White Star Line to the Middle East in 1908. Guest post by John G. Sayers

A fascinating piece of ephemera in The Sayers Collection is a Passenger List titled A Souvenir List of Members who participated in a 1908 Cruise to The Mediterranean and the Orient on the SS Arabic of the White Star Line.

Clark's tenth annual cruise to the Mediterannean and the Orient, 1908 (cover)
Clark’s tenth annual cruise to the Mediterannean and the Orient, 1908 (cover)

Passenger Lists such as this one provide a valuable insight into social history as well as passenger ship history – and represent a glimpse of a genealogist’s version of heaven. The White Star Line’s relatively new SS Arabic left New York on February 6, 1908. Passenger traffic on the North Atlantic route would have been at its low point of the year, since no one with any travel options wanted to face the storm-tossed Atlantic in winter.

Rather than empty cabins and heavily discounted fares for the few brave souls who dared to travel the Atlantic in winter, why not use the ship to take affluent passengers on a cruise to warmer climates? It was a question asked by the major shipping companies, and this type of Tour was an answer. For 70 days, participants enjoyed shipboard comforts while ranging across the Mediterranean as far as Syria and Constantinople, with visits to Spain and then the U.K. on the return as Spring unfolded there. Then – home to America.

Clark's tenth annual cruise to the Mediterannean and the Orient, 1908 (title page)
Clark’s tenth annual cruise to the Mediterannean and the Orient, 1908 (title page)

Side trips, at additional cost, were available just as they still are on cruises today. One of the featured aspects of the cruise was “…spending 19 days in Palestine and Egypt”. For the many people in the church-based society of the era, a visit to The Holy Land would have been a highlight of the experience. A close examination of this Passenger List shows that the Cruise to the Holy Land also attracted a lot of the Clergy. To the casual reader this may be understandable, but many were not well paid, and would have difficulty affording this trip. There was a solution.

Clark's tenth annual cruise to the Mediterannean and the Orient, 1908
Clark’s tenth annual cruise to the Mediterannean and the Orient, 1908

As with today’s tours, if one recruits enough paying passengers, one receives a complimentary trip. In 1908, it was no different. So it is possible, for example, that Rev. Howard Duffield of New York had recruited enough members of his congregation and their relatives and friends to receive free passage. The Passenger List contains the names of 31 Reverends. The number of clerical collars must have been a significant deterrent to inappropriate behaviour on board, and almost a guarantee that ‘the power of prayer’ could keep the entire ship’s company safe from all harm throughout the cruise.

Not all 31 ‘men of the cloth’ would have been group organizers. One would likely have been given free passage by the shipping line to minister to the spiritual needs of passengers on board, since there was no certainty on cruises that there would be nearly so many Reverends available in time of need. In some cases, appreciative congregations may have given a trip to their minister, particularly on his prospective retirement.

This Passenger List also shows the home towns of the passengers. Yes, several were from New York and places in New England. However, the Midwest, including Chicago was well represented, and some participants journeyed from places such as Tower City, North Dakota; Anaconda, Montana; San Francisco; and New Orleans.

The majority of passengers were women, with mother/daughter pairs in some cases. In an era where women could not find other than menial work, those who did not have to do so had the time available to go on educational and informative cruises while the men in their lives pursued business activities. In contrast to many other Passenger Lists of the era, there was no record of maids or valets. Either they were deemed unimportant and were not recognized in the Passenger List, or the participants who had servants did not bring their maids and valets along. I believe that the former situation is much more likely.

So this tiny booklet has many facets. It is a potential treasure trove for genealogists (including names of ship’s officers, and representatives of the Clark tour company), students of social history, and those who want to try to correlate America’s geographic affluence with the places of origin of those who can afford to make this trip. For the genealogist, it can represent an insight to the life of ancestors, such as Mr. & Mrs. W. H. Murch.

