Public lecture—Digital scholarship: Intersection, Scale, and Social Machines

David De Roure, photograph credit Angela Guyton
What: Digital scholarship: Intersection, Scale, and Social Machines 

Who: David De Roure

When: 17:15—18:15, Monday 11 December 2017

Where: Wolfson College: Leonard Wolfson Auditorium (map)

Access: open to all

Admission: free

Registration: not required
 

Today we are witnessing many shifts in scholarly practice, in and across multiple disciplines, as researchers embrace digital techniques to tackle established questions in new ways and new questions afforded by our increasingly digital society and digitised collections.

 

These methods include computational techniques but also citizen science, and the notion of Social Machines provides a lens onto this scholarly ecosystem. Looking ahead we see greater citizen engagement and increasing automation, with massive data supply through living in the Internet of Things and the adoption of machine learning. Ultimately this is about the role of the human in the future of research, and with it the ethics of responsible innovation.

 

Please join us for this public lecture and stay to continue the conversation at a drinks reception immediately following the talk.

 

David De Roure is Professor of e-Research at University of Oxford and Supernumerary Fellow at Wolfson College. Focused on advancing digital scholarship, David works closely with multiple disciplines including social sciences (studying social machines), humanities (computational musicology and experimental humanities), engineering (Internet of Things), and computer science (large scale distributed systems and social computing). He has extensive experience in hypertext, Web Science, Linked Data, and Internet of Things. Drawing on this broad interdisciplinary background he is a frequent speaker and writer on the future of digital scholarship and scholarly communications. His previous roles include Director of the Oxford e-Research Centre, and Strategic Advisor to the UK Economic and Social Research Council.

 

This public lecture is co-hosted by Wolfson College’s Digital Research Cluster, the University of Oxford e-Research Centre, and the Centre for Digital Scholarship as part of the workshop Enabling Digital Scholarship: present and future.

 

Photograph: by kind permission of Angela Guyton.

Research Uncovered—The artist sleeps and the audience performs

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What: The artist sleeps and the audience performs

Who: Menaka PP Bora, David de Min, and Sebastiano Ludovico

When: 13:00—14:00, Monday 27 November 2017

Where: Weston Library Lecture Theatre (map)

Access: open to all

Admission: free

Registration is required

Blending technology and performance art for new experiences in viewing Bodleian collections

This performance talk highlights a new way for people to experience and interpret visual arts collections through performance and the latest technology in mobile apps, Velapp, the ‘world’s most natural video editor’. The talk uses Velapp to explore the challenges and opportunities posed by new technology on artistic responses to heritage collections.

During the talk the audience is invited to play with a sample Velapp mobile phone app, learning to shoot film and simultaneously edit while enjoying the performance of items from the Bodleian’s collections. This technological intervention enables members of the audience to produce mobile films while they watch the performance, editing as they continue to film. The experience becomes more entertaining and immersive.

Dr. Menaka PP Bora is a multi- award winning performing artist, choreographer, ethnomusicologist, actor, and broadcaster. Besides touring her sell-out solo shows in the ‘world dance’ scene and regularly appearing as Guest Speaker on BBC Radio, she is Bodleian’s Affiliated Artist and winner of the highly prestigious Leverhulme Early Career Fellowships 2016.

 

David de Min is a Tech Enterpreneur and Founder and CEO of Velapp. David is currently working on one of the most game-changing projects for the UK technology industry which will be very high profile, hugely impact the tech sector/economy, firmly place the UK on the map as a game changer in the tech world and drive phenomenal positive social change across Europe.

 

Sebastiano Ludovico is a talented young Artist and Tech Investor belonging to the Sicilian royal family in Italy. Based in London, Sebastiano exhibited his paintings at solo exhibitions from the age of 5 years. His works of art are particularly appreciated by Hollywood stars and international pop music artists and all funds raised from sales of his work are donated directly to children’s foundations and other charities, in particular the Samuel L. Jackson Foundation with whom he has collaborated with for the last 4 years.

