimedia presentations, and others.

Invested in both material and method, Digitizing the Stage is a singular opportunity to consider the future of the early modern archive. Attendance will be limited to 100 participants, with registration opening shortly.

Submissions

Submissions should relate to one or more of the following topics and themes:

  • Materiality and methods
  • Early modern theatre and film
  • Working in audio, text, and image
  • Performance and theatre history
  • Challenges and experiments in the archive
  • Digital archiving and cataloging

Proposals for conference papers, panel discussions, lightning talks, multimedia and interactive demonstrations should not exceed 250 words.

Please include your name, contact information, academic affiliation (if relevant), and a brief biographical description including relevant interests. Submit proposals within the text of an email to digitalconf@folger.edu.

Proposals are due 9 April 2017. 

Some fee waivers and travel bursaries are available; please enquire.

For more information, please see the conference website.

Digitizing the Stage is organized by the Centre for Digital Scholarship, Bodleian Libraries; the Folger Shakespeare Library; and Professor Tiffany Stern, Royal Holloway, University of London.

His Majesty, Mrs Brown: letters from the second catalogue of Bodleian Student Editions

Mike Webb (Curator of Early Modern Archives and Manuscripts) writes:

The second Bodleian Student Editions catalogue is now available online through Early Modern Letters Online (EMLO). These letters were transcribed in the second of the Bodleian Libraries Manuscript and Textual Editing Workshops, held in the Centre for Digital Scholarship in the Weston Library on 1 December 2016. Details of the workshop programme, along with an account of the first workshop, can be found here.

Bodleian Student Editions participants working with the letters

Participants transcribing letters at a Michaelmas term workshop

The letters used in this workshop were in a volume of the Carte manuscripts, which mainly comprises the papers of James Butler, 1st Duke of Ormond (1610-1688), Lord Lieutenant of Ireland three times between 1643 and 1685. Six letters written by women to Ormond in April and May 1660 were selected, all in MS. Carte 214. Women used italic script in the seventeenth century as most were not taught the ‘secretary hand’ used in legal and administrative documents of the period, and often in private letters also. Italic hands are easier to read for those not formally trained in palaeography, and so more suitable for these workshops, which offer a wide-ranging introduction to undergraduates and postgraduates of all disciplines, many of whom had never previously worked with original manuscripts.

Once again, the students were fully engaged with the letters and by the end of the day had produced excellent transcriptions. The punctuation and spelling of the originals proved to be challenging—it is often necessary to read the transcript to yourself before you can believe what is in front of you! I found in checking the transcripts that there are so many strange spellings in these letters that inevitably in a short workshop some were accidentally modernised. A good example of unorthodox spelling can be found in a letter from Ormond’s wife, Elizabeth, on 21 May 1660:

I will make the troubell of this leter the briuefer, and only desier, that I may reseve your derections consarninge my comminge over, whoe am the mene time indevoringe to put My Selfe into a redenes to obbay the first sommons that shall Come from you.

As this passage indicates, the letters were written at a significant moment in British history, the Restoration of Charles II. This letter and one from Lady Bristol contained some intriguing references to various women who were not all they appeared to be. One of the pairs of students realised that there was something odd about ‘Mrs Brown’ and suggested this might be a pseudonym for the King. We did not have time in the workshop to confirm this, but the hunch turned out to be correct. Mrs Brown, Mrs Carlton, Mrs Eyres and Frances Parsifall (who, oddly, was the addressee of one of Lady Bristol’s letters) turned out to be none other than King Charles II, Edward Hyde, the Earl of Bristol and Ormond himself respectively. These pseudonyms are listed in the published Calendar of the Clarendon State Papers (another of the Bodleian’s great collections of seventeenth-century state papers). Lady Bristol mentions having written to Mrs Carlton, and sure enough, her letter can be found in the Clarendon papers. Lady Bristol became confused herself with the subterfuge, suddenly changing the gender of her husband ‘Mrs Eyres’ for whom she was seeking a place in the new regime:

let mee beseech your favour and charity in making sure of som place for your absent frind Mrs Eyres with Mrs Browen which can only preserve her … from those misseries that [her deleted] his faithfullnes hath brought on him … for his adhering to Miss Browen, and her father … [i.e. Charles II and Charles I]

Afterwards, we again collected feedback from the participants, who enjoyed the wide variety of activities—there were several requests for more workshops on each of the three strands—and the collaboration with other students:

I think people from different disciplines bring different frameworks of analyses to the table and ask questions you might not think of.

