Gillian Bepler: ‘Dynastic women’s libraries in early modern Germany’

On 12 March 2010, the Seminar on History of the Book heard about “Dynastic women and their libraries in early modern Germany,” from Gillian Bepler, of the Herzog August Bibliothek, Wolfenbüttel.

A cast of strong women, some of them learned and some politically powerful, populated Dr Bepler’s talk. These included Eleonora Catherine von Hesse-Eschweger (1626-1692) who served as regent of her husband’s German lands after his death in 1655. She built up a library of juridical, historical, and geographical works to support her in these duties.

Documents containing the details of women’s libraries were generated by momentous events in women’s lives. Marriage or death would require an inventory of property, of course. But other events might draw attention to a woman’s personal property, and especially to reading matter. Anna of Orange, Princess of Saxony (1544-1577), had an evidently unhappy marriage with William I of Orange. When she bore a child by Jan Rubens, father of the painter, William sent her away from court. Her books were seized and inspected. Were the French romances, such as Amadis de Gaul, discovered in her library, evidence that novels aroused improper emotions in women?

Anna Sophia of Brandenburg (1598-1659), married to the Duke of Brunswick-Lüneberg, fled from her husband’s home under the pretext of a visit to her family when her liaison with an army officer was about to be exposed. Books being too bulky to carry without arousing suspicion, these had to be left behind. The Duke ordered her apartments sealed and a room inventory was made, which had the benefit for historians of noting where Anna Sophia kept her books, recording such details as the devotional works kept in a writing desk. What a library today would call a shelflist is able to evoke the picture of an early-modern woman keeping her own private spiritual diary.

A key point of law obtaining in some German states was the concept of “Gerade”, property belonging only to the wife, and descending only to female heirs. This special status was for property considered the “woman’s realm”, such as household linen, and applied also to personal items such as jewelery. Books owned by and read by a woman came under the rules of Gerade. The difficulty of tracing some of the collections of books belonging to German dynastic women is due to the movement of these collections, through inheritance, to the homes of their female relatives. These were other dynastic women who, as Dr Bepler’s paper made clear, might be married away to homes far from their native lands.

The Seminar is convened at All Souls College each Hilary Term by Prof. Ian Maclean.
— from Alexandra Franklin

Dr James Willoughby: ‘An English library in Renaissance Rome’

On Friday, 19 February, Dr. James Willoughby (Oxford) spoke to the Seminar on the History of the Book on the library of the English hospice in Rome from 1496 until 1527. St. Thomas’ Hospice, and its library, served the needs of English pilgrims, royal envoys, commercial travellers, suitors and litigants at the curial courts, humanist scholars such as Thomas Linacre and William Lilye and English students studying in Italian universities. A remarkable surviving series of book-lists records the library’s ownership of, chiefly, scholastic, medical, legal and devotional works, in both manuscript and print. Dr. Willoughby argued that the book-lists were evidence not just for the intellectual life of the English community in Rome, but for the diffusion of print and the workings of the English book trade in the period: he demonstrated how the provenance of both manuscript and early printed books might be tracked by means of ‘secundo folio’ citations given in booklists.The library was ransacked in 1527, but exists today as part of the English seminary in Rome, retaining its manuscript records alongside a single, printed book dating from its earlier life.
The Seminar is convened at All Souls College by Prof. Ian Maclean.
— from Giles Bergel

Skeletons and sheets in the cupboard

Leviathan; from All Souls College LibraryAt the Seminar on the History of the Book on Friday February 20th, Dr. Noel Malcolm untangled the bibliographical mysteries of the three ‘1651’ editions of Hobbes’s Leviathan.

In working toward a critical edition of Leviathan, Dr. Malcolm wished to identify which of three versions with a London 1651 imprint are actually Hobbesian editions. The three versions are identified by their title page ornaments: ‘Head’ which is the true 1651 edition; ‘Bear’ which some had suspected to be a Dutch pirate edition of the 1670s; and ‘Ornaments’, long supposed to have been printed in London in the 1670s or 80s. But was Hobbes involved in the production of the second and third issues?

By collating dated ownership inscriptions and sale prices, Dr. Malcolm was able to create a picture of the appearance of each version on the market: the ‘Head’ through the 1650s, the ‘Bear’ in the late 1670s and early 1680s, and the ‘Ornaments’ rather later than expected, through the early years of the 18th century.

A fascinating tale of subterfuge emerged around the ‘Bear’ edition, involving the London printer John Redmayne and the Stationers’ Company. In September 1670 Redmayne’s printing house was raided by the Master of the Company and two sample leaves of the Leviathan seized; three days later the Court of the Stationers’ Company was told that Redmayne’s premises were to be raided again in order to seize the remaining sheets of this new edition. A few days later this pre-announced raid took place and Redmayne duly yielded up another 38 sheets. Had this action supressed Redmayne’s intended edition?

Close examination of the type, ornaments, and skeletons (fixed type such as running headers) used in the ‘Bear’ edition showed that there were two distinct sets of sheets, printed with different type and therefore almost certainly in different printing houses. Distinctive spelling and punctuation on one set of these pages strongly points to their Dutch origin. As reconstructed by Dr. Malcolm, the printing of early sheets of the ‘Bear’ had gone smoothly in the London printing house of John Redmayne until the time the intended raid was announced; then there had been a mad scramble to print more sheets, at the expense of careful proofreading. In spite of his apparent cooperation with the authorities, Redmayne evidently made use of the warning he gained from Stationers Company colleagues to cache some sheets off the premises. Finally the remaining quires were printed, also using the first ‘Head’ edition as a model, in the Netherlands. The ‘Bear’ ornament itself, along with a head-piece used in the first quire, were identified as belonging to Christoffel Cunradus, a printer in Amsterdam. The London sheets were combined with sheets printed in the Netherlands to create a new edition for surreptitious sale.

After painstaking work , Dr. Malcolm has been able to identify the type used in the ‘Ornaments’ edition as that of the London printer John Darby. It is a typeface that was not in use before the late 1690s, thus dating the third edition to the late 1690s, and no later than 1702 – long after the death of Hobbes in 1679!

Detailed examination of textual editing and ‘corrections’ made between the three editions support Dr Malcolm’s thesis that Hobbes was involved in the first ‘Head’ edition; made a few significant textual changes via his original publisher, Andrew Crooke, that appeared in the ‘Bear’ edition; but had no involvement in changes seen in the last edition (still dated ‘1651’), the ‘Ornaments’ edition. — Julie Blyth, All Souls College

Bookbinding competition


The Bodleian’s Seminar Room, Room 132 in the New Library, contained a fresher collection of books than usual this week as judging began for the Designer Bookbinders International Competition, 2009. The judges (Tom Phillips, Faith Shannon, Jeff Clements, Ed Bayntun-Coward, and Richard Ovenden) were selecting from over 250 entries, all of a limited-edition text of poems and images on the subject of water, bound in a variety of materials and styles. Over 100 of the entries will be placed on special exhibition in the Bodleian in June and this exhibition will travel to the Boston Public Library in September, and on to the Grolier Club in New York in 2010. The winning entry will be announced on 11 June 2009.