Written up by Catherine Birch, Jules McGee-Russell, and Summer Mainstone-Cotton
On 24th September, the Weston Library hosted a screening of The Librarians, a new documentary about banned books, censorship, and free speech in libraries across the USA. The documentary premiered at the Sundance Film Festival earlier this year, but this was only its second screening in the UK, and the audience was packed with librarians, readers, and film buffs alike. Naturally, a few trainees decided that an entire day spent working in a library wasn’t enough, so we decided to go along that evening too.
The Weston was steadily filling up with people as we arrived, and there was a lively atmosphere full of conversation and laughter throughout the building. We mingled, chatted, networked, and partook in the drinks and nibbles on offer. However, we didn’t have long to mill around, as seats were being taken fast, and it was time for the event to begin.
The welcome reception in Blackwell Hall@cyrusoxford
Before the film screening, there was a small ceremony held by the Royal Society of Literature to celebrate the Bodleian’s own Richard Ovenden. Richard was recently awarded the RSL’s Benson Medal for outstanding services to literature – in this case, his significant career as a librarian, and his roles leading organisations like the Digital Preservation Coalition and the university’s Gardens, Libraries, and Museums group. On top of this, he also recently wrote a book on the history of book burnings – Burning the Books: A History of Knowledge Under Attack – which makes a brief cameo in The Librarians! The award was certainly well-deserved, and the audience were enthusiastic with cheers and applause. After a short speech and some votes of thanks, he handed over to the director, Kim A. Synder, for a short introduction to the film. From there, all that was left to do was dim the lights, set the stage, and start the screening.
Richard Ovenden accepting the Benson Medal& his acceptance speech @cyrusoxford
The film itself was a compelling look at the recent wave of protests against school libraries in the United States. For those unaware: in 2021, public school superintendents across Texas were sent a list of 850 books challenged for potentially causing “discomfort, guilt, anguish, or…psychological distress” to schoolchildren.1 The list was compiled by state representative Matt Krause and predominantly included books which featured sex education, black history, and LGBTQ+ characters; many were also simply written by LGBTQ+ or non-white authors.2 School districts in other parts of the country began similar investigations, and soon libraries throughout the US were facing book bans. Parents began calling for the removal of material that they deemed sexually explicit or inappropriate for children, schools pulled up to hundreds of books from their shelves out of caution, and librarians who protested this were silenced.3The Librarians follows the people who pushed back against these investigations, exploring their stories and their struggles.
The film began in Texas but didn’t stop there, travelling to Florida, New Jersey, and other states impacted by book bans. It exposed how school librarians were subjected to bullying, victimisation, and even unemployment for questioning these book bans, and how those who protested more vocally received targeted online harassment and threats of physical violence. The film featured interviews with these librarians, as well as the students and school board members directly impacted by these bans. It also examined the role of politicians, pressure groups, and parents in this ongoing struggle, combining original documentary footage with social media content and relevant news stories for a more complete view of the situation. Interspersed throughout were clips from The Twilight Zone, Fahrenheit 451 (1966), and Storm Centre (1956), as well as archival footage of Nazi book burnings and Joseph McCarthy speeches. Time and again the film returned to these examples of historical censorship to emphasise the necessity of information, the dangers of book bans, and the inalienable right to freedom of expression. It was a moving watch, balancing humour and emotion with a poignant lasting message about the importance of libraries and literature to society.
The crowd applauding Julie Miller and Amanda Jones& a close up on the discussion panel@cyrusoxford
After the screening, a panel sat down to discuss the film and take questions from the audience. As well as the director and producers, it featured Dame Mary Beard, Richard Ovenden, and two of the librarians who featured most prominently within the documentary: Julie Miller and Amanda Jones. Discussion quickly turned to the Bodleian’s own experiences with book bans over the centuries, as Richard explained how the original Bodley’s Librarian specifically collected books denounced by religious authorities, preserving this information against censorship or wilful destruction. However, as Dame Mary then pointed out, it is important not to just rest on this legacy. She advised the librarians present to be conscious of how we treat ideas or books that we don’t personally endorse, reminding us that to fight against censorship we must fight for all speech to be free. As the panel reflected on the position of foreign academic librarians in this struggle, they returned to a central motif of the film – that silence is compliance when faced with systematic suppression.
The panel also discussed how these attacks on librarians have progressed since the film was finished in late 2024: perhaps most notably, in May 2025, the President unceremoniously fired the fourteenth Librarian of Congress.4 Carla Hayden, both the first woman and first African American to hold this post, was removed on the grounds that she had promoted DEI and placed “inappropriate books for children” in the library.5 This directly echoes the sentiments expressed about school librarians within the documentary, emphasising the increasing scope and scale of this crisis. Julie and Amanda took this opportunity to speak about their continued activism within their local communities and beyond, while the producers explained their plans to publicise the film further and gain international support for the librarians affected by these repressive campaigns. Discussion ended shortly after this, but not without a final round of applause for the librarians, politicians, and everyone behind the film continuing to fight to speak freely and be heard.
Some familiar faces deep in conversation@cyrusoxford
After all that talking, it was finally time for… more talking! There was a short drinks reception in Blackwell Hall following the screening, which gave us the opportunity to chat with other library staff and visitors who’d come to the viewing. The room really came alive, and the hall was buzzing with noise as the film gave everyone a lot to talk about. We had some interesting conversations about public services, the accessibility of our libraries, and our responsibilities in this struggle as new professionals. We also got the chance to tell some other attendees about our traineeships, and found time to catch up with some former trainees! All-in-all, a great end to the night.
The Librarians is an ambitious project – creating a film about a rapidly developing political storm and screening it internationally is no easy feat – but it is certainly a worthwhile one. The documentary highlights the cultural role of libraries in the past and present, providing useful insight into the politics of information and the tactics used to undermine it. While many of us had heard about these book bans across the US, we weren’t aware of the scale of the issue or the extent of the harm it was causing to individual librarians, and the film was an eye-opening call to act. As trainees, we are just entering the world of libraries: this film urges us to work to ensure the libraries are still there for us in future. The Librarians was released in the UK on the 26th of September, with more details of showtimes available here. It will also be available on BBC iPlayer for over a year. If you’re at all interested in libraries and literature, it’s definitely worth a watch. And if our review still hasn’t convinced you, here’s the trailer to speak for itself.
With thanks to Cyrus Mower (@cyrusoxford) for taking all of the photos included in this blog post
Who doesn’t love a book display? We’re sure you want to know all about the books we’ve displayed this month, and we are here to provide!
Trainees often end up working on book displays throughout their year, and we’re no different. A few lucky trainees got to start working on their first displays within our initial few weeks. Each library has their own approach to displays, with unique spaces, signage, and book selections.
The theme for Black History Month 2025 is ‘Power and Pride’, where Power represents ‘the influence, leadership, and capacity to effect positive change’ and Pride reflects ‘cultural identity, heritage, and the celebration of Black excellence.’
Here’s our takes on the Black History Month theme this year, with a spotlight on some of our favourite books.
Taylor Institution Library – Jules McGee-Russell
My first reaction when I found out I’d be taking on the displays at the Taylor was, admittedly, panic. I had one week to research suitable books from our collections, which are mostly made up of books in languages I can’t read, with historical contexts I don’t know much about. Luckily, after many hours searching our catalogue on SOLO, chats with Subject Librarians and colleagues, and several trips up and down all our stairs, I had a very nice stack of books from both the Teaching and Research Collections.
I wanted to stick closely to the theme and include as many different languages and cultures as I could. I chose books that focused on Black European visionaries and icons of influence, Black excellence in the arts, the power of Black protest movements, and Black experiences across Europe. I made an effort to include books from as many areas of our library as possible. I ended up with books including Germany, Portugal, Brazil, France, Martinique, Guadeloupe, Wales, Russia, Linguistics, fiction (poetry), and biography. Not bad for a speedy one-week display!
I hope my display showcases the breadth of our collections and will encourage readers to explore this area in their studies.
I was able to put the large display in the Teaching Collection, right next to the Issue desk and the Self-Issue machine, where plenty of people will see it!
Books included:
Aimé Césaire : inventor of souls by Jane Hiddleston.
This biography focuses on one of the most influential Caribbean literary writers, Césaire. Césaire was a Martinican poet, playwright, politician, and co-founder of the movement ‘Négritude’, which sought to restore the cultural identity of Black Africans.
Black Paris : the African writers’ landscape by Bennetta Jules-Rosette ; foreword by Simon Njami.
Black Paris explores three generations of African writers in Paris between 1947 and the mid-1990s. Using archival, ethnographic, and historical research in addition to interviews with writers of the new generation, this book explores their writing and identity.
Blues in schwarz weiss nachtgesang : Gedichteby May Ayim.
