Art and artists’ books at the Bibliographical Press

Ana Paula Cordeiro’s work, Body of Evidence, is one of the artist’s books that inspires contemporary letterpress printers. A recent conversation linked the Bodleian Bibliographical Press with the Center for Book Arts in New York City, where Cordeiro made that work.

The workshop in the Old Bodleian Library is a place for artistic experimentation as well as teaching about historical printing.

The Printer in Residence programme has hosted creative printers who use the letterpress craft within the tradition of artist book-making.

Printers in residence, 2017-2020
The printer-in-residence programme, funded by a generous donation, invites a working printer or book artist to put their own stamp on the Bibliographical Press programme, and to share their individual artistic visions with students, local printers, and the public.

While he was in residence at the Bodleian during November 2017, Russell Maret was developing the typeface ‘Hungry Dutch’, a project begun in 2016. During his visit to Oxford, New York-based Maret shared his inventive approach to typography with a practical workshop exercise in printing a passage of King Lear with fallen type. Podcast of Russel Maret’s lecture

In 2018, Emily Martin visited from Iowa, focussing on the genre of movable books, a subject of collecting interest for the Bodleian, with the John Johnson Collection of Printed Ephemera holding early examples. Martin’s publication in residence, Order of Appearance / Disorder of Disappearance,  is a ‘slice book’ printed with the P22Blox modular printing blocks created by Richard Kegler. Podcast of Emily Martin’s lecture.

David Armes (Red Plate Press, Yorkshire) was the most recent Printer in Residence to visit, in November-December 2019. The residency resulted in an addition to his series of site-specific prints, with Between Sun Turns. This year (2021) Mr Armes holds a fellowship at the Eccles Centre, British Library. Podcast of David Armes’s lecture

The next Printer in Residence will be Thomas Gravemaker, of LetterpressAmsterdam.

The printer-in-residence programme has broadened the workshop’s remit and established new connections with contemporary book artists. Experience in supporting these artist-printers enabled the workshop to welcome eight Fine Arts students in Trinity Term 2021, under the guidance of Ruskin School tutor of printing, Graeme Hughes.

The Bodleian Bibliographical Press

Newly-made printing blocks from a 17th-century ballad in the Bodleian Libraries, 4o Rawl. 566(121), showing a man and woman with hats
Newly-made printing blocks from a 17th-century ballad in the Bodleian Libraries, 4o Rawl. 566(121)

The Bibliographical Press workshop in the Schola Musicae, Old Bodleian Library, is used for practical teaching of the history of printing.

Equipment at the workshop includes several cast-iron hand-operated presses, a proofing press, a rolling press, type and a type mould.

The room hosts classes in hand-printing for students from Oxford and other universities, and regular workshops for families, adults, and primary school groups.

Presses in the Bodleian workshop:

Albion (demy), serial number 539, (1835), from the Daniel Press. This was the press used by C.H.O. Daniel, Provost of Worcester College, from 1880-1906 and presented to the library in 1919.

Albion (pot), serial number 4993, (1898), from the Moss Press

A Columbian, from the Samson Press

An Albion, from Leonard Baskin’s Gehenna Press

A card-size Albion, maker Ullmer, number 2919

A star-wheel etching press

A ‘Western’ model proofing press, formerly belonging to Vivian Ridler