In the final podcast in this series of BOOKNESS, book conservator and PhD candidate Justine Provino talks about her research into the self-destructive book Agrippa: A Book of the Dead.
Justine Provino with Agrippa (Rec. a.25) at the Bodleian’s Visiting Scholars’ Centre.
It’s a nesting doll about ageing and decay, and the publisher, the artist, and the writer really worked together … to express all these ideas throughout the materiality of every component of the artists’ book
The codex wrapped in the textile ‘shroud’ within a recess in the box base.Detail of label on the box lid.Condition record of unbound Agrippa image, with traces of the ‘disappearing image’ (MS. Eng. b. 2160)
The release of this episode of BOOKNESS on 9th December 2022 marks the 30th anniversary of the publishing of this work. Happy birthday Agrippa!
Useful links for this episode:
Watch William Gibson’s poem Agrippa: A Book of the Dead
running in emulation on a 1992-era Mac computer here
In the third podcast in the series, BOOKNESS talks to poet and artist Stephen Emmerson about his work Translation of Die Aufzeichnungen des Malte Laurids Brigge, a paperback novel ‘translated’ into mushrooms.
‘A box of ideas’ was featured in the National Poetry Library’s exhibition Poetry Games.
You can visit the Sensational Books exhibition at the Bodleian’s Weston Library in Oxford until 4th December 2022, and see Translation for yourself (through two layers of protective glass…)
Artist Laura Kriefman experiencing ‘To You’ (Image by George Margelis, 2019)
It’s a book as much as it is an art object … as a book, read it, interact with it, touch its pages, infuse its pages with your warmth … from the art experience, I guess it’s more about the audiences way of how they want to interact with it …
‘To You’ (Rec. d.625) on show in the Sensational Books exhibition at the Weston Library.
I’ve always been interested in interactive books since I was little, I am neurodiverse myself so it’s easier for me … to engage with books that … use different senses because they would capture my entire focus.
A single leaf of ‘To You’ that visitors to the Sensational Books exhibition can interact with.
It is an artwork that is supposed to be touched and it’s supposed to wear and tear … as you start to expose and touch … as you’re reading the content, it becomes more familiar with you …
The interactive materials wall in the Sensational Books exhibition showing a leaf of thermochromic paper that has been activated by the heat of a hand, and shows signs of the many interactions that have happened already over the course of the exhibition.
For our first artist interview in this series, BOOKNESS talks to book designer and artist Ben Denzer, about his work 20 Slices, a book created from Kraft American cheese.
’20 Slices’ by Ben Denzer (Photo courtesy of Catalog Press)
This is already basically a book … these things look like pages, they’re kind of packed together, there’s an order, all I really did was bind those together and give them the cover. I thought it was interesting how it just becomes a book through that process
This image of the Bodleian’s “pristine” copy of 20 Slices was taken by the Conservation team in May 2021 as part of the documentation of the object to record its condition.
BOOKNESS is a podcast series that wanders into the Bodleian Library’s collection of artists’ books, pokes around a bit and asks ‘what’s all this then?’
In the series we will be talking to artists, makers, researchers and curators and pondering matters such as what makes a book a book, anyway? What happens if a book is made of something that decays? Are there any limits to what a library can collect? And, of course, what does this book smell like?
BOOKNESS is hosted by conservator Alice Evans and librarian Jo Maddocks, and the release of this series coincides with the final month of the Bodleian Library’s Sensational Books exhibition, which is showing at the Weston Library until the 4th December 2022. It’s brought to you by the Bodleian Library’s Centre for the Study of the Book and has been supported by a generous donation to the Bodleian Bibliographical Press.
In this introductory episode, BOOKNESS is joined by Chris Fletcher, Keeper of Special Collections, and Professors Emma Smith and Adam Smyth, to set the scene of the Bodleian’s artists’ books collection and some of the ways these objects can be used and thought about.
Curator Emma Smith in the Sensational Books exhibition. Photo credit: Ian Wallman
… artists’ books reflect on ‘bookness’ … they are metabooks, they are books about books … they are about the book form …
The following artists’ books from the Bodleian collection are mentioned in this episode…
The three ‘pages’ are difficult to handle… and witty! ‘Endless Sleep’ by Stephen Emmerson (Cons.Res. 44)The uncut pages are gently provocative, does a library understand that? ‘A little book of birds’ by Gaylord Schanilec (Erm. e.129)It’s a very heavy and profound subject, which is contrasted by the physical format of the book, which is printed on kitchen paper. ‘It is bitter to leave your home : a true story depicted in typographic images’ by Romano Hänni (Rec. d.629)
Useful links and glossary checks in this episode:
You can read the full definition of ‘artists’ books’ from the Library of Congress here (.pdf)
The Bodleian oath is taken by all new staff and readers. The current version, in use since 1970, reads: “I hereby undertake not to remove from the Library, nor to mark, deface, or injure in any way, any volume, document or other object belonging to it or in its custody; not to bring into the Library, or kindle therein, any fire or flame, and not to smoke in the Library; and I promise to obey all rules of the Library.” If you want that on a Tea Towel we can make it happen.
The next edition of Inscription on ‘Folds’ is out later this month.
