The second part of the 2023/24 Trainee Showcase comprised of presentations by Leah Brown (English Faculty Library), Sorrel Fenelon (St John’s College Library), and Erin Minogue (Bodleian Art, Archaeology and Ancient World Library). The projects ranged from a deep-dive into the offprints owned by a renowned professor, work to widen access to special collections, and an investigation into how social media and digital outreach can work to highlight collections and engage audiences.
Leah Brown: A Sérprent Saga: Professor Turville-Petre and his Literary Network
By Clara Oxley
Offprints from Turville-Petre’s collection in archive folders.
Leah’s trainee project was a fascinating deep dive into the offprints of Professor Turville-Petre, a prominent Oxford scholar in Old Norse-Icelandic Studies who, as a student at Christ Church, was tutored by none other than J. R. R. Tolkien himself. When Turville-Petre died in 1978, he donated his entire library to the English Faculty Library. This, along with the rest of the EFL, will be moved to the Schwartzman Building in 2025 (a fact which motivated this project to begin with).
For anyone unsure of what an offprint was, Leah began by helpfully describing it as a ‘printing of a single piece of work that is part of a larger body,’ such as an article from a periodical. On top of exploring his offprints, another aim of the project was to create a handlist of them and store the items carefully to ensure that they were protected and conserved. This was because the off-prints were originally stored in magazine files, something which might have sent any conservationist into a frenzy.
To reduce damage to the items and make the collection more accessible, Leah created a spreadsheet detailing each Turville-Petre offprint. These details included, but were not limited to, author details, publication information, as well as language. Leah also paid close attention to the contents and notes that he made in the margins of the off-prints, which gave a unique insight into the way his relationships with colleagues changed over the years; something Leah went on to explore in more depth. Once the helpful handlist was completed, Leah moved the offprints to conservation boxes, and a quiet sigh of relief was heard from the conservation community across the country.
Next, Leah’s deep-dive into the contents and contexts of the offprints proved to be effective in bringing Turville-Petre to life, letting us catch a glimpse of his personality and work style. By exploring the historical context, as well as his academic engagements, correspondences and notes, Leah painted an image of a man who was clearly very academically driven, yet also dedicated to and supportive of his colleagues. These colleagues included the first woman to be Professor of Old Norse at the University of Oslo, Professor Anne Holtsmark, with whom he remained in correspondence for over 30 years. Furthermore, Leah’s inclusion of items in which he conveyed personality beyond the academic rigour of his work really helped humanise this great scholar. We particularly liked his artistic endeavours, such as the doodle of a Viking in his lecture notes. It’s always reassuring to learn that even the brightest can lose focus from time to time!
From Leah’s presentation, we learnt about a truly fascinating man who dedicated his life to Norse studies. So much so, that the Prime Minister of Iceland award him with the Grand Knight’s Cross of the Order of the Falcon.
A touching addition to the presentation was the inclusion of correspondences Leah had had with those who remembered Turville-Petre with fondness and respect. This included a former pupil of his, who recalled how, ‘Gabriel was, in his own way, as much of a teacher as a scholar and researcher, and a devoted teacher at that.’
Before completing her traineeship, Leah informed us that she will be creating box level records for the new offprint boxes, making the items accessible for all and ensuring that Turville-Petre and his legacy is kept alive for future scholarly endeavours.
Sorrel Fenelon: Widening Access to Special Collections at St John’s College
By Connie Hubbard
You might think that St John’s College, who have a special collection of manuscripts, would be overly protective of their collection. Sorrel, however, made increasing access and interest in early manuscripts her goal. Not an easy task.
To prepare, Sorrel shadowed school tours run by the Public Engagement team at the Weston Library, learning and magpieing tour-guiding techniques. She then began planning a tour for sixth form students visiting St John’s College as part of the Inspire programme. This initiative is a free, two year course for pupils from non-selective state schools, which includes a research presentation day onsite at St John’s. As part of this day, Sorrel planned a special collections visit, complete with a tour of the old library, and a session getting up close to an array of rare works. Sorrel had a brainwave while planning the event and, before the students arrived, she asked each what interested them and created the exhibition based on their answers. Talk about customer service!
On the big day, eighteen eager pupils got to see and interact with six items, including: a letter written by Jane Austen; Peter Apianus’ Astronomicum Caesareum* illustrated with a beautiful dragon, and an 18th-century autograph book which also housed a tapeworm – gross, but when entertaining teenagers, disgust is usually a safe bet. The chosen items highlighted the breadth of St John’s Special Collections with works from a range of time periods and in a range of languages, with different quirks.
Sorrel presenting her trainee project on Widening Access to Special Collections at St John’s College.
As with any ambitious project, Sorrel experienced complications. The most notable being that a condition check of the items revealed the Astronicum Caesureum would have been too fragile to move across college to the room booked for the event. Luckily Sorrel had been unreasonably organised and had a backup; a stunningly illustrated atlas. Crisis averted!
During Sorrel’s showcase presentation, she shared with us, not only her positive feedback from the College Access team and the students themselves, but suggested improvements, for example: to include more STEM subject manuscripts (though she noted the Astronomicum, gone AWOL, would have remedied this somewhat).
If that weren’t enough, Sorrel has also been working on a database of the John Rose letters, picking up where a previous trainee left off.
*an instrument for predicting the occurrence of solar and lunar eclipses.
Erin Minogue: Developing a social media presence for the Art, Archaeology and Ancient World Library
By Xanthe Malcolm
Wrapping up the morning session, Erin told us all about the process of establishing an X (formerly known as Twitter) account for the Art, Archaeology and Ancient World Library.
Erin began her presentation with a discussion of how she had chosen her project – which translated neatly into some tips for those trainees from next year’s cohort who were in the audience. For example, she knew from the start that she wanted something with a tangible outcome, which would be useful to the library, and have potential for continuity in the future. Marrying all that with her personal interest in outreach and increasing access to the library’s collections led her to the decision to develop a social media account.
Walking us through the timeline of her project, Erin started with her research into existing library social media accounts. This helped her to develop her initial thoughts on the aims of creating this account: who the target audience would be; what sort of content would meet the needs of the diverse groups within that target audience – from current readers to prospective students, and the local community to a broader audience who might have an interest in the library’s collections; and which platform to choose.
A screenshot of the Bodleian Art Library’s new X profile.
Having established the purpose of the account, Erin then made formal proposals to her own library and the central Communications team for the Bodleian. She also began work on branding for the account. We heard about how she had decided on a colour scheme that would be cohesive with the central Bodleian X account and her library’s blog, as well as the importance of finding high resolution images and the difficulties of fitting the words “Art, Archaeology and Ancient World Library” into a profile picture!
All Erin’s hard work paid off on launch day. With some carefully crafted initial posts and a takeover of the central Bodleian X account to harness the power of their huge pool of followers, she was able to surpass her target of 100 followers by the end of the first day.
Since then, the account has gone from strength to strength. Erin gave examples of how she ensures she continues to meet the account’s aims of highlighting the collections, providing reader service updates, improving the accessibility of the building and engaging with readers and visitors (for example, by linking posts to exhibitions at the Ashmolean). She also talked us through how she has planned to ensure the continuity of the account after the end of the year.
Erin rounded off her presentation by talking us through some of her personal highlights from the year – a fantastic reminder of the wide range of opportunities open to trainees who are keen to get involved.
And if you haven’t done so yet, go and follow @BodArtLib on X!
Among the many fantastic opportunities afforded to Graduate Trainee Library Assistants based in Bodleian and Oxford College Libraries is the chance to design and undertake a project. Undoubtably one of the highlights of the year, the annual Graduate Trainee Showcase provides the opportunity for each trainee to present their project to an audience from across the Oxford libraries. The 2024 Showcase, superbly organised by Anna, Clara, and Connie, was a resounding success. The huge variety of projects presented reflected both the trainee’s diverse interests and expertise, and the varied aims and priorities of the different libraries in which they have been based.
This blog post is the first in a series dedicated to this year’s Graduate Trainee Showcase. The blog posts contain descriptions of all the different projects, each written by another trainee. We’ll be kicking off here with the morning session of presentations made by Lara (Bodleian Law Library), Elena (All Souls College Library), Nia (Old Bodleian Library), and Jess (New College Library).
Lara Hatwell: ‘O Stranger from England, why stand ye aghast?’: Exploring the Law Library’s Northern Ireland Collection
By Leah Brown
Taking on the task of opening this years’ Trainee Showcase, Lara couldn’t have done a better job!
Lara’s project focused on the Northern Irish collections held at the Law Library. Having observed that there’s often a sense of horror around looking at Northern Ireland’s past, Lara wanted to reframe this. This is reflected in the title of her project; ‘O stranger from England, why stand ye aghast?’ is a line from Ballad to a Traditional Refrain by the Northern Irish writer and historian, Maurice James Waldron Craig (d. 2011).
Lara’s piece on the Law Library blog.
Lara began by working through the Bodleian Law Library LibGuide on Northern Ireland and fleshing it out as she went, including keeping it up-to-date with current political events—something quite unique to the Law Library! After immersing herself in the LibGuide and collating all of this information, which was no mean feat, Lara was also able to write a longform blogpost for the Bodleian Law Library Blog. It covers Northern Ireland’s relationship with British politics, particularly in the decriminalisation of homosexuality in the 1980s and the legalisation of abortion in Northern Ireland in 2018. Both of these laws were passed much earlier in England, Scotland, and Wales in 1967, but Northern Ireland was left out of the legislation. They were forced to bring the matter to the European Court of Human Rights and the UK Supreme Court respectively, while the UK government tried to wash its hands of the whole affair. Lara’s blog is a truly interesting read on the complicated political relationship that Northern Ireland, Europe, and Britain share, so I highly recommend you click through and take a look!
With this under her belt, Lara created promotional material for Northern Irish resources for the Thesis Fair, which then led to the opportunity to help with individual sessions on Northern Ireland with students. As a part of this, Lara created a guide on the resources held by the Bodleian, including highlighting the huge collection of papers that can’t be found anywhere else, many of which are now out of print. She was also able to shine a spotlight on the Conflict and Politics in Northern Ireland (CAIN) Archive, which she discovered was not included on Databases A-Z. It contains a huge amount of information on deaths relating to the Troubles all the way up to 2001 and is very community-focussed, which Lara mentioned is why she particularly likes it as a resource. Lara is currently working on a short bio of the site before Official Papers will make a claim for its addition to Databases A-Z, so watch this space!
So, what’s next? Well, before the traineeship is over Lara aims to write further blog posts particularly focussing on acquisitions based around Northern Ireland. She will also be writing a longform piece on Lady Justice and ‘how justice as a wider concept has been imagined’, so do keep an eye out for those over here.
Elena Trowsdale: The Importance of Cataloguing: A Multi-strand Exploration of Searchable Catalogues as the Backbone of Librarianship
By Nia Everitt
Elena’s project was all about the importance of cataloguing, which many library staff (and shoppers at Argos, probably) can attest to. At All Souls College Library, where Elena is the trainee, cataloguing takes many different forms. Elena researched all of these and suggested some great improvements that could be made!
All Souls Library has got some super interesting digital projects and outreach initiatives coming up, so Elena’s project sought to promote these by taking a look at the role that cataloguing plays/will play, as well as researching historical librarianship (blowing the dust off card catalogues) and looking ahead to future cataloguing projects.