This performance talk is hosted by the Centre for Digital Scholarship as part of the Research Uncovered series of public talks.

Bodleian Student Editions 2017–2018

Please note that these workshops are now fully subscribed for this academic year, 2017–2018. To express an interest in future workshops, please email Pip Willcox.

Textual editing workshops for undergraduates and postgraduates

Elizabeth Wagstaff letter, 2 May 1621

A collaboration between the Bodleian’s Department of Special Collections and Centre for Digital Scholarship, and Cultures of Knowledge, a project based at the Faculty of History

We are looking for enthusiastic undergraduates and postgraduates from any discipline to take part in workshops in textual editing culminating in the publication of a citable transcription.

Join the waiting list: see below for details

After a hugely successful pilot run—from which published transcriptions can be seen here—these workshops are in their second year, and are scheduled to take place on the following dates:

Michaelmas Term 2017

  • 10:00–16:30 Thursday 7th week, 23 November

Hilary Term 2018

  • 10:00–16:30 Wednesday 3rd week, 31 January
  • 10:00–16:30 Thursday 7th week, 1 March

Trinity Term 2018

  • 10:00–16:30 Wednesday 3rd week, 9 May
  • 10:00–16:30 Thursday 7th week, 7 June

Textual editing is the process by which a manuscript reaches its audience in print or digital form. The texts we read in printed books are dependent on the choices of editors across the years, some obscured more than others. The past few years have seen an insurgence in interest in curated media, and the advent of new means of distribution has inspired increasingly charged debates about what is chosen to be edited, by whom and for whom.

These workshops give students the opportunity to examine these questions of research practice in a space designed around the sources at the heart of them. The Bodleian Libraries’ vast collections give students direct access to important ideas free from years of mediation, and to authorial processes in their entirety, while new digital tools allow greater space to showcase the lives of ordinary people who may not feature in traditional narrative history.

Our focus is on letters of the early modern period: a unique, obsolescent medium, by which the ideas which shaped our civilisation were communicated and developed. Participants will study previously unpublished manuscripts from Bodleian collections, working with Bodleian curators and staff of Cultures of Knowledge (http://www.culturesofknowledge.org), to produce a digital transcription, which will be published on the flagship resource site of Cultures of Knowledge, Early Modern Letters Online (http://emlo.bodleian.ox.ac.uk), as ‘Bodleian Student Editions’.

The sessions are standalone, but participants in last year’s workshops have gone on to further transcription work with Bodleian collections and with research projects around the country, as well as producing the first scholarship on some of the manuscripts by incorporating material in their own research (from undergraduate to doctorate level). The first-hand experience with primary sources, and citable transcription, extremely useful for those wishing to apply for postgraduate study in areas where this is valued: one participant last year successfully proceeded from a BA in Biological Sciences to an MA in Early Modern Literature on the basis of having attended.

The sessions provide a hands-on introduction to the following:

  1. Special Collections handling
  2. Palaeography and transcription
  3. Metadata curation, analysis, and input into Early Modern Letters Online
  4. Research and publication ethics
  5. Digital tools for scholarship and further training available

To hear about future textual editing workshops and other events as they are advertised, please join the digital scholarship mailing list.

Participation is open to students registered for any course at the University of Oxford. If you would like to participate or to join the waiting list, please contact Carmen Bohne, Special Collections Administrator, carmen.bohne@bodleian.ox.ac.uk, and include:

  1. your ox.ac.uk email address
  2. your department
  3. your level and year of study
  4. particular access requirements
  5. particular dietary requirements

Please note that registration is only open for Michaelmas term’s workshop. You may register your interest in subsequent workshops: please state the dates on which you are available. Places are limited and will be confirmed for each term’s workshops at the start of that term.

