Category Archives: 18th century

What the John Johnson Collection tells us about gender in early modern Britain

Written by Kasturi Pindar, Bodleian Libraries intern, Summer 2023

The John Johnson Collection of Printed Ephemera, held at the Bodleian Libraries Special Collections, contains a multitude of images of early modern people who transgressed gender norms. Amongst these images, no two are the same. One image depicts two figures standing in a laundry room. It is captioned ‘Abigail Mary Allen, Pretended Wife of James Allen’ and ‘James Allen, The Female Husband’. Others depict people who, assigned female at birth, donned men’s clothing in order to serve in the military, particularly at sea. One such image is of ‘Mary Anne Talbot, otherwise John Taylor, Foot Boy, Drummer, Sailor, etc. etc. etc.’ Another, shows ‘Miss Theodora de Verdion. The walking Bookseller, and Teacher of Languages, dressed as a Man.’ We also come across Anne Jane Thornton, who donned a cabin boy’s dress in order to sail to New York in pursuit of a romantic interest, continuing life at sea as a man for around two years, though her story is contested. Some of the individuals found in the collection are well researched by historians of gender such as Jen Manion, who has written about ‘female husbands’ and sailors who ‘transed’ gender in order to take part in life at sea. About others, less is known. Nonetheless, these images offer a way in to examine the lives of such figures, the myriad gender expressions of people living at the time, and how gender was perceived in 18th and 19th century Britain.

Abigail Mary Allen, pretended wife of James Allen (1829), Oxford, Bodleian Library, John Johnson Collection of Printed Ephemera, Humans 4 (19)

We can start to understand how gender was perceived in the past when we look at the images in the context of the collection and how it is categorised. In the catalogue of the John Johnson Collection, these images can be found under the headings Entertainment>Humans>4. The categories Humans 1, 2, 3, 4 and 5 contain hundreds of images of people that would today be considered to have a disability, whether physical, mental or developmental, a disfigurement, an unusual cognitive ability, or who were transgender. Each person within these headings seems to have been considered a ‘curiosity’ and their images were generally published for the amusement of the general public. Taking a closer look at the images themselves, we can see in the print below the image that the heading ‘Humans’ was once called ‘Human Freaks’. This is the language that was used as the collection was first assembled by John de Monins Johnson and reflects the language of Victorian ‘freak shows’. Since arriving at the Bodleian in 1968, these headings have been reviewed and amended to remove harmful language (see A Note on Language at the end of this blog post). Nonetheless, examining the original language used helps us to understand the context of the images, which were perhaps seen as a printed exhibition for the public to browse, ogle, and laugh at. In fact, many of these images were collected from Kirby’s Wonderful Museum, a nineteenth-century publication which claimed to display ‘remarkable characters, including all of the curiosities of nature and art … drawn from every authentic source.’ Its intention as a source of entertainment through the exoticisation of anything and everything, including human bodies, is described in no uncertain terms. Categorising people as ‘curiosities’ may not have seemed out of place at the time, and it tells us how strange the notion of experimenting with gender expression was to these peoples’ cisgender contemporaries.

In some cases, the fetishization of transgender bodies goes hand-in-hand with the way that they were treated in their lifetimes. For one such person, Mademoiselle de Beaumont, also known as the Chevalier(e) d’Éon, this was certainly the case. D’ Éon was a French diplomat, spy and soldier born in 1728 and assigned male at birth. She lived for many years as a man, before beginning to live as a woman in 1777, eventually moving to England and being legally recognised as a woman. A clipping found next to her portraits in the John Johnson Collection demonstrates a fascination with her ‘questionable gender’. Though the clipping reads as an obituary marking D’Éon’s recent death, most of the text discusses the question of her gender, ending with the conclusion that, following an examination by a physician after her death, her body was that of a ‘perfect male!’ (emphasis in original). Other clippings from the collection also show a similar obsession with her gender that is reflected in how she is portrayed in Kirby’s Wonderful Museum.

La Chevaliere D’Eon (1791), Oxford, Bodleian Library, John Johnson Collection of Printed Ephemera, Humans 4 (22b)

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Horsing around – students and their horses

As the horseracing world gets ready for this year’s Grand National on 13-15 April, the University Archives’ blog this month looks at the relationship between horses and students at Oxford in the late eighteenth and early nineteenth centuries.

The life of an undergraduate student at late-eighteenth-century Oxford was not what we would call arduous. The University had become rather (in)famous by this date for its narrow and undemanding curriculum, and lax examination standards. Its academic reputation was poor, seen as a place where the sons of aristocracy could spend a few years in a kind of finishing school, enjoying themselves before going out into the adult world. Lectures were not compulsory and as there were no written exams, and only one final (oral) examination which no-one failed, there was little pressure on students to study hard. No wonder, then, that students had free time on their hands.