This poetry collection is written by established Afro-German writer/activist, May Ayim.
Farbe bekennen : Afro-deutsche Frauen auf den Spuren ihrer Geschichte by May Ayim, Katharina Oguntoye, Dagmar Schultz (Hg.)
A collection of texts by Afro-German women about their experiences.
Mapping Black Europe : monuments, markers, memories by Natasha A. Kelly.
This text highlights unrecognised contributions by Black communities to the cultural landscapes of eight European cities. Black scholars and activists examine monuments, markers, and memorials to excavate these obscured narratives.
This biography centres on Frantz Fanon, an influential Martinican psychoanalyst and social philosopher, known for his notable works Black Skin, White Masks and The Wretched of the Earth, about the effects of colonialism on racial consciousness.
Language in the inner city; studies in the Black English vernacular by William Labov.
Originally published in 1972, “Labov probed the question “Does ‘Black English’ exist?” and emerged with an answer that was well ahead of his time, and that remains essential to our contemporary understanding of the subject.”
Mobilizing Black Germany : Afro-German women and the making of a transnational movement by Tiffany N. Florvil.
“Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression…including Audre Lorde’s role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans (ISD) and Afro-German Women (ADEFRA).”
Signs of dissent : Maryse Condé and postcolonial criticism by Dawn Fulton.
“Maryse Condé is a Guadeloupean writer and critic whose work has challenged the categories of race, language, gender, and geography that inform contemporary literary and critical debates. In Signs of Dissent, the first full-length study in English on Condé, Dawn Fulton situates this award-winning author’s work in the context of current theories of cultural identity in order to foreground Condé’s unique contributions to these discussions.”
The stolen prince : Gannibal, adopted son of Peter the Great, great-grandfather of Alexander Pushkin, and Europe’s first black intellectual by Hugh Barnes.
This book focuses on the historical figure of Gannibal, a kidnapped and enslaved young African who was adopted by tsar Peter the Great, who “soared to dizzying heights as a soldier, diplomat, mathematician and spy” and “founded a dynasty of his own in Russia, where he came to embody the strengths and weaknesses of the country itself.”
Terms of inclusion : Black intellectuals in twentieth-century Brazilby Paulina L. Alberto.
“In this history of black thought and racial activism in twentieth-century Brazil, Paulina Alberto demonstrates that black intellectuals, and not just elite white Brazilians, shaped discourses about race relations and the cultural and political terms of inclusion in their modern nation.”
Tribuna Negra : origens do movimento negro em Portugal (1911-1933)by Cristina Roldão, José Augusto Pereira e Pedro Varela.
This book highlights the little-known Black movement in 1911-1933 Lisbon that “fought racism, demanded rights for populations in colonized territories, and… engag[ed] in dialogue with forms of Black internationalism, such as Pan-Africanism.”
Globalising Welsh studies : decolonising history, heritage, society and culture,edited by Neil Evans and Charlotte Williams.
This text explores “the development of Welsh Studies through the lens of race/ethnicity. Contributors from history, heritage studies, literature, film, policy, social and cultural studies offer case analyses adopting new perspectives, theoretical routes and methodological innovations, with the aim of illustrating aspects of the decolonising of knowledge production.”
Voices of negritude in modernist print : aesthetic subjectivity, diaspora, and the lyric regimeby Carrie Noland.
“Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an “aesthetic subjectivity.””
Luckily, unlike some of the other trainees, I had plenty of notice to work on my Black History Month display – it’s been in the works since mid-September! With 22 books covering a broad range of social science subjects from our collection, it proved to be quite the research challenge for my first month!
My aim for the display was to represent as many areas of the social science subjects as possible, while showcasing broader aspects of Black British history. During my research, I was particularly interested to discover several titles in the Bodleian’s collection that focus on Black activism within the University of Oxford. Two that stood out were Malcolm X at Oxford Union: Racial Politics in a Global Era by Saladin M. Ambar and Rhodes Must Fall: The Struggle for Justice at the Heart of Empire ed. by Brian Kwoba, Roseanne Chantiluke, and Athinangamso Nkopo.
This made it all the more disappointing when some books arrived from Swindon in plain black hardback covers, with their vibrant dust jackets removed for preservation. As a result, there are a few titles I would have loved to include in the SSL’s book display that, unfortunately, didn’t make the final cut. Overall, though, I’m happy with the selection of titles in the book display and the balance between academic texts, Women political leaders in Africa by Rosemari Skaine, alongside poetry and fiction texts: Saluting our sisters ed. by Cherron Inko-Tariah, and Girl, woman, other by Bernardine Evaristo.
Art, Archaeology and Ancient World Library – Olly Marshall
With our collections split into a few distinct subject areas, it can be difficult when making displays for all of them to be properly represented. We have loads of fantastic resources on black artists in our upper floor collections, but I was particularly keen on displaying resources on black voices in archaeology which are often overlooked both within the wider field of archaeology and within our own collections. Some of the highlights included:
The first Black archaeologist: a life of John Wesley Gilbert by John W.I. Lee.
This biography looks at the life of John Wesley Gilbert, from his education in segregated Georgia in the late 19th century, his research trip to Greece with the American School of Classical Studies at Athens in 1890-1891, returning to become Paine College’s first black faculty hire and his missionary work later in his life.
Black Feminist Archaeology by Whitney Battle-Baptiste.
This book is the first of its kind in outlining how black feminist thought and philosophy can be applied to archaeological theory and practise. Battle-Baptiste calls for a more sensitive look at race and gender within the archaeological field, and offers Black Feminist Archaeology as a method by which to look at the plantation home of Andrew Jackson, the W. E. B. DuBois homesite and the Lucy Foster homestead- the first archaeological excavation of an African American home.
African Connections: Archaeological Perspectives on Africa and the Wider World by Peter Mitchell.
Peter Mitchell offers an analysis of Africa’s identity within the wider world- looking at what archaeology can illuminate about trade routes, the spread of farming systems and the experiences of the African diaspora. Though the book looks at early expansion out of Africa in the Pleistocene the story is mainly that of Africa in the Holocene, a sorely neglected subject in the field. Mitchell confronts this neglect by emphasising early on that “Africa’s inhabitants interacted with those of other landmasses, not merely as consumers or dependents, but as equal partners in exchange and active donors of goods, ideas and people.”
Documenting activism, creating change: archaeology and the legacy of #MeToo edited by Hannah Cobb and Kayt Hawkins.
Multiple authors contributed to this volume sharing their experiences as women in working in archaeology and how women within the sector navigate social media in the face of online harassment based on gender and race. Several chapters look at the state of sexism and online activist circles in specific countries. Chapter 19, “In Pursuit of Systemic Equality: The UK’s First Network For Ethnically Diverse Staff In Development-Led Archaeology” reflects on the state of diversity in archaeology in the UK, the groups, committees and alliances that work to improve it and how this aim for diversity can affect the practise of archaeology itself. This book also has a chapter on mentorship for women in archaeology and could be an enlightening resource for anyone working in the sector.
A full list of the books and a more in-depth look at some of our art collections can be seen on the art library blog.
Bodleian Library – Catherine Birch and Rebecca Cartwright
While trainees in the Old Bodleian aren’t in charge of curating our library’s displays, we thought we should let everyone know what the Bodleian has been doing to mark Black History Month.
Our physical book display in the Gladstone Link is focused on themes of activism, resistance, and liberation in the nineteenth and twentieth centuries, taking material from the History lending shelves. We’ve also signposted a few ebooks from our collection, looking at black identities and intersectionality in Britain. There’s a broad range of texts spanning different historical disciplines, time periods, and places, reflecting the richness of Black history in the United Kingdom. If you’re unsure where to start, try checking out these texts:
There Ain’t No Black in the Union Jack by Paul Gilroy.
Originally published in 1987, this book examines racial politics and race relations in the UK and argues that the (then contemporary) sociological model of race and culture is inherently flawed. Predominantly researched and written during a period of significant racial tension in Britain, the book caused controversy after Gilroy accused left- AND right-wing intellectuals and leaders of failing to properly consider race in their politics. Almost 40 years later, it has held up as a foundational study of the relationship between race, class, and nationality. This edition also contains an edited introduction, where Gilroy reflects on the change he had seen since the book was first published.
Rhodes Must Fall: The Struggle to Decolonise the Racist Heart of Empire by the Rhodes Must Fall Movement (Oxford).
This collection of writings on the Rhodes Must Fall movement has close links to the university. It was compiled and edited by members of Rhodes Must Fall Oxford, a group founded in 2016 in solidarity with anticolonial student protests at the University of Cape Town. The Oxford chapter’s aim was to decolonise the university’s curriculum and remove a statue of Cecil Rhodes from Oriel College. The book sets out their arguments as to why Rhodes shouldn’t be honoured, exploring the modern legacy of colonialism and the enduring impact of racism and empire on all aspects of Western life. While much has changed in the 7 years since this book was published, it reflects a pivotal moment in the university’s history, and it remains a thought-provoking read.
