The catalogue of the archive of Victoria Glendinning, two-time Whitbread Prize for Biography winner, is now available. While Glendinning is known for her commercially and critically successful biographies, she has also written prolifically as a columnist and novelist. Her archive includes research papers, drafts, and professional correspondence relating to her non-fiction and fiction work.
Glendinning’s archive demonstrates her excitement about early success, as well as her strong convictions. Included in the archive is a collection of letters that she received in response to a letter to the editor of The Guardian in which she critiques the assumption that homemaking is a sufficient creative outlet for most ‘ordinary women’. Published on 17 February 1967, this was one of Glendinning’s first appearances in print. Her first biography, A Suppressed Cry: Life and Death of a Quaker Daughter (Routledge & K. Paul, 1969), which chronicles the life of her great-aunt Winnie Seebohm and her time at Newnham College, Cambridge, followed shortly after.

Glendinning found critical acclaim in the early 1980s with biographies Edith Sitwell: A Unicorn Among Lions (Weidenfeld & Nicolson, 1981) and Vita: The Life of Vita Sackville-West (Weidenfeld & Nicolson, 1983). This was followed by a personal request by Dame Rebecca West to write her short biography. Glendinning’s papers collected in preparation for the West biography comprise not only research into West’s correspondence with her peers and family, but also letters from West to Glendinning right up until West’s death in 1983.

The archive includes Glendinning’s manuscript drafts of Rebecca West: A Life (Weidenfeld & Nicolson, 1987), as well as other papers relating to the production of her biographies, including drafts of Elizabeth Bowen: Portrait of a Writer (Weidenfeld & Nicolson, 1977) and Vita, and photographs, page proofs, and book cover designs of Trollope (Hutchinson, 1992).
In the 1990s and 2000s, Glendinning’s oeuvre expanded to include long-form fiction, such as Electricity (Hutchinson, 1995), for which the Bodleian holds research materials and a typescript draft. The archive also includes drafts of several unpublished works including short stories, a novel “Martha, Martha” and a biography of the Romantic poet Felicia Hemans. The archive shows how Glendinning’s writing processes evolved as she moved between genres as well as how a fickle publishing industry affected a tenacious writer over a career that has spanned from the late 1960s through to the 2020s.
Lilly Wilcox

