Celebrating LGBTQ+ History Month Across the Libraries

For LGBTQ+ History Month, a selection of the trainees (alongside the St Antony’s Apprentice Library Assistant) have come together to share how LGBTQ+ History is represented across the libraries. Between displays and notable books, libraries provide an important place to learn and reflect on the progress and successes the community has achieved.

LGBTQ+ History Month Banner

Jess Ward and Josie Fairley Keast, Law Library

The Law Library’s LGBTQ+ History Month Display

A snapshot of the LGBTQ+ History Month display at the Law Library [pictured excerpt: Sexual Offences Act 1956]

For LGBTQ+ History Month, Jess has put together ‘A [Brief] History of LGBTQ+ Rights in England.’ On display from the library’s physical collection are the Sexual Offences Act 1956 and the 1967 Amendment, the Gender Recognition Act 2007, and the Marriage (Same Sex Couples) Act 2013, with many other examples from the sixteenth century to the present day summarised and cited. The book display traces the progress that has been made since the first mentions of LGBTQ+ individuals in English law, but also highlights some of the issues still facing members of the community today.

The introductory text to the Marriage (Same Sex Couples) Act 2013, on display at the Law Library

Yoshino, Kenji. Covering : The Hidden Assault on Our Civil Rights. New York: Random House, 2006.
KM208.U4.YOS 2006

Yoshino, Kenji. Covering : The Hidden Assault on Our Civil Rights. New York: Random House, 2006.

Outside of actual legislation, another recommendation is Kenji Yoshino’s 2006 memoir Covering: The Hidden Assault on Our Civil Rights. This book intertwines legal scholarship and social history with Yoshino’s lived experiences as a gay Asian-American man, reflecting on the state of civil rights and identity politics in mid-2000s America.

“I surfaced back into my life. I made decisions with persuasive efficiency. I chose the American passport over the Japanese one, the gay identity over the straight one, law school over English graduate school. The last two choices were connected. I decided on law school in part because I had accepted my gay identity. A gay poet is vulnerable in profession as well as person. I refused that level of exposure. Law school promised to arm me with a new language, a language I did not expect to be elegant or moving but that I expected to be more potent, more able to protect me. I have seen this bargain many times since – in myself and others – compensation for standing out along one dimension by assimilating along others.” (Covering, p. 12)

Find the book.

Izzie Salter, Sackler Library

Venegas, Luis. The C*ndy Book of Transversal Creativity : The Best of C*ndy Transversal Magazine, Allegedly. New York, 2020.
TR681.T68 C36 CAN 2020

‘On the pages of C*NDY Transversal, [Luis Venegas] acknowledged queerness in fashion, highlighted people all-but-forgotten in LGBTQ history, and introduced an audience to up-and-comers who were changing the landscape of music, runway, and trans culture – and he did it with a glamorous twist. C*NDY was beautiful.’ (p.44)

In 2009, Spanish independent publisher Luis Venegas launched the first issue of C*NDY Transversal Magazine. C*NDY set out to create ‘something like a trans vogue’, celebrating everything ‘transversal’. In Venegas’ own words, this encapsulates trans, gender non-conforming, non-binary and androgynous people, as well as ‘male and female impersonators and drag queens’ – all whom he believes ‘basically break the outdated rules of gender’. Since the first publication, C*NDY has developed a cult following and grown in traction. Later issues have featured renowned LGBTQ+ celebrities such as Miley Cyrus, Laverne Cox, Janet Mock, and Lady Gaga. However, each issue goes beyond the celebrity: they are filled with portraits of trans rights activists, drag stars, androgynous models, LGBTQ+ embraces.

Venegas, Luis. The C*ndy Book of Transversal Creativity : The Best of C*ndy Transversal Magazine, Allegedly. New York, 2020.

The Very Best of C*NDY Transversal Magazine, Allegedly is a collection of some of C*NDY’s most iconic spreads. Highlights include model Connie Fleming posing as Michelle Obama, headshots inspired by Candy Darling, and a letter to Venegas from a young transgender fan (p. 251). The latter is particularly significant, a reminder of the importance of celebrating LGBTQ+ people and expression in the past and present.

Readers can enjoy these highlights on glossy pages – akin to the magazine itself – and also read quotes from those who are featured. Many of these offer real insight into the importance of C*NDY, with contributors sharing their appreciation for the visibility it provided. Meanwhile, many quotes are punchy quips about gender expression and identity. These combine to make a book of boldness, of beauty, and aspiration.

