This talk is part of the Oxford Women’s International Festival.

What: Making Numbers into Notes: the making of Ada Lovelace’s generative music

Who: David De Roure

When: 14.00—15.00, Tuesday 7 March 2017

Where: St Luke’s Chapel, Woodstock Road, OX2 6GG (map) 

Access: all are welcome

Admission: free

Booking: registration is required for the preceding talk: no booking is necessary for this demonstration

What would have happened if Charles Babbage had built the analytical engine, and Ada Lovelace had programmed it to generate music? Our “making” experiments have involved a variety of techniques, from a software simulator, a web app and the use of a computer algebra system, to construction of arduino micro controller hardware, agent based simulation and scripting for modern professional audio tools.  This talk will demonstrate some of these tools, and invite attendees to engage with us in taking the experiment forward.

This demonstration follows the Research Uncovered talk, The imagination of Ada Lovelace: creative computing and experimental humanities. If you would like to attend this talk, please book a place. There will be a short break between the two sessions.

The imagination of Ada Lovelace: creative computing and experimental humanities

In the 200 years since Ada Lovelace’s birth, she has been celebrated, neglected, and taken up as a symbol for any number of causes and ideas. A symposium to mark the 200th anniversary of her birth narrated many of these, including accounts of her generative relationship with Charles Babbage and his Difference and Analytical Engines.

This talk traces some of paths the idea of Lovelace  and her imagination of Charles Babbage’s Analytical Engine has taken, what basis they have in her life, and what they tell us about the devices and desires of their scholarship and society. It includes an account of our experimental humanities work in response to both Lovelace and the operatic Ada sketches of composer Emily Howard: we created a web application, Numbers into Notes, (an earlier version of which was described by David De Roure in a previous Research Uncovered talk) to produce music from maths through programming a digital simulation of the Analytical Engine, after Lovelace’s idea that “the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent”.

This collaborative research was supported through the following EPSRC project: Fusing Semantic and Audio Technologies for Intelligent Music Production and Consumption (EP/L019981/1). This talk was first given as a Digital Scholarship Seminar at the Moore Institute, NUI Galway.

David De Roure is Professor of e-Research and Director of the Oxford e-Research Centre. He has strategic responsibility for Digital Humanities at Oxford and directed the national Digital Social Research programme for ESRC, for whom he is now a strategic adviser. His personal research is in Computational Musicology, Web Science, and Internet of Things. He is a frequent speaker and writer on digital scholarship and the future of scholarly communications.

Pip Willcox is the Head of the Centre for Digital Scholarship at the Bodleian Libraries, University of Oxford, and a Senior Research at the Oxford e-Research Centre. She co-directs the Digital Humanities at Oxford Summer School and convenes its introductory workshop strand. With a background in textual editing and book history, her current work investigates narrative and the intersection between the material and the digital, exploring the experimental humanities.