We Were There by Lanre Bakare.
On this “road trip around Black Britain… this time, London is in the back seat, and Bradford’s our driver. Liverpool’s choosing the music. Edinburgh’s navigating.”[1] Often, black history in Britain is confined to the urban southeast. Areas like Cardiff, Manchester, or Bradford (where Bakare was born) are a footnote, and rural black lives are overlooked entirely. This book seeks to move beyond this conception and illuminate aspects of British history we’re yet to fully explore. It’s a recent publication which looks to the future as well as the past, emphasising that blackness and black culture is not universal, modular, or static. Filled with humour and introspection, it questions what it actually means to be a Black Briton, not just a Londoner.
We’ve also picked out some books from our wellbeing display in the Old Bodleian which embody this year’s theme. When you next need a study break, take a look at these:
Celebrations: Rituals of Peace and Prayer by Maya Angelou.
Maya Angelou is widely recognised as one of the most significant poets of the twentieth century, and this anthology brings together some of her most famous works. Angelou was not just a great writer and artist – she was closely involved with the civil rights movement in the USA, and was a fierce activist throughout her life. Her life and her writings truly embody the theme of “Standing Firm in Power and Pride”, and her legacy is one felt here as well as in the United States. ‘Celebrations’ contains 12 poems about peace, love, and hope, and is a great book to dip into whenever you need some joy.
Self-Care for Black Men: 100 Ways to Heal and Liberate by Jor-El Caraballo, LMHC.
‘Self-Care for Black Men’ does what it says on the tin: the book is a guide to coping with racism, prejudice, and intergenerational trauma as a modern Black man. Carabello is writing for men who feel like they don’t have access to the support that they need, offering guidance on how to take care of yourself and your wellbeing in a constructive manner. The book is full of Black pride and empowerment, with 100 meditations on identity, respect, and personal dignity. For those feeling insecure or emotionally drained, it could be a very useful read.
If these have interested you, or you want to learn more, check out our HFL blog post for a full list of the books on display in the Upper Link. Our Wellbeing display is available year-round and is located at the top of the North Stairs in the Old Bodleian.
Signpost – Events
If you liked our displays and want to see more of what the university have to offer, come along to the Weston Library on Wednesday 29th October for a chance to see some unique items from the university’s Special Collections. There’ll be a show-and-tell of archival material focused on black lives in history, with the opportunity to learn about racial activism and black culture in Britain from the nineteenth century onwards. The event is free to attend – to learn more and register attendance, visit the Oxford SU website.
The Ashmolean has also recently unveiled a new display: ‘Shedding Light’. An evolution of the earlier installation ‘A Nice Cup of Tea?’, this room was carefully crafted to tell a story about the interconnected histories of slavery, colonialism, sugar production, and ceramics. It takes the form of a 1950s-60s Caribbean living room filled with books, records, ceramic, and life – viewers are encouraged to literally read the room. It’s an interesting lens into British Caribbean heritage and intergenerational experiences, with a particular focus on the sugar trade and how this shaped black lives and culture. It’s located in the European Ceramics Gallery on the second floor and is intended to be a permanent fixture in the museum.
Hello again, loyal readers, and welcome to part two of our introduction to the 2025/26 Graduate Trainees. This time, the spotlight is on the Business, Law, and Social Sciences libraries, as well as this year’s College trainees.
Noughth week was busy! We’ve been running induction tours, putting up Black History Month displays, visiting the newly opened Schwarzman Humanities Centre, and somehow keeping our libraries running smoothly. The city is covered in falling leaves (romantic, autumnal, stunning) and the beginnings of the expected wet weather (slippery cobblestones, my nemesis). Regardless, we’re all set to give warm welcomes to our incoming freshers.
Now, let’s meet some more trainees!
Trainee Introductions: Business, Law and Social Sciences
Heidi Cruft – Sainsbury Library, Saïd Business School
Hi everyone! I’m Heidi, the Graduate Trainee at the Sainsbury Library in the Saïd Business School.
Although my BA wasn’t in Business – I studied English at the University of Cambridge – I got a taste of what business students might be looking for while working with them during a summer scheme at my college. That experience gave me some insight into their research habits and made me appreciate how unique the Sainsbury Library is among the Bodleian Libraries: we primarily serve postgraduates, with a strong focus on journals and databases.
I knew quite early on in my undergraduate degree that I wanted to pursue a career in libraries and was lucky to gain experience by volunteering at two of Cambridge’s college libraries. That proved invaluable – not only did I get to work with some fascinating special collections, but I learnt a lot about the day-to-day tasks common across most libraries, including processing new books, shelving, and answering enquiries.
I’m really enjoying my role at the Sainsbury Library so far, and it’s been lovely to get to know the (quite large!) team here. I’ve particularly enjoyed learning how varied everyone’s roles are – it’s shown me how much collaboration goes on behind the scenes in library work.
Hello! I’m Gemma, the graduate trainee at the Bodleian Law Library.
I have a BA in History and an MPhil in Ancient History, both from Oxford. I’ve always been interested in working in libraries in some capacity, so after my Master’s I looked for volunteering opportunities and found a position in the library of a small theological college. This was a really useful experience because as well as getting a lot of shelving practice(!) I got to do all sorts of other background tasks (cataloguing, checking reading lists, working with the archive). I went on to work part-time as an evening and weekends library assistant in the Old Bodleian and the Art Library, which was much more focused on front-line reader services: issuing and returning books and generally helping readers and problem-solving.
What I enjoy about working in libraries is that it’s relatively structured but also involves a variety of tasks, and you never quite know what will come up so it doesn’t get boring! I decided to apply for the graduate trainee role because I wanted to learn more about working in libraries in general, and technical services in particular, and to hopefully work out whether to commit to a further Master’s.
I’ve really enjoyed my first month at the Law Library. Everyone has been welcoming and very helpful, and I feel like I’m beginning to settle in and become part of the team. I’ve obviously had a lot of experience using the Bodleian libraries as a student as well as working in them for the past year or so, but before now I hadn’t ever been in the Law Library. I don’t know much about law as a subject at all, so I’ve been learning a lot! I’ve also been getting used to the library itself, since of course although they’re all under the Bodleian Libraries umbrella, each library has its own idiosyncrasies. The Law Library is reference only, so no one can take the books out, which is a change from the libraries I’d worked in previously. As well as legal texts, the library houses the Official Papers collection, some of which date from the 16th century.
So far, I’ve mainly been processing new books (putting tattle-tape in them and stamping them) and labelling them (there’s two different types of labels, reflecting the two classification systems that the library uses). I’ve also got to grips with using the Bookeye scanner, which is actually a lot easier than it looks! There’s not been too much shelving to do but the library has been getting busier as the beginning of term gets closer, so I’m sure I’ll soon have the opportunity to properly test myself on the library layout and shelfmarks. I’ve also spent some time at the Enquiry Desk. The (Grade II*-listed) building that the library is in can be a bit of a labyrinth and I’m still working on how best to answer the inevitable questions from readers about how to find the water fountain… For October I’m hoping to get involved in the book displays we have planned and looking forward to the start of a new term!
Summer Mainstone-Cotton – Social Science Library
Hi everyone! I’m Summer, the graduate trainee at the Social Science Library (the SSL).
Whilst a medievalist at heart, having studied an MA in Medieval Studies, I feel that I’m starting to find my feet amongst the Social Sciences (there were plenty of economic and political influences in the medieval world after all!) At the SSL we serve a mix of undergrads and postgrads, with probably our largest undergraduate cohort being the PPE students – I’m always a bit daunted when their big economic textbooks come to me for processing!
I was fairly inexperienced with library work before this traineeship. As a student I spent a lot of time in libraries and became quite good at the detective work of tracking down obscure research books, but the inner workings of libraries remained a mystery. During my MA I did a placement at Cambridge University Library, but that was with special collections rather than reader or technical services – I learnt a lot about childbirth in medieval medical manuscripts, but I’m yet to find a use for that knowledge in the SSL! Far from being a disadvantage though, it’s made everything here feel new and interesting – I still get a lot of satisfaction from stamping books with the Bodleian stamp (even if I haven’t managed to stamp in a straight line yet).
I’ve really enjoyed my first few weeks at the SSL. Everyone in the library has been very friendly and patient with my many questions and triple checking alma holdings editing – I’m still terrified I’ll accidently delete a book from the system!
The traineeship offers a great mix of technical and reader services alongside the Wednesday training sessions, which makes every day new and interesting. I’m looking forward to the upcoming chaos of Michaelmas term and I’m sure this year will fly by!