For some students, horses became a big part of this free time. Horses had a variety of uses: both as providing entertainment and sport, and as a means of transport and travel, enabling students to leave the confines of Oxford and get out into the countryside (and into the country pubs) around it.

Most students, if they needed a horse, simply hired one from one of the many stables in Oxford which had grown up to support this thriving market. Famous stable keepers of the the time included Charley Symonds in Holywell Street (whose stables, at one point, could accommodate 100 horses) and Samuel Quartermaine in St Aldates (who apparently owned a Grand National winner). The more well-off students kept their own horses in Oxford, however, and paid these stable keepers (at great expense) to look after their horses so they could use them whenever they wanted to.

In order to keep a horse at Oxford, students needed the permission of both the Vice-Chancellor and their college. Keeping a horse without permission was not permitted by the University authorities. This was to try to enable the University to control the keeping of horses by its students, and to limit the damage that the students could do with them.

The University Archives holds a small number of records concerning the keeping of horses and the means by which students secured permission to do so. A parent, usually the student’s father, wrote to the Vice-Chancellor personally to request that his son could keep a horse. The request also had to be approved by the student’s college. The records here include a number of these letters from parents and colleges. One student in 1788, Thomas Bartlam of Worcester College, almost literally had a note from his mum.

Letter giving permission for Thomas Bartlam, Worcester College, to keep a horse, 1788 (from OUA/MR/8/1/2)

As expected, these students were of the richer variety: those who could afford to pay someone else to keep their horse for the duration of the term. They were also rich enough to apply, in the same way, to keep their own servants at Oxford. Rather unfortunately, the keeping of both horses and personal servants was administered by the University in the same manner. The records in the Archives include a register, arranged by college, of the names of students who successfully applied for permission (‘veniam impetravit’) to keep either a horse or a servant. Next to the names of the students were two columns – one for horses (‘Eq’, short for ‘equus’ the Latin word for horse) and one for servants (‘Serv’) giving the numbers kept of each.

Names of students of Merton College given permission to keep horses and servants, 1786-1808 (from OUA/MR/8/1/2)

As time went on, the register also began to be used to record permission to keep vehicles (ie carriages to go with the horse). Horse-drawn vehicles caused the University authorities great consternation as they tried to stop students driving a range of carriages (gigs, tandems and ‘phaetons’) fast and furiously around the city.

When applying for permission to keep a horse, many students claimed that their doctor had recommended riding for their ‘health’. The city of Oxford was probably not the cleanest place in the late eighteenth century, and a ride out into the fresher air of the Oxfordshire countryside was no doubt of benefit, but there is reason to be cynical about the truth of all of these claims. The University’s statutes governing undergraduate behaviour (De Moribus Conformandis) made only one exception to the general rule of no horses, and that was for students in poor health. As a result, it appears to have become a bit of a loophole, exploited as a convenient way to guarantee that permission would be granted.

Apart from the freedom to travel, which a horse would give, the most likely (and coincidentally most illicit) reason why a student might want to keep on in Oxford was for sport. The undergraduate sporting scene at this time was very different from today. Organised sport did not exist – neither the University nor the college provided facilities for it – and sports clubs did not start to emerge until much later in the second half of the nineteenth century. Instead, student sport was very much based on individuals’ personal wealth and the conspicuous use of it.

Having managed to get their horse to Oxford, the students then used it to indulge in expensive luxury pursuits such as hunting and horse riding in the countryside nearby. Nearly all such pursuits were prohibited by the University, its statutes specifically forbidding students from pursuing most horse-related activities. As well as outlawing the driving of certain horse-drawn vehicles, the statute De Moribus Conformandis banned students from indulging in pastimes which involved money, or which could cause injury or a spectacle. The one sport which flouted nearly every one of these rules was horse racing.

Taking part in horse racing, or even just spectating, combined many of the worst excesses of student behaviour, the University thought, and it fought against it. Although the arrival of the railway in Oxford in the 1840s had made it easier for students to get to racecourses (despite the University trying to prevent them from getting there by banning the use of stations such as Ascot), students made their own entertainment closer to home, holding horse races in and around the city.

The University responded by putting up notices warning students not to take part. Posted on college walls and doors, these printed notices were the chief means of communication by the University to students at the time, usually reprimanding them for bad behaviour. Issued under the name of the Vice-Chancellor or Proctors, they described the offending behaviour before threatening punishment under the relevant part of the statutes. Punishments were usually in the form of fines, but could involve expulsion for serious or repeat offenders. Some notices even threatened the townspeople who aided and abetted the students.

