NOTE: Sonnet 38, printed by Armina Ghazarian, in Ghent, will be pictured in an update of this post.
The Bodleian Libraries welcomed two unique sets of sonnets into the Libraries’ collections at a special event on 10 November, 2016.
One was a set of sonnets written by Oxford schoolchildren as part of a series of workshops led by the Poet of Oxford Kate Clanchy. The other was a unique collection of Shakespearean sonnets that have been hand-printed by printers around the world as part of the Bodleian’s Sonnets 2016 project.
The Bodleian Libraries offer Visiting Fellowships to researchers coming to Oxford to use the Special Collections of archives, manuscripts, rare books, ephemera, maps, and music. Fellowships support a period of study in the Weston Library for Special Collections.
The call is now open for applications for 2017-18. Deadline for applications is December 5, 2016.
See the Fellowships pages for details of Fellowships offered in particular fields of study, and for How to Apply.
A web resource for schools, Stuarts Online, featuring materials from the Bodleian and Ashmolean has launched a video narrated by David Mitchell.
The Stuarts in Seven Minutes has been produced as part of the Stuarts Online initiative. Produced by academics at the universities of Cambridge, Exeter, Nottingham and Oxford, Stuarts Online includes twenty short films – each centred on a key text or artefact – which explore the stories, conflicts and personalities central to the history of Stuart Britain. It also provides lesson plans, biographies, timelines, and other learning resources. The films are enriched by privileged access to the holdings of the Ashmolean Museum and the Bodleian Library, of the University of Oxford. Their development was supported by further partnerships with the Historical Association and the Shakespeare Birthplace Trust.
BOOK COLLECTING: SCIENCE AND PASSION
The Bodleian Libraries award the Colin Franklin Prize for book collecting to a student of the University of Oxford every year. The competition for 2017 is now announced. http://www.bodleian.ox.ac.uk/csb/fellowships/the-colin-franklin-book-collecting-prize Hazel Wilkinson (Cambridge/Carr-Thomas-Ovenden Fellow at the Bodleian Libraries), winner of the first Anthony Davis Book Collecting Prize at the University of London in 2014, will speak about building a book collection, in
‘“best edit.”: Book Collecting and the Hierarchy of Editions’
Monday 7 November at 5:15 pm in the Visiting Scholars’ Centre, Level 2, Weston Library.Entrance with University card, via the readers’ entrance, Parks Road.For information: contact Alexandra Franklin email@example.com
THE MUGHAL HUNT
Lecture, 9 November 2016 1.00pm — 2.00pm, Lecture Theatre, Weston Library
Adeela Qureishi speaks about assembling the display of Mughal paintings depicting hunting scenes, from albums of paintings in the Bodleian collections.
The display is on view in the Proscholium, Old Bodleian Library.
This lunchtime lecture in the Lecture Theatre, Weston Library, is free but places are limited so please complete our booking form to reserve tickets in advance.
A Humument: fifty years
14 November 2016 4.30pm — 7.00pm Lecture Theatre, Weston Library
In 1966, the artist Tom Phillips bought a copy of the forgotten Victorian novel A Human Document and started to work with it. With paint, cut-up and collage, he created a new story and a new kind of work: A Humument. The Bodleian is celebrating the final, fully revised, 50th anniversary edition with this book launch event.
Dr Gill Partington (University of Warwick) & Dr Julia Jordan (UCL); followed by dialogue between Adam Smyth (English Faculty) and Tom Phillips
This event is free but places are limited so please complete our booking form to reserve tickets in advance.
In honour of Professor emeritus Nigel F. Palmer, the eminent German medievalist, there will be a two day programme of events on medieval German manuscripts and prints hosted by the TORCH Oxford Medieval Studies programme and the Bodleian Libraries.
On Friday, the Oxford Medieval Studies lecture Devotional Culture in Late Medieval Strasbourg is given by Stephen Mossman. This will be followed by drinks to celebrate both the British launch of Nigel Palmer’s latest publication, The Prayer Book of Ursula Begerin – a critical edition, with an art-historical and literary introduction, of an illuminated manuscript made for a Strasbourg laywoman – and his 70th birthday. Everybody welcome but please RSVP to Modern Languages Office firstname.lastname@example.org if you would like to come, to make sure there are enough spaces and wine!
On the following day, a workshop will be held on the topic German Manuscripts and Prints in Oxford in the Lecture Theatre Weston Library, 9:15am-5pm. Again, everybody is welcome but please respond to Henrike Lähnemann email@example.com if you would like to attend.