Trainee Introductions: Colleges
Amy Fry – Christ Church College Library
Hi everyone! I’m Amy, the Graduate Trainee at Christ Church Library for this year. My position is slightly different to the Bodleian Trainees: I’m technically employed by my college, but I still get the same training sessions and experiences. The best of both worlds!
I studied Music at Lincoln College before starting this job, probably the only other Oxford college library whose beauty can compare to Christ Church’s (I still can’t quite work out where my loyalties lie…), however the world of libraries is rather new to me. It was actually the advertisement for the Bodleian Trainee scheme that sparked my interest in librarianship as a career, and after some great advice from Lucy and Marina, the librarians at Lincoln, I decided I would give it a go.
Christ Church Library is a wonderfully impressive place to work. Vertically split into the Working Library downstairs and the Special Collections upstairs, it offers such variety on a daily basis. Downstairs, my responsibilities include much of the day-to-day tasks involved in keeping the library useful for students: processing, shelving, collections management, and fielding questions (if I know the answers that is…). Upstairs, I get to help out with exhibitions, and over the course of the year will also put on various short pop-ups. I’m currently planning one to celebrate the Christ Church 500 Music Festival – a rather cool experience for a music grad! I’m lucky to have joined such a welcoming and knowledgeable team here (9 of us total!) and feel very excited for what the rest of the year will hold, both in Christ Church and across the wider Bodleian Libraries!
Leah Duffin – New College Library
Hello. My name is Leah, and I am the Graduate Trainee at New College Library. As I work in one of the colleges my role is different from the other trainees. I work across a multitude of projects, execute various tasks, and contribute to the successful running of the library. I am fortunate to feel quite settled in this role as I started in July and have had lots of exciting opportunities since then.
I hold a bachelor’s degree in English Literature and History and a masters in Medieval Studies from University College Dublin. I have spent much of my academic career in libraries and upon completing my master’s I found myself drawn to a career in libraries. Due to the nature of my master’s research, I worked closely with special collections, and I knew that I wanted to foster this interest in a more professional capacity. Thus, I decided to move away from Ireland and combine my passion for history and libraries and what better place to do that than Oxford!
Perhaps I show my bias but, in my opinion, New College is one of the finest colleges in Oxford and the library has become a welcoming and wonderful place to work. New College Library is home to a renowned collection of rare books and manuscripts; this includes 384 manuscripts and thousands of rare books and incunables. I was particularly drawn to this role as it allowed me to use the knowledge I gained in my studies through working with a rich repository of special collections whilst also learning more about librarianship and supporting readers. Here at the library, our year is full of opportunities to showcase our special collections, as we often hold exhibitions for the public to come and view our treasures! We also assist academics and readers in viewing our collections. Recently, I aided in curating our current temporary exhibition on the American illustrator Edward Gorey. I was responsible for deciding which items to showcase along with carrying out research, creating labels and designing the promotional material. As term has begun, we are busy holding inductions for new students, purchasing books from readings lists and planning our next exhibition that will take place in November. I am looking forward to what the next few months have in store!
As we enter October and the new academic year begins, we thought it was high time that the new batch of trainees said hello. Our first month in Oxford has flown by in a whirl of training sessions and desk duty, and we’re all braced for the imminent chaos and excitement of noughth week. It’s been strange working at a university with no students, but whilst waiting for them to turn up, we’ve certainly been busy! We’ve learnt our way around the libraries (some of which are more complex than others…), processed books, and reviewed many, many reading lists to prepare for the start of Michaelmas term. Over the next year, we plan to keep you well informed about the adventures and mishaps of graduate trainee life, but thought we’d start by introducing ourselves:
Trainee Introductions: Arts and Humanities
Catherine Birch – Bodleian Library / History Faculty Library
Hello all! I’m Catherine and I’m one of two trainees in the Bodleian Library. As the Collections trainee, I can usually be found in the History Faculty Library, but the role actually involves working across multiple libraries – more on that later.
I started university with no clue what I was going to do with a History degree, and I only fully decided on a career in libraries in my final year. I gravitated towards collections work while volunteering in a few different archives in my spare time, where I realised I really liked transcribing and digitising materials. I got a job working in reader services to test the waters, and after a lot of shelving, researching, and scanning, I felt confident that library work was definitely for me.
Being based in the HFL has been excellent because I’m surrounded by my favourite subject, but even if you aren’t a history buff there’s something for you at the Bodleian. Our holdings include English, Classics, Philosophy, Theology, and more, so there’s no shortage of interesting material. There’s also a study space for every mood, as our site includes the historic Old Bodleian, the underground Gladstone Link, and the iconic Radcliffe Camera. I do already have a favourite, but I’ll never say which…
I’ve only been working in the HFL a short while now, but I’m enjoying it a lot. There’s a real variety of work to do every day, from processing new acquisitions and creating displays to helping readers use the printer or find a misplaced book. The team have been offering me plenty of useful support and advice, and they’ve been very patient when I ask where the light switches are for the hundredth time. I’m looking forward to finding my confidence and developing new skills through the traineeship, and I’m excited to see what this year has in store!
Hello! I’m Rebecca, one of the two Bodleian Library trainees. While I’m primarily based in Reader Services and spend most of my time in the Old Library, I also pick up work in the Radcliffe Camera and Gladstone Link (which host the History Faculty Library’s undergraduate teaching collections).
I studied BSc Geography at Lancaster University, during which I completed a placement year. Living and working in the South is all very new to me, let alone in Oxford! Over the years, I’ve worked as an ambassador for my university, in an automotive manufacturer’s Environment Team, and even as an Assessment Coordinator for a major education company. However, the extent of my experience working in libraries is volunteering one hour a week at my sixth form college library. Librarianship has always appealed to me, but it wasn’t until I graduated that I began to seriously consider it.
Over the course of my degree, I developed an interest in data. So much so, that my dissertation was a data synthesis project using Python, where I examined trends in the carbon intensity of global primary energy (thrilling stuff, I know). I graduated with a whole host of skills—from research and report writing, to customer service and administration—and after some soul-searching realised maybe a career in libraries was possible after all. Enter: the Bodleian Libraries Graduate Trainee scheme.
While there has been a lot of information to absorb (and a few trials by fire), my first month has flown by. There are some major changes taking place at the moment, so it’s an exciting time to be working at the Bodleian. Working on the Main Enquiries Desk three days a week gives me the opportunity to engage with readers and exercise my problem-solving skills. Besides this, it’s varied work and you never stop learning. Can’t wait to see what chaos awaits in Michaelmas!
Olly Marshall – Art, Archaeology and Ancient World Library
Hello- I’m Olly and I’m the new trainee in the Art, Archaeology and Ancient World Library (better known simply as Art).
My background doesn’t lie in art, archaeology OR the ancient world, but in environmental science; I graduated this summer from the University of the West of England with my BSc. In my final year I wrote my dissertation on how coal has been represented in British art and I developed an interest in art history and criticism through that.
Other than briefly volunteering in a public library for my bronze Duke of Edinburgh award (which I did not complete…) my only experience in libraries is as a reader. Last summer I did an internship at Kew Gardens Herbarium re-curating the fern specimen collection, and learnt a lot about classification systems, considering users when managing collections and I made good use of the amazing library in the herbarium! Here someone suggested to me that I consider a career in libraries and I liked the idea a lot.
It’s early days in my traineeship and I’ve already learnt so much! I’ve issued, returned and shelved a lot of books, helped a lot of readers find items in our confusing classification systems, made new book displays, completed some minor book repairs, traversed many flights of stairs and become very distracted by our collections – this happens most in our second-floor art collections and ancient coin materials in the Haverfield Room. I also swap with Jules to work in the Taylor Institute Library a few times a week, because I can’t get enough of confusing collections and stairs.
I’ve really enjoyed getting to know the wonderful team here in the humanities libraries and I’m looking forward to the rest of my year- though nervous for the chaos of the start of Michaelmas!
Jules McGee-Russell – The Taylor Institution Library
Hello world (and future trainees probably reading this blog)! I’m Jules, my pronouns are they/them, and I’m the trainee this year at the Taylor Institution Library.
I graduated from Newcastle University with a Combined Honours degree in English Literature, Spanish and Latin American Studies, and Chinese in 2021 – which feels like forever ago! I graduated thinking I’d go into journalism, publishing, or marketing, and completely wasn’t expecting to fall in love with library work.
I first volunteered in my college library during A-Levels for my silver DofE award, but in 2023 I found myself a casual job in the library I visited weekly as a child. Working in public libraries completely shifted my career goals, and I found a true passion! Two years later, I had worked in six libraries across West Sussex, from a small lone-working library to the second largest in the county. I decided I wanted to become a librarian.