Notice concerning horseracing, undated (c1848-52) (from OUA/WPγ/26/2)

A small number of these notices survive. One reports the practice of horse racing in Port Meadow and comes down hard on both those taking part as well as those simply watching. Another mentions an upcoming steeplechase which seems to have been widely publicised. Taking pre-emptive action, the University threatens those planning on participating with removal from the University (‘amotionis ab Academia’).

Notice concerning steeplechasing, undated (c1848-52) (from OUA/WPγ/26/2)

By the second half of the nineteenth century, things were changing. Steeplechasing became respectable in the 1860s when it gained ‘blue’ status (ie formal Oxford-Cambridge steeplechasing contests were established). Relations between students and the University authorities improved as sports clubs began to be established and organised team sports (such as cricket and rugby) replaced private activities. And the number of idle gentry amongst the student body decreased as the academic rigour of the University’s curriculum and examinations increased. The respite for the University authorities was brief, however. Within a few decades, the motor car had replaced the horse as the students’ vehicle of choice and the University had to deal with a brand new and much more dangerous problem.

Equestrianism continues to thrive at the University today, although it mostly focuses on showjumping and dressage, and not on steeplechasing across Port Meadow. Further information can be found on the University Sport equestrian website at https://www.sport.ox.ac.uk/equestrian

 

Additional Earls of Clarendon family papers are now available

Following the recent release of the catalogue for the archive of the Earls of Clarendon (2nd Creation) an additional, and final, tranche of the family’s historical archive has now been catalogued and is available to readers in the Weston Library. These papers mainly comprise correspondence and papers of Victorian statesman George Villiers, the 4th Earl of Clarendon, but include some additional Villiers and Hyde family papers, including earlier correspondence and papers of Lord Cornbury (the son of Henry Hyde, the 4th Earl of Clarendon, 1st creation) and Thomas Villiers (later the 1st Earl of Clarendon, 2nd creation) as well as family genealogical notes.

George William Frederick Villiers, 4th Earl of Clarendon (1800-1870), diplomatist and
liberal statesman [Dictionary of National Biography], was ambassador at Madrid, 1833-1839, Lord Privy Seal, 1839-1841, President of the Board of Trade, 1846, Lord Lieutenant of Ireland, 1847-1852, Foreign Secretary, 1853-1858, 1865-1866, 1868-1870 and Chancellor of the Duchy of Lancaster, 1864. In 1839 the 4th Earl married Lady Katharine Barham, the widow of politician John Foster Barham, and as a result this archive includes some John Barham correspondence and financial papers.

This tranche of the 4th Earl’s correspondence and papers makes available significant additional material from his time as Lord Lieutenant of Ireland (1847-1852) as well as letters concerning foreign affairs (1835-1841) and hundreds of letters of general correspondence spanning his long career in government service (1820s-1870).

Radcliffe Square before the Camera

This month’s University Archives’ blog looks at a small and rather battered plan which we hold showing the area between St Mary’s Church and the Old Bodleian Library. It shows the outlines of the buildings which used to exist in Radcliffe Square before the Radcliffe Camera was built.

Plan of Radcliffe Square

Plan of site of the Radcliffe Camera, showing properties which occupied the site before the Camera was built. undated (OUA/UD 28/33)

The plan shows which buildings used to stand along Catte Street, together with the names of the individuals or colleges who owned and occupied them.  Superimposed on them is the familiar circular outline of the Camera. Catte Street was originally a narrow street running from the High Street up to New College Lane, occupied by houses, shops and businesses which filled much of the open space that we’re used to today. These buildings even joined directly onto the Old Bodleian Library, known then as the University’s Schools quad, and marked ‘Schools’ at the top end of the plan. Duke Humfrey’s Library is indicated by ‘Library’.  The plan shows the surrounding colleges: All Souls and Brasenose, the latter of which has much detail including the chapel, woodyard and the rather alarmingly-named ‘Bogg House’. St Mary’s Church is shown at the bottom of the plan.

We know that the plan was kept and used for many years by the University as part of its collections of plans and drawings of University buildings. It bears the marks of two former plan referencing systems in its bottom right-hand corner. What we don’t know is when the plan was made, by whom, or why.

The Radcliffe Library (as the Radcliffe Camera was originally known) opened in 1749, the brainchild of Dr John Radcliffe, physician, politician and former student of the University. A wealthy man, he bequeathed to the University, in his will of 1713, a large sum of money (£40,000) for the building of a new library. Radcliffe not only decided exactly where he wanted his library to be, he also made provision in his will for the purchase and demolition of the houses on Catte Street which were, at that time, in the way.

