We are grateful to John for sending guest posts about the treasures of the Sayers Collection of Ocean Liner Ephemera, now being transferred to the Bodleian Libraries where it forms one of the named collections added to the John Johnson Collection.

I already had in my Ocean Liner collection a postcard of the Canadian Pacific Pavilion at the British Empire Exhibition (Figure 1) drawn by an artist whose signature is illegible. Recently, I found a booklet describing the Pavilion, with a similar cover image as the postcard, drawn by P. A. Staynes. But it also had a centrefold drawing of the beautiful interior of the Pavilion (Figure 2). Since it was a promotional item, it also carried CP advertising, including a captivating page promoting their services to the Far East (Figure 3). This ephemera is a realm beyond postcards.


So much for the Ocean Liner element. But to appreciate the significance of the Exhibition and whether CP was relatively prominent, one has to go beyond this single building at the Exhibition to look at the larger aspect of the Fair itself. At this time the British Empire of Queen Victoria’s era was relatively intact. There were rumblings of a thirst for independence in the colonies, notably Gandhi’s activities in India, but the sun hadn’t yet set on the British Empire.The Exhibition was officially opened on April 23, 1924 so the booklet would have been harvested by an Empire Exhibition visitor who was among the eventual 27 million visitors to this largest-ever event of its type to this date.
This was a landmark event, but it also flags the high commercial status of the Canadian Pacific organization.
Broadening the focus from Ocean Liner companies to the nature and extent of the Fair itself, and having come to appreciate the significance of the event, one can now place the Canadian Pacific Ocean Liner material’s British Empire Exhibition component in its proper context within the Sayers Collection.
This material, and a significant amount of other Canadian Pacific shipping ephemera such as Passenger Lists, Brochures, Menus and Cruise Activities, is contained in The Sayers Collection in the John Johnson Collection at the Bodleian Library. A vast quantity of other ocean liner ephemera capturing social, shipping, historical, and commercial information in The Sayers Collection, continues to migrate across the Atlantic to the John Johnson Collection.




Values depend upon the ship, the condition of the card, and the shipping line. As would be expected, White Star Line cards, particularly RMS Olympic, sister ship to Titanic, have an enthusiastic following. Ships in disasters are expensive because some people collect cards related to disasters. In this collection, RMS Lusitania and RMS Empress of Ireland fit solidly into that bracket.
A ship named the Wilhelm Gustloff was built and launched in 1938 specifically to cater to this travel trade. Noteworthy is that this was the first liner built specifically and solely for cruising. At over 25,000GRT, she was larger than many of the liners used by Cunard for Tourist Class trans-Atlantic service, and represented a significant landmark in ocean liner cruises.
Wilhelm Gustloff was in cruising service for only a short period of time. In September 1939 she was requisitioned by the military and used primarily as an accommodation ship during the war. In January 1945, carrying a flood of refugees and wounded fleeing the oncoming Russian army, she was torpedoed and sunk by a Russian submarine in the icy waters of the Baltic. Estimates of the passengers crammed on board range from 6,000 to 9,000 – in the chaos there were no formal records kept. Most of those passengers perished, leading to the greatest loss of life in maritime history.