Canadian Pacific Prominent at the 1924 British Empire Exhibition: guest post by John Sayers

We are grateful to John for sending guest posts about the treasures of the Sayers Collection of Ocean Liner Ephemera, now being transferred to the Bodleian Libraries where it forms one of the named collections added to the John Johnson Collection.

Canadian Pacific postcard
Figure 1. The original Canadian Pacific postcard

I already had in my Ocean Liner collection a postcard of the Canadian Pacific Pavilion at the British Empire Exhibition (Figure 1) drawn by an artist whose signature is illegible. Recently, I found a booklet describing the Pavilion, with a similar cover image as the postcard, drawn by P. A. Staynes. But it also had a centrefold drawing of the beautiful interior of the Pavilion (Figure 2). Since it was a promotional item, it also carried CP advertising, including a captivating page promoting their services to the Far East (Figure 3). This ephemera is a realm beyond postcards.

Centre spread of Canadian Pacific brochure, showing the Canadian Pacific Pavilion, Wembley
Figure 2. Centre spread of Canadian Pacific brochure, showing the Canadian Pacific Pavilion, Wembley
Promotion of Far East tour within Canadian Pacific brochure
Figure 3. Promotion of Far East tour within Canadian Pacific brochure

So much for the Ocean Liner element. But to appreciate the significance of the Exhibition and whether CP was relatively prominent, one has to go beyond this single building at the Exhibition to look at the larger aspect of the Fair itself. At this time the British Empire of Queen Victoria’s era was relatively intact. There were rumblings of a thirst for independence in the colonies, notably Gandhi’s activities in India, but the sun hadn’t yet set on the British Empire.The Exhibition was officially opened on April 23, 1924 so the booklet would have been harvested by an Empire Exhibition visitor who was among the eventual 27 million visitors to this largest-ever event of its type to this date.

This was a landmark event, but it also flags the high commercial status of the Canadian  Pacific organization.

Broadening the focus from Ocean Liner companies to the nature and extent of the Fair itself, and having come to appreciate the significance of the event, one can now place the Canadian Pacific Ocean Liner material’s British Empire Exhibition component in its proper context within the Sayers Collection.

This material, and a significant amount of other Canadian Pacific shipping ephemera such as Passenger Lists, Brochures, Menus and Cruise Activities, is contained in The Sayers Collection in the John Johnson Collection at the Bodleian Library. A vast quantity of other ocean liner ephemera capturing social, shipping, historical, and commercial information in The Sayers Collection, continues to migrate across the Atlantic to the John Johnson Collection.

 

What’s in a name? Guest post by John G. Sayers

We are grateful to John for another post about one of the treasures of his collection

Deutchland Crew postcard
Deutschland Crew postcard

Captain Koenig and the Crew of the Deutschland.  Interesting. This Real Photo postcard dating from 1916 appeared – at first glance – to be the Captain and senior officers of a German ocean liner, interned by the Americans on the outbreak of the First War. When I saw it, I assumed that it would fill a useful slot in The Sayers Collection. There are other cards of this genre, and the year 1916 would be logical for this assumption.

No such luck. A check on returning home from the event where I purchased this card showed that the liner Deutschland had been renamed in 1910 after 10 years of Transatlantic service, so was not operating under that name after 1910. And it wasn’t the battleship Deutschland, which had gone into service in 1903.

So who are these men? What were they doing in 1916? And why the varied range of attire, some of it casual except for their hats? Surprise! They are the crew of a significant German submarine, which went into service in 1916 as a cargo vessel for the North German Lloyd line, christened as the Deutschland. She and a sister submarine were unarmed non-naval vessels designed to evade the British warships blockading Germany. With a capacity of 700 tons, they were designed to carry strategic materials from America and deliver high-end German products like aniline dyes to the U.S. It appears that they were the first-ever purpose-built cargo-carrying submarines.

There was considerable controversy because the British blockade of Germany could not stop these undersea ships from carrying strategic cargo. Britain claimed that by not interning this boat the Americans were favouring Germany. America was neutral at this stage of the war and concluded that it could not discriminate in regard to what was essentially a cargo ship. If it had been armed and a ship of the German navy, the position would have been different.

Deutschland made only two trips – one to New York and a second one which involved Baltimore. There are images online from the second voyage, but none of this first voyage! Photographer and publisher is G.L. Thompson, New York.