Architect Nicholas Hawksmoor began drawing up plans for the new building in 1714. Grand plans were afoot to make the area south of what is now the Old Bodleian Library into a ‘forum universitatis’, an impressive central space and focal point of the University. Certain people were rather sniffy about the houses on Catte Street, Charles I remarking in the previous century that the houses there ‘take off from the lustre and dignity of the University’. It sounded like the plans for the Radcliffe Library were just what was needed to realise the vision and clear away the occupants of the Catte Street properties at the same time, whether or not they wanted to move.

A circular library was planned from the outset, but despite Radcliffe’s will stating precisely where the building should be, early aborted plans played around with its location. One proposal suggested joining it onto the west end of the Old Bodleian from Selden End of Duke Humfrey’s Library, sticking out into – and taking up rather a lot of – the gardens of Exeter College. Another located it in what is now Radcliffe Square, but stuck directly onto the south side of the Old Bodleian. Neither was aesthetically very satisfactory and the final location, mid-way between the Old Bodleian and St Mary’s was eventually settled upon.

Radcliffe died in 1714 leaving his estate and the plans for the new library to his executors, the Radcliffe Trustees. The Trustees began the long and tortuous task of acquiring the properties they needed. Despite Radcliffe’s foresight in his will, it still took many years for the Trustees to navigate through the complicated freeholds and leaseholds on each property and negotiate with all the different property owners. As well as private individuals, they had to deal with the five colleges who owned and leased out some of the houses. Brasenose College, for example, had several properties on the site including student lodgings, a coach house and a brewery. In 1719 the college brokered a deal with the Trustees: in exchange for their Catte Street properties, they wanted the Trust to purchase them houses to the south of their quadrangle. It’s said that in order to facilitate this, a plan was drawn up in 1720 by the Trustees, showing the various properties and their owners, with, superimposed on top, the outline of the proposed circular library.

This sounds very much like our plan, but ours is not as old as 1720 – the handwriting, for example, is not from that period. A version of the 1720 map which was apparently, at the time, kept in the Radcliffe Library itself, was later engraved and published in James Skelton’s book Oxonia Antiqua Restaurata of 1843.

Plan of Radcliffe Square

Plan of Radcliffe Square from ‘Oxonia Antiqua Restaurata’ by Joseph Skelton (1843)

Legal obstacles further complicated things and an Act of Parliament had to be created in order to allow the sale of some of the properties to go ahead and the Trustees to acquire the last of the properties. In the end it took nearly 20 years to acquire all the properties on the site and have them demolished. The very last one, the house and garden adjoining the south side of the Old Bodleian, was demolished in 1733, leaving the Library with the familiar appearance which it has now.

In 1736, John Radcliffe’s last surviving sister Hannah, who was looked after by his will until her death, passed away, meaning that the funds for the new library could finally be released. The long years of negotiation over, work to construct the library began. Hawksmoor had died in March that year, before building work had even begun, and James Gibbs took over the commission. The foundation stone of the new Library was laid on 17 May 1737 and Radcliffe Square was born. The building work was completed in 1748 and the Library officially opened on 13 April 1749.

The Radcliffe Library became known as the Radcliffe Camera in 1861 when its collection of scientific books moved out to the newly-created University Museum, the new science hub of the University. To differentiate the Radcliffe Library from this collection of books (now housed in what was called the Radcliffe (Science) Library), it was renamed the Radcliffe Camera (‘camera’ being the Latin word for ‘room’) and officially became a reading room of the Bodleian Library.

The Camera finally passed from the ownership of the Radcliffe Trustees to the University in 1927. As part of the property acquisition, the University also acquired a large number of deeds and documents relating to the houses which the Trust had purchased and demolished to build the Camera. These deeds came to the University Archives at about the same time, and we think that the plan arrived along with the deeds.

Many of those deeds were several hundred years old and told the stories of the people who had lived and worked in those properties over the centuries. One of the earliest relates to House number 10 on Catte Street. Dated 6 February 1425, it is a grant of the land (a tenement with shops) from John Whytewonge to John Dolle, bookbinder, and Jane his wife.

1425 deed for House 10, Catte Street

The oldest surviving deed for House no 10 on Catte Street, 6 Feb 1425 (OUA/UD 27/7/1)

Unfortunately we still don’t know much more about our plan. It certainly appears to be much later in date than the information it is showing, maybe a copy of part of the 1720 plan, but it’s difficult to say when or why it was made. Perhaps it was compiled at the time that the University acquired the Camera site. Maybe it was compiled by the Radcliffe Trustees to help them identify the many deeds and documents they were transferring to the University along with the property. Perhaps it was the University’s attempt to understand things from its side. Whichever it is, it is a fascinating plan which shows a very different Oxford than the one we’re used to.