Many google searches later, I came across this blog, and the Graduate Trainee programme here at the Bodleian libraries. I was thrilled to accept the position here at the Taylor, the exact library I had put on my vision board months before.
I’m still finding my feet within the Oxford University system – it has only been a few weeks after all! Things work very differently here to public libraries (what is a Michaelmas and why does it have a week -1?). The Taylor is two beautiful buildings mushed together, with the spiral staircases to match. It also has a plethora of both old classifications and newer Library of Congress classification all in the same places. At the moment, I’m looking forward to shadowing the Assessment Team, and getting my teeth into my own project over the course of the year – if I can get through student inductions that is!
This is the fourth and final post in our series on the 2025 Trainee Showcase. If you missed the previous three posts, you can find them directly below this one!
Jake Banyard – Improving user access: wayfinding and resource signposting at Teddy Hall
Written by Millie Krantz
Jake’s trainee project tackled a problem intimately familiar to many library staff: how can we make libraries as approachable and intuitive as possible for readers?
Teddy Hall has a beautiful but imposing college library – it’s housed in the converted medieval church of St Peter-in-the-East and retains many original features like fifteenth-century stained glass. When libraries are in historic buildings that were built to intimidate and impress, readers can understandably have apprehensions about using the space, which poses a problem when we as library professionals want to welcome students in and encourage them to use our resources. In addition, the fact that it isn’t purpose-built means that it can be a bit of a maze, even to users who are familiar with academic libraries. Since it tends to be difficult to knock down medieval buildings just to make them easier to navigate, Jake has had to settle on improving accessibility by reworking the map, improving signage, and ensuring that accurate and up-to-date information is circulated on the college website.
Jake’s new and improved map and book-finding guide alongside an important member of staff
Jake’s improved maps take a seemingly simplistic approach, but one that is impressively pulled off: stripping out excess information while retaining and adding things that are actually useful. Anyone who has spent hours trying to rework their library’s map in Canva will understand how hard it can be to include as much useful information as possible without everything becoming visually overwhelming, but Jake’s tactic of splitting up and naming the different sections makes navigation much easier. Jake’s use of icons to indicate amenities not only makes it easier for students to look up where their section might be in the library, but also provides a common language of locations so that giving directions becomes easier, and represents the amenities in a visually different way to reduce the amount of clutter on the map. Furthermore, the maps provide an idea of the building’s actual layout and structure in order to help students navigate their way to the books rather than getting stuck at dead-ends. Jake has made sure to display the map at points where students would need it, alongside other useful resources, like a basic guide to using SOLO. On top of this, his map is designed to function in tandem with improved signage that indicates where study and accessibility aids can be found, improving wayfinding in general.
Webpages and social media are also important ways of helping students use our services easily, especially in college libraries that remain open outside of staff hours. Jake’s useful updates to the Teddy Hall websites ensure that students have easy access to information about printing and accessibility aids, and that various different pages are better linked, enabling students to be more independent and confident in their library usage. Jake also made several posts on Teddy Hall Library’s Instagram explaining what the library has to offer; this direct social media outreach provides an invaluable counterpart to the wayfinding and signage improvements inside the library.
All in all, Jake has planned and executed a number of highly useful improvements to Teddy Hall’s reader provisions, ensuring that the library will better serve the needs of students and that they will get more out of everything the library can offer them.
Hannah Richmond – Data, displays and digital support: my year in review
Written by Ash Lammers
Hannah’s presentation took us through her three main projects this year, which are paradigmatic of the various ways in which we as trainees make lasting impacts on our libraries.
Shortly after Michaelmas started, Hannah set out to collect and analyse data from the student induction tours that the Law Library runs for new (and returning) students. She aimed to make these tours more effective for staff and students in three key areas: engagement, satisfaction and workforce. For engagement recommendations, she reviewed keywords that appeared most often in positive feedback about the tours (helpful and informative, if you are wondering!), as well as collecting attendee numbers for each tour or induction session held by the library. By combining this data with the improvements suggested by attendees, she concluded that increasing the awareness of inductions among students would be useful to make sure that all who might benefit from an induction could attend, and to increase satisfaction among those already attending. For workforce recommendations, Hannah collated a spreadsheet which compared the number of staff members involved in giving the induction and tours, and came to the conclusion that a reduction in the number of tours/inductions given would be beneficial for both staff workload and student engagement. Naturally, this data came presented beautifully in highly readable pie charts, spreadsheets and diagrams – what’s not to love?
A second project that accompanied her all throughout the year was the setup of the themed book displays in the Law Library. By curating themed displays for events such as Black History Month and Disability History Month, Hannah was able to highlight the diversity of the law collection and specific intersections of marginalised identities with the law. If you are interested in Hannah’s process, our earlier Disability History Month blog post features some examples from not only the Law Library’s display, but also the Social Science Library and New College Library. While it is widely known that trainees’ hopes of books being taken off the display and read typically remain but a distant dream, Hannah noted significant interest in readers walking past, who would stop to browse.
Her final project involved recording three bitesize videos on Panopto, in which she took students through the basic steps of how to access digital support materials to assist them in their studies while at Oxford. These videos are currently available online, and will hopefully help many more students in the years to come.
Lilly Wilcox – Fresco: managing web archiving in preparation for the move away from Oxford Mosaic
Written by Elena Brearley
Over the course of the year, Lilly has presented on a few occasions about her work as a Digital Archivist, and each time I have been so impressed by her knowledge and passion for the subject. On the day of the showcase, she explained to us that University IT services are currently transitioning from the web publishing platform Mosaic to the new platform, Fresco. Lilly told us how her work as a Graduate Trainee Digital Archivist working with the Bodleian Libraries Web Archive (BLWA) has been impacted by this change.
To begin with, Lilly confronted us with an intriguing question: ‘Why archive the Web?’. She argued that we should archive the web for the same reason we archive any other kind of material: web archives have legal and evidential value as well as cultural, social, and historical importance. They are a significant resource for research, including for use in data sets.
Lilly introduced us to some key tools and programmes that web archivists use to do their work. An important tool for web archiving is a ‘web crawler’, which is an automated bot that ‘crawls’ and browses through the internet, capturing and archiving websites as it goes. Crawlers are used in other contexts too: Google uses them to find and bring together resources relevant to a search, and AI companies use them to scrape information to feed to Large Language Models.
Another key term for those such as myself who are new to learning about web archiving is ‘Seed URL’. Seed URLs function as a starting point for web crawlers to begin their journey working through and collecting data from a website. Web archivists can schedule crawlers to visit seed URLs at different points in time, and each captured version of the site is then saved to a WARC (Web ARChive) file. This means that past iterations of the site can be compared to the live version.
Bodleian Libraries Web Archive, which Lilly works on, was started in 2011 and is primarily focused on archiving University of Oxford websites. Until recently, these websites had been supported by the content management system Mosaic, a system which has posed some challenges to web archivists, including content frequently missing from captures due to being pulled through Application Programming Interfaces (APIs).
With the transition from Mosaic to the new content management system Fresco, Lilly’s team had to quickly make some challenging decisions about which websites to document for the Bodleian Libraries Web Archive. With the limited time, resources and budget available to them before the migration took off, they appraised over 1000 sites and decided to begin archiving over 150 additional websites, mostly for lab groups, centres, institutes, and departments. As they were in this process, sites were already being removed, so they had to work quickly and ended up gathering an enormous amount of data.
Fresco is being rolled out to the university community slowly, so the BLWA team is still learning how archive-friendly Oxford Fresco will be. Lilly emphasised the importance of collaboration and communication with web archivists from the outset of projects such as this one and hoped that people might gain more awareness of web archiving when creating websites (including designing them to be crawler friendly).
Lilly closed with a profound message on the importance of digital archiving, especially in times of political change, pointing to the recent change in administration in the US earlier this year and the drastic changes to government websites that have ensued. A question from the audience prompted Lilly to talk further about the implications of AI crawlers and how some sites have banned crawlers altogether. Hopefully in the future site owners and web developers will be open to working with web archivists to allow permission for their crawlers to carry on their work of documenting the World Wide Web.
Lilly is an effective and persuasive advocate of Web Archiving. She has certainly given me new insight and perspective onto how impermanent and slippery the internet is, and how necessary it is to document its changes over time. I hope she continues to be a champion for this important work!
Gia Simmons – Working papers and a small ‘archive’
Written by Lilly Wilcox
Last but certainly not least, Gia Simmons gave us a look into some of the work that she has done this year on two unconventional collections at the Social Science Library: a small archive of papers from the former International Development Centre Library and a large donation of working papers from the University of Bradford. For her project, she helped the SSL make steps toward understanding the makeup of these collections, where they belong, and how to make them accessible in future.