Elena got started with creating a comprehensive list of pamphlets held at All Souls in the GZ classification series, including details about shelfmark and reference information, as well as logging whether it is currently catalogued or not. In doing so, Elena laid the foundations for cataloguers to fully record and describe these items on formal databases, saving them time in the future!
Rather excitingly, All Souls is currently in the midst of re-cataloguing their archive, and so Elena also got to assist with this. Crosschecking the existing archives catalogue, she created a machine-operable spreadsheet, up to professional standards. Again, she’s reduced the timeframe quite a bit for these details to be uploaded to Expexio, the archival database platform, although doing so will still require professional input.
Then Elena conducted a survey to see what library staff actually think about cataloguing. The survey results were very interesting. Perhaps unsurprisingly, the biggest change to cataloguing that staff have noticed is a switch to online systems. Many also noted that, in the wider academic world, cataloguing is not regarded highly enough. This disregard for cataloguing is frustrating because, as staff observed, it is a job that requires a lot of skill. One colleague remarked that ‘having worked for 39 years in Oxford University libraries, I fear I am still an inadequate cataloguer’. Survey respondents also highlighted the political aspect of cataloguing, noting that some subject headings seem inadequate in a rapidly developing society, and that accessibility is becoming more and more prevalent.
Images generated by AI in response to prompts about online and paper catalogues.
Elena also incorporated AI into her survey! Images generated when online catalogues, like SOLO, were mentioned, included a happy cat holding a book, ants climbing a bookshelf, and a rather severe looking octopus. Images generated when paper catalogues were mentioned were a grumpy cat with no book, a rather old clock, and a very idyllic, mountainous landscape. Make of that what you will!
The final aspect of Elena’s cataloguing project was an exhibition about legacy catalogues, investigating past librarianship methods. The All Souls Library catalogues dating to c. 1635–c. 1756 had a very basic style, and seemed optimised for use at the time as they were arranged by the authors’ last names. Elena also charted the cataloguing methods for one item, ‘A Discourse of the Damned Art of Witchcraft’. Her findings were that paper catalogues needed to be physically handled for information, whereas on SOLO, everyone has access to the same information, improving accessibility. The number of catalogue records and amount of information for this one item also suggested scope for interoperability, such as linking between current catalogues, transcriptions, and more!
Elena’s hopes for the future of cataloguing include: more training for all library positions, increased funding, opportunities for technical experimentation, investment in learning, and well-supported digital tools. With advocates like Elena, the future of library cataloguing certainly seems exciting.
Nia Everitt: A Wellbeing Collection for The Bodleian Old Library and Radcliffe Camera
By Fran Allen
Choose Your Own Adventure: Graduate Trainee Library Assistant Project.
You are Nia, a Graduate Trainee Library Assistant at the Bodleian Libraries who is completing a project as part of their trainee year.
To choose the Wellbeing Collection project, turn to section 7. To choose Alien Communication, turn to section 51.
Section 7. Inspired by your own time at university during the Covid-19 pandemic, you choose to create a wellbeing collection for the Old Bodleian. Wellbeing collections and spaces are becoming more common in libraries due to both an increase in the number of students reporting negative mental health experiences, and a recognition of the role academic libraries play in supporting a student’s mental health whilst at university. There are already a number of wellbeing initiatives within the Bodleian Libraries and you have visited nearly all of them for inspiration.
To start with a local needs assessment, turn to section 39. To search the internet for pictures of cats, turn to section 84.
Section 39. You start the process with a local needs assessment to see what services are already provided, and which aren’t appropriate (e.g., medical advice). Through this process you identify two areas of focus for the collection.
To choose wellbeing resources and reading for pleasure, turn to section 19. To choose fashion advice and scone recipes, turn to section 32.
Section 19. The initial stages of the project have successfully identified two main areas for the collection to focus on—wellbeing resources and reading for pleasure. Unfortunately, there is no budget for this pilot project so you will have to be resourceful when sourcing books.
To make all the books yourself in your breaktimes, turn to section 11. To access the enormous resources of the CSF, turn to section 2.
Section 2. Due to the Bodleian Library’s standing as a legal deposit library there is a wealth of non-academic texts available to any Bodleian reader via the CSF. These items are, however, predominantly Library Use Only so can’t be taken out of the library on loan. You choose a selection of shorter texts that can be read quickly or flicked through in order to make the collection more engaging and accessible.
How do you choose to record this information?
To create a series of tables, turn to section 44. To whisper them into a colleague’s ear, turn to section 63.
Section 44. You create a series of tables that contain all the relevant information for the chosen titles. In order to ensure the collection can be easily maintained by colleagues after you have finished your traineeship, you include all the information required to request them from the CSF as well as costs so that if funds are available in the future they can be purchased. You are almost ready to assemble your collection and locate a small bookcase from the Duke Humphrey’s library for the display.
The Old Bodleian wellbeing collection.
Where are you going to place the bookshelf?
To tuck the bookshelf under the arm of Bodley’s statue in the quad, turn to section 43. To place the bookshelf on a bright and accessible stairwell, turn to section 74.
Section 74. You choose a bright and accessible staircase for the physical location for the collection. It is outside of the reading room environment but still within the library.
How will you advertise the collection?
To create a series of bright posters and bookmarks, turn to section 29. To take out small weekly adverts in Oxford Mail, turn to section 9.
Section 29. Using Canva you create a series of colourful, eye-catching posters and bookmarks which introduce the new collection to library users. You also signpost other available support such as the Counselling Service.
Congratulations! Your Wellbeing Collection is in place and is available for all Old Bodleian Library readers to access.
Jessica Hodgkinson: Mythical and Monstrous: Promoting Special Collections at New College Library
By Connie Hubbard
New College Library is home to a large collection of beautiful manuscripts and rare printed books which Jess made it her mission to further promote. She wanted to help provide access to special collections items and encourage people to engage with them, hoping to advance our knowledge about these books and manuscripts along the way.
Jess decided to focus in the main on curating an exhibition. She thought of a very cool theme for this—monsters and mythical creatures. Jess explained that she wanted to pick a topic which lots of people would be interested in.
Jess at the Mythical and Monstrous exhibition.
To find items to include in her exhibition, and to research their origins and significance, Jess scoured SOLO and the shelves, compiling an extensive list of fantastic, and fantastical, books to display. These included, for example, a sixteenth-century atlas illustrated throughout with mythical creatures, such as mermaids with buttocks (!), a fourteenth-century copy of the Book of Revelation full of monstrous miniatures like the horse-locusts of the apocalypse, and a thirteenth-century copy of Homer’s Illiad which has a drawing of the chimera added in the margins.
Of course, an exhibition would not be an exhibition without a few goodies to go with it. Jess designed postcards and bookmarks using images of the most remarkable illustrations, featuring dragons, a blemmy (a humanoid creature with its face in its torso), and other fantastical beings. To advertise her exhibition, Jess designed a poster which other trainees very kindly displayed in their libraries, sent out emails, and posted on social media.
Jess’ exhibition, entitled Mythical and Monstrous: Fantastical Creatures at New College Library, was a huge success. It ran on two separate occasions and welcomed over 200 visitors.
In addition to the exhibition, Jess also wrote a piece for New College Notes, the scholarly e-journal of New College, Oxford. The article is about New College, MS 287 which was written for King Henry VIII and presented to him as a gift on New Year’s Day 1515. Jess included this manuscript in her Mythical and Monstrous exhibition because it contains a doodle of Pegasus, the winged horse-god of Greek myth, on the first page. Studying the book closely, Jess also discovered something scratched into the margins of another page which had never been noticed before. John Barrett, technical lead of the Bodleian Libraries’ ARCHiOx (Analysing and Recording Cultural Heritage in Oxford) project, was able to make a recording of the addition, revealing it in even greater detail. Jess and her colleagues now believe that the addition could contain the Henry VIII’s name! If you’d like to read more about this exciting discovery, check out Jess’ piece for New College Notes, which is freely available online to everyone.
Keep an eye out for the final output of Jess’ project, a video about New College, MS 255 for the library’s Curator’s Choice series, in the coming weeks! Jess will be continuing her work with special collections at New College Library as she transitions in to her new role as the Special Collections Curatorial Assistant in September.
As a final goodbye from the Trainees of the year 22-23 we thought we’d share with you a look at some of the trainee projects which were presented at the showcase this year! These descriptions, each written by another trainee who viewed the original presentation, are designed to give you a flavour of what our year with the Bodleian and College libraries have been like.
Jenna Ilett: Creating an interactive map of the Nizami Ganjavi Library
By Alice S
Kicking off our Trainee showcase with a bang, Jenna’s presentation hit all the right buttons. With an amusing title and appropriately themed presentation, Jenna talked us through the ins and outs of coding an interactive map, complete with hoverable shelfmark labels!
The inspiration for this project came from a slew of wayfinding projects that have been taking place across the ‘Section 3’ Libraries (which include the Taylor, The Art Archelogy and Ancient World and the Nizami Ganjavi libraries) as well as Jenna’s own background in tech thanks to a GCSE in Computer Science and a module in Web Design during her undergraduate degree.
Using Inkscape, Jenna made the underlying vector graphic for the map itself, working off a previous design, but keeping the styling consistent with maps currently available at the AAAW Library. She used the feedback she received to refine her design before moving on to the coding itself.
The coding was done on a code editor called CodePen which allowed her to keep track of the HTML, CSS and JavaScript code all in one view. Jenna whizzed us through an impressive array of coding tips including running through how she used tooltips to enable the hoverable shelfmarks to display over the appropriate shelves.
Remaining humble throughout, Jenna also treated us to an inside look at her thought processes in the form of increasingly anxious WhatsApp messages she had sent about her project to friends and colleagues, as well as a demonstration of a particular bug that caused her map to flip itself over when zoomed out, both of which earned a hearty chuckle from the audience. But with the amount of skilled work Jenna has put in already, the audience and I are in no doubt that Jenna will soon have the kinks worked out, and the Nizami Ganjavi Library will have a swanky new interactive map!
The most interesting thing I learnt from Jenna’s presentation would probably have to be the benefits of scalable vector graphics. As someone who has all too often fallen foul of the perils of trying to resize images only to be left with a grainy and illegible mess, it’s great to know that using a vector graphic will allow me to scale an image to any size my heart could desire. Through the magic of mathematical graphing it preserves the shape and position of a line so that it can be viewed at any scale. Thanks to Jenna for a fabulous presentation and enlightening me to the wonders of vector graphics!
Alice Zamboni: Audio-visual archive of former Prime Minister Edward Heath
By Charlie
The second presentation of the day came from Alice Zamboni, one of the two Digital Archivist trainees based for two years with the Special Collections team at the Weston Library. Alice’s project was concerned with adding the audio-visual material donated by former Conservative Prime Minister Edward (Ted) Heath to our catalogue.
Edward Heath outside No.10
As with most of his predecessors and successors in the role of Prime Minister since the Second World War, Ted Heath began his political involvement at Oxford, studying PPE at Balliol College and winning the Presidency of the Oxford Union in 1937. Therefore, it is no surprise that the Bodleian chose to purchase his personal archive in 2011 to add to its collection. Covering mainly the period from the mid-1970s to the early 2000s, Alice related how many of the cassettes and tape reels held information on music and yacht racing connected to the love of European culture which inspired Heath’s drive – and eventual success – to gain admission for the UK in the European Community in 1973.