For more information about the Radcliffe Camera and its history, see Stephen Hebron’s 2014 history, Dr Radcliffe’s Library: The Story of the Radcliffe Camera in Oxford. For an interesting chronological journey through the buildings of Brasenose College, see the College’s website at College buildings – Brasenose College, Oxford

A wooden model of Hawksmoor’s early plan for the Camera was given to the Bodleian in 1913. A short blog was written about it in 2008 at Radcliffe Camera model by Nicholas Hawksmoor – The Conveyor (ox.ac.uk)

The Earls of Clarendon catalogue is now online

You can find the new catalogue of the family and working papers of seven Earls of Clarendon (2nd creation) online at Bodleian Archives and Manuscripts.

The archive adds considerably to the Bodleian’s existing collections of Clarendon family papers, which include the seventeenth-century state papers of the very first Earl of Clarendon (1st creation) who was chief advisor to Charles I and Lord Chancellor to Charles II. His heirs in the Hyde and Villiers families took up the mantle and continued to serve the British government and the royal family well into the twentieth century. Notable postings included the 4th Earl of Clarendon serving as Viceroy of Ireland during the Great Famine and later as Foreign Secretary, and the 6th Earl of Clarendon serving as Governor-General of South Africa in the 1930s.

The archive includes approximately 800 letters from Queen Victoria and correspondence with monarchs and statesmen including Frederick the Great of Prussia and Viscount Palmerston. It also includes intimate family and estate papers, including letters between mothers and sons and husbands and wives.

I have been blogging about interesting items I’ve found along the way, ranging from 19th-century condoms to letters from the front during the American War of Independence (plus one extremely cute dog) and you can find those posts all here at the Archives and Manuscripts blog.

To prevent mail robberies!

A United Kingdom General Post Office printed poster on how to securely send bank notes through the post, 9 Feb 1782

General Post Office poster on how to securely send bank notes through the post, 9 Feb 1782 [click to enlarge]

A helpful 18th-century public information campaign by the General Post Office advises the unwary about how to safely send bank notes through the post.

It is recommended to all Persons, at present uninformed, who may have Occasion to send BANK NOTES by the Post, to cut them in two Parts, according to the following Specimen where it is marked with a  black Line, and send them by different Posts; first writing the Name, Date and Year at one End of the Note, and the Letter and Number at the other End; by this Means each Part will contain a sufficient Specification of the Whole, and prevent any kind of Difficulty in the Payment of it at the Bank of England…in case of the Loss of the other Part.

Highway robbery–your money or your life!–was a very real and present danger in 1782, so this was useful advice.

Bank notes, which were issued in denominations up to a staggering £1000, were a much more discreet and sensible way to carry or send money than hauling around bags of golden guineas, and interestingly, it seems that the growing circulation of notes was one of the reasons for the decline in highway robbery in England in the 19th century, because paper currency was more traceable than coins. And it tickles me to think that it’s possible that enough people started using this secure, two-step technique to send their money through the post that it was no longer worth the effort to hold up a mail coach.

Also notable? This poster only concerns Bank of England notes. The Bank of England did not have a monopoly on issuing paper currency in England and Wales in the 18th century (or for a surprisingly long time afterwards), but this reminder that the Bank would make good on half a note might have encouraged people to use their notes rather than a provincial bank’s.

Another thing it’s interesting to see is the use of the placeholder names John Doe and the now less well-known Richard Roe. To a British reader these might sound very American, but those names have actually been used in English law since the middle ages, and John Doe still is, in some instances, even though we don’t use it to name unidentified bodies!

These papers, of the Earls of Clarendon of the second creation, are currently being catalogued and will be available to readers in 2022.

Alan Tyson, ‘the Sherlock Holmes of the music world’

Born in Glasgow and educated at Magdalen College, Oxford and the University College Hospital Medical School, London, Alan Tyson (1926-2000) held Research and Senior Research Fellowships at All Souls College, Oxford from 1952 to his retirement in 1994. He was a distinguished musicologist and a world authority on music manuscripts of the Viennese Classical composers, especially Mozart and Beethoven. His other musicological interests included authenticity, music printing, and music publishing. Initially, however, his career evolved around medicine and psychoanalysis.