Postcard of RMS Arabic at Constantinople
RMS Arabic at Constantinople (postcard)

I delved into my White Star Line postcard archive. There were several postcards picturing the SS Arabic during the various stages of her career, and produced by a variety of publishers. One of them was like winning a PowerBall lottery draw (well, almost as good!). There was a postcard picturing ‘RMS’ Arabic at Constantinople, dated February 29, 1908 with the following message:

This is an excellent picture of our ship. We have 650 passengers on board, 350 in the crew. It is like a small town sailing the Blue Mediterranean. We are both making fine sailors and enjoying every minute of the journey. I cannot settle down to write letters. I am just sending cards. Hope you are all as well as we are. W.H. & Auntie Murch.    

Postcard of RMS Arabic Jacobsen painting
RMS Arabic: Jacobsen painting (postcard)

The Murches are shown as being from St. Thomas, Ontario, Canada – one of the few non-Americans on the ship. Another passenger name intrigued me – Hannah Tunis Munnikhuysen. Her home was shown as Bel Air, Maryland. Surely her name would pop up on a Google search. It did. There were several hits. I didn’t learn much about her except that she was born in 1881 and died in 1981, and she was married to Thomas Roy Brookes. But do any of those people who are interested in the Munnikhuysen family genealogy know that she took a pricey 70-day cruise on a White Star Line ship in 1908? Who accompanied her? According to the Passenger List it wasn’t Thomas Roy Brookes.

RMS Arabic passenger list
RMS Arabic passenger list

I hope that this and the many other Passenger Lists from many passenger liners of worldwide shipping companies in my collection can be digitized. That would make them more conveniently searchable for genealogists who want to learn more about the travel and vacation habits of their ancestors rom The Sayers Collection. As collectors and enthusiasts of antiques and ephemera we cherish the past. Isn’t it wonderful when we can learn more about the intimate details of that past!

Cocktails at sea: guest post by donor John G. Sayers

 

Cocktails and Liqueurs. Panama Pacific Line
Cocktails and Liqueurs price list. Panama Pacific Line

During the Prohibition era in the United States, between 1920 and 1933, there were lots of opportunities for short or long offshore ocean cruises with well-stocked and unregulated shipboard bars. Access to any booze at all was a cruise enthusiast’s pot of gold at the end of the proverbial rainbow. So for some ocean travellers, the highlight of any ocean voyage was inexpensive, untaxed booze in regular and copious quantities. As well as the pleasures of the moment there were later opportunities to boast of your consumption to parched friends back home onshore.

For those that couldn’t afford the cost – or the time – of a longer cruise, Eastern coastal cities like New York featured frequent weekend ‘’booze cruises” on ocean liners that went out just beyond American territorial waters and featured well-stocked bars. The same was true on the West Coast, to a lesser degree because of the smaller population base.

My trip through the Panama Canal (cover)
My trip through the Panama Canal (cover)

So why not combine the best of both coasts and sail on the Panama Pacific Line from one coast to the other, instead of going by rail across the continent on a train with a dining car – but no bar service. With Martinis and Daiquiris at 25 cents and Courvoisier Cognac for 35 cents a glass, even the most frugal Panama Pacific Line drinker would have been able to imbibe freely on this ship. ‘This ship’ could be any one of the liners that at various times plied the route for the Panama Pacific Line – S.S. Kroonland, S.S. Finland, S.S. Manchuria, S.S. California, S.S. Pennsylvania, and S.S. Virginia.

The cover is a delightful piece of Art Deco design. Unfortunately, the artist has not signed this image. He or she may have wanted anonymity for creating art for a relatively mundane application, or it may have been that the shipping line did not want to provide him or her with publicity. The same is true of the striking artwork on the cover of the 1930s brochure which is pictured. No matter how closely one looks, there is no hint anywhere of an artist’s signature or initials.

Cocktails & Liqueurs prices
Cocktails & Liqueurs prices

However, if you were sitting at the bar on one of the Line’s ships, would you really care who designed the Cocktail Menu cover, when there were so many more important decisions to be made – like, what brand of Champagne to order, or whether the bartender could make you a really good gin martini, with your favourite gin. Ah, the challenges of life at sea!

More information about wining and dining at sea can be found in The Sayers Collection, at The Johnson Collection.