Most of the material was held in analogue formats so Alice’s first step before cataloguing was to convert them into digital MP3 files. Then, one of the main challenges she faced was that the sheer scale of the material (481 tapes some up to ninety minutes long) meant that not every recording could be listened to in its entirety. An educated assessment on the contents, and how it should be catalogued, had to be made from listening to a portion of each. This allowed some of the material, such as recordings made from radio programmes, to be weeded out of the collection.
Perhaps the most interested thing I learned from Alice’s talk was the broad scope of Heath’s recordings, including some in foreign languages. One interestingly was in Mandarin Chinese, and of a children’s programme on learning languages.
As with most of the trainee projects, there is always more to be done after the showcase and Alice’s next main step is to place the original tapes back into boxes according to how she has catalogued them. An even longer-term plan for ensuring that the archive can be opened to researchers is acquiring the rights for many tapes recorded from musical recitals, for instance, where the copyright is owned by the composer or conductor rather than Heath himself.
Miranda Scarlata: Web archiving and the invasion of Ukraine.
By Jenna
Although the phrase ‘once it’s on the internet, it’s there forever,’ is common, Miranda’s talk highlighted the ephemeral and volatile nature of websites, and the importance of capturing and preserving information from these sites.
Although it would be impossible to capture every single website in existence, there are times when the digital archivists undertake a rapid response project – for example capturing information on Covid-19, or the ongoing war in Ukraine – the latter being the focus of Miranda’s talk.
Soon after the Russian invasion of Ukraine (on the 24th of January 2022), the Digital Archivist team launched a rapid response project to preserve information regarding Ukrainian life and culture, as well as the war itself, which was at risk of being lost. A campaign was launched that asked people to nominate websites that fit certain criteria.
Miranda discussed some of the challenges involved in a project like this. Although 53 sites were nominated, only 21 were deemed viable. Twitter accounts of Ukrainian citizens were also included, and additional news, cultural and war specific sites were crawled, leading to a total of 72 sites. There is a limit on how many sites can be preserved due to the strict data budget, which means that difficult decisions had to be made about what to prioritise. Another added level of complexity was the limited Ukrainian and Russian language skills within the department, which made it difficult to determine types of content and assign metadata tags.
The normal processes when archiving websites involves contacting site owners to obtain permission before beginning the capturing process, but due to the high risk of information loss, site owners were contacted after capturing the sites to gain permission for publication. With the help of a Ukrainian and Russian speaking intern, site owners were contacted, but there was an understandable lack of response given that many of the site owners would have been directly impacted by the war.
Miranda’s talk was a fascinating insight into the world of digital archiving and the challenges within, particularly with the more arduous and intricate rapid response projects, which are hugely important when it comes to capturing important events as they are happening.
The most interesting thing I learnt was that digital archiving involves capturing a functional version of the site that could continue to exist even if the original host site was removed, rather than a static capture, which leads to added complexity when it comes to external links and embedded content.
If you are interested in this project and want to nominate a website for archiving please fil in the nomination form here: BEAM | Nominate for archiving (ox.ac.uk)
Caitlín Kane: Maleficia: Curating a public exhibition at New College Library
By Alice Z
In her talk on the exhibition that she undertook as her trainee project, Caitlín focused on her experience of organising and curating the exhibition of rare books and manuscripts from the collection at New College. A chance encounter with the New College copy of Malleus Maleficarum (The Hammer of Witches), a well-known 15th century treatise about witchcraft, sparked in Caitlin the idea of organising a display of special collections about magic, witchcraft, and astrology.
The Maleficia exhibition at New College
The promotional material devised by Caitlín to advertise the exhibition on social media and in print was what stood out most for its originality and it is clearly something that contributed to making the exhibition a success in terms of visitor numbers. I think the most interesting thing I learned from her talk was how you can create moving graphics using services such as Canva and how these can be used on social media to promote events such as exhibitions.
Caitlín reflected on some of the logistical challenges of organising this kind of collection-focused public engagement event, such as the selection of material and collection interpretation. For one thing, identifying relevant material from New College’s collection of manuscripts was more difficult in the absence of an online catalogue. Without the benefits of a neatly catalogued SOLO record to guide her, she was required to rely on previous staff members’ handlists as well as serendipitous browsing of New College’s rare books shelves.
Another aspect of the exhibition she touched upon was the interpretation of the materials. It was important for the labels accompanying the items on display to strike the right balance between content and context. Providing insights into the objects themselves was key, especially as many were texts written in Latin, but so was giving visitors enough background on the early modern philosophical and theological debates underpinning witchcraft.
Caitlin’s work clearly resulted in a fascinating and well-attended exhibition, and she was able to make great advances in increasing awareness of some of the amazing collections held by her library.
Abby Evans: Professor Napier and the English Faculty Library
By Miranda
Abby’s trainee project concerned a fascinating collection of dissertations and offprints gathered by Professor Arthur Napier, a philologist and Professor at Merton College in 1885. Held by the English faculty library, this collection consists of 92 boxes
The Napier collection at the EFL
containing 1058 items that needed to be reassessed ahead of the library’s move to the new Schwarzman centre for the Humanities in 2025.
Her project showcased the speedy decisions and minute details that must be considered when working at a library as she had only two weeks to determine the content of the collection and assess what material was worthy of making the move to the new building. The process required lots of skimming through documents to understand their content, the deciphering of previous systems from librarians past, and a strong head for organisation!
The collection itself was also able to provide some insight into how the English Faculty used to operate. Many of the materials were annotated with small markings and references to an older organization involving different box numbers and labels.
The collection also surprisingly held works from female authors – a rarity for the time – but their work was clearly well-enough regarded that Professor Napier saw the benefit in collecting and preserving it in his collection.
The most interesting insight the Napier collection provided however is perhaps its demonstration of the of the workings of Royal Mail years gone by. The collection contained several items which bore evidence of travelling through the UK postal system, some which were simply folded up with the address written on the back – no envelope required! Additionally, a simple name and general neighbourhood were enough to get the letter to its intended location, postcodes clearly had yet to hit it off!
Overall, Abby’s talk demonstrated the myriad of small and large details that must be considered when continually maintaining library collections. And the efficiency with which she was able to work through the collection is an example to us all!
Morgan Ashby-Crane: Making Collections More Visible: Displays and Data Cleanup
By Caitlín
At the SSL, Morgan embarked on a mission to improve the visibility of collections, both in making items easier to locate within the library system, and in highlighting diverse voices in the collections.
During awareness months throughout the year they curated book displays which allowed them to improve the circulation and physical accessibility of collections such as those for Black and LGBTQ+ History. For Black History Month, they asked subject librarians to recommend a book with an accompanying caption. Morgan then curated the display, and added QR codes linked to e-resources that the subject librarians recommended. They then collated these into a post on the SSL blog to reach those who couldn’t access the display physically.
The SSL Display for Black History Month
For LGBT+ History month, Morgan organised another pop-up display, but this time the focus was on recommendations from readers in previous years. One of the most interesting ideas I gleaned from Morgan’s presentation was their approach in designing new recommendation slips for readers to fill in and recommend their own books to make sure the displays stayed relevant to reader interests. As books were borrowed and recommendation slips filled in, Morgan was able to track the circulation of items and provide evidence of engagement.
Another way in which Morgan improved accessibility to the collections was in cleaning up data on Aleph, our old library system. Over the past few months, the trainees have been busy helping our libraries prepare for the changeover to a new library system, Alma. With thousands of records being transferred across, a lot of data clean-up has been required to make sure records display correctly in the new system.
Some outdated process statuses, such as AM (Apply Staff – Music), can be left attached to records long after they fall out of use. Other books, that are on the shelves to be loaned, can be left marked as BD (At bindery). To single out any irregularities, Morgan made a collection code report to see if any items stood out as unusual. When items appeared under unusual process statuses, Morgan investigated them further to see if their statuses needed changing.
Similarly, some items without shelfmarks had slipped under the radar, and Morgan set about adding them back to the books’ holdings records. They worked backwards from potential Library of Congress classifications to figure out where the books might be on the shelves and, once they’d identified the physical shelfmark, restored it to the item’s holdings record. These data cleanup tasks will make it easier both for readers in locating the items they need and will help the collections transition smoothly from Aleph to Alma.
Ruth Holliday: Investigating the Christ Church Library Donors: Research and rabbit holes
By Abby
For her presentation, Ruth discussed her project to research donors to Christ Church’s ‘New Library’, with a particular focus on their links to slavery. The incongruously named New Library was constructed between 1717 and 1772, and over 300 benefactors contributed to the project! Given the time constraints involved, in this presentation Ruth chose to focus on just three:
The book Ruth used to research the library finances
The first donor Ruth spoke about was Noel Broxholme, a physician and an alumnus of Christ Church, who during his time there was one of the first recipients of the Radcliffe travelling fellowship. This was a grant established by Dr John Radcliffe (a rather omnipresent figure in Oxford) that required medical students to spend years studying medicine in a foreign country. Ruth was able to establish that at one time Doctor Broxholme was paid for his services not in cash, but instead in ‘Mississippi stock’. As one might be able to deduce from the name, this was effectively shares in companies who had strong ties to the slave trade.
The next donor Ruth discussed was George Smallridge, Bishop of Bristol. Again, we have a man whose profession is seemingly at odds with involvement in the trade of human lives. However, as part of his donation for the foundation of the new library he included two lottery tickets. One of the prize options for that lottery was South Sea Stock – more shares with ties to the slave trade. It has proven difficult to determine whether the tickets he donated were, in fact, winning tickets, or whether they were ever cashed in, but once again the foundation of this library has found itself fiscally linked to slavery.
The final donor to feature in Ruth’s presentation was Charles Doulgas, 3rd Duke of Queensbury, whose financial investments included shares in the British Linen Company. Whilst British linen does not ostensibly appear to have clear ties to slavery – being both grown and manufactured domestically by paid labour – there is in fact a significant connection. Whilst cotton was becoming the more popular fabric for textile production in the mid-late eighteenth century, the fabric was seen as too good to be used to clothe the people forced to grow it. As such, linen, in its cheapest and least comfortable format, was exported in droves to be used to clothe the slaves labouring on cotton plantations.
What all these donor case studies in Ruth’s fascinating presentation showed, and probably the most interesting thing I learned, was how enmeshed slavery was in the eighteenth-century economy. Whether in the form of shares received in lieu of payment, shares won as prizes, or as custom to the textile industry it was growing to dominate, Ruth’s project demonstrated that making money in the eighteenth century was almost inextricably tied to slavery.
Rose Zhang: As She Likes It: The Woman who Gatecrashed the Oxford Union
By Morgan
Rose’s project and subsequent presentation touched on a captivating aspect of the history of women at Oxford. As the trainee for the Oxford Union, she undertook some first-hand research on an unusual event in the early history of women’s involvement in the Union’s debates.
