IIIFrankenstein

Last week Digital.Bodleian reached 700,000 images with the help of Mary Shelley’s Frankenstein notebooks. These have been accessible online at the wonderful Shelley-Godwin Archive for some time now, complete with transcriptions, TEI markup and detailed explanatory notes, alongside other manuscripts from Mary Shelley, Percy-Bysshe Shelley, and William Godwin. Porting them to Digital.Bodleian is not intended to replace this brilliant resource, but it helps with the Bodleian’s mission to improve the discoverability of our online resources. It also lets users do a few extra neat things with the images.

Bodleian MS. Abinger c.57, fol. 23r.

Everything added to Digital.Bodleian receives a IIIF Manifest. This means the image sets and accompanying metadata are expressed in a rich, flexible format conforming to a shared API standard. IIIF tools exist for manipulating and comparing, as well as viewing, digital images. This comes in handy for the Frankenstein notebooks (properly called MS. Abinger c.56, MS. Abinger c.57 and MS. Abinger c.58). At present they are fragmented, and the ordering of the pages in the Draft notebooks (MS. Abinger c. 56 and c.57) is different to the linear order of the novel. Using IIIF tools, we can easily work with the notebooks side-by-side, and remix the ordering of pages to fit the novel’s sequence.

The Mirador viewer, created by Stanford University with the help of the Andrew. W. Mellon Foundation, lets us quickly and easily view multiple IIIF-compliant image sets alongside each other. We’ve created an instance with the Frankenstein notebooks ready-loaded side by side.

Bodleian MS. Abinger c.56, c.57 and c.58 viewed in Mirador.

The Bodleian’s Digital Manuscripts Toolkit, also funded with help from the Andrew W. Mellon Foundation, includes a Manifest Editor. This lets us remix and combine IIIF-compliant image sets into new sequences. Following the lead of the Shelley-Godwin Archive, we’ve created a manifest which reorders the Frankenstein Draft pages into the linear sequence of the novel. This can be viewed in a Mirador instance here – though note that the extant Draft is incomplete! The manifest itself lives here, and can be used with any other IIIF-compliant API.

IIIF Manifests are in a standardised JSON format.

If you’d like to use Mirador to view Digital.Bodleian images, you can use the link in the sidebar (the stylised ‘M’) when viewing any image or item. IIIF, Universal Viewer and Mirador Icons on Digital.Bodleian

To add further images alongside an item in Mirador, select ‘Change Layout’ from the top menu and choose how many items you’d like to view together, and the layout you’d like to view then in. You can then simply click-and-drag the IIIF icon from any other Digital.Bodleian image set into the Mirador browser tab. You can also open IIIF-compliant image sets from other institutions – you just need the URI of the IIIF Manifest.

For instructions on using the Digital Manuscript Toolkit’s Manifest Editor (and other tools), please see the DMT website.

Making the most of digitized books and manuscripts: a free IIIF workshop

Mirador workspace

Notes and slides for this talk are now available.

What: Making the most of digitized books and manuscripts: a free IIIF workshop

Who: Emma Stanford, on behalf of Bodleian Digital Library Systems and Services and the Centre for Digital Scholarship

When: 10.00 – 12.00, Friday 27 May 2016

Where: Centre for Digital Scholarship, Weston Library (map)

Access: all are welcome

Admission: free

Booking: This event is now fully booked. If you do not have a ticket but would still like to attend, please contact emma.stanford@bodleian.ox.ac.uk.

Learn about new digital tools for humanities research and build your own virtual workspace for viewing books and manuscripts from libraries around the world in this short talk and workshop presented by BDLSS and the Centre for Digital Scholarship.

Since 2012, the International Image Interoperability Framework (IIIF) has been enabling scholars to view, annotate and remix digitized images. The Bodleian has been in the vanguard of these developments, first with Digital.Bodleian, our IIIF-compatible digitized special collections website, and now with the Digital Manuscripts Toolkit, which will open up IIIF technology to humanities researchers with a set of easy-to-use tools. In this workshop, you will learn about the basic principles of IIIF, see the technology in action at the Bodleian and other institutions, and find out how to use free tools such as Mirador and the Universal Viewer in your own research. You will also have the opportunity to get involved in the development and testing of the Digital Manuscripts Toolkit.

Refreshments will be provided. Please bring your own laptops for the hands-on portion of this event.

Access: If you have a University or Bodleian Reader’s card, you can get to the Centre for Digital Scholarship through the Mackerras Reading Room on the first floor of the Weston Library, around the gallery. If you do not have access to the Weston Library you are more than welcome to attend the talk: please contact Emma Stanford before the event (emma.stanford@bodleian.ox.ac.uk).

12th-century Arabic manuscript added to Digital.Bodleian

MS. Huntington 212, fol. 40r

MS. Huntington 212, fol. 40r

Since the launch of Digital.Bodleian last July, the number of images on the site has almost tripled. This is mostly thanks to the ongoing Polonsky Foundation Digitization Project, but we have also been undertaking smaller digitization projects for colleges and departments within the University of Oxford. These projects include Hertford College’s Ortelius Atlas, digitized in October, and Exeter College’s Prideaux manuscript.

Our most recent addition is the Bodleian’s MS. Huntington 212, a 12th-century copy of ʿAbd al-Raḥmān al-Ṣūfī’s Book of Fixed Stars. This important Arabic manuscript, a treatise on the constellations, is now available to view online via Digital.Bodleian, with catalogue information available via Fihrist. More information about the manuscript can be found in a post by Alasdair Watson over at the blog for Archives and Manuscripts.

Polonsky Foundation Digitization Project update: Hebrew manuscripts

After four years, this landmark digitization project, a collaboration with the Vatican Library, is nearing its close. We at BDLSS, along with our colleagues in Imaging Services and Special Collections, are hard at work finishing up the digitization stage of the project. When this is done, the next step is to migrate all the Polonsky Project content—more than a thousand manuscripts and early printed books—to Digital.Bodleian, where it will all be centrally searchable and integrated with IIIF.

In the meantime, we already have 410 Hebrew manuscripts available on Digital.Bodleian, and that number is increasing every week. We are blogging about these manuscripts over at the project website, with recent posts on micrography and mathematical treatises.

MS. Canonici Or. 42, fol. 178r

MS. Canonici Or. 42, fol. 178r

Wikimedian in Action!

Following the launch of Digital.Bodleian after years of work by Bodleian Digital Library colleagues the Bodleian Libraries’ Wikimedian in Residence, Martin Poulter, describes how images from this freely available resource are already being used to augment articles in Wikipedia in a post on our sister blog, Archives and Manuscripts at the Bodleian Library: “Digital.Bodleian + Wikipedia“. Find out how you can get involved!