The International Development Centre Library was originally based at Queen Elizabeth House, home to the Department of International Development. This collection of papers came into being from a precursor to the IDC called the Agricultural Economics Research Institute and was created between ca. 1900–1980s. The papers were eventually inherited in 2005 when the contents of the International Development Centre Library moved into the SSL. Because of the complicated chain of custody and time that passed between when the papers were created, acquired by the SSL, and when Gia began looking at them, it had become unclear what the collection comprised.
In this larger collection from the International Development Library, Gia discovered a series of papers from the House of Lords for which the SSL had no record of the contents. The four boxes of material comprise miscellaneous papers relating to the creation of the 20th Report of the select committee on the European community’s agriculture and the environment during parliamentary sessions from 1983–1984. These made their way into the archives through a former Oxford Lecturer in Agricultural Economics, Dr Rosemary Fennell, who served as an advisor to the committee and deposited the papers with Queen Elizabeth House. Gia documented the different archival material in the boxes, taking note of their titles, creators, publishers, and dates of creation, as well as the mysterious set of codes with which the documents were labelled. Equipped with a new understanding of what is in the collection, the SSL is now looking for an archive with which to deposit these papers so they can be made accessible for research.
The second collection was a donation of working papers relating to international development donated to the Bodleian by the University of Bradford, which is weeding their collections. To integrate this donated material with existing SSL collections, Gia researched the full institution names and series names behind the working papers (which weren’t always evident from existing records and the material) to determine whether that series and its papers were already held by the SSL. With this information she was able to either match the material up with an existing shelfmark and barcode them for physical processing, or work toward creating shelfmarks and records for materials that were completely new to the SSL collections.
Gia’s presentation was a fascinating look into the sometimes-unconventional ways that our libraries acquire new material and the massive amount of work that is required to understand and make available these acquisitions.
And Finally, Our Farewell
Sadly, with this post, our time as the 2024-2025 graduate trainees has come to an end. We want to thank all of you who supported us, read our blog posts, or simply put up with us as we tried to make sense of the wacky world of the University of Oxford libraries. Hopefully we will see you all again, but if not…
This is the third of a four-part series of presentation summaries for the 2025 Trainee Showcase. If you missed the previous posts, you can find them directly below this one!
Ash Lammers – From reclassification to Hebrew manuscripts: a tour through my trainee year
Written by Hannah Richmond
Choosing to present on three medium-sized projects rather than one larger one, Ash took us through a busy year of reclassifying sections of Jesus College’s collections, enhancing catalogue records for Hebrew manuscripts and rare books, and starting a book club alongside the college EDI Officer.
Having identified the use of dated and often inaccurate terms being used within the library’s collections, Ash began to reclassify these sections in the hopes of providing a more up to date and browsable collection with a reduced use of colonialist terms. They aimed to achieve this through the following steps:
Dividing larger categories into two or three smaller ones (e.g. dividing Philosophy into 20th and 21st Century Philosophy)
Removing English as a default language
Creating separate sections for certain subjects (e.g. History of Gender and Sexuality, Drama).
For the library’s Asian History section, Ash confronted dated Eurocentric language and inconsistencies between this section and others in the collections. They made the decision to divide this section by geographical region rather than by time period due to the geographical scope. This resulted in separate subdivisions for South Asia, South East Asia, Middle East, East and Central Asia, and Oceania.
Similar to the above, Ash also reclassified the African History section in an attempt to address the perpetuation of colonialist impact and to more accurately reflect the true complexity of African history. For this they settled on reclassification by time period, dividing them by colonial and post-colonial events.
To add to their already impressive and impactful efforts, Ash will be spending the summer months reclassifying the approximately 9000 items that form the Celtic library.
An example of the manuscripts Ash was working on
Ash then took us through their second project improving current catalogue records for various Hebrew manuscripts, including copies of the Torah and Haftarah housed at the Weston. Ash is currently adding corrections and additions, hoping to increase the discoverability and knowledge of these items. They also tackled two poorly catalogued Hebrew books, transcribing and translating colophons and title pages in order to extract publishing details.
To round off, Ash brought up their book club, which they created alongside the college’s EDI Officer. The group meets termly to discuss books with significant diversity representation or themes. It has gained positive feedback thus far and Ash is hoping to continue it during the upcoming Michaelmas term.
Lindsey Evans – A dive into archives and digitisation
Written by Harry Whattoff
In her presentation, Lindsey spoke about the process of creating a Taylor Edition using an item from the Fiedler Archive at the Taylor Institution Library. For those who are unfamiliar with Taylor Editions, these are essentially texts or images from the Taylor Library’s collections which have been digitised by the Medieval and Modern Languages Faculty, the wider digital scholarship community here at Oxford, or, as in this case, by library staff such as Lindsey!
To begin her presentation, Lindsey shed some light on the Fiedler Archive and its namesake. Hermann Georg Fiedler (1862-1945) was a renowned German scholar and Chair of Oxford University’s German department from 1907 to 1937. He was also a tutor to the Prince of Wales – later to be King Edward VIII before his eventual abdication – and the two kept in touch for many years. In fact, after Fiedler supervised the extension of the Taylor Library, it was the Prince of Wales who reopened it in 1932. As for the archive, Lindsey noted how its expansive contents are mostly uncatalogued and tend to illustrate Fiedler’s complicated relationship with and feelings towards World Wars I and II.
In terms of choosing a text to be digitised, Lindsey outlined a clear approach: assessing the archive contents, carrying out complementary research, and calculating the potential project scope against the time available to undertake it. For the project to be manageable, the item which Lindsey chose had to be suitable in length and complexity, relevant to the Taylor’s wider collections, and out of copyright. As such, she settled on a copy of The Oxford Cosmopolitan from 1908 which details a lecture Fiedler gave on World Literature on February 25th of that year.
The process of creating the Taylor Edition had six main steps: to scan the source text, transcribe, encode in XML, check quality, fix any issues, and publish. Lindsey mentioned that she had not had much prior experiencing of XML encoding, so it did take a little while to acclimate to it. In terms of fixing any issues, this involved clarifying any ambiguities in the text, changing misspellings of Fielder’s name, and integrating links to external sources for further context. The main outcome of the project is that the Taylor Edition has officially been published and can be seen on the Taylor Editions website. Furthermore, the extensive research and sources which Lindsey compiled over the course of the project is being handed over to the team at the Taylor. This ultimately will help contribute towards future goals to document the Fiedler archive more widely and assist in the potential creation of an online discovery tool for it.
Emma Brand – Trapped in the dungeon: reimagining art’s approach to damaged books
Written by Phoebe Lawson
Emma’s presentation this year was all about the dungeon. Until this year, I didn’t even know that the Art library had a dungeon. Apparently, ‘the dungeon’ refers to the Lower Ground Floor Office where, for many years, damaged books went, never to return.
Books had been pulled from the shelves for repairs and a spreadsheet, the perennial favourite of librarians everywhere, had been created to keep track of them. However, many of the books had ended up languishing in the dungeon for far too long. Enter: Emma. Emma’s project was to try to create better workflows and new resources concerning damaged books, and to try to raise staff and student awareness of book repairs so that the books might one day be released from the dungeon.
She started by organising the dungeon, sorting through the books to make everything flow better so that people could easily see what work needed to be done. Emma also created fancy new triage slips to make it easier to triage damage, new signage for the shelves, a whole new (and colour-coded) spreadsheet for book repairs, and a decision tree for people to identify types of book damage. She even created an ID booklet for recognising damage and, my personal favourite, the most adorable awareness posters.
Honestly, I was blown away by the amount of work Emma put into her project this year. Book damage is something which, as librarians, we come across quite often, but which we sometimes don’t know what to do about. I feel like her project has the potential to really help improve book repairs at Art (and maybe free the poor trapped books from the dungeon once and for all).
Emma: Graphic design is my passion Don’t eat books, kids!
Going forward, Emma is working to finish her ID booklet and other information sources, and continuing to implement her spreadsheet and slips across the Art library (and maybe a few others). At the end of her presentation, she offered to share her resources with anyone else who might want them and, to be honest, I hope people do take her up on that… if only so I can see her cool posters everywhere.
Personally, I really enjoyed Emma’s presentation. I loved the quality of the resources she produced, and I’m amazed by the sheer amount of work and effort that must have gone into her project this year. Also, in a day filled with many different spreadsheets, Emma’s colour-coded book repair spreadsheet remains my favourite. I think she’s done a fantastic job with her project and that it might very well have a major impact on how book repairs are handled at the Art library.
Zac Draysey – Building an LGBTQ+ History LibGuide
Written by Yasmeen Khan
Zac’s trainee project revolved around the creation of an LGBTQ+ History LibGuide – a daunting but necessary task that would help to promote the wealth of under-represented resources on this subject to the wider global research community.