A Union Poll sparked by the admission of women to the Society
Rose first gave us a summary of the Union’s history. Set up in 1823 (and therefore currently celebrating their bicentenary), The Oxford Union has been famous (and infamous) for its dedication to free speech over the years. As women were only formally admitted to the University itself in 1920, it is unsurprising that they were also barred from entry to the Union debating society. This restriction against women members continued until well into the latter half of the 20th century, although rules had become laxer by this point, allowing women into the debating hall itself, but only in the upper galleries.
By the 1960s, there was increasing pressure from female students who wished to access the main floor of the debating hall, rather than be confined to the gallery, where they were expected to be silent, and could not get a good view of the proceedings. The pressure built to a point in 1961, when two students achieved national press coverage for their successful gate-crashing of the debating chamber, which they did in disguise as men!
Rose gave us a captivating account of the gatecrashing, using newspaper clippings from the time and information from one of the gatecrashes herself, Jenny Grove (now a published journalist), to really bring this moment of Oxford History to life. One of the most interesting things I learned from Rose’s presentation was how library projects can handle, preserve and communicate data that’s less discrete – which tied in well with our keynote talk from Phillip Roberts, especially focussed on how heritage organisations have a power to preserve and convey stories that otherwise might be suppressed or overlooked.
Thankfully, the actions of Jenny grove and her co-conspirator Rose Dugdale were successful in bringing wider attention to the issue, and within two years successive votes won women the right to be full and contributing union members.
Rose’s presentation on this project was interesting not just for such a fascinating bit of history, told with good humour, but also for how it differed to most trainee projects methodologically in using first-hand oral histories to bring context to her library and its collections.
Grace Exley: Creating online exhibitions
By Ruth
One of the later presentations in the day, Grace kept the energy flowing as she discussed her experience creating online exhibitions. The inspiration for Grace’s project was accessibility. While Jesus College puts on termly exhibitions in the Fellows’ Library, not everyone can make it on the day, and having some kind of record of past exhibitions would be beneficial to many.
A screenshot of one of the pages of Grace’s ‘Botanical Books’ Exhibition
Taking the initiative, Grace sought out training on how to curate and manage online exhibitions. She worked her way through a course which introduced her to the platform Omeka. Using Omeka, visitors can scroll through photos of the exhibition items and read captions for each one, making it both a great way to experience exhibitions that you cannot make it to physically, and a way of preserving physical exhibitions in a digital space.
With this new knowledge at her fingertips, Grace set out to organise her own exhibitions that she would subsequently upload to the Jesus College website using the Omeka platform. The books that featured in these exhibitions were selected by Grace from the Fellows’ Library at Jesus College – a stunning 17th century room that holds 11,500 early printed books.
Grace told us about the botany exhibition she curated in Michaelmas term, which featured a first-time find of an inscription in John Parkinson’s Theatrum Botanicum. One of the most interesting things I learned from Grace’s presentation is that this is one of the very few books in the Fellows’ Library to have had its title page inscribed by a female owner, Elizabeth Burghess. From the style of the handwriting, we can tell that the signature is likely to have been penned near to the time of publication, though we don’t know for sure who Elizabeth Burghess was.
We were in a Jesus College lecture theatre for the showcase, and due to running ahead of our schedule we were able to sneak into the Fellows’ Library and look around. It’s a gorgeous space, and it was great to see where the exhibitions take place when they’re in 3D! If you’re interested, you can view Grace’s Botanical Books exhibition along with some of Jesus College’s other exhibitions on the website the Grace created here: Collections from the Fellows’ Library and Archives, at Jesus College Oxford (omeka.net)
Alice Shepherd: The Making of a Disability History LibGuide
By Rose
A screenshot of the draft Disability History LibGuide
A theme running through many of the trainee projects this year was accessibility, and Alice proved no exception. For her trainee project, she worked on creating a LibGuide on Disability History, to help people find resources relevant to researching that topic.
A LibGuide is an online collection of resources that aims to provide insights into a specific topic of interest. They are created across all Bodleian Libraries and often act as a launch pad for a particular subject to signpost readers to the plethora of resources available. The resources for Alice’s LibGuide were largely collated during a Hackathon event organised by the Bodleian Libraries team, during which 36 volunteers shared their expertise on Disability History and put together a list of over 231 relevant electronic resources on this topic.
Alice started by working through this long list of resources. She spent a considerable amount of time cleaning, screening, and processing the data collected at the Hackathon. Specifically, she removed website links that were no longer active, evaluated the quality of the materials, and carefully selected those that were most appropriate and relevant to the topic of Disability History.
With this newly complied ‘shortlist’ of scholarly resources, Alice then started putting them together on the LibGuide website, adapting the standardised Bodleian LibGuide template to better fit the needs of researchers by including resources grouped by date, topic, and format. With the resources carefully curated and added to the LibGuide, Alice put some finishing touches on the guide by doing her own research to fill in some of the gaps left after the Hackathon.
There will be a soft launch of the LibGuide in the Disability History month this year. Although this LibGuide is mainly created for students and scholars with research interests in Disability History, the LibGuide will be available to the public as a valuable educational resource.
Charlie Ough: Duke Humfrey’s Library Open Shelf Collections
By Grace
As the trainee for the Bodleian Old Library, Charlie gets the tremendous pleasure of working in the Medieval precursor to Oxford’s centralised Bodleian libraries, Duke Humfrey’s Library.
A view of Duke Humfrey’s Library
Whilst the setting and atmosphere may be one of academic serenity, after a few months of working there, Charlie identified that something ought to be done to make the organisation of its Open Shelves Collection slightly less chaotic. He had found that books were difficult to locate, some were physically difficult to access, the shelf marks were confusing, and certain volumes from the collection were missing entirely.
With a plan in mind, the first task in addressing this issue was to create a comprehensive list of everything on the shelves. Part way through this venture, Charlie stumbled across a file hidden away in an archived shared folder from 2017 and discovered that a previous trainee had already make a handlist for Duke Humfrey’s. This saved lots of time and allowed him to focus on making improvements to this cache of information by slimming it down, rearranging it according to area, and dividing it into different sections.
During this time Chalrie also designed and conducted a reader survey that was distributed within Duke Humfrey’s to determine who the main users of the library are, and whether they were there to use the Open shelf books specifically, or more because they enjoyed using the space. With the results of that survey to sort through and analyse, Charlie now has a permanent position working at the Bodleian Old Library and intends to continue working with the Duke Humfrey’s Open Shelves Collection. His plans involve new shelf marks, updating the LibGuide, a complete stock check, and barcoding the collection.
The most interesting (and mildly terrifying) thing I learned from Charlie’s talk is that the population of cellar and common house spiders in the Duke Humfrey’s Library ceiling were intentionally introduced at the beginning of this century, to combat an infestation of deathwatch beetle that was burrowing into the wooden beams and panels. In fact, the spiders still thrive there to this day! Not something to think about when you’re peacefully studying in the picturesque Duke Humfrey’s Reading Room…
Hello! Unfortunately, due to testing positive for Covid a few days before the Showcase, I was not able to attend and present my project. I will therefore attempt to re-create it as this blog post. By way of introduction, my name is Katie and I have been the graduate trainee 2.0 for the Social Science Library for 5 months and counting. My experience with the Bodleian began on a boring and drizzly Monday working from home, when I very unexpectedly received a call asking if I was still interested in working as the SSL graduate trainee for 6 months. I said very much so yes please, and a few weeks later packed my bags and moved from Derbyshire to Oxford. A quick disclaimer…I have not managed to undertake a formal project in my 5 months, so will talk about some core (hopefully interesting) mini projects which I have thoroughly enjoyed working on in this time.
First up: promotional campaigns. Every week in term time, we have a ‘promotional campaign’ – this involves creating a blog post, entry gate poster, LCD screen display, entrance display stand, Facebook post and Tweet, all around one central theme. For the third week of Trinity Term, I made a campaign on ‘Wellbeing’. To start, I created an entrance display stand which pointed out spaces to relax in around the SSL. These included the upstairs café, multiple seating areas in the building, the vending machine area, and green areas such as University Parks and the Botanical Gardens – with the help of Google Maps, I included how many minutes it takes to walk there so students could plan their study breaks accordingly. Whilst on my issue desk shifts I saw a total of 3 people stop to read it, which I consider a small but satisfying success! My entrance stand poster pointed out the vending machines upstairs (as they are a bit hidden), whilst also cheekily reinforcing that food or non-KeepCup drinks should not be brought into the library… A problem I encountered with my LCD display, which aimed to show the different counselling services provided by the University, was how to visually represent counselling support – when choosing my background images, for example, I didn’t want to evoke any sort of stereotype or negativity. I could have made it a plain display but this would not be very eye-catching. In the end, I went with a photograph of a tree at the beginning of dawn, as I thought this suitably aesthetic whilst also conveying a sense of hope and positivity.
I had a similar issue with representing the idea of ‘health’ in my second promotional campaign, which was titled ‘Sources of Help for Exam Pressure’. For my LCD display, I created a range of tips for how to keep healthy during exam season, such as not drinking too much coffee (super hypocritical!) and some good brain foods to snack on (outside the library of course…). My problem was that health looks different for everyone, so I didn’t want a picture of someone working out or eating a salad as my title slide. After a lot of digging on Pixabay, I found a picture of a woman happily leaping in the air on a hiking trail, and decided this was an acceptable way to represent ‘healthy’ – having the energy and peace of mind to do things you enjoy.
Whilst researching for this campaign, I discovered that the University Counselling Service has a range of free podcasts tackling issues around exam stress, such as anxiety and pre-exam insomnia. They also run free online and in-person workshops, titled things like ‘ACT-Based Anxiety Group’ and ‘Can’t Work’. For my entrance display stand, I aimed to make passers-by aware that this support exists. I created QR codes to take them directly to the website, in case they wanted more information or to sign up. I also featured these workshops and podcasts in more detail for my blog post on ‘Sources of Help for Exam Stress’. I have included my original presentation slides illustrating the full campaigns below:
I will now move on from this topic to discuss a task I was not expecting – hosting a work experience student for several mornings/afternoons across a week. This was something I was quite nervous about, as to have someone watching and learning from me felt a bit of a responsibility. I also found it quite a challenge to talk engagingly for long periods of time, especially in the morning! However, I think I managed to give them a good overview of my day-to-day tasks, and there was some opportunity for them to get hands-on experience with supervision. To prevent it getting too repetitive for them, I thought it might be nice if they could take the lead on a project – creating a Pride Month Display. They were able to select the titles themselves on SOLO, locate them on the shelves, arrange them in display form, and together we created the display graphics. They could then take photos of what we had made and take this back to school. All in all, it was a great experience (hopefully they thought so too!) and helped me to practice some rather lacking leadership skills…The strangest part was when I was asked to help fill in their work experience journal, which involved answering questions such as ‘how did you get where you are today?’ and ‘what skills do you need for your job?’. I had to scramble for a more helpful answer than ‘I’m not sure really…’, but it also gave me a moment to feel happy and grateful for what I have achieved.