The Bodleian Libraries welcome thoughts and queries from students of all levels on ways in which the use of archival material can facilitate your research. For an idea of the range of collections in the Weston, visit the exhibition Bodleian Treasures: 24 Pairs in the Treasury gallery in Blackwell Hall (http://treasures.bodleian.ox.ac.uk), where some famous items are illuminated through juxtaposition to less known items that prompt reflection on the concept of a treasure. Our next themed exhibition, Designing English, showcasing the graphic design of mediaeval manuscripts in English from Bodleian collections, will open in the ST Lee Gallery on 1 December. For the first two months it will be shown alongside Redesigning the medieval book, a display of contemporary book arts inspired by the exhibition and created as part of a workshop and competition run in collaboration with the English Faculty.

Research Uncovered—Reassembling the University: The Idea of a University in a Digital Age

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What: Reassembling the University: The Idea of a University in a Digital Age

Who: David M. Berry, University of Sussex

When: 13:00—14:00, Monday 5 February 2018

Where: Weston Library Lecture Theatre (map)

Access: open to all

Admission: free

Registration is required

In times of deep economic and political uncertainty there is a pressing need to revisit the constellations of concepts grounding the idea of a university. This talk will examine the relevance of ideas that assembled the university in differing historical periods to think about how we might reassemble these notions for possible new constellations of an idea of a university in a digital age.

 

David M. Berry is Professor of Digital Humanities at the University of Sussex and a visiting scholar at Lincoln College, University of Oxford. His recent books include Critical Theory and the Digital (2014), Postdigital Aesthetics: Art, Computation and Design (2015, with Michael Dieter) and Digital Humanities: Knowledge and Critique in a Digital Age (2017, with Anders Fagerjord). He was recently awarded a British Academy Mid-Career Fellowship for his new research on “Reassembling the University: The Idea of a University in a Digital Age”.

 

Creating Wikipedia articles from research data

Hillfort images shared on Wikimedia Commons

The Atlas of Hillforts of Britain and Ireland is a collaboration between the Universities of Oxford, Edinburgh and Cork, funded by the Arts and Humanities Research Council. It provides a definitive list of hillfort sites in the British Isles- more than four thousand in total. As well as publishing a lot of fieldwork done by expert archaeologists, the site uses crowdsourcing, in that some of the sites were visited by volunteer investigators. The site invites users—expert or amateur—to submit their own photographs of the hillforts.

The Atlas launched in June 2017 and generated national media coverage. An issue for any newly-launched site is how to get incoming links from other sites; how to plumb the site into the existing paths by which people find information. This case study describes how, by sharing selected data from the Atlas, we were able to create thousands of incoming links from Wikipedia and related apps and sites, and to encourage the creation and use of hillfort articles in Wikipedia. Continue reading

Making Sense of Negotiated Text at Scale: a workshop

Register by email: see below for detailsWhat: Making Sense of Negotiated Text at Scale: a workshop

When: 11:30—14:30, Thursday 30 November 2017

Where: Centre for Digital Scholarship, Weston Library (map)

Open to all

Free

Registration is required: please email Pip Willcox with your name, email address, and access and dietary requirements

How do we evaluate the relationship between different iterations of ideas in text form?

Speakers

  • Nicholas Cole and Alfie Abdul-Rahman: The Quill Project
  • Radoslaw Zubek, David Doyle, and Abhishek Dasgupta: Measuring Government Policy with Text Analysis project
  • David Price: DebateGraph—Exploring the Intention to Withdraw from the Union
  • Félix Krawatzek: Buying Words? The impact of donations on political language

This workshop brings together experts from four projects which are using digital methods to analyze, understand, and re-present negotiated texts. Taking UK government policy documents, the creation of the American Constitution, current political debate, and the economic cost of political language as their subject matter, each speaker will outline the motivation for their work and the approaches they have taken towards answering questions such as:

  • Are government regulations becoming more or less business friendly?
  • Which State’s representatives contributed the most successful proposals to the American Constitution?
  • What common threads of agreement are there in differing political viewpoints?
  • How much money does it take to change the language in the US Congress?

This workshop will be of interest to people working in history, politics, computational linguistics, visualization, or the application of digital innovation to research.