Venegas has made it clear that – whilst books dedicated to identity beyond the binary are immensely important – C*NDY does not attempt to discuss the achievements of the LGBTQ+ community. C*NDY is instead ‘a project for all’, in particular ‘anyone who felt othered by their freedom of expression’. It is about fashion, makeup, and hair, in a landscape that goes beyond the gender binary. This is a welcome space of indulgence, through the prism of LGBTQ+ identity.

Find the book.

Sophie Lay, English Faculty Library 

Serano, Julia. Whipping Girl : A Transsexual Woman on Sexism and the Scapegoating of Femininity. Second ed. Berkeley, 2016.
HQ77.9 SER 2016

Serano, Julia. Whipping Girl : A Transsexual Woman on Sexism and the Scapegoating of Femininity. Second ed. Berkeley, 2016. [in the English Faculty Library, in front of the Transgender pride flag and the LGBT pride flag]

A foundational text in transfeminism, Whipping Girl by the biologist Julia Serano is available to loan from the English Faculty Library. The book is described in its tagline as “a transsexual woman on sexism and the scapegoating of femininity”.

The copy we have at the EFL is actually the second edition, which was published in 2016 (10 years after the original). In that time, the book has become a key text (not, Serano notes, the only perspective!) on discussions surrounding gender, queer theory, and feminism. However, as the author says herself in the preface to the second edition: “While the major themes that I forward in Whipping Girl remain just as vital and relevant today as they were when I was first writing the book, some of the specific descriptions and details will surely seem increasingly dated as time marches on.” (p.X).

Despite this, I found myself drawn to discussing the book during LGBTQ+ History Month because of how important this text has become. One of the key elements of this collection of essays and slam poetry is its conception of trans-misogyny: the dangerous blend of both oppositional and traditional sexism (Serano’s phrases), as well as the fact this this book is credited for the popularisation of cis terminology (e.g. cisgender, cissexual, cissexism, etc.). Another important highlight for me is a staunch defence of femininity, and an examination of both the derision of the feminine and accusations of its superficiality and performativity.

It’s hard for me to go too much deeper into the issues of the book without simply parroting all of Serano’s ideas, so I’ll leave off with a quote from the introduction that I believe provides a good baseline for the book:

“One thing that all forms of sexism share – whether they target females, queers, transsexuals, or others – is that they all begin with placing assumptions and value judgements onto other people’s gendered bodies and behaviours.” (p.8)

Find the book.

Eleanor Winterbottom, St Antony’s College Library

St Antony’s College Library LGBTQ+ History Month Display

At St Antony’s College library our collection covers a wide range of material on the social sciences, international politics, economics, anthropology, history, and culture. This means we were quite spoilt for choice when selecting material for LGBTQ+ history month! When creating our display, we wanted to make sure we showcased the best of what our collection has to offer on this subject and draw attention to the ways LGBTQ+ history is interconnected with, and relevant to, so many different areas of study.

St Antony’s College Library Display on LGBTQ+ History Month

Our display includes material that talks more broadly about the economic, political and international aspects of LGBTQ+ history, such as M.V. Lee Badgett’s the Economic Case for LGBT Equality and Cynthia Weber’s Queer International Relations, to material that focuses on the experience of the individual like Amrou Al-Kadhi’s Life as a Unicorn. We also wanted to ensure that our material covered history and culture from multiple parts of the world, so we have included books on LGBTQ+ history in China, Russia, the US, Africa, Latvia, the UK, India, and more.

Creating this display has been a fascinating and inspiring experience. The vast amount literature written about LGBTQ+ history from multiple areas of study just goes to show how important this history is when it comes to gaining a better understanding of the world and the human experience. It is crucial that we continue to showcase and celebrate LGBTQ+ voices, stories, and history, and I look forward to seeing our LGBTQ+ history collection grow and flourish in the future!

Books referenced:

Badgett, M.V.L. (2020) The economic case for LGBT equality: why fair and equal treatment benefits us all. Beacon Press, Boston.

Weber, C. (2016) Queer international relations: sovereignty, sexuality and the will to knowledge. Oxford University Press, Oxford.

Al-Kadhi, A. (2020) Life as a unicorn: a journey from shame to pride and everything in between. 4th Estate, London.