Due to ever-growing academic interest in the topic of gender and sexuality, the staff of the History Faculty Library had been quietly working on the creation of an LGBTQ+ History LibGuide for a while. Zac’s arrival to the library thus came at the perfect time, and he was given the task of taking the project across the finish line.
As a research endeavour like this would be far too much for one person handle in such a short time, the team thought it wise to draw on the knowledge of the wider Oxford community by having Zac host a history hackathon. The aim of this event was for participants to track down reputable, accessible, and free resources on LGBTQ+ history within a limited span of time. Each participant was sent a specification as to what kind of resources were acceptable for inclusion in an Oxford LibGuide and then were left to roam the internet in search of any and all relevant sites. The hackathon was a resounding success, with over 70 participants tracking down nearly 500 resources for further consideration.
From there, the task became only slightly less monumental, as Zac would have to research, vet, and categorise each of these resources while helping to create the LibGuide itself. Although this may sound straightforward, two major problems were quickly discovered.
The first of these problems was a matter of scope. Whilst the History Faculty Library had circulated guidance as to what constituted an ideal resource in the hackathon’s specification document, the reality of the resources found resulted in a variety of grey areas for Zac to grapple with. He pointed out, for example, the difficulty of determining what constituted ‘good’ or ‘reputable’ academic research when so much LGBTQ+ history has been passed down in ways that traditional academic practice is not equipped to handle.
The second of these issues surrounded the categories that had been chosen for the hackathon and LibGuide. Although certain topics were inundated with resource suggestions, others received little to no submissions despite the best efforts of the hackathon participants. Zac thus had to reconfigure the categories to create a more equal distribution of resources while not losing the variety that made the original range of categories valuable.
Despite the intimidating size of this task, Zac’s efforts have already resulted in a beta version of the LGBTQ+ History LibGuide being soft-launched on the Bodleian’s LibGuides platform. Just over half of the original resources had made it onto the LibGuide by the day of Zac’s trainee presentation – a testament to the incredible work of Zac, the History Faculty Library staff, and the hackathon participants.
This is the second of a four-part series of presentation summaries for the 2025 Trainee showcase. If you missed the previous post, you can find it directly below this one!
Gareth Smith – Uniomachia: a new Digital Edition in TEI XML
Written by Zac Draysey
The title page of Uniomachia
Gareth’s presentation was an engaging deep-dive into Uniomachia, a forgotten gem of comic classical parody unearthed during his traineeship at the Oxford Union Library. Drawing on his strong background in Classics and Ancient History, Gareth recounted his excitement upon discovering this obscure 1833 satirical poem written in a mix of Ancient Greek, Latin, and English. The poem, penned by Oxford students Thomas Jackson and William Sinclair, parodies Homeric epic to dramatize a real political schism within the Oxford Union, transforming an internal dispute into a mock-epic battle between ‘heroes.’ Gareth walked us through how the text not only imitates Homeric style but also includes absurd scholarly commentary in Latin, designed to mock academic pretensions.
Gareth’s project focused on producing a digital edition which aimed to make this otherwise inaccessible work available to a modern audience. His work involved producing a facsimile, transcription, English translation, and detailed commentary, all encoded for Taylor Editions. He illustrated the complexity of the task through a textual analysis of a passage from the poem that showed how deeply layered the satire is, touching on everything from Classical allusions to real Oxford figures like A.C. Tait, a future Archbishop of Canterbury. The audience got a glimpse of the wit embedded in the text and the scholarly humour behind the pseudo-critical notes. Gareth’s blend of insight and humour made for a fascinating presentation, and he ended with a playful farewell, echoing the spirit of the original text.
Kate Hanson – Adventures in digitization
Notes by Gia Simmons, written by Yasmeen Khan
As the graduate trainee based at Christ Church College, it was almost inevitable that Kate would end up interacting with the legacy of Charles Lutwidge Dodgson (better known as Lewis Carroll). It was perhaps a little unexpected, however, when she was handed several hundred of his personal letters and asked to digitise them.
Those who know a little about Carroll will likely know that alongside being an author, mathematician, and photographer, he was also a prolific letter-writer – so prolific, in fact, that his logs show him sending and receiving 98,721 letters in the last 35 years of his life. Christ Church was fortunate enough to get their hands on some of these letters through an incredibly generous donation by Jon A. Lindseth, and they quickly realised that they needed to increase global access to these items whilst reducing the number of people physically handling them. Thus, it was decided that the best course of action would be to digitise as many of them as possible.
Kate’s photography set-up
In an act that mirrored one of Carroll’s own 19th century photography set-ups, Kate was equipped with an ad-hoc digitisation studio and banished to the attics of Christ Church to photograph each and every item in crisp detail. Her patient and detail-oriented work bore fruit, and Kate ended the project having successfully digitised 232 out of the original 235 items; unfortunately, the wear and tear of time meant that the remaining three items were too fragile for digitisation. In total, Kate took over 600 images of the books, photographs, letters, envelopes, slips, and pictures that make up the Jon A. Lindseth Collection. The project rounded out with a 24 GB file size, allowing viewers to examine the items in minute detail – Kate pointed out, for example, that it is possible to make out the grain of the paper in some photographs.
But these impressive results naturally came with a few difficulties. Kate had to quickly get to grips with the subtle art of digitisation while grappling with the reality of the material as she found it. Not only were many of the items completely different sizes (forcing her to deal with the havoc of adjusting the lighting and focus), but many had been attached to or tucked inside other items and had to be recorded as such in the photographic record.
Overall, Kate’s trainee project was a fascinating meeting-point between the 19th century and modern day. Although her prior lack of Carroll knowledge meant that she had to quickly come to terms with both his triumphs and controversies, she found that reading his personal letters humanised him immensely. Kate’s brilliant project will not only allow people to encounter the legendary Lewis Carroll, but to interact with the sometimes-overlooked Charles Dodgson. Her work over the course of this year will not only have a lasting impact on Christ Church, but the greater field of Carroll Studies as a whole.
Millie Krantz – Some men in Oxford: queer life at All Souls
Written by Jake Banyard
Millie’s valuable project explored a history of queer experience at All Souls College and the wider university that has often lacked visibility and attention.
The project culminated in the curation of an exhibition of Millie’s findings, and her presentation began with an examination of the role of exhibitions in a college environment. Exhibitions can provide useful opportunities for college libraries to encourage reader engagement and promote their collections, as well as providing justification for Librarians to carry out interesting research and get to know their collections better. Millie raised the interesting question of who exhibitions should be aimed at: academics, students, readers, or the public? In the context of All Souls, Millie also considered the wide range of library users in the college, from fellows using the significant early printed book collection, to law undergraduates and naval history researchers. Who of these would be interested in the exhibition? For Millie this project also served as a way to begin to answer that question.
Part of Millie’s exhibition
The focal point of the exhibition was the life and papers of John Sparrow. Made a fellow of All Souls in 1929, he remained so until his death in 1992 and served as the College’s Warden from 1952-1977. Sparrow lived through a time of great change in the lives of queer people in the UK and by using his papers (which were left to All Souls in his will) Millie’s exhibition presented an insight into Sparrow’s personal experience of the 20th century, and the experiences of those he knew and corresponded with.
Due to the nature of the materials exhibited, Millie’s project involved a certain amount of ‘crossing the floor’ from the realm of Library collections and delving into the College archive. Archival practice within Oxford colleges has historically often been haphazard and informal, which means that catalogues can be incomplete or that past sensitivity reviews (if they have been carried out at all) have led to overzealous access restrictions or a lack of any access restrictions whatsoever. These were problems Millie soon ran into: one box of the Sparrow material was restricted simply because, despite Sparrow’s sexuality being publicly known, it “concern[ed] homosexuality”. Fortunately, upon consultation with the College’s current archivists, the restrictions were altered, and Millie was able to access the material.
Perhaps therein lies a concrete example of the value of Millie’s work. Instead of remaining uncatalogued or behind restricted access, queer experience and history has been made more visible, and awareness of the existence of these kinds of collections has been promoted. Millie’s ideas for the future of the exhibition involve potentially creating a permanent digital version, a longer-running physical exhibition, or using the material for outreach purposes in the library – so watch this space!
Yasmeen Khan – The Rhodes less taken: approaches to ethical cataloguing in the former Rhodes House Library material
Written by Charlotte Edwards
Based in Resource Description, Yasmeen had the opportunity to navigate a unique and highly sensitive project. Years before her arrival, the department had received a collection of resources from the Rhodes House Library, mostly pertaining to 20th and 21st century African and Commonwealth Studies. As many of these items were completely uncatalogued, Yasmeen took on the task of getting as many of them onto the system through ethical cataloguing practice as she could.
Some of the Rhodes material
Due to the nature, content, and physical location of the material, Yasmeen had many things to consider when starting her project, such as:
A duty of care to readers – there are pictures, language, and references in these resources that can be distressing.