In 1917 Deutschland was taken over from the North German Lloyd shipping line by the German navy, armed for war service, and renamed U-155. Her cargo-carrying ability was inadequate and the need for more attack submarines transcended her value as a cargo carrier. Even though her design was not that of a conventional submarine, serving until the end of the War she reportedly sank over 20,000 tons of Allied shipping.

This postcard, and thousands of other pieces of ephemera, is contained in The Sayers Collection in the John Johnson Collection at the Bodleian Library. A vast quantity of other ocean liner ephemera capturing social, shipping, historical, and commercial information in The Sayers Collection, continues to migrate across the Atlantic to the John Johnson Collection.

Titanic’s sister at war: a guest post by John G. Sayers

We are grateful to John Sayers for continuing to commentate his fascinating donation of Ocean Liner ephemera in this series of blog posts.

The SS Olympic, sister ship to Titanic, was launched and entered service prior to the Titanic. They were so similar that interior pictures of the Olympic could also pass for images of the Titanic.

HMS Olympic

 

 

 

 

 

 

 

Titanic didn’t survive her first voyage, but Olympic sailed on for over 20 more years. Part of those years were during wartime and a recent postcard find reminds us of that service. Adding to the Stevengraphs in the Sayers Collection at the John Johnson Collection is a charming postcard captioned as the ‘H.M.S. Olympic’. This card is not to be confused with the other example of the same ship that is in the Collection. It’s from the period when she was serving as a White Star Line passenger liner and Royal Mail Ship (hence ‘R.M.S.’). This iteration is different.

Concert programme H.M.T.2810
Concert programme H.M.T.2810

Why ‘HMS’, which would denote a naval ship? Other references to her war service show her as HMT – His Majesty’s Transport. Specifically, a ‘Grand Concert’ Program of November 4, 1916 shows her as H.M.T. 2810 (left). One can only assume that the publisher of the card wasn’t familiar with naval designations. Regardless of the inaccuracy, it’s a beautiful card.

 

 

 

This postcard, and a significant amount of other White Star Line and wartime ephemera is contained in The Sayers Collection in the John Johnson Collection at the Bodleian Library. A vast quantity of other ocean liner ephemera capturing social, shipping, historical, and commercial information in The Sayers Collection, continues to migrate across the Atlantic to the John Johnson Collection.

 

Woven silk postcards (Stevengraphs): guest post by John G. Sayers

We are very grateful to John for another blog post contextualising the ocean liner ephemera which he is donating to the John Johnson Collection.

In the very early 1900s postcards were an inexpensive form of communication, travelling at a postal rate costing less than letters. However, if you wanted to display a special level of love and friendship you could pay the money to purchase a woven silk postcard.

Stevengraph from the John Johnson Collection: Bookmarkers 4

Woven silk images were reportedly first introduced in the 1860s using Jacquard looms which had become redundant in the face of imported competition in ribbon manufacturing. Thomas Stevens was the innovator and he was able to adapt the looms to create pictures in silk. Bookmarks, greeting cards, and eventually postcards were among the upmarket products coming out of the mills in Coventry. Because of the leadership of Thomas Stevens, they became known as Stevengraphs.

The Sayers Collection illustrates two different styles of Stevengraph ship postcards. One is a colour image of the ship with the name of the ship and sometimes other information printed below the image. The other style is a ‘Hands Across the Sea’ card with national flag images depicting the countries normally served by the named ship. For example, the Lusitania card depicts British and American flags; the Empress of Ireland card pictures the British and Canadian flags.

Because all these cards were relatively expensive to the sender they are uncommon and relatively expensive to the collector. Frequently they were sent in an envelope since they are relatively fragile, so postally used versions are relatively rare.

Values depend upon the ship, the condition of the card, and the shipping line. As would be expected, White Star Line cards, particularly RMS Olympic, sister ship to Titanic, have an enthusiastic following. Ships in disasters are expensive because some people collect cards related to disasters. In this collection, RMS Lusitania and RMS Empress of Ireland fit solidly into that bracket.

What do these cards tell us? First, that the British textile industry in the later 1800s was creative and adaptive. Second, that postcard manufacturers were always searching for new types of product and found one in specialized shipping images purchased in bulk and then mounted into postcards.  Third, that buyers will pay more for what is perceived as a quality product.

