Four hundred years after his death, these talks by specialists revisit Shakespeare’s works, life, and times in the light of current research, as part of the Shakespeare Oxford 2016 festival and in connection with the Bodleian Libraries exhibition, ‘Shakespeare’s Dead’.
Bart van Es, 1594: Shakespeare’s most important year
By examining the early modern theatrical marketplace and the artistic development of Shakespeare’s writing before and after this moment, it is hoped that this talk shows why 1594 was, by some measure, Shakespeare’s most important year.
Jonathan Bate, The Magic of Shakespeare
It will argue that Shakespeare inherited from antiquity a fascination with the intimate association between erotic love, magic and the creative imagination, and that this is one of the keys to the enduring power of his plays.
Sir Jonathan Bate, Provost of Worcester College and Professor of English Literature at Oxford University, is one of the world’s most renowned Shakespeare scholars, the author of, among many other works, Shakespeare and Ovid, The Genius of Shakespeare, Soul of the Age and (as co-editor) The RSC Shakespeare: Complete Works. He co-curated Shakespeare Staging the World, the British Museum’s exhibition for the London 2012 Cultural Olympiad, and he is the author of Being Shakespeare: A One-Man Play for Simon Callow, which has toured nationally and internationally and had three runs in the West End.
Steven Gunn, Everyday death in Shakespeare’s England
Coroners’ inquest reports into accidental deaths tell us about the hazards of everyday life in Shakespeare’s day. There were dangerous jobs, not just building, mining and farming, but also fetching water, and travel was perilous whether by cart, horse or boat. Even relaxation had its risks, from football and wrestling to maypole-dancing or a game of bowls on the frozen River Cherwell.
Peter McCullough, Donne to Death
John Donne’s sermon, Death’s duell, was part of an early Stuart vogue for funeral sermons. Professor McCullough discusses Donne’s contribution to this genre, and looks at how this tradition is connected to the poetic and dramatic representations of death on display in the exhibition, Shakespeare’s Dead.
Katherine Duncan Jones, Venus and Adonis
In 1592-93, with London playhouses closed because of plague, Shakespeare wrote his most technically perfect work. Venus and Adonis (1593) is a highly original ‘take’ on the ancient Greek myth of the doomed Adonis – presented here as a pubertal boy incapable of responding to the goddess’s amorous advances. It was a tearaway success with Elizabethan readers.
Ben Jonson wrote in 1623 that Shakespeare ‘art a Moniment, without a tombe/ And art alive still, while thy Booke doth live’: centuries later Jorge Luis Borges observed that ‘when writers die, they become books’, adding, ‘which is, after all, not too bad an incarnation’. This lecture considers Shakespeare’s First Folio as a literary memorial to Shakespeare, alongside other elegies, epitaphs, and responses to the playwright’s death.