1. Alan Tyson collecting his Honorary Degree from the University of St Andrews, Scotland.


2. Alan Tyson in a more relaxed context.

It is not certain what prompted him to devote the rest of his life to musicology, especially as he did not undergo a formal music education. Some suggest it was his passion for collecting, especially music, that made him change his mind.  Maybe he was curious how (well) the early and subsequent editions reflected the intentions of the composers? As he was not able to speak to Mozart or Beethoven as he would to his patients, he once explained, he turned to the composers’ autographs as his primary sources of information. While his earlier career helped him to determine the composers’ creative processes to some extent, it was his own meticulous methods when working with music manuscripts that brought the desired results. His pioneering work on watermarks, for example, enabled him to date (or re-date) many compositions. Tyson even invented his own term for the classification of watermarks resembling crescent moons, selenometry, a term which he advised should not be taken ‘wholly seriously’ (please see images 3 and 4).  He considered watermarks (together with the types of paper that contained them) so significant that he spent over 15 years working on an inventory of all watermarks in Mozart autographs. The watermarks catalogue was published in 1992 as part of the much-respected Neue Mozart-Ausgabe collected edition.


3. Explanation of the term selenometry in A. Tyson’s ‘Mozart: studies of the autograph scores’ (Cambridge, Mass.: Harvard University Press, 1987).


4. Tracing of watermarks in a Mozart autograph with noted selenometry.


5. Watermark from Beethoven’s autograph clearly visible thanks to beta-radiography, an imaging technique innovative at the time of Tyson’s research.

Tyson was also fascinated by composers’ sketches. As early as 1964 he gave two BBC interviews (one radio and one television) on the sketchbooks used by Beethoven throughout his life. There are 11 archival boxes of notes spanning some 20 years on the subject and twice as much correspondence discussing the topic. The work and discussions culminated in 1985 with a publication (co-written with Douglas Johnson and Robert Winter) of The Beethoven sketchbooks: history, reconstruction, inventory.  This is just one of many significant publications with Tyson as author, co-author, or editor.

It was important to Tyson to examine as many original sources as possible, not only because he was a thorough researcher (earning him the designation ‘Sherlock Holmes of the music world’), but also because he wanted his work to be as comprehensive as possible. He got to know which institutions and which private collections held the autographs, and visited them one by one. He also had a good rapport with auction houses, who were happy to pass on his requests for viewing or information about (sometimes anonymous!) purchases just made. Additionally, Tyson was in demand when it came to authenticating ‘recently discovered’ manuscripts, which likewise expanded his ‘portfolio’. In one of his letters he expressed his amazement and delight that his research into Viennese composers would take him as far as New Zealand and Japan, where he would find further autographs. I had the pleasure of meeting Professor Tyson personally when he visited the Jagiellonian Library in Kraków, Poland. Anecdotally, he declined an offer of lunch and suggested a dinner after the Library closed as, he said, ‘when you are holding a Mozart manuscript, you do not feel like doing anything else but study it!’

Tyson continued to collect throughout his life eventually amassing an important collection of some 70 manuscripts and 2,200 early (sometime extremely rare) editions of music. In addition, his personal library comprised some 350 books representing both, source and up-to-date research material. Tyson used the items from his private collection to compare with those in libraries and elsewhere, which led him to a deep (and often authoritative) understanding of the history of the musical texts.

Tyson very generously bequeathed his archive to the British and Bodleian Libraries. In 2002 over 1000 items of printed music in the Bodleian’s portion of his collection were catalogued by one Margaret Czepiel. It was therefore thrilling for me to deal with the collection of Tyson’s working papers years later. Here, just as he had observed the creative processes of the composers he studied, I was able to see Tyson’s own working methods. An example can be seen in the images (6 and 7) where he annotated his earlier notes with additional, dated comments, no doubt following subsequent visits to the respective repositories and discussions with fellow researchers. In fact, the sheer volume of correspondence (26 boxes of just mail, with further exchanges among the 43 boxes of notes) is telling; he valued the views of his colleagues highly. It is clear that he thrived on these intellectually stimulating epistolary (and over-the-phone) debates.


6. Notes on music manuscripts at the Morgan Library, New York, 1978-1981.


7. Notes on music manuscripts at the Moran Library, New York, 1983-1988.

The Tyson archive, now catalogued online, also contains a great number of reproductions of music manuscripts, both autographs and copies.  Many of them, however, offer no clues as to the identity of the works or indeed the composers. Unfortunately, the scope of this music-cataloguing project did not allow for identifying the vast quantities of photocopies, photographs, and microfilms of the various manuscripts. It would take a significant amount of detective work to identify and match the reproductions with their originals. We would welcome any offers of help in this respect if anyone would be up for the challenge!