Something I have found quite challenging whilst working as a graduate library trainee is helping test the new library management system ALMA. I first started with the ‘advanced search’ function, trying to use it to generate reports on things like how many books are out on loan, how many patrons owe money to the library etc. In the majority of cases, I was unsuccessful. I found it quite difficult to say whether it was me or the system who was wrong. It was also a challenge figuring out how to write understandable test ‘scripts’ which recorded exactly what steps I took, followed by the outcomes and whether these met my intended goal. I’m not sure my contribution was very helpful, but thankfully I did a bit better with testing user loan periods. I found this much easier, as I simply had to record whether the different user types had been given the correct number of days to return different loan types. The only slight hiccup was that the developers were still working on it at the same time I was testing, so the results sometimes changed day by day. It was certainly eye-opening to see the vast number of different users we have at the Bodleian!
And to conclude, something I have really enjoyed during my traineeship is helping out with the move of the Tylor Library to the SSL. For a number of weeks, we have had long rows of stacked green crates filling the library isles, and lots of empty spaces on our shelves to hold the new books. Initially, my role was to help with the physical re-processing of any Tylor items that were requested whilst still in the crates. This involved digging the book out, covering the old Tylor book plate with an SSL one and adding a spine trigger. If the reader had requested the book via email I could place a hold on it for them, but if they asked for it over the issue desk I would frantically try to remember what they look like and track them down somewhere in the library. The start-to-end process felt very rewarding. Later, I was asked to help the PADS team with processing the thesis collection. I was therefore loading trolleys full of big, musty theses, re-processing and then reshelving them, which really left my arms aching by the end of the day!
Well, we’re into the final month of our trainee year, and our trainee showcase has been and gone. Here are some of the things the organising team did to get everything in place for the big day.
Arranged a guest speaker. Making libraries more inclusive and accessible has been a recurring theme of our year, so we were really excited when Helen Worrell (Archaeology & Anthropology Librarian and Equality, Diversity, and Inclusivity Coordinator) agreed to speak to us about her work leading the EDI project ‘Changing the Narrative: Championing Inclusive Collection Development.’ We were also lucky to have Antony Brewerton (Associate Director for Academic Library Services and Keeper of Collections) speak to us about the traineeship and beyond at the end of the day.
Invited everyone we knew – or at least, everyone the trainees had worked closely with over the course of the year, as well as any former trainees remaining in Oxford. We also had space to offer each trainee an invite for a non-Oxford guest – one brought a friend who was interested in librarianship, and another invited the former colleague who had helped them apply for the scheme. The showcase took place on what was otherwise a normal working day, so we knew we couldn’t expect everyone to join us for the whole day – to help accommodate this, we collected all the trainees’ presentation titles well in advance so we could send out a draft programme along with the initial invitations.
Used RSVPs to plan refreshments. We included a question about dietary requirements in our RSVP, and kept track of this information alongside who was coming and for how much of the day. This meant that we had a clear understanding of what would be needed on the day, and liaised with Craig at the SSL to place an order with the Manor Road Building’s catering team. Unfortunately there were some issues with how this turned out on the day – we’re looking into it, and will come back to this post if we find a way to avoid this in future.
Scoped out the location. We visited the Manor Road Lecture Theatre ahead of the big day in order to have a look at the size and layout of the room, where the refreshments would be located, and to explore the logistics of holding the showcase both in-person and over Teams. This was a really useful thing to do – although we’d advise remembering to communicate what you find out to the rest of the trainees before the entire organising team goes on annual leave for part of July. Sorry, guys.
Designed a programme – with trainee contributions! Since not everyone in the audience had worked with us all, each trainee wrote a short paragraph reflecting on their year to give some introduction to the new faces. We decided to use a panel-type structure for the showcase, with three or four presentations followed by a round of questions and discussion. This allowed us to find some common ground between what was an incredible variety of projects – key themes of the day included institutional memory and the passing-on of information and skills, and various experiences of working with and presenting special collections materials. Encouraging the trainees to have questions planned for each other seemed to help with getting the ball rolling on the discussion segments.
Hosted a hybrid event. This was easier than we expected and proved to be a useful option for colleagues who couldn’t attend in person – we’d recommend taking some time ahead of the day to get to grips with how everything works. We collected everyone’s presentation slides on a USB in advance of the showcase, and one of us was on tech duty during each session, transitioning between presentations and ensuring the Teams call was running smoothly. Another of us introduced each speaker and handled the question sessions, and we tried to also have someone situated at the back of the room, ready to run to the IT office to find out what was going on when things didn’t go to plan (like when the entire building’s internet gave up mid-presentation). Our trainee twitter team also live-tweeted throughout the day, and we even had a guest tweeter from the Bodleian social media team in the morning!
A huge thanks goes out to everyone who helped out in advance or on the day, and to everyone who came to support us. Click the read-more for a roundup of this year’s trainee projects, with links to blog posts by those who were unable to present on the day.
John Hall (1633–1710), DD, Master (1664–1710), Bishop of Bristol. Unknown artist. Pembroke College, University of Oxford. Image: Art UK
My trainee project saw me inventory the book collection of Bishop John Hall (1633–1710).
The project’s long-term aim is to see a complete, up-to-date inventory of Hall’s book collection enabling it to become a searchable collection for researchers, staff and students. Hall’s collection consists of works by Classical writers, and more modern books such as Wood’s History and Antiquities of the University of Oxford.
Hall was Master of Pembroke from 1664 to 1710 and Bishop of Bristol, as well as one of Charles II’s domestic chaplains. He was ordained as a Presbyterian before becoming an Anglican minister and maintained strong Protestant sentiments throughout his life. On his death, Hall left all his books to Pembroke. Until this point, the College did not have a proper library, and books were kept in an upper room of St Aldates Church. Knowing that more room would be needed, Hall had library space constructed above Broadgates Hall (Pembroke’s medieval precursor, former library and now the SCR), while the dining space for the Fellows was below. This situation remained until the building of the dining hall in the 1840s, after which point, the books took over the whole of Broadgates, spreading through the rooms of Old Quad and taking space elsewhere in College. Eventually in the 1960s, the situation became untenable, and the McGowin Library was built.
For my project, I worked with Laura Cracknell, the college librarian. The first step was to cross reference the 1970s’ card catalogue of Hall’s books to a recent handlist of the Hall collection, noting books’ shelfmarks. This information was converted into a large Excel database listing all of Hall’s books, or so Laura and I thought. When I assessed the stack which stored Hall’s books, I discovered that there were a number of books that corresponded to the themes of Hall’s collection which were not documented in our recent records. Laura and I teamed up and noticed that some of these books had Hall’s bookplate inside. This was puzzling. Taking a step back to assess this problem, we chose to then delve further into history and compare the library’s recent documentation with that of Hall’s personal catalogue of his collection which he wrote in 1709. This allowed us to address problems in the recent documentation of the Hall collection. I made a list of all of Hall’s books which were not recently documented, but nevertheless sat on the shelves in the stack and were recorded in Hall’s 1709 catalogue. In doing so, Laura and I realised that our 1970s’ card catalogue had not recorded nearly half of what Hall had recorded in 1709, and therefore Hall’s collection was much larger than what we first thought. This project took a surprising turn and it will require further work to better understand the scale of Hall’s book collection in order to create an inventory.
This project has taught me how to manage a historic collection and the trials and tribulations that comes with working with historic catalogues and documentation that you inherit from predecessors. As well, it has been fascinating to learn more about college history and to experience working with special collections.
We, the 2020-21 trainees, know what you’ve all been wondering. Where did we go?! We admit, it’s been radio silence on the blog for a while, but it’s been a very strange year. After another winter lockdown which saw some of us working from home, some of us still working in libraries (many of which once again had to close their doors to readers) and only some of us in Oxford, things became a little more normalised in Trinity term. Unfortunately we were unable to hold our Trainee Showcase in person and held it on Teams instead, but it was still great to see what everyone had been up to this year. Below are several summaries, provided by trainees, of their presentations and projects. This is our final (belated!) blog post, and we’d like to take this opportunity to wish the new 2021-22 cohort of trainees the very best of luck – we hope you have a wonderful year!
Kick Stools, Queries & Other Quirks: A Year at the EFL
Katie Allen, English Faculty Library
The EFL in glorious profile
Working as part of a small team at the English Faculty Library has meant that my role as a trainee this year has been varied and busy, despite the fact that the library was closed to readers (except for Click & Collect pickups) during Hilary term. I’ve processed new acquisitions, hunted for missing books, been part of group efforts to wrangle Perspex screens into place, made a library tour video for the English Faculty outreachprogramme, conducted kick stool safety inspections, eaten many a doughnut from the Missing Bean Café… It was hard to focus in on one topic to talk about for my presentation, so instead I put togethera list of the top ten quirkiest things I’d encountered while working at the EFL and used the list as a springboard to talk about my experiences this year.
The EFL’s beloved mascot, Bill Shakespeare
Shakes, Breaks and Retakes: The Making of a Law Library Tour
Ella Burrows, Law Library
The title slide from the PowerPoint presentation
Earlier this year, Naomi, the other Law Library trainee, and me were asked to make a video tour of the Law Library so that prospective trainees could get a feel for the space (they were not able to visit in person during their interviews because of the pandemic).
My presentation focused on the process of creating this tour, all the way from our initial planning through to uploading the tour on to YouTube. Along the way, I touched on the difficulties of filming, and having to re-shoot the video when the angles didn’t quite work; how we decided upon OpenShot, the free open-source software I used to edit the video, and the lengthy editing process that followed; and the advantages of YouTube as a platform to share content, particularly in terms of accessibility features such as closed captions and timestamps. To keep the talk interesting, I included some videos of my editing practice and clips from the original recording versus the re-shoot.
The title screen of the video tour, with pictures of the Library and the text: ‘Bodleian Law Library: An introductory tour’
I finished with a summary of the lessons learned from the project – we could have improved the sound quality, and a test shoot might have made our lives a bit easier. Overall, it was great to learn some new filming and editing skills, and several prospective trainees commented that the video had been very helpful, so it was definitely a worthwhile project – and the presentation went down well too!
Ethical Classification in St John’s College Library & Study Centre
Simone Gaddes, St John’s College Library
My project focused on the implementation of ethical classification within the St John’s College Library & Study Centre’s in-house classification system. I began developing this project when I was processing and classifying books for the new Diversity and Equality Collection, and I realised that many of the topics covered by texts in this collection were difficult to fit into the classification system. For example, the collection features several texts about Britain’s involvement in the slave trade, however the only classmark for slavery came under ‘North American History’. The Diversity and Equality Collection was formed as part of a wider movement across Oxford University to make the university and colleges more inclusive places to study. The collection seeks to amend the historical gaps within the library’s holdings, to ensure that the library represents the diverse community at St John’s College. In light of these motivations behind the collection, I felt it was necessary to alter the library’s in-house classification system through a diversity aware lens.
After submitting a proposal to my line manager, I conducted research to inform my approach. I was interested to find that most classification systems used in the UK, including at St John’s, are informed by western perspectives. Classification systems can appear to be neutral to the outside eye, but classmarks affect how information is presented to and accessed by readers. As a result, certain topics have been overshadowed or hidden within classmarks that do not represent them. During this research, I came across the term ‘ethical classification’, which seeks to enable librarians to make changes to classification systems and feel as though they are doing ‘the right thing’. The goal of ethical classification is the ethical and responsible management of classification systems that represent the diverse and multi-cultural society of today. Using this definition as guidance, I revised the library’s Modern History Classification scheme by looking at the 6446 texts in this section and subsequently altered existing classmarks and introduced new ones. To assist in the continuation of ethical classification at St John’s, I produced a guidance document to inform future reclassification projects.