 

Postcard-menu combinations by John Sayers

Not only is John Sayers giving his collection to the Bodleian Library, but each tranche of his donation is accompanied by articles on specific types of ephemera or individual items. His notes on menus attached to postcards provide fascinating insights into a little-known genre of ephemera.

Dinner menu 2nd class. White Star Line Steamer Baltic, Aug 22, 1910
Dinner menu 2nd class. White Star Line Steamer Baltic, Aug 22, 1910

It is relatively easy to find menu postcards from shipping lines – a brilliant marketing concept in which the traveler is given a menu and on the back is the address side of a postcard. On ships, these were generally for the lower classes of passengers.

If you travelled on the Baltic of the White Star Line on August 22, 1910 (PM80A) your Second Class Dinner Menu would offer you the challenge of making decisions regarding Kidney Soup; Hake with Parsley Sauce; Beefsteak Pie; or Roast Mutton. To the collector with a developed sense of culinary delights, the offerings in this menu may not be very impressive. No caviar. No smoked salmon. No lobster. No elegant pâté. And no hint of foie gras.

Those highlights certainly appeared on menus of those travelling in First (a.k.a. Saloon or Cabin) Class. However, to put the situation into context, if you were migrating to North America from crop failures in Europe, potato famine in Ireland, or subsistence living in a large British city, these menus would seem like a king’s feast.

The back of this card carries the announcement that “The Largest Steamers in the World” are being built, and refers specifically to Olympic and Titanic “Each 45,000 tons”. Yes there was room for a brief message, but the primary objective was to promote the line and its services, while presenting the menu for the meal.

Norddeutscher Lloyd, Bremen
Norddeutscher Lloyd  Bremen

For several years I was attracted at postcard shows by beautiful artist-drawn cards of the North German Lloyd shipping line (PM80B) and the Red Star Line, with the name of a ship and a date in the early 1900s. Being an ocean liner collector I bought them, but couldn’t solve the puzzle of why the shipping line would have put a date on them. The name of the ship – yes. The date that the card was obtained – no, why would they do that?

The problem was solved after many years when my wife, Judith, and I found three postcards with menus attached below them at a vintage paper display at the vast antiques fair in Brimfield, Massachusetts. These were from the Red Star Line, a creator of some beautiful cards a century ago. At the top – a detachable postcard. Below – the menu for a meal on a particular date on board the ship.

With this format, the two worlds came together. Since then we have found more menu/postcard combinations of the Red Star Line, plus White Star, Cunard, North German Lloyd, NYK, and some minor lines. These are not common. When one has found only some 70 examples in 40 years of collecting, while searching at fairs in Canada, the U.S.A. and the U.K., it is reasonable to say that they are scarce

For the shipping collector, the synergies are blatantly obvious. But why collect these as a postcard collector? First, they represent the way that the postcards first appeared – attached to a menu. Second, they establish the place where the postcards were acquired – a dining room on a particular date on a specific ship. How many postcards (artist-drawn, shipping, or otherwise) provide this type of provenance unless they have been posted and have a clear cancellation?

S.S. Point Bonita, Christmas dinner menu, 1920
S.S. Point Bonita, Christmas dinner menu, 1920

Finally, and in many ways the most important feature, the combination shows that the postcard alone is in some cases missing a significant part of the artwork’s image. The most extreme example is a 1920 Xmas Dinner card and menu of the Pacific Mail Steamship Company (PM80C).

When you look at the illustration, you can see that having the postcard alone would tell only part of the artist’s story. The beautiful garden would be cut off, the lower Geisha girl would be chopped in half, and the balance of the picture – the entire effect of the garden trailing into the shipping line logo – would be missing. Who would want an artist-drawn card with a piece of the artwork missing?

For the ephemera enthusiast, these have the delight of carrying the menu for a meal on board ship, with the specificity of the date and the name of the ship, and in many instances excellent artwork, signed in many cases by the artist such as Cassiers working for the Red Star Line and Tivo for the North German Lloyd.

