We are delighted to announce that Thomas Gravemaker, of LetterpressAmsterdam, will be Printer in Residence at the Bodleian in March 2023, (postponed from 2021) Gravemaker worked for many years in publishing in the UK – at the Bodley Head and as a senior designer at Thames & Hudson – and in France, first as a studio manager in a design group, before setting up his own studio.
The Printer in Residence programme at the Bodleian brings a guest printer for one month each year, whose project draws together community and University members with an interest in printing and the book arts, to use the Bibliographical Press workshop in the Old Bodleian Library and the press in Blackwell Hall, at the Weston Library.
It is Gravemaker’s experience with book design, and the connection with John Ryder (1923–2001) at the Bodley Head, which provides the inspiration for the project that he will undertake during the one-month residency at the Bodleian: to set and print a small book in the spirit of Ryder’s Flowers and Flourishes (Bodley Head, 1976). During his residency at the Bibliographical Press early in 2021, Gravemaker will also offer a workshop on using ornament, and will present a public lecture.
As a teacher, Thomas Gravemaker regularly works with students from Northumbria University (UK), Kalamazoo Book Arts Center (USA) and the RMIT University (Australia) and others. He also devotes his expertise to ensuring that there are active workshops available for students, having advised, trained and assisted – among several others – Letterpress House in Finland, the Royal Library in Belgium and the Hochschule in Karlsruhe (Germany) in finding equipment and type in order to set up their own print studios.
Thomas is a board member of the Stichting Drukwerk in de Marge (Small Press Association) in the Netherlands and a member of the AEPM (Association of European Printing Museums), of which the Bodleian Bibliographical Press is also a member.
The Ryder Archive at the Bodleian is ‘a major resource for the history of the book in the twentieth century.’ [Clive Hurst, ‘The Ryder Archive,’ Bodleian Library Record, Vol. XVII No. 5, April 2002, p. 353] It contains both archival material and printed books. John Ryder bequeathed to the Bodleian his private papers, including correspondence with designers and artists, and much private press material, notably from the Officina Bodoni, and original sketches for book designs. The Archive includes John Ryder’s remarkable collection of editions of James Joyce’s Ulysses.
Previous Printers in Residence at the Bodleian have been Russell Maret, Emily Martin, and David Armes.
Russell Maret, ‘Making third-stream books in the post-digital age’ (2017)
Emily Martin, ‘Visual metre and rhythm: the function of movable devices in books’ (2018)
David Armes, ‘Accumulating narrative: Meaning and mutation in letterpress printing’ (2019)