 

Comfort Reading in Fifth Week

Fifth Week is a notorious week in the Oxford term (8 weeks long), known for ‘fifth week blues’ and the need for some well-earned rest. Things often feel particularly challenging in Michaelmas (first) term, as everything gets colder and darker. But all is not lost! The shorter evenings offer the perfect excuse to get home and curl up in the warm with a book. Here, some of our Graduate Trainee Librarians offer their favourite reads for a bit of comfort and escapism during fifth week…

A man with an impressive hat and moustache stands on one side of a wall, as 8 cats dance and climb their way up a ladder to him.
Title page: T.S. Eliot’s Old Possum’s Book of Practical Cats (Faber and Faber Limited)

Old Possum’s Book of Practical Cats (T.S. Eliot)

In the midst of my undergraduate degree, I struggled to find the time and motivation to sit down and read a novel. Old Possum’s Book of Practical Cats is a wonderful alternative: T S Eliot provides short, witty poems about different feline characters. You can dip in and out of different poems, and will inevitably find yourself swept up in each of their wonderful worlds. My personal favourite is ‘Shimbleshanks: The Railway Cat’: with its bouncing metre and quick pace, you feel as if you are on a chugging train. I first read the poems in my early teens, drawn in by the book’s slim size and the myriad of cats on the cover. It is an undeniably comforting, joyous respite which you can revisit at any time. On rainy November days, when Oxford’s cats are curled up inside, turn to Old Possum’s Book to get your feline fix.

Izzie Salter, Sackler Library

 

14,000 Things to be Happy About (Barbara Ann Kipfer) 

This is not a book I would recommend reading cover to cover as it actually is a list of 14000 things to be happy about, just like it says on the tin! However, it is perfect to dip in to and find a thought to brighten your day! It provides a reminder that normal, everyday, sometimes functional things can make us happy or at least grateful. For example, SatNav, Google, the smell of a coffee can opening, eight-foot-long scarves or putting things back where they were found (very appropriate for us trainees who find great satisfaction in reshelving books!). Some are very random or abstract such as strawberry flavoured milk, isosceles trapezoids or making a beeline. Others are just excellent words like clodhoppers and inglenook (a corner by a fireplace). Some are poetic reminders of beautiful things and others remind you of wonderful things like going home and picking the right lane for once in a traffic jam!

The book is hidden in the Lower Gladstone Link as part of Mr Po Chung’s Personal Development Collection, so take a look, hopefully you’ll find something there that will help to make you smile.

Emily Main, Radcliffe Camera

 

Classic Scrapes (James Acaster) 

If you’re a fan of James Acaster’s comedy, his podcast (Off Menu with Ed Gamble), or his appearances on Taskmaster and Would I Lie to You?, I cannot recommend this book enough! And if you’re not, I am still confident that this book is funny and daft enough to elicit at least a smile. This book is a collection of Acaster’s most random, embarrassing and hilarious moments, from hiding from thugs in a bush whilst wearing a red dress for warmthto disappointing his sky-diving instructor mid-flight. Featuring illustrations from Acaster himself, this book is the kind of daft, silly read I love when I’m feeling down. He’s a great storyteller and really brings some of these bizarre and unexpected moments to lifemaking me laugh out loud on more than one occasion. 

Lucy Davies, Social Sciences Library

 

Book cover: Donna Tartt's The Secret History
Book cover: Donna Tartt’s The Secret History

The Secret History                   (Donna Tartt)

If, like me, you aspire to ponder over books, manuscripts, pictures and anything remotely old and dusty, then this book is perfect for you! Set in an “elite New England college” it follows protagonist Richard whose downfall is “a morbid longing for the picturesque at all costs” … hmm, sounds familiar – I think we have all been guilty of romanticising academia at some point, especially us librarians! We follow Richard as he enters the world of classics and becomes embroiled in a group of conceited, entitled and eccentric undergraduate classicists. The story that unfolds involves murder, Dionysian madness and a lot of brilliant description of New England culture, academia and what it means to read a humanities degree. I would definitely recommend it. 

Ben Elliott, Pembroke College Library

 

The Liar’s Dictionary (Eley Williams) 

As a habitual reader of weighty paperbacks, I often look at my large stack of unread books with dread when I’m in a busy (or rather, busier than usual) patch. The Liar’s Dictionary was a book I’d had my eye on for some time when I spotted it shining at me from the window of an Oxfam bookstore. Pleasingly short at a little over 250 pages, this book is one to revitalise your love of language when you’re midway through an essay, you’ve written what you feel to be the worst paragraph in history (it’s almost undoubtedly not – and if it is you may want to try your hand at the Bulwer-Lytton Fiction Contest) and you’re wondering quite what the point is. Whilst I can’t confirm this has the same effect on problem sheets, this is a wonderful, light-hearted book about words and – if you have the mental energy – also has some questions to ponder about the language we use and how it shapes the world around us. 