Of course, you wouldn’t know that you were missing part of the image. If you weren’t alerted before you read this report, you now know to scrutinize postcards for: (i) the name of the ship and a date printed in black; (ii) an image that seems to have been cut off (i.e. it looks like it might bleed beyond the lower edge of the card); and (iii) the lower edge of the card is not clean-cut (these cards were generally perforated or otherwise scored, and detaching them would not have left a clean edge). You may also find that the card is smaller than the normal card size, where the perforations did not hit the right place on the initial sheet.

We haven’t found many of these at postcard shows. Our experience shows that you are much more likely to find them at an ephemera fair, categorized under ‘Menus’. It makes some sense, because a postcard dealer offers postcard collections, generally coming from an estate. His or her protective sleeves and display boxes are designed for the dimensions of postcards, and these postcard/menu combinations do not fit into a conventional postcard display.

A first-cousin, as it were, to these postcard/menu combinations is a full-page menu designed so that it can be folded in three panels with space on the back for an addressee on one panel, and room for a brief letter on the other panels. This format is represented in the President Jackson and President Wilson examples in PM 78 and PM79. There are other examples elsewhere in the Collection, notably in the menus of the NYK Line of Japan, contained in that section.

This style of menu and message combination appears to be confined to the Pacific Ocean passenger liner fleets of both Japan and the United States. As with the postcard variety, the objectives of the shipping line were to facilitate the passenger sending messages about his or her trip, to give those passengers an activity for their spare time during the long voyage, and most importantly to promote the shipping line and whet the recipients’ appetites for ocean travel.

These postcard and letter card variants might not appeal to a narrowly-focused postcard collector. That postcard collector would face the prospect of having to acquire A4 or 8 ½ x 11-inch acid-free sleeves and put these trophies in a separate 3-ring binder as Menu Cards, or merge them in the same type of sleeve in the body of a Menu collection. From personal experience, postcard/menu combinations in a dedicated binder could be fairly sparse for the first 20 or so years!

 

John Sayers

November, 2015

Through Romantic India with Lowell Thomas by Ian Matzen

My name is Ian Matzen. I have just begun a second semester of a distance learning program to earn a MLIS (Master of Library and Information Science) at San Jose State University situated in California. It is my pleasure to be cataloguing items from the Cinema category of the John Johnson Collection of Printed Ephemera. I have a keen interest in film and history, so this material is a fascinating window into a bygone era. The category includes magic lantern slides, lantern lecture advertisements, and magic lantern catalogues which date from the mid 1800s to the mid 1900s. I was surprised to learn of similarities between old lantern projector apparatus and the film projectors I worked with while in film school. However, most of the machinery in the catalogues ran on gas!

Recently, I entered information about a leaflet announcing a new India travelogue by the famous American Lowell Thomas: Through Romantic India.

Cinema 1 (43a)

Mr. Thomas notably sensationalized the exploits of T.E. Lawrence through the Arabian desert (see With Allenby in Palestine and Lawrence in Arabia, 1922). This beautifully printed leaflet promises viewers the opportunity to follow H.R.H. The Prince of Wales from Calcutta to Peshawur, making a brief stop to sit with “Hindu Holy men on their beds of sharp iron spikes”. This vicarious trip was not for the squeamish. The blue ink with which the leaflet is printed gives it an air of exoticism, especially as blue ink seems to have been rarely used in advertisements during this period. On the front of the leaflet is an elegantly dressed couple gazing over a lake at a magnificent Indian city. A caption reads “Lowell Thomas Presents his New Travelogue Through Romantic India”. The British audience would have found the reproduced photographs of Sadhus and a family on the last three pages dazzling. If we attended the event, we would have been treated to a 1920s event filled with a lecture by Lowell himself (talkies had yet to be popularized). According to one account the travelogue was “the best presentation of a foreign country which has ever been shewn, or which I think it will be possible for anyone to bring together”. The events, however, were not without controversy. India, at the time, was part of the British Empire and would be until shortly after the Second World War. Stationed outside the venue, Communist groups regularly protested the unequal treatment of the poor in India. At one performance, a group of students began to protest when a picture of Ghandi appeared. A Bodleian stamp on the front of the second page helped me to date the item. Given the opportunity,  I would certainly have attended the event. Wouldn’t you?

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