One student highlighted the workshop’s ‘applicability’ to the diverse sources that the participants are studying as its ‘most important aspect’, facilitated by the nature of Early Modern Letters Online as

a valuable corpus that can be put in the context of other projects in other fields.

The opportunity to integrate initial training with increased availability of our collections is immensely important to us at the Bodleian, a sentiment which the students seem to share: one participant wrote

I love that you come out of the seminar with a citable transcription.

—Mike Webb
Curator of Early Modern Archives and Manuscripts, Bodleian Libraries

Making Numbers into Notes: the making of Ada Lovelace’s generative music

This talk is part of the Oxford Women’s International Festival.

What: Making Numbers into Notes: the making of Ada Lovelace’s generative music

Who: David De Roure

When: 14.00—15.00, Tuesday 7 March 2017

Where: St Luke’s Chapel, Woodstock Road, OX2 6GG (map

Access: all are welcome

Admission: free

Booking: registration is required for the preceding talk: no booking is necessary for this demonstration

What would have happened if Charles Babbage had built the analytical engine, and Ada Lovelace had programmed it to generate music? Our “making” experiments have involved a variety of techniques, from a software simulator, a web app and the use of a computer algebra system, to construction of arduino micro controller hardware, agent based simulation and scripting for modern professional audio tools.  This talk will demonstrate some of these tools, and invite attendees to engage with us in taking the experiment forward.

This demonstration follows the Research Uncovered talk, The imagination of Ada Lovelace: creative computing and experimental humanities. If you would like to attend this talk, please book a place. There will be a short break between the two sessions.

The imagination of Ada Lovelace: creative computing and experimental humanities

In the 200 years since Ada Lovelace’s birth, she has been celebrated, neglected, and taken up as a symbol for any number of causes and ideas. A symposium to mark the 200th anniversary of her birth narrated many of these, including accounts of her generative relationship with Charles Babbage and his Difference and Analytical Engines.

This talk traces some of paths the idea of Lovelace  and her imagination of Charles Babbage’s Analytical Engine has taken, what basis they have in her life, and what they tell us about the devices and desires of their scholarship and society. It includes an account of our experimental humanities work in response to both Lovelace and the operatic Ada sketches of composer Emily Howard: we created a web application, Numbers into Notes, (an earlier version of which was described by David De Roure in a previous Research Uncovered talk) to produce music from maths through programming a digital simulation of the Analytical Engine, after Lovelace’s idea that “the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent”.

This collaborative research was supported through the following EPSRC project: Fusing Semantic and Audio Technologies for Intelligent Music Production and Consumption (EP/L019981/1). This talk was first given as a Digital Scholarship Seminar at the Moore Institute, NUI Galway.

David De Roure is Professor of e-Research and Director of the Oxford e-Research Centre. He has strategic responsibility for Digital Humanities at Oxford and directed the national Digital Social Research programme for ESRC, for whom he is now a strategic adviser. His personal research is in Computational Musicology, Web Science, and Internet of Things. He is a frequent speaker and writer on digital scholarship and the future of scholarly communications.

Pip Willcox is the Head of the Centre for Digital Scholarship at the Bodleian Libraries, University of Oxford, and a Senior Research at the Oxford e-Research Centre. She co-directs the Digital Humanities at Oxford Summer School and convenes its introductory workshop strand. With a background in textual editing and book history, her current work investigates narrative and the intersection between the material and the digital, exploring the experimental humanities.