Margaret Czepiel

Archivist

Secret ciphers

Deciphered diplomatic code in a letter to Thomas Villiers, later 1st Earl of Clarendon, 12 Aug 1746

Deciphered diplomatic code in a letter to Thomas Villiers, later 1st Earl of Clarendon, 12 Aug 1746 [click to enlarge]

An 18th-century British diplomatic cipher is revealed in a 1746 letter to Thomas Villiers.

Decades after this letter was sent, Villiers revived an extinct title and became the 1st Earl of Clarendon (2nd creation) but in August 1746 he was the Hon. Thomas Villiers, second son of the Earl of Jersey, and working in Berlin as Britain’s envoy to the court of Frederick II (the Great) of Prussia, following a succession of diplomatic positions with the Polish–Lithuanian Commonwealth, the Electorate of Saxony and the Archduchy of Austria.

Frederick the Great liked Villiers enough to, many years later, give him a special grant to use the Prussian eagle on the Villiers family coat of arms but Horace Walpole, the writer, historian, and Whig politician thought that Frederick liked Villiers mainly because Frederick was wary of genuinely capable men: ‘[Villiers] has,’ Walpole wrote, ‘been very much gazetted, and had his letters to the king of Prussia printed, but he is a very silly fellow’ (Walpole, Corr., 20.17).

Whatever Thomas Villiers’ qualities as a diplomat, this coded letter shows something of his everyday work and the importance of confidentiality in the diplomatic service. They were right to be cautious. The ‘My Lord Sandwich’ the letter refers to, who is currently in Breda in the Netherlands, is the 4th Earl of Sandwich (the very man the sandwich is named after) who, at the Congress of Breda, apparently employed the British secret service to intercept and read French secret correspondence. This move helped Britain to diplomatically outmanoeuvre the French at the Congress, which were the peace talks to end the ruinous War of Austrian Succession.

This letter to Villiers is most interesting because it shows not just a number-based cipher, but the deciphered plain text. And although the letter itself doesn’t reveal any thrilling state secrets, it does show the essential exchange of keys so that sender and receiver can read the code.

And that, unfortunately, is about the limit of my understanding of cryptography. If there are any cryptographers reading, feel free to drop into the comments!

These papers, of the Earls of Clarendon of the second creation, are currently being catalogued and will be available to readers in 2022.

Advancing and expanding access to our archives

Helping to navigate the Bodleian Libraries’ vast archives.

I am thrilled to be working on a major initiative by the Bodleian Libraries to prepare for the introduction of an online circulation system for the Bodleian’s vast collection of archive and manuscript materials. I grew up in a family avid about history and I went on to study history at university—so it’s an incredible privilege to be able to contribute to this work which will benefit readers, researchers and members of the public from all around the world.

My role at the Weston Library includes barcoding all the material stored there, uploading this information into our online systems, and contributing to the conservation and re-housing of collections. The work underway behind the scenes is a very significant project that will contribute to widening access to the Bodleian Libraries’ Special Collections. It’s energising to think that I am contributing to making all this material more accessible for as wide an audience of readers and scholars as possible. I am conscious that archival material is meaningful, powerful, and sometimes contested, and I am motivated by the idea I am contributing to a project which will allow a greater number of people to provide rigorous, progressive and exciting views of the past and its influence on the present.

One of the main privileges of my job is that I have the opportunity to work with all the collections in the Library. As I scamper around the Library’s many compartments to barcode the collections held there, I encounter material from all the Weston’s collections—medieval manuscripts, music archives, modern manuscripts, rare books, and maps from around the world. In the above photo, you can see me (please forgive the scruffy lockdown hair) preparing to put labels on each of the shelves in the Weston Library. I did this as the staff at the Weston came back to Library after the most recent lockdown, and the aim was to help my colleagues and I navigate the Library’s compartments to find materials—it can get quite labyrinthine! The coronavirus pandemic affected the Bodleian Libraries’ workings significantly, but through it all the Library always strived to “keep Oxford reading”. The project to which I am contributing was inevitably delayed by the pandemic because it involves a lot of work which can only be done onsite, but now a number of colleagues in the department are contributing to the project to catch up lost time and get it done!

Hopefully this has provided you with a glimpse of the daily inner-workings of the Bodleian and how we are working to make things accessible!

Philadelphia, 1777-1778

In 1777-1778, the American Revolutionary War was raging, and a British army officer based in Philadelphia, Guards Brigade battalion commander Brigadier John Howard, penned three remarkable letters to Thomas Villiers, the 1st earl of Clarendon (2nd creation).

