Robinson Crusoe: an enigma by Ian Matzen

During my first visit to the John Johnson Collection, I had a peek at some Magic Lantern Slides for the first time in my life. I had never seen any before so they held some mystique for me. I knew that lanterns and slides were artefacts from a bygone era that would eventually lead to the development of the cinema. When I opened the first folder of the cinema collection, I was immediately drawn to a set of slides of the first Robinson Crusoe story. There he was building a canoe, exploring in his outfit of goat hides, finding footprints in the sand, etc. On arriving home that night I set out to find a copy of the book which I have been working my way through.

Sheet of transparencies for magic lantern show of Robinson Crusoe
Cinemas 1 (58)

I recently catalogued this set of images. There are twelve illustrated scenes that were transfer printed on paper by Theobald & Company, London. Lanternists would cut the transfers into squares and position each between two pieces of glass to form a magic lantern slide. These slides would then fitted into a slide holder which would eventually be placed into a magic lantern during a show.

Try as I might, my efforts to find the associated printed lecture have been unsuccessful. Therefore I used my knowledge of the story (reading Daniel Defoe’s novel was key) to help ascribe classification terms to the images.

Detail of Robinson Crusoe sheet showing slides 10 and 11
Cinemas 1 (58) detail

However, I had difficulty with one slide in particular. Slide number eleven was mysterious. What is happening there? Is Crusoe subjugating a human? The fact that the person is shirtless and is prostrate in front of the armed Crusoe leads me to think that it is Friday thanking Crusoe for saving him from cannibals. However, this idea does not fit with the chronology of the preceeding slide: number ten shows Friday helping Crusoe free his father and a Spanish Castaway from a group of armed men. By this time the two had already met and become friendly. Who could it be, then? Maybe it was Friday’s father, whom they saved in slide ten, but I could not corroborate this. Because of it’s vagueness, I have decided to avoid affixing a narrow classification term to the slide. Instead, I will use “lifesaving” and “rescue” to describe slides ten and eleven as a set. How would you have described this enigmatic slide?

Through Romantic India with Lowell Thomas by Ian Matzen

My name is Ian Matzen. I have just begun a second semester of a distance learning program to earn a MLIS (Master of Library and Information Science) at San Jose State University situated in California. It is my pleasure to be cataloguing items from the Cinema category of the John Johnson Collection of Printed Ephemera. I have a keen interest in film and history, so this material is a fascinating window into a bygone era. The category includes magic lantern slides, lantern lecture advertisements, and magic lantern catalogues which date from the mid 1800s to the mid 1900s. I was surprised to learn of similarities between old lantern projector apparatus and the film projectors I worked with while in film school. However, most of the machinery in the catalogues ran on gas!

Recently, I entered information about a leaflet announcing a new India travelogue by the famous American Lowell Thomas: Through Romantic India.

Cinema 1 (43a)

Mr. Thomas notably sensationalized the exploits of T.E. Lawrence through the Arabian desert (see With Allenby in Palestine and Lawrence in Arabia, 1922). This beautifully printed leaflet promises viewers the opportunity to follow H.R.H. The Prince of Wales from Calcutta to Peshawur, making a brief stop to sit with “Hindu Holy men on their beds of sharp iron spikes”. This vicarious trip was not for the squeamish. The blue ink with which the leaflet is printed gives it an air of exoticism, especially as blue ink seems to have been rarely used in advertisements during this period. On the front of the leaflet is an elegantly dressed couple gazing over a lake at a magnificent Indian city. A caption reads “Lowell Thomas Presents his New Travelogue Through Romantic India”. The British audience would have found the reproduced photographs of Sadhus and a family on the last three pages dazzling. If we attended the event, we would have been treated to a 1920s event filled with a lecture by Lowell himself (talkies had yet to be popularized). According to one account the travelogue was “the best presentation of a foreign country which has ever been shewn, or which I think it will be possible for anyone to bring together”. The events, however, were not without controversy. India, at the time, was part of the British Empire and would be until shortly after the Second World War. Stationed outside the venue, Communist groups regularly protested the unequal treatment of the poor in India. At one performance, a group of students began to protest when a picture of Ghandi appeared. A Bodleian stamp on the front of the second page helped me to date the item. Given the opportunity,  I would certainly have attended the event. Wouldn’t you?

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