FRIDAY, 28 OCTOBER, TAYLOR INSTITUTION
LECTURE AND RECEPTION
17:00 Stephen Mossman: Devotional Culture in Late Medieval Strasbourg
18:00 Drinks Reception (Room 2)
SATURDAY, 29 OCTOBER, WESTON LIBRARY
COLLOQUIUM ‘GERMAN MANUSCRIPTS IN OXFORD’
09:15 Introduction and Welcome: Martin Kauffmann
09:30 Bodleian, MS. Germ. E. 22 & al. Strasbourg devotional manuscripts: Andrew Honey & Claudia Lingscheid & Monika Studer & Ruth Wiederkehr, Undine Brückner & Racha Kirakosian
11:00 Coffee break
11:15 Bodleian, MS. Douce 313 Franciscan Missal: Henrike Manuwald,
Bod-inc H-165 Book of Hours: Stefan Matter
Bodleian, MS. Opp. Add 4° 136 ‘Yiddish Songbook’: Elke Brüggen, Franz-Josef Holznagel
12:15 Bodleian, MS. Jun. 25 ‘Murbacher Hymns’: Michael Stolz
Merton College, MS 315 ‘Glosses’: Mary Boyle & Peter Kern
13:00 Lunch break (make your own arrangements)
14:45 Bodleian, MS. Hamilton 46 ‘Boethius’: Daniela Mairhofer
15:00 Bodleian, MS. Laud. Misc. 479 ‘Paradisus anime intelligentis’: Freimut Löser & Volker Mertens & Ben Morgan
15:45 Bodleian, MS Douce 367: Platterberger Chronicle: Linus Ubl
Bodleian, Bod-inc B-504 / R-32: Bettina Wagner
16:15 Taylorian, MS. 8° G. 2 Bruder Philipp, ‘Marienleben’: Kurt Gärtner & Christina Ostermann
16:45 Right to respond / Conclusion: Nigel F. Palmer
17:00 End of proceedings
Professor of Medieval German * Faculty of Medieval and Modern Languages * 41 Wellington Square * UK – OX1 2JF Oxford * 0044 1865 2-70498 * Follow @HLaehnemann * Visit the Reformation 2017 at the Taylorian Institute website
Textual editing workshops for undergraduates and postgraduates
We are looking for enthusiastic undergraduates and postgraduates from any discipline to take part in a pilot series of workshops in textual editing, working with Original Manuscripts in the Weston Library, provisionally scheduled as follows:
Michaelmas Term 2016
Wednesday 2nd week, 19 October
Thursday 8th week, 1 December
Hilary Term 2017
Wednesday 3rd week, 1 February
Thursday 7th week, 2 March
Trinity Term 2017
Wednesday 3rd week, 10 May
Thursday 7th week, 8 June
Participation is open to all students of the University of Oxford. If you would like to participate please contact Mike Webb, Curator of Early Modern Manuscripts, firstname.lastname@example.org.
Textual editing is the process by which a manuscript reaches its audience in print or digital form. The texts we read in printed books depend on the choices of editors across the years, some obscured more than others. The past few years have seen a surge of interest in curated media, and the advent of new means of distribution has inspired increasingly charged debates about what is chosen to be edited, by whom, and for whom.
These workshops will give students—the future users of texts for scholarly research—the opportunity to examine these questions in a space designed around the sources at the heart of them. The Bodleian Libraries’ vast collections give students direct access to important ideas free from years of mediation, and to authorial processes in their entirety, while new digital tools allow greater space to showcase the lives of ordinary people who may not feature in traditional narrative history.
The pilot sessions will focus on letters of the early modern period. Letters are a unique source, both challenging and essential for historians and literary critics: in the so-called ‘Republic of Letters’ they were a vital means by which the ideas which shaped our civilization were communicated and developed.
Participants will study Bodleian manuscripts, working with colleagues from the Bodleian’s Special Collections, the Centre for Digital Scholarship, and the Cultures of Knowledge project, to produce an annotated digital transcription which will be published on Culture of Knowledge’s flagship resource, Early Modern Letters Online, as ‘Bodleian Student Editions’.
Each workshop will introduce students to:
- Special Collections handling
- Transcription and proofreading
- Metadata creation and curation
- Submitting metadata and transcriptions into Early Modern Letters Online
The Bodleian Libraries welcome thoughts from students at all levels on ways in which the use of archival material and engaging with digital scholarship can facilitate learning and research.
This Bodleian Student Editions series is organized by:
Helen Brown, DPhil candidate in English
Miranda Lewis, Digital Editor, Early Modern Letters Online
Olivia Thompson, Balliol-Bodley Scholar
Mike Webb, Curator of Early Modern Archives and Manuscripts
Pip Willcox, Head of the Centre for Digital Scholarship
Find out more
For an idea of the range of collections in the Weston, visit the exhibition Bodleian Treasures: 24 Pairs in the Treasury gallery in Blackwell Hall, where some famous items are illuminated through juxtaposition to a less known item that prompts reflection on the concept of a treasure. The latest themed exhibition at the Weston Library, Staging History, opened on 14 October in the adjacent ST Lee gallery.
You can find about the range of services and events the Centre for Digital Scholarship offers.
You may be particularly interested in an upcoming training course introducing the Guidelines of the Text Encoding Initiative.
The Bodleian Library’s printing workshop holds three 17th-century composing frames, along with presses and type of more recent date, all in working order and regularly used to teach type-setting and printing on hand-operated presses.
The workshop is housed in a ground-floor room, the Schola Musicae, opening from the Old Schools Quadrangle in the Old Bodleian Library. The room holds five free-standing iron presses, all dating from the 19th century, one proofing press and one etching press.
Richard Lawrence is the supervisor and teaches classes for beginners and more advanced printers, as well as teaching University of Oxford postgraduates. The Press hosts hands-on experiments, which have included publication of a broadside of Martin Luther’s 95 theses, produced by students from the Medieval and Modern Languages Faculty, and the ‘print-tweets’ made by artist Tamarin Norwood.
The Bodleian Library offers classes in hand-printing for students on University of Oxford courses and visitors from other universities, as well as regular workshops for families, adults, and primary school groups. Experienced printers may register to attend weekly open sessions in termtime.