Law Library Carrels: a User Feedback Survey
Naomi Hart, Law Library
The Law Library opened up sixteen of its carrels (study cubicles) to walk-ins during the pandemic, prior to which the majority of the carrels were either reserved to named individuals or had to be booked in advance. In future more “normal” times, the Law Library wanted to know whether to revert to that previous system or introduce something new, i.e. maintaining an increased number of walk-in carrels. The carrels feedback survey gathered information from readers to help inform this decision-making.
My trainee presentation described the purpose behind the survey, timeline and process of creating it, a report of the results to each question (overwhelmingly in favour of opening up the carrels), challenges faced and lessons learned for the future. The presentation ended by sharing some of the lovely comments readers wrote on their forms. Some favourite quotations: “the carrel openness has been glorious in the past few months”; “it’s very nice to feel like I have an ‘office’ to come to work in outside my room”; “they have been an absolute boon in this pandemic.”
Slide from the PowerPoint presentation
Shakespearean ekphrasis in New College, MS 367: One manuscript and its story
Anna-Nadine Pike, New College Library
I have been the Library Trainee in New College Library this year, and the clear highlight of my role has been the opportunities to work closely with the Library’s remarkable Special Collections, which consists of over four hundred manuscripts, eight hundred incunabula, and several thousands of early printed books. I was keen to use my trainee project as a chance to examine one of the Library’s lesser-known manuscripts in more detail, calling it to light for a wider audience. Although the stars of our Special Collections are very well known, often appearing on websites, communications, social media, and even postcards, many of our manuscripts have not yet had their time in the limelight. This might be because we don’t yet have a complete English manuscripts catalogue; the last full catalogue was completed by Henry Coxe in 1852, in Latin, which is not only quite inaccessible if you don’t happen to know Latin, but is also over 150 years out of date. In fact, the manuscript which I chose to look at, MS 367, has never been catalogued, having only been acquired by New College late in the twentieth century. MS 367 is a presentation manuscript containing a unique and previously unknown poem entitled ‘The Visions of William Collins’, written in 1792 by the poet and playwright, Thomas Powell (1735-1820). Both poem and manuscript mark the publication of a new edition of Shakespeare’s works which had been overseen by Sir John Boydell (1719-1804), printmaker, engraver, and curator of the London Shakespeare Gallery. Boydell wanted to establish what he called the ‘English School of Historical Painting’, and he turned to the works of Shakespeare for his subject matter. Boydell’s own edition of Shakespeare’s plays forms just one aspect of his larger project; he commissioned well-known artists to paint scenes from Shakespeare’s dramas, which would all be exhibited in his Shakespeare Gallery, which was established in an exhibition space in Pall Mall, London, standing there from 1789 to 1805. In time, these paintings were turned into engravings, which were bound and sold, and Boydell’s own edition of Shakespeare’s plays was illustrated with smaller versions of these same engravings.
MS 367, a presentation manuscript containing a unique and previously unknown poem, ‘The Visions of William Collins’
The focus of my project was, firstly, researching and understanding the contexts for this manuscript’s production, and its wider literary significance. I then presented my findings in a variety of formats, mindful of their different audiences. I got involved with the Taylor Digital Editions project to make the text of the manuscript available online, which felt worthwhile as Powell’s poem, the manuscript itself declares, has never been printed, and seems to survive uniquely in the New College copy. I also made and edited a short film about this manuscript, which I hope will be part of a wider video series which the Library can continue to produce. This was a useful learning curve, as I did not have previous experience with video editing, but the Deputy Librarian and I have since filmed two additional manuscript videos, and our series will launch on our website and social media in Michaelmas 2021. Finally, I also wrote a scholarly article about MS 367 which was recently published in New College Notes, the Library’s journal. The article included my transcription of Powell’s poem, together with a detailed exploration of its literary and cultural contexts. I researched the life of the poet William Collins, Powell’s protagonist, who had himself been a student at Winchester College and intended for New College in 1740. I also considered how far the individual stanzas of Powell’s poem, each of which describes a scene or moment from one of Shakespeare’s plays, related to a painting which hung in Boydell’s Shakespeare Gallery in 1792, the year of the manuscript’s composition. Through access to the Weston Library’s Special Collections, I set MS 367 alongside the catalogues printed to accompany Boydell’s Shakespeare Gallery, and against the early editions of Boydell’s illustrative Shakespearean prints. I used this to argue that MS 367 works almost as a microcosmic, textual version of Boydell’s Shakespeare Gallery; its stanzas are ekphrastic, offering written counterparts to the paintings which Boydell commissioned, and which also illustrated his edition of Shakespeare.
I am glad that the trainee project afforded the opportunity to look at this manuscript, and it was encouraging to see what new work can be done with our Collections items. I am now looking forward to a further year working in New College Library as their Curatorial Assistant, and hope that I can continue some of the research and work which this project inspired.
Thank you very much to everyone who came to our Trainee Showcase on 12th July. We really appreciated your support.
One of the highlights of the day was the guest lecture by publisher Andrew Bax. For anyone who missed it, or would like to revisit it, the full script is below. Many thanks again to Andrew for preparing this interesting and informative talk.
The trainees’ presentation slides will follow soon!
Oxford, as we all know, is an extraordinary place. The Bookseller, the UK’s trade magazine for publishers and booksellers revealed, some years ago, that the city of Oxford had the greatest density of published authors in the world. It also discovered that over 200 publishing companies were registered in Oxford, including my own.
I got into publishing by accident. In 1965 I was young, irresponsible and in Oxford without a job. A friend told me that there were always vacancies for science graduates at a firm called Pergamon Press. I had only five ‘O’ levels but applied anyway – and was accepted. I joined a team of about ten handling the production of academic journals from offices in Headington Hill Hall, now part of Brooke’s University. Initially, my working space was a windowsill and the top of a filing cabinet in the attic above the boss’s bedroom. The boss was called Robert Maxwell.
Robert Maxwell acquired his name by deed pole in 1948. His real name was Jan Hoch and he originated from that turbulent part of eastern Europe that changed from Czechoslovakia to Hungary and is now part of Ukraine. His family were Jewish cattle dealers and, after the Nazis invaded, most of them were taken to Auschwitz, where they died. Young Jan had escaped however, and joined the Czechoslovak Army in exile and, later, the Royal Staffordshire Regiment. He saw active service across Europe, was awarded the MC and, at the end of the war, was promoted to the rank of Captain. He was then sent to Berlin as part of the mission to revive the German economy, and was appointed to the publishing house, Springer Verlag. Springer was sitting on valuable scientific research and, recognising the opportunity, Maxwell had it translated into English and published it through a company he formed for the purpose. That was the beginning of Pergamon Press. In preparation for this talk I discovered that Pergamon began as a collaboration with a certain Paul Rosebaud who had been a senior scientist in the Nazi hierarchy. Throughout the war, however, he had been secretly spying for Britain.
When the world finally emerged from the devastation of World War II, governments and universities began to invest heavily in scientific research. Then, as now, it was vital for those involved in such work to be aware of what was happening in other centres. Then, as now, there was competition and collaboration, often fuelled by personal ambition. The established publishers were slow on the uptake and communication was often achieved through correspondence and international conferences.
Enter Robert Maxwell. One of his techniques was to use an international conference to launch a new journal. After a visit by Maxwell, often at the conference itself, the host academic was persuaded to continue his good work by editing a new journal in the subject, and the conference papers would provide the first issue. Everyone working in the field wanted to have their work published in the journal and library funds were used to pay for it. Thus it was that a pile of manuscripts was delivered to my desk for a new journal to be called Journal of Quantitative Spectroscopy and Radiative Transfer. Maxwell had brought them with him from a conference in Rio de Janeiro. That journal, I see, is now in its 200th volume and has an in-print price of £6742. This was happening all the time and journals were being launched in subjects we’d hardly heard of. Editors, usually unpaid, competed for the best papers, frequency of publication was increased and, of course, the price. Then Maxwell introduced page charges so that contributors had to pay for the privilege of publication, and their library for the privilege of subscribing. For a while he took advantage of currency fluctuations so that customers might he invoiced in US dollars one day and Japanese yen the next. In books he invented a series called the Commonwealth Library for which he received a guaranteed order from the Commonwealth Office for 500 copies of each title published. As you can imagine, that series grew very rapidly, often from material culled from the journals. While all this was going on he was also Labour MP for Buckingham. And all that happened during the 18 months I was with Pergamon.
Eighteen months was about average. If you stayed any longer you were liable to be sacked or relocated anywhere in the world. I was getting married and this kind of uncertainty was just too exciting. Maxwell was a tyrant, a man of immense dynamism and creative energy and, eventually, a fraudster on a massive scale. There is no time here to cover the Maxwell story but, towards the beginning of the 1990s his empire began to unravel and, in desperation, he plundered his employee’s pension scheme to the tune of some £440million. He died by falling from his yacht off the Canary Islands and debate still rages about whether he jumped or whether he was pushed. Afterwards, he was found to have some 300 companies, most of which only he knew about. He had also been involved in arms deals between eastern Europe and Israel, and it is probable that he had been an agent for Mossad. He is buried in Jerusalem.
After Pergamon I joined part of the Blackwell empire. There were about a dozen of us in offices next to The Bear in Alfred Street. I was with the firm for 20 years during which time it expanded rapidly, moving to its own purpose-built premises in Osney Mead which are now part of the Bodleian and, eventually, employing over 200 people in offices in five countries. It was run by another big character, Per Saugman, who I got to know quite well. As a young man he was employed in the bookshop as part of an exchange scheme with the firm of Munksgaard in Copenhagen. It seems he quickly outgrew the challenges of bookselling so, in 1957, he was invited to revive an old publishing imprint, Blackwell Scientific Publications, which had been dormant for years. It was suggested that, with the growth of the NHS, he should consider medicine.
Per knew nothing about medicine but he thought he would start with blood. So, like Maxwell, he went to a conference in London where he announced his intention to launch the British Journal of Haematology. The leading lights in the field were anxious to become involved and it is now on Volume 177 with an in-print subscription price of £1777. It was the beginning of a substantial journal portfolio. With books his technique was to ‘seek advice’ from the highest authority on what topics are inadequately covered and who might be best to write them. Ego and ambition drove these men and, in those days it was usually men and, in the end, these chaps recommended themselves, which is what Per wanted all along. However, for authors, the financial rewards were modest. The international expert on Megaloblastic Anaemias told me that his fat, expensive monograph had ruined his health and his marriage and that on calculating his royalties he had earned just 4p an hour.
Whereas Maxwell got his way be terrifying people, Per did it with charm. He was articulate and terrific company; if he was speaking here instead of me he would do so without stumbling and without notes. He had his frailties though; there was a bit of Swiss bankery and he was a terrible womaniser.