Alfie Abdul-Rahman is a Research Associate at the University of Oxford e-Research Centre where she develops web-based visualization tools for humanities scholars, including for the Quill Project.

Nicholas Cole is a Senior Research Fellow at Pembroke College Oxford, specializing in the history of political thought and American Constitutional History, and directs the Quill Project.

Abhishek Dasgupta is a doctoral student at Exeter College, studying Foundations, Logic, and Structures in the Department of Computer Science.

David Doyle is an Associate Professor of Latin American Politics in the Department of Politics and International Relations at the University of Oxford, a Fellow of St Hugh’s College, and co-investigator of the Fell-funded Measuring Government Policy with Text Analysis project.

Félix Krawatzek is a British Academy Postdoctoral Fellow based at the University of Oxford’s Department of Politics and International Relations and a Research Fellow at Nuffield College.

David Price co-founded DebateGraph with the former Australian cabinet minister Peter Baldwin and has led DebateGraph’s projects with, amongst others, the UK Prime Minister’s Office, the White House Office of Science and Technology Policy, CNN, the European Commission, and the Bill & Melinda Gates Foundation.

Radoslaw Zubek is an Associate Professor of European Politics, a Tutorial Fellow at Hertford College, and principal investigator of the Fell-funded Measuring Government Policy with Text Analysis project.

This workshop is convened by:

Registration

To register, please email Pip Willcox (pip.willcox@bodleian.ox.ac.uk) with:

  • Your name
  • Your email address
  • Access or dietary requirements

Image credit: Global Academic Forum

Digital Approaches to the History of Science: a successful workshop

‘Digital Approaches to the History of Science’, the first of two planned workshops on this topic, was held at the History Faculty in Oxford on 28 September 2018. A total of nearly sixty attendees assembled to hear presentations from a selection of the most exciting current projects in this field from around the UK.

Professor Rob Iliffe, representing the Newton Project, addressed the ongoing challenges and complexity of digitizing and presenting the manuscript writings of Isaac Newton, and Alison Pearn spoke of the related issues faced by the digital side of the ongoing Darwin Correspondence Project. Lauren Kassell, of the Casebooks Project, introduced a very different type of material and spoke of the need to find new ways of representing, encoding and searching the mass of information contained in early modern medical-astrological casebooks.

After lunch two speakers discussed from complementary perspectives the opportunities represented by the very rich archive of The Royal Society. Louisiane Ferlier discussed the digitization of Royal Society journals and the work needed to clean and link the metadata about the articles in them. Pierpaolo Dondio described his work modelling and visualising the network of authors, editors and referees who controlled the content of those paper, and provided examples of the kinds of research outcomes such work can produce. A final talk turned to the use of digital humanities resources in the university classroom: Kathryn Eccles and Howard Hotson described the Cabinet Project, which has made a rich ecology of digital images and objects available to students on a growing list of Oxford undergraduate papers.

Rich discussions took place both around the individual presentations and over lunch and coffee, and this sell-out event has certainly stimulated interest and ongoing discussion about the distinctive opportunities for history of science created by digital scholarship and resources.

Reflections on discussion topics during the workshop by Pip Willcox

The event was supported by the Centre for Digital Scholarship (Bodleian Libraries), ‘Reading Euclid‘, The Royal Society and the Newton Project, and was organized jointly by the Centre for Digital Scholarship and ‘Reading Euclid’. The date for the second workshop will be announced shortly.

—Benjamin Wardhaugh, ‘Reading Euclid’

Top image credit: René Descartes, Principia philosophiae (Amsterdam, 1644), ‘Cartesian network of vortices of celestial motion’, p. 110. Bodleian Library Savile T 22. Edited in Photoshop by Yelda Nasifoglu.

Working with Spreadsheets: a workshop

Image of hand-drawn spreadsheet

What: Working with Spreadsheets: a workshop

When: 10:00—16:30, Tuesday 21 November

Where: Centre for Digital Scholarship, Weston Library (map)

Access: open to all members of the University

Admission: free

Trainers: Iain Emsley and Pip Willcox

Registration is required: please see below

This workshop is designed for anyone who works with spreadsheets and wants to learn how to explore that data more efficiently and consistently. No prior experience is required. The hands-on workshop teaches basic concepts, skills, and tools for working more effectively and reproducibly with your data.