Print illustration of the Battle of Germantown, 1777, by Christian Schussele, Public domain, via Wikimedia Commons

The Battle of Germantown, by Christian Schussele, Public domain, via Wikimedia Commons

The first letter was written on the 14th of October 1777, from Germain Town Camp [sic], ten days after the Battle of Germantown, a major battle in the campaign for Philadelphia. British commander Sir William Howe had captured Philadelphia in September 1777 after winning the battles of Brandywine and Paoli and on the 4th of October, George Washington launched an ambitious counterattack against British forces based at Germantown on the outskirts of the city. The attack failed, partially foiled by a thick fog which hampered communication, but Howe chose not to pursue the Continental Army as it retreated, and at the onset of winter withdrew his forces to Philadelphia, while the Americans, largely unscathed, wintered in Valley Forge.

Brigadier Howard’s 14th of October letter to Thomas Villiers gives an eyewitness account of the British victory at the Battle of Brandywine that September, opening with a description of the circumstances and objectives of the campaign for Philadelphia:

From the natural strenth of this Country, in extensive Woods, Stong Posts, and Rivers, all military operations must be slow. And more especially in a country where we cannot depend upon the information or friendship of one single inhabitant; for either from motives of fear, interest, or enmity, we find America universally against us

He continues:

As this Province and its neighbourhood has been the chief supply of the Rebel Army, and Philadelphia the seat of their imaginary government, it being the Heart of their new created Empire, the Rebels judged they could not risk too much to keep it in their possession

After describing the manoeuvres at Brandywine, Howard describes the Battle of Germantown:

Gen[era]l Washington, with all the force he could possibly collect together, has since attacked us in our Camp: He was very much favoured in his approach to it by a very thick fog: We had thirteen Battalions less that day than at the Affair of the Bradywine and notwithstanding this diminution of our strenth he was repulsed with very considerable loss

But the letter is not entirely upbeat. Howard continues with an argument for more troops in the face of an insurgency:

Notwithstanding these successes, I must beg leave here to remark, that we have yet a very formidable Enemy to contend with; as it is the strenuous united efforts of America, that invariably perserveres with unremitting zealous rage against our cause. For this reason, my Lord, when any Post is to be occupied by us, for the security of magazines, Forrage, Stores or Country that should be covered, as we cannot put confidence in the People either for information or defence, it puts us under the necessity of making such considerable Detachments that it weakens the […] army

Not mentioned in this letter, possibly because Howard was unaware of it, was that a week earlier the British had suffered a major defeat in the Saratoga campaign. Following this, British prime minister Lord North made serious moves towards a settlement that would end the war, sending the Carlisle Peace Commission to America to negotiate with the Continental Congress for a form of self rule.

Brigadier Howard’s next letter was written from Philadelphia on 19 April 1778, as the Carlisle Commissioners were sailing toward America. Howard enthuses about two draft Parliamentary Bills which had just arrived on American shores, proposing to abolish taxation in America. Howard is confident that they will help to turn Americans against the war (he was certainly correct that the American leadership was concerned):

The military part of their continental people who act as […] Generals etc will not like to return to the Cobblers Stall or Hatters shop from which they came and they of course will reject every idea of pacification, but the Inhabitants at large I believe will, or at least ought, to receive it with satisfaction

And he remains concerned, and scathing, about American opposition:

I have just heard that the continental Governor of the Jerseys has burnt at Trenton, by the hands of the hangman, the copy of the Draught of this Bill which has been published: your Lordship will judge by this what zeal and rage exists among them, and what enemies they are to every subordinate order of good government.

Still in Philadelphia on 10 May 1778, following both the Continental Congress’s rejection of the peace terms offered by the draft bills and America’s alliance with France, Howard writes a more despairing, and prescient, third letter:

It is easy to win a Battle, but very difficult, nay almost impossible, to retain a country against the will of its inhabitants; in doing which, we fight against ourselves, by the difficult maintenance and keeping up the army that conquer’d it. I am convinced it is wasting our strenth to carry on, for any lenth of time, interior active operations of war.

He was not arguing for retreat, however:

I am as well convinced the only way to have made the Americans return to their duty was, and is, by chastisement; I mean, my Lord, by burning every town, village & house that were not materially our friend.

He concludes:

Had we proceeded, in the course of our service in this country, with this rigor, this rebellion had been long ago ended, and without it, give me leave to assure your Lordships, if Great Britain sends us fifty thousand men, it will not do

Howard’s brutal, scorched earth proposition might make for an interesting counterfactual history, but he was correct in one way, as we know: although war was waged for years to come, the British were not able to retain the country against the will of its inhabitants. On 3 September 1783, with the signing of the Treaty of Paris, the United States at last achieved its independence.

These papers, of the Earls of Clarendon of the second creation, are currently being catalogued and will be available to readers in 2022.