Blackwell provided me with a series of lucky breaks. After a short time in journals I took on publicity, sales and marketing. Except we weren’t allowed to call it that because the patriarch of the firm, Sir Basil Blackwell, believed that ‘good books sell themselves’ so anything advertised was automatically deemed to be suspect. After a few years the director to whom I was reporting became ill and was off work for a while. I stepped into his shoes and, apart from one big mistake, I did quite well. The big mistake caused an almighty row with our partners in North America, the C.V. Mosby Company and I was dispatched to St Louis, Missouri to be eaten alive by their management team. In the end it was quite a tame affair. I was ushered into the president’s suite, where everyone was hushed and deferential, and then into the office of the great man himself, in which the carpet was so think you almost waded through it. We talked about this and that and, after a decent interval, he considered that honour was satisfied and the meeting was over. Years later I bumped into him at the Frankfurt Book Fair; he was working as a sales rep. So whatever mistake he made, it was bigger than mine.
C.V. Mosby was one of a number of US publishers for which we were stock-holding agents for Europe, often with reciprocal arrangements in America. One of these was CRC Press. CRC stands for the Chemical Rubber Company and their business began in manufacturing rubber valves and tubes for use in laboratories. One of their best-selling items was a rubber apron with a pocket into which they inserted a free booklet called the Handbook of Chemistry & Physics. That booklet proved to be so popular that people were buying the apron just to obtain the Handbook. Eventually they gave up the rubbery stuff and became publishers. By the time we were involved that Handbook was published annually with over 2500 pages, and had spawned many others.
All this meant that we had a lot of books to sell. No-one in the firm had taken on the role before but, through trial and error, I managed to hold down the job and eventually headed up a marketing department of 12 which, at one point included Robert Maxwell’s son, Kevin.
One thing I managed to do quite well was to sell books in bulk to the pharmaceutical industry. Books seemed less like a bribe than the lavish hospitality that such companies gave to those doctors who prescribed their drugs. I was negotiating one particular deal as the board of Blackwell Scientific Publications was in the throes of succession planning. It was a very big deal, and complicated, requiring the directors to sign up to something new. But they were too distracted by other concerns and rejected it. So I reported back to the pharmaceutical company that Blackwell wouldn’t do it, but that I would. Somehow I got away with it. I had six days to register a company, find an office, print some visiting cards and sign the contract. That was on 6 June 1987 and was the beginning of my own company, Radcliffe Publishing. I didn’t have a shadow of Maxwell’s dynamism or a fraction of Per Saugman’s personality, but those guys taught me a lot.
At that time Margaret Thatcher was overhauling things as prime minister and Kenneth Clarke, as her Minister for Health, was embarking on a radical reform of the NHS. Part of this involved upgrading the quality of primary care. GPs had little on-going training, were rarely supervised and were badly paid but suddenly they found themselves under great pressure to improve their service, with the prospect of greatly increasing their earnings. My Blackwell days had opened doors to a lot of useful contacts, including the British Medical Association, the doctors’ union. Soon after Radcliffe started I had a call from the BMA asking me to attend an urgent meeting in London that same morning. Within an hour I had agreed to publish a series of books on the Business Side of General Practice; the BMA’s senior negotiator wrote the first one in nine weeks and we published it in another nine weeks. That was very fast, it sold in huge numbers and put us on the map. Another in the series sold 47,000 copies even though there were only 25,000 GPs at the time; that was because I had sold it to four pharmaceutical companies, working in competition. As the marketing manager of Glaxo told me ‘all’s fair in love, war and pharmaceutical advertising.’
Radcliffe started life in a single room in the Jam Factory in Park End Street; we expanded into a second room then moved to a light industrial unit in Osney Mead, then into a second one. In 1995 we moved again, into a beautiful Victorian house in Abingdon. By then we were employing about 15 people, many of them former colleague from Blackwell. They were strongly motivated by the success we were enjoying. We had found our niche in primary care; it was a very big niche and we were providing serious competition to the established publishers. Their reaction was to try to buy us; I had enquires from OUP, Churchill-Livingstone, Taylor & Francis and my old employers, Blackwell. They were talking millions and I rejected all offers; we were having just too much fun. It was too good to last though.
The first problem was the internet which undermined all the traditional publishing models and caused confusion throughout the industry, not just for us at Radcliffe. We did, however, invent something called Radcliffe Interactive. This hosted several consumer-related portals, including Divorce Online which is still going. It was financed by someone I first knew as a stationery salesman when I first joined Blackwell. He had gone on to become a publisher himself, and like Radcliffe, made himself troublesome to his rivals. However, when Routledge offered to buy him out, unlike me, he said yes. With the proceeds he became a business angel, financing start ups from an office he rented from us in our Abingdon home. Sadly we have lost touch now but when we last met he had a manor house in Berkshire, a house in California and a vineyard in South Africa.
Our second problem was that, having rejected all takeovers, our rivals decided to close in on us and, eventually, we ceased to be unique. So from around 2000 onwards we plateaued. I was also becoming aware of my own limitations; I had an inadequate grasp of financial management and I didn’t understand the internet so I decided my time was up. I felt we needed new blood at the top but that view was not shared by my colleagues; we had worked together for a long time and we all felt a strong loyalty to the company and to each other. In the end I promoted our marketing manager to managing director and elevated myself to chairman.
In 2010 Radcliffe was acquired by a firm called Electric Word whose owners seemed only interested in manipulating the price on the Stock Exchange and publishing suffered as a consequence. After a few years they sold Radcliffe to Taylor & Francis which, by then, had itself become part of a huge international communications conglomerate called Informa which included Routledge and CRC Press, names I have mentioned earlier. However, I am pleased to be able to tell you that the Radcliffe imprint continues but for reasons I cannot begin to understand, it publishes from the CRC offices in Boca Raton, Florida.
And that is where I was going to end this little talk but, in her biographical notes Jessica mentioned Bombus Books. This is the imprint of Oxford Inc, a group of writers to which I belong and which has self-published a few books of fiction and non-fiction. Last year we launched a writing competition for stories based on the No 13 bus which plies between the station and John Radcliffe Hospital. The best entries appeared in Double-Decker, available from Blackwells and other good bookshops, and three of the stories are by Jessica. That is how we came to meet and, I guess, why I am standing here today.
Sami Anderson-Talbi | New College Library
Though my time in Oxford has been shorter than most, I have found it to be a very rewarding experience. At New College, we have a fantastic team who have kindly put up with me for the past year, and I will be quite sad to leave. The support I have received from colleagues has been great, and I have had the opportunity to take an active role in most aspects of the running an academic library. No day is quite the same in a College library, whether you are dealing with interesting queries (bringing rowing oars into the library is not acceptable) or working with antiquarian texts, there is always something going on. The highlight of the year has been the many visits to other libraries, my favourite being the trip to the Codrington (where my camera frustratingly refused to work). Having said that, I greatly enjoyed discovering a handwritten note hidden within a book, from the author to a prominent politician.
Chantal van den Berg | Bodleian Social Science Library
I had a fantastic time at the SSL and I will be sad to leave! I’ve learned so much and I feel grateful I was given the opportunity to work in such an amazing library. My highlight of the year has been spending time with all my lovely fellow trainees! Next year, I’ll be studying for a distance learning MA in Library and Information Service Management at the University of Sheffield and hopefully I’ll be staying in Oxford!
Connie Bettison | St. John’s College
I’ve enjoyed my year at St John’s Library very much and will be sorry to say goodbye. I feel very lucky to have got the chance to gain valuable experience both in working with readers in the day-to-day running of the library and in working with special collections. Next, I am going to Edinburgh to study for an MSc in Book History and Material Culture and gain more experience working in libraries.
Stephanie Bushell | All Souls College Library
The past year has given me a sense of the diversity of the LIS sector as a whole and the training has allowed me to explore areas of librarianship which I was not familiar with at the start of my traineeship. I particularly enjoyed the talk on the book trade, although if I had to pick a highlight of the training I must admit it’s probably our weekly meet-ups in the Punter post-session! I’ve had an incredible time working at All Souls College and I have met many lovely people over the course of my employment here. The Codrington Library is a really special place and I know I’ll always be in touch with the wonderful people who keep it ticking over. Now that the year is coming to a close I’ve received offers to study Library and Information Studies and Book History at UCL and Edinburgh respectively, and I am looking forward to seeing where the knowledge I’ve picked up here in Oxford will take me in the future.
Tom Cook | Lady Margaret Hall Library
I am currently the graduate trainee at Lady Margaret Hall, having previously worked at the English Faculty Library and St. Catherine’s College. I am also a poet and literary critic: my writing has appeared in the New Statesman, Spectator, Times Literary Supplement, P. N. Review, Ambit, Partisan and elsewhere. I am the chair of the English Faculty’s Twentieth-Century Poetry Reading Group. I am currently compiling and designing The Ash Anthology – a book of poems drawn from Ash, the magazine I have edited for the last two years – which will be available from all good bookshops later this summer.
Tim Dungate | English Faculty Library
I’ve completely loved working in the EFL this year. I arrived from down the road at the SSL, where I was a Library Assistant while I finished my Master’s degree, and it’s been delightful to join the EFL as a Trainee and learn much more about working in academic libraries. Everyone was very welcoming when I began the year, and I’ve been able to take on a pleasingly varied array of duties, with some longer-term projects alongside.
Recently I’ve been shadowing Pip Willcox at the Centre for Digital Scholarship, and I am assisting her in organising a conference jointly hosted between the Bodleian and the Folger Shakespeare Library (which unfortunately means I cannot attend this showcase!).
While I will be extremely sad to leave the EFL, I’m happy to say that I will be remaining in Oxford as a Digitisation Assistant with BDLSS, starting this summer.
Anabel Farrell | Oxford University Archives
One of the many highlights of my year at the University Archives has been researching and responding to the broad range of enquiries that we receive every day. It has enabled me to explore the University’s fascinating records and acquire a good knowledge of the University’s history. It is always particularly rewarding to be able to help an enquirer trace an ancestor who once studied here. I’ll certainly miss the views over Oxford from my office at the top of the Tower of the Five Orders, but I’m not sure I’ll miss the 142 steps it takes to get up there!’
Ashleigh Fowler | Digital Archives
It’s been a non-stop year, but it’s been very enjoyable. I have been working as a digital archives trainee in the Weston Library and studying for a post-graduate diploma in Archives Administration through distance learning, so I’ve been quite busy! There have been many highlights over the year, from my first completed cataloguing projects and working on the conversion project for Benjamin Disraeli’s online catalogue to being able to attend training and talks in different parts of the country and meet archivists from many different institutions, as well as understanding the sacred role of Tea And Cake in an archivist’s workday.
Olivia Freuler | Sackler Library
As my year at the Sackler Library is slowly drawing to a conclusion, I’m looking forward to my next adventure and I hope that I can put some of what I’ve learnt to good use. I am especially grateful to the team here for being so welcoming and taking the time to show me the ropes and teach me what they know. I think the main highlight of this year was delving through a collection of artists’ books for my project. It was great to work with such interesting material and discover new artists that I hadn’t heard of before and learn more about the context in which these books were created. I also really enjoyed visiting other libraries in Oxford and the Book Conservation department in the Weston Library. As for the future, I’m quite interested in continuing to work in Art Libraries, Special Collections or for an Antiquarian Bookseller.
Laura Kondrataite | St. Hilda’s College Library
It’s been an amazing year working at St Hilda’s Library. I have learned a lot about the everyday running of a college library, and have had a chance to assist with and organise exhibitions from the library’s special collections. The knowledge I have gained about the management of special collections and the cataloguing of rare books will come in handy at my new post as a rare books administrator at an auction house.