We will cover data organization in spreadsheets and OpenRefine for managing data.

By the end of the workshop participants will be able to manage and analyze data effectively and be able to apply the tools and approaches directly to their ongoing research.

The workshop draws on lessons prepared by Data Carpentry and adapted by the trainers for use with Early English Books Online Text Creation Partnership data.

The methods that you will learn will be applicable to work in any field that uses spreadsheets. The EEBO-TCP subject matter we will use may be of particular interest to people working with library or early modern data.

Registration

To register, please email Pip Willcox (pip.willcox@bodleian.ox.ac.uk) with:

  • Your name
  • Your ox.ac.uk email address
  • Your departmental affiliation

This workshop is run in collaboration with the Centre for Digital Scholarship and the Reproducible Research Oxford project.

For announcements about future workshops and related activities run by Reproducible Research Oxford, please see the project website, subscribe to the mailing list, and follow the project on Twitter @RR_Oxford.

Equipment

Participants are requested to bring a laptop. To work with with spreadsheets, you will need an application such as Microsoft Excel, Mac Numbers, or OpenOffice.org. If you don’t have a suitable program installed, you might like to use LibreOffice, a free, open source spreadsheet program.

You will also need OpenRefine (formerly Google Refine) and a web browser, and to have Java installed.

If you cannot bring a laptop with you, please let us know before the day.

Trainers

Iain Emsley works for the University of Oxford e-Research Centre on digital library and museums projects. Having recently finished an MSc in Software Engineering, he has started a PhD in Digital Media at Sussex University.

Pip Willcox is the Head of the Centre for Digital Scholarship at the Bodleian Libraries and a Senior Researcher at the University of Oxford e-Research Centre.

Image credit: Stockbyte/Getty Images.

Research Uncovered—Beyond reading: understanding the book through computer vision

Book tickets!What: Research Uncovered—Beyond reading: understanding the book through computer vision

Who: Giles Bergel

When: 13:00—14:00, Thursday 2 November 2017

Where: Weston Library Lecture Theatre (map)

Access: open to all

Admission: free

Registration is required

This talk showcases Oxford’s cutting-edge research at the intersection of book history and computer vision. It aims to make images of books as easy to search, compare and annotate as their texts.

The University’s Visual Geometry Group has a long track record of working with University researchers and collections, building tools to help researchers analyse everything from classical art to fifteenth-century printed books and English broadside ballads, as well as numerous applications in the sciences. Several of these tools have now been openly released for all to use and adapt.

The talk reveals how computer vision, far from detracting from understanding books as material objects, offers a fresh pair of eyes on what remains one of humanity’s most sophisticated inventions and richest forms of heritage.

Dr Giles Bergel is Digital Humanities Research Officer in the University of Oxford’s Visual Geometry Group. He works on printed books, printing materials and the history of the book trade. Find out more information.

Book tickets: http://www.bodleian.ox.ac.uk/whatson/whats-on/upcoming-events/2017/nov/beyond-reading

Data Carpentry Workshop for Humanists

You are invited to join a free Data Carpentry workshop run by the Reproducible Research Oxford project. Registration is required.

 

Date: 26–27 September 2017 

Venue: Institute of Cognitive and Evolutionary Anthropology, 64 Banbury Road, Oxford OX2 6PN

 

The workshop will cover data organization in spreadsheets and OpenRefine, data analysis and visualization in python, and SQL for data management, with a focus on humanities data. This is a joint effort with Data Carpentry to develop a (pilot) curriculum for the digital humanities. It is at an introductory level.

See the workshop website for details: https://rroxford.github.io/2017-09-26-oxford/

The workshop is free and open to any member of the University — researchers, staff, and students. It will be particularly relevant to people working with humanities data, though the methods are widely applicable.