Jess Ward, Law Faculty Library

 

The Hobbit (J. R. R. Tolkien)

The Hobbit, while technically a children’s book, brings all kinds of unbridled joy to the adult reader. Though this spellbinding story is hardly a secret, it is a comforting tale that I believe is well worth visiting or revisiting while walking the streets and university buildings that Tolkien once walked himself.  For me, the most reassuring presence in the story is found in the hapless protagonist. Bilbo Baggins, a comfortable and contented Hobbit from The Hill, is dragged into a quest to help a band of dwarfs reclaim their ancestral home from the clutches of a dragon. His reluctance to leave his hobbit-hole and his uncertainty in himself and his abilities make his venture into the wonderful wilds that bit more satisfying. Bilbo is not a brave adventurer; in fact, he’s anxious, homesick, and often miserable… but he does his best – and along the way discovers qualities that he never knew he possessed.

This, I believe, is what delights me most about this book as an adult: the palpable sense of anxiety and the triumph over it. Well… that and a queer interpretation of the ending – but that is a topic for another day.

Sophie Lay, English Faculty Library
The Hobbit, displayed on the shelf at the English Faculty Library
J.R.R Tolkein’s The Hobbit, displayed on the shelf at the English Faculty Library

 

The Clocks (Agatha Christie)

From the first time I picked up an Agatha Christie novel as a teenager, I was hooked. For me, they offer the ideal form of escapism: not only in the challenge and suspense of working out “who dunnit”, but in the way Christie brings her reader so wholly into the worlds she creates. In The Clocks, the centre of this world is the genteel, quiet street of Wilbraham Crescent, where an unknown man is found dead in the living room of number 19. There is something so artful in Christie’s drawing of place and character that the murder itself becomes almost secondary to the web of relationships and personalities – of people and spaces – which make up this book. Witness interviews are vignettes of 1960s family: the long-suffering Mrs Ramsay and her irrepressible sons, Mr McNaughton and his love of compost, Mrs Bland and her (very much) enjoyed frailty. And, of course, the presence of Hercule Poirot in any story is always a delight. The true testament to The Clocks is that I have read it more times than I can count – which shouldn’t work for detective fictionI highly recommend it as a quick read which combines suspense, dry humour, spies, romance, perceptive social observation… and a murder, of course.  

Heather Barr, St Edmund Hall Library

 

Making Cocoa for Kingsley Amis (Wendy Cope) 

To be honest, more reading can be the last thing I want to do when I’m already feeling overwhelmedWendy Cope tends to feel like a safe option: short, sharp-witted poems that feel a bit like inside jokes. Making Cocoa for Kingsley Amis has some gems – ever wondered how The Waste Land would read in limerick form?  and can be found online via SOLO, but even that can feel like a lot if you’re in the absolute pits of it. Maybe just look up ‘The Orange.’ Go for a walk. Try to remember that things will probably be fine. 

Josie Fairley Keast, Law Faculty Library

 

Lizzie, in period Regency dress, looks demurely over her shoulder as she stands in a beautifully grand hallway.
This is a photo from a few years ago when I took part in the Jane Austen Festival in Bath, where the novel is set. Also, I paid a visit to Lyme Regis and jumped – carefully – off the infamous steps on the Cobb which are the setting of the climactic scene in the book.

Persuasion (Jane Austen) 

My comfort is often escapism; fantasy, historical fantasy, or historical fiction are my go-tos. However, the book to which I return at least every year is Persuasion. Like many, I first read Jane Austen’s novels when I was in my teens, but I still find more every time I reread. She is the finest writer for her use of language: the closer I read, the more amazing I find her work. Her language creates an intricate, layered and fascinating world of manners, class, and moral decisions — and it is funny too.

Other readers over the centuries have likewise turned to Austen in stressful or dark times. Winston Churchill read Austen during the Second World War and admired her work as an escape when he was ill with pneumonia: “What calm lives they had, those people!” he wrote, “No worries about the French Revolution, or the crashing struggle of the Napoleonic Wars. Only manners controlling natural passion as far as they could, together with cultured explanations of any mischances.”

Austen’s characters are funny and complex, and she is such a great observer of character. Humour is the best for cheering oneself up and, always, I love to laugh at a snob – they are the funniest characters to read in a novel of manners – and Sir Walter Elliot in Persuasion is one of the finest, and silliest.

Austen went through dark times too and I believe it is wrong to say her work is unaffected by the wars that continued throughout her lifetime. Her worlds offer much-needed stability and order. She wondered if Pride and Prejudice was “too light and bright and sparkling”, but sometimes that is needed. Conversely, Austen completed Persuasion whilst she was dying. It was published posthumously and thus it is one of the least polished of her works; it is less “bright and sparkling” but a poignant and moving story of two people reuniting after years apart. It examines disappointment, heartbreak, and regret; but, most of all, it offers hope.

Lizzie Dawson, All Souls College Library