Sonnets in 2016, update

The Bodleian Library invited hand-press printers to send examples of Shakespeare’s Sonnets (printed by any form of relief printing in 2016) and the collection of 154 is taking shape. Sonnets arrive daily and reports of printing successes (and disasters) are also circulating.  Juan Pascoe’s Sonnet 54 has arrived from Mexico, Ivan Gulkov has set Sonnet 85 … Continue reading “Sonnets in 2016, update”

Sonnets 2016: the Bodleian Library collects 154 sonnets from presses around the world

Lucy Evans, Rare Books From close to home and further afield, from Oxford to Moonshine Road, California, to New Delhi and Llandogo, hand-press printers across the world answered the call to print Shakespeare’s 154 sonnets. An enthusiastic response meant all 154 sonnets were quickly assigned. The UK and the USA are the most heavily represented … Continue reading “Sonnets 2016: the Bodleian Library collects 154 sonnets from presses around the world”

Calling all printers: Shakespeare’s Sonnets in 2016

In a cycle of 154 short, 14-line poems first published in 1609, William Shakespeare meditated on themes of love, death, and desire. During 2016, the Bodleian Libraries will be producing and collecting newly printed copies of each of Shakespeare’s sonnets. The Bodleian is seeking examples from hand-press printers worldwide made in this, the 400th year … Continue reading “Calling all printers: Shakespeare’s Sonnets in 2016”

Shakespeare’s Sonnet 99, printed in 2016

Peter Rukavina, in Charlottetown, Prince Edward Island, Canada, printed Sonnet 99 for the Bodleian’s appeal for Shakespeare’s sonnets printed by any means of relief printing in 2016, the 400th anniversary of the poet’s death. The images below, supplied by Peter Rukavina, indicate the process. The finished product can be seen in this animation, by Adam … Continue reading “Shakespeare’s Sonnet 99, printed in 2016”

Shall I compare thee to a sans-serif?

The Shakespeare sonnets collected in 2016 contain an astoundingly broad range of printed versions, coming from a wide range of printers from around the world. I recently looked through some of these and was fascinated to discover the many differences between the different editions, which caused me to ponder whether to write Shakespeare using a … Continue reading “Shall I compare thee to a sans-serif?”

Bibliographical Press at the Bodleian

In September 2015, the Bodleian’s Bibliography Room re-opened in the Old Bodleian Library, after a move from temporary quarters in the Story Museum, Oxford. The workshop is now housed in a ground-floor room, the Schola Musicae, opening from the Old Schools Quadrangle. Inside are five free-standing iron presses (four Albions and a Columbian)*, a number … Continue reading “Bibliographical Press at the Bodleian”

The Malone and Osborn collections

Marginal Malone_Programme. ‘Marginal Malone’, a symposium of the Yale Program in the History of the Book and the Bodleian Libraries Centre for the Study of the Book Malone’s Chronologizing of Aubrey’s Lives ( “putt in writing … tumultuarily”) Keynote lecture by Margreta de Grazia, (Emerita Sheli Z. and Burton X. Rosenberg Professor of the Humanities, … Continue reading “The Malone and Osborn collections”

Literary manuscripts 2010: finding Arcadia in the gutter

Manuscripts of Sir Philip Sidney’s works provided the opportunity for Professor Henry Woudhuysen (University College London) to deliver a master class in techniques for the study of early modern manuscripts. These include the recognition (if not identification) of different hands in a manuscript; consideration of the binding date and style; archaeology of the manuscript taking … Continue reading “Literary manuscripts 2010: finding Arcadia in the gutter”