Amy McMullen | History Faculty Library [Radcliffe Camera]
My year in the Radcliffe Camera team as a trainee has been such an interesting and valuable experience – it is a year I will never forget! As well as working in one of the most beautiful and unique buildings in Oxford, one of my highlights this year has been spending time with the other trainees, getting to know them and sharing our experiences to learn from one another. In September I will be moving to the capital and starting a full-time postgraduate masters degree in Library and Information Studies at University College London, and I am looking forward to making use of all the skills my year at the Bodleian has given me.
Hannah Medworth | Sainsbury Library
In my former role as a teaching assistant, I had the privilege of introducing children to the world of reading in their very first year of school. At the Sainsbury Library, I can’t believe how much I’ve learnt myself in just one year! I’m so grateful for the opportunities I’ve had to work alongside dedicated colleagues on a diverse range of projects and tasks, and to take on new responsibilities and expand my skills. Looking ahead, I’m very happy to be continuing as a member of the Sainsbury Library team, in the post of Collections and Instructional Materials Assistant for Executive Education.
Fiona Mossman | Bodleian Law Library
A graduate of English Literature, I’ve been thrown into the Law Library where suddenly I’ve had to become very familiar with folk such as Chitty on Contract or Wilson on Wills (my alliterative favourites), with the structure of the courts and why it matters for referencing, and with a lady called Elizabeth Moys. The Moys reclassification project is ongoing at the library, and it’s been a big part of my year. The Law Library is a great place to work and I’ve enjoyed the variety that being a graduate trainee there brings. Come September I’m planning on continuing my literary education with a Master’s degree at Durham for a year.
David Phillips | Bodleian Social Science Library
My traineeship has been a page turner, and an enlightening introduction to the profession. The Wednesday tours/talks have been a treat and have touched on everything from virtual reality to multi-part items. I have had the privilege of working at the SSL, a wonderful library that never stops trying to innovate (and stir my creative side). I have enjoyed the friendly and supportive working environment and the breadth of work available to me and my fellow SSL trainee. At the end of my traineeship, I hope to remain within the university’s network of academic libraries and sometime thereafter take on a librarianship MA by distance learning.
William Shire | Taylor Institution Library | Philosophy and Theology Faculties Library
This year has been an amazing experience and I’ve loved getting to know the Bodleian Libraries! The highlight of my year at the Taylor and the PTFL has definitely been working in two fantastic teams. I’d never worked at a Faculty Library before and have therefore had to learn a lot throughout the year – a process made a lot easier by both my patient colleagues and the fantastic Wednesday afternoon sessions. Next year I will be staying in Oxford and studying for the distance learning Library MA offered by the University of Sheffield, which I’m very much looking forward to.
Sophie Welsh | Bodleian Library | Reader Services
The highlight of my year has been answering the wide variety of enquiries at the Main Enquiry Desk – we keep a record of the wackiest ones for future amusement. I have especially enjoyed the mini research projects that have come out of some of the enquiries; I’ve researched inter-war shoe catalogues and 19th Century French pharmaceutical periodicals, to name just two. I’ve also been very lucky to have lots of shadowing opportunities, such as a week based in the Collections & Resource Description department (learning about cataloguing processes, acquisitions of monographs and serials, the Legal Deposit operations and e-resources), as well as afternoons shadowing a college librarian and the English & Film subject librarian. I’m hoping to find another library job in Oxford at the end of the trainee year, then in the next few years I would like to do a Master’s in Library Studies and in English Literature (but I haven’t decided which one should come first yet).
Jessica Woodward | Taylor Institution Library | Mansfield College Library
This year has been wonderful and I feel very lucky to have taken part in the trainee scheme. I entered librarianship via part-time jobs at Corpus Christi and St Peter’s Colleges, began the trainee year navigating the Taylorian’s labyrinthine book stacks, and in May 2017 embarked on the new challenge of a maternity-cover Assistant Librarian post at Mansfield College. There have been many highlights, but I’ll particularly value having met so many friendly librarians, handled the Taylorian’s amazing manuscripts, and indulged in Mansfield’s delicious lunches! I’ll be at Mansfield until February 2018 and am excited for the months ahead‘
Harry Wright | Jesus College Library
Having come from a Graduate Traineeship in a busy secondary school library, Jesus College has been a comparative haven of calm! I have particularly enjoyed the higher-level nature of research enquiries, and learning about students’ and researchers’ information needs. I’m currently looking for library work around Oxford and will be spending the next year gaining more experience, hopefully in a slightly different, more specialised role, before going on to qualify.
10:45 | PART I
10:45 – 10:55 | Welcome
10:55 – 11:05 | David Phillips | Bodleian Social Science Library Visualising the SSL
I use data visualisation to tell you a story about the SSL.
11:05 – 11:10 | Chantal van den Berg | Bodleian Social Science Library Can Inductions be Made More Interesting
My trainee project focuses on how to make library inductions more interesting for students. Readers receive a lot of information on how to use the library during these sessions, and we hope that short videos made with PowToon will make it easier to digest the information and to keep the reader’s attention.
11:10 – 11:15 | Stephanie Bushell | All Souls College Library You shall not pass’: Or, an attempt to survey, shift and deaccession collections in two not-so-accessible areas.
My project will involve managing two collections under the jurisdiction of the Codrington Library to which we have (very) limited access. This project will involve surveying and rearranging the existing collections with a view to deaccessioning extraneous material. I also plan to cover some highlights of my time here in the Codrington.
11:15 – 11:25 | William Shire | Taylor Institution Library | Philosophy and Theology Faculties Library A Year at the Bodleian – A Comparison of Two Libraries
Throughout my Trainee year, I have worked at two different Bodleian Libraries – the Taylor Institution Library and the Philosophy and Theology Faculties Library. The projects I have been involved in throughout my year have therefore been varied – ranging from the creation of a blog post and a Powerpoint presentation for the Library Information Screen to an extended reclassification project. My presentation will therefore detail these projects and reflect on how the similarities and differences between the two libraries I have worked in have affected them.
11:25 – 11:35 | Jessica Woodward | Taylor Institution Library | Mansfield College Library Two Taylorian Projects and a Term at Mansfield
In this presentation, I will discuss the trainee projects I undertook at the Taylorian: creating a flow chart to help staff process donated books, and writing a blog post on some fascinating hidden treasures from the Rare Books Room. I will then take attendees on a virtual tour of the Mansfield College Library – where I currently work – and explore some of the differences between college libraries and Bodleian libraries.
11:35 – 11:45 | Questions
11:45 – 12:00 | Morning Break
12:00 | PART II
12:05 – 12:15 | Amy McMullen | History Faculty Library [Radcliffe Camera] Reading List Provision in Undergraduate History
Serving one of the largest faculties at Oxford and meeting the demands of hundreds of varied and often complex reading lists that make up our undergraduate History degrees is a challenge to the staff at the History Faculty Library. With growing popularity of Reading List management software, I wanted to help our library assess its current procedure by investigating how other academic libraries deal with reading list provision and whether we can use that to improve our practice.
12:15 – 12:25 | Hannah Medworth | Sainsbury Library From Eureka to Egrove: A journey into embedded library provision for Executive Education
A year of change at the Sainsbury Library has provided me with some exciting experiences. As I share snapshots of several projects and tasks, from managing research repository submissions to providing copyright clearance for reading lists, I will reflect on the skills I have learnt along the way. Finding myself in the unique world of an Executive Education library, I investigate what makes this type of provision distinctive, and explore some recent and ongoing developments to meet the evolving demands on library services.
12:25 – 12:35 | Sophie Welsh | Bodleian Library [Reader Services] Relegating the Bodleian Library’s Handlists
Methodically adding information and detail to ALEPH records for Bodleian open shelf items so that the handlists (card catalogues) are no longer required.
12:35 – 12:45 | Fiona Mossman | Bodleian Law Library Just keep moving: Moys, moves, and miscellanea at the Bodleian Law Library
Between renovation work and reclassification work, the library and its books have been on the move lately. My part in that has been in my contributions to the moving of the Reserve collection, early on in my post, my ongoing reclassification work, and the upcoming ‘mega-Moys’ move in the summer. These will be the main focus of my talk, together with some mini-projects that I’ve undertaken throughout the year.
12:45 – 12:55 | Questions
12:55 – 13:25 | Buffet Lunch
13:25 | PART III
13:30 – 13:50 | Guest Speaker | Andrew Bax
Andrew Bax has had a long and successful career in publishing, culminating in the creation of his own medical publishing house, Radcliffe Publishing. Since the sale of that company, he has been producing fiction under the imprint Bombus Books and has been involved in various charitable ventures. He will be sharing some entertaining stories from his professional life, with a focus on his experiences of working with some big names of 20th-century publishing.
13:50 – 13:55 | Questions
13:55 | PART IV
14:00 – 14:10 | Ashleigh Fowler | Digital Archives The Archives of Hilary Bailey and of The Macirone Family
A talk on the process of cataloguing two different archives; one of the science fiction and general fiction writer, Hilary Bailey, the other of the Victorian middle class Macirone family.
14:10 – 14:20 | Connie Bettison | St. John’s College Working with Modern Literary Papers
Over the past year at St John’s, I have spent part of my time working with the library’s modern literary special collections. In an ongoing project, I am cataloguing some personal papers of A.E. Housman and uploading the records onto ArchivesHub: an update from a typescript card catalogue of basic information. Using the broader collection of literary papers, the exhibition I arranged for the start of Trinity Term showcases a collection of the Library’s literary letters.
14:20 – 14:30 | Olivia Freuler | Sackler Library Artists’ books at the Sackler Library
A brief look into the world of artist’s books and an introduction to the collection originally donated to the Taylor Institution Library by W.J. Strachan and now housed in the Sackler’s Archive Room.
14:30 – 14:40 | Questions
14:40 – 14:55 | Afternoon Break
14:55 | Part V
15:00 – 15:10 | Laura Kondrataite | St. Hilda’s College Library The Golden Age of Children’s Literature
The presentation will give an insight to the organisation of and topics covered in an exhibition on Victorian children’s literature from St Hilda’s College library’s special collections.
15:10 – 15:20 | Harry Wright | Jesus College Library Creating a Welfare Collection in 10 Easy Steps
This presentation will outline the expansion and development of Jesus College’s Welfare & Student Support Collection, an ongoing project which I have led. Issues of privacy and confidentiality are crucial to such a collection, but how feasible are they in the context of a busy working library?
15:20 – 15:30 | Sami Anderson-Talbi | New College Library Proposals on Space and Collection Management for the Law Reading Room of New College Library
An investigation into the current configuration of the Law Reading Room, with proposed changes to how both space and collection management can be improved. Also including results of a recent survey of our readers, which focused on the provision of study space in the library
15:30 – 15:40 | Tom Cook | Lady Margaret Hall Library The Literary Treasures of LMH
An account of planning, compiling and launching a successful exhibition from our comparatively limited rare-books collection. This culminated in a sold-out evening event, with guest talks from Simon Armitage and a DPhil researcher called Noreen Masud, which was open to the public and packed out the Old Library hall here in college.
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