These charming postcards are contained in The Sayers Collection in the John Johnson Collection at the Bodleian Library. A vast quantity of other ocean liner ephemera capturing social, shipping, historical, and commercial information in The Sayers Collection, continues to migrate across the Atlantic to the John Johnson Collection.

 

Nazi Cruising Treat. A guest post by John G. Sayers

If you work for a large corporation – particularly in a Sales capacity – you will probably be familiar with incentive programs. They are not unique to the corporate world, and an interesting historical example is the Strength Through Joy travel programs offered in Nazi Germany during the 1930s.

Global tourism was in recession, and in order to maintain German tourist resources – and jobs – a series of travel incentives were offered through the Strength Through Joy movement. My understanding is that low-priced domestic tourism was available to the Party faithful as a reward for their support and contributions. The level of tourism was related to the amount of that support, and ship cruises were at the apex of possible rewards.

A ship named the Wilhelm Gustloff was built and launched in 1938 specifically to cater to this travel trade. Noteworthy is that this was the first liner built specifically and solely for cruising. At over 25,000GRT, she was larger than many of the liners used by Cunard for Tourist Class trans-Atlantic service, and represented a significant landmark in ocean liner cruises.

When Gustloff went into service in April 1938, she represented the highest travel reward for a Party member or supporter. This postcard, written on the first day of her Maiden Voyage and postmarked with a Wilhelm Gustloff cancellation two days later, would make a significant statement to the recipient about the sender’s elevated stature in the eyes of the Nazi administration. The message may be mundane but the postmark tells it all.

Gustloff postmarkWilhelm Gustloff was in cruising service for only a short period of time. In September 1939 she was requisitioned by the military and used primarily as an accommodation ship during the war. In January 1945, carrying a flood of refugees and wounded fleeing the oncoming Russian army, she was torpedoed and sunk by a Russian submarine in the icy waters of the Baltic. Estimates of the passengers crammed on board range from 6,000 to 9,000 – in the chaos there were no formal records kept. Most of those passengers perished, leading to the greatest loss of life in maritime history.

This postcard, and a significant number of other Strength Through Joy ephemera such as Menus and Cruise Activities, is contained in The Sayers Collection in the John Johnson Collection at the Bodleian Library. A vast quantity of other ocean liner ephemera capturing social, shipping, historical, and commercial information in The Sayers Collection, continues to migrate across the Atlantic to the John Johnson Collection.

 

Secrets of White Star Line Ship Logs. Guest post by John G. Sayers

We are grateful to our donor, John Sayers, for another fascinating post giving insight into the significance of shipping ephemera

As with the shipping logs of every other line, the White Star Line Voyage Logs provide a day-by-day record of the voyage, and a summary of the average speed of the ship. However, the White Star Line logs are important at a higher level of shipping research.

Log for 1898-12-21 A Britannic WB
1898-12-21 A Britannic WB

When Cunard took over the White Star Line in 1934, they phased out most of the White Star Line ships fairly quickly. Only the relatively new Georgic and Britannic remained in service. The White Star administrative offices were integrated into Cunard, and the records of the former are reported to have been destroyed.

So, the only surviving information about the line and its ships is in the on-board documentation that has been saved by passengers, such as the Logs of each voyage. As with so many other lines, these are difficult to find and, by this collector’s assessment, worth acquiring even if not in perfect condition. The importance of the message trumps the condition of the medium.

For example, ships are sometimes compared in terms of their rated maximum speed. But running a ship at maximum speed may be neither prudent nor possible. Wear and tear, fuel consumption, and risks such as icebergs (as encountered by Titanic) can all serve to reduce the practical working speed. The advertised top speed may not be the actual average rate in crossing the Atlantic, and so the Logs’ values provide a more accurate practical assessment of the ‘working’ speed of a ship in service conditions.

To passengers who have come through a rough voyage, the reminder in the form of the printed Log is probably not likely to be retained. For other voyages, once the Log has been shared with admiring friends and relatives, its value to the traveler has diminished, unless it represents memories of a winning guess in a day’s Pool for the distance travelled, so it is no longer a useful memory.

This material, and a vast quantity of other ephemera capturing social, shipping, historical, and commercial information in The Sayers Collection, continues to migrate across the Atlantic to the John Johnson Collection at the Bodleian Library.