Library ethics – the material is not held in an ideal location at Osney, is not accessible to researchers, and has lots of confusing metadata that makes it difficult to catalogue.
The first step of Yasmeen’s project was learning to catalogue – not an easy feat! She then started experimenting with serials and monographs (both would be needed for the vast array of material she would encounter in this collection) and began researching ethical cataloguing, eventually pulling together a ‘Bodleian Cataloguing Code of Ethics’ based on her research.
Yasmeen’s real-life approach to cataloguing was not priority-based, as she proceeded in the order of what item was next on the pile. The records were full-level, the descriptive fields were left intact, and she altered subject headings if it was both necessary and possible. In a few cases, she also restricted access to items with graphic images – due to their nature, it was felt that these items should only be viewed in private areas in the reading rooms. An attendee asked Yasmeen at the end of her presentation how she herself dealt with the material she was seeing. Indeed, we often consider how a reader would react to the material, but not the staff encountering it. Yasmeen’s approach was to take time to be mentally prepared for what she might see, especially after being taken by surprise at the beginning. It was also beneficial that she would only work on this collection for a couple of hours per week and so could restrict her overall exposure.
There are limitations when cataloguing, especially when cataloguing a collection like this, and Yasmeen touched on her ‘Dream Approaches’ regarding ethical cataloguing. Ideally, rather than relying solely on individual cataloguers, ethical cataloguing would occur on multiple levels, such as having institutional cataloguing policies that are regularly reviewed to ensure alignment with ethical principles.
Due to the collection’s vastness, the comparatively low priority of the collection, and the lack of departmental guidelines on ethical cataloguing, the collection could not be fully catalogued by the end of Yasmeen’s traineeship. To combat this open-endedness, Yasmeen is proceeding to write a report for any future cataloguers who want to continue this well-thought out and important work.
Yasmeen’s presentation was a fascinating insight into the decisions that are made when cataloguing sensitive material, and as an audience member I found her presentation highly enlightening and engaging.
As long-time readers of the blog will know, every graduate trainee in the Bodleian has the opportunity to undertake a project over the course of their traineeship. This is not mandatory – rather, it is an opportunity for trainees to try their hand at tasks outside of their everyday job scope and leave a lasting mark on the libraries they worked at. The culmination of all this hard work comes in the form of the Graduate Trainee Showcase: a day-long event where every trainee is given the opportunity to talk about their project in front of a bustling audience of librarians, fellow trainees, and interested colleagues.
This year’s showcase featured sixteen presentations and was held at the Social Science Library. Over the next two weeks, we will be posting short summaries of these presentations in hopes that those of you who couldn’t make it on the day can experience a snippet of what it was like.
Before we begin, however, a massive thank-you goes out from all of the trainees to those who supported us in our projects, came to the showcase, or guided us as line managers or training facilitators over the year. We also particularly thank our fellow trainees Elena Brearley, Gia Simmons, Charlotte Edwards, and Hannah Richmond for their hard work organising the showcase – without you, this wouldn’t have been possible.
Now, without further ado, on with the showcase!
Charlotte Edwards – Student wellbeing at Sainsbury Library
Written by Yasmeen Khan
Charlotte’s fascinating trainee project focussed on the creation of a wellbeing collection for the Sainsbury Library.
Drawing on her experience as a student and on various conversations with friends, Charlotte identified a need for wellbeing provisions that targeted business students. The idea that this was both necessary and desirable was furthered by the coincidental creation of a wellbeing module for the Saïd Business School’s MBA. This proved not only that academic interest in the subject existed, but that a core group of students with an interest in wellbeing was already present at the Sainsbury Library.
Although some wellbeing provisions already existed in the library, student feedback informed Charlotte that there were several areas that could be improved upon. Drawing on this, she then implemented a few meaningful changes to the library’s wellbeing provisions, such as creating a wellbeing book recommendation box and moving the library’s pre-existing puzzle collection from a busy public space to a more secluded area in the annexe room.
However, as there was only so much that could be done with the library’s current wellbeing provisions, Charlotte knew that a large portion of her time would have to be put towards identifying, collating, and expanding the library’s wellbeing resources and book collections. After using a series of webinars to scope out how other libraries were approaching wellbeing, Charlotte began her search for the material that would make up the body of her new collection. While the Sainsbury Library already had some relevant books on the topic, Charlotte’s in-depth research meant that she was successful in her endeavour to have some new books purchased for the collection as well.
A selection of the Wellbeing Book Purchases
Once she had gathered the relevant materials, it was simply a matter of turning this gathering of resources into an actual collection. As the books were drawn from a wide variety of topics (and physical locations in the library), it became clear that creating a physical collection on the shelves would create more issues than solutions. As such, Charlotte came up with the idea of creating this collection digitally by labelling each of the wellbeing collection’s items with a public note on SOLO.
The culmination of all this hard work was the creation of a beautiful promotional book display in the Sainsbury Library. Not only did this attract public attention to the new collection, but it briefly allowed for a physical version of the Wellbeing Collection to exist in the library.
With the completion of this project, Charlotte has not only demonstrated an impressive range of skills, but has left an important and positive mark on the Sainsbury Library’s wellbeing provisions.
Elena Brearley – Zines and wellbeing in the Bodleian Old Library
Written by Lilly Wilcox
One of the fearless leaders of the graduate trainee showcase, Elena Brearley, presented on her project to incorporate zines into the Bodleian Old Library Wellbeing collection.
Elena helped us by trying to define what a zine is—a notoriously tricky medium to pin down. A zine is typically an independent, self-published, and self-distributed DIY magazine. It can be physical or digital, made by an individual or a group, include a variety of forms of creative expression (like writing and visual arts), and cover pretty much any topic the zine maker wants. Essentially, a zine is a zine if the zine (maker) says so!
Just a handful of the new zines
Based on her experience as a zine maker and reader, Elena thought zines would be a perfect addition to the Old Bod wellbeing collection created by last year’s trainee, as the medium is engaging and zines often discuss themes relating to wellbeing and community. Elena looked to other zine libraries in Oxford—like the Balliol College Library wellbeing collection—and beyond—like the Glasgow and Salford Zine Libraries. From conversations with and research into other zine libraries, Elena identified a few challenges that come with adding zines into library collections. For example, they can be difficult to catalogue as they often have multiple collaborators, unclear publishers and publication dates, and more. Additionally, other ethical questions surround the inclusion of zines in libraries, such as whether they are meant to be ephemeral. Ultimately, she decided that zines that were already published by creators in online libraries and zines submitted by makers who opted in to preservation of their work at the Bodleian would be appropriate for the collection.
In addition to identifying, printing, and assembling zines from online zine libraries, Elena also organized a zine donation drive to expand the collection. She started by sharing a call for zine donations around Oxford including at the Bodleian Zine Fair and through the staff newsletter. From this, the Bodleian communications team picked up on the project and were able to share it through social media where it completely took off! Elena received over 130 zine donations from six countries in multiple languages covering a variety of topics. This huge influx of donations meant that Elena had to appraise the donations for zines that fit the wellbeing theme of the collection. After appraisal, the zines could be catalogued as part of the Old Bod wellbeing collection and classified along with zines that already exist in the permanent collection and zines from the free digital zine libraries.
Included in the Old Bod wellbeing collection is a zine created by us graduate trainees at a workshop organized by Elena and instructed by the artist Alice Hackney at the Bodleian Bibliographic Press. Kudos to Elena for organizing such a great activity for us and for all her hard work on the Old Bod wellbeing collection!
Harry Whattoff – Displaying History: Research-Led Exhibitions in the English Faculty Library
Written by Lindsey Evans
In his presentation, Harry talked us through the displays that he has prepared over the course of his year at the English Faculty Library. A dominant focus for the EFL team this year has been to prepare for the library’s relocation to the new Schwarzman Centre. However, alongside contributing to this overarching project, Harry had opportunities to put together regular new book selections and to develop a number of themed displays.
The brief for the first of Harry’s themed displays was to curate a ‘seasonal’ selection of books in the lead-up to the December vacation. This gave a lot of freedom of interpretation, though with a slight sense of pressure to create an Oxford-worthy end result! Harry wanted the seasonal angle to be enjoyable and relevant to library users (some of whom might feel excluded by an overt Christmas theme, for example, if they don’t celebrate it). With two display cases available, Harry decided to present eight texts where snow plays a significant role, for example within the plot or as a metaphor. Drawing on his own reading and further research (Ocean Vuong’s On Earth We’re Briefly Gorgeous was a starting point), Harry brought together a diverse range of works. He prepared explanatory blurbs analysing the depiction of snow in each of the featured texts, which he hoped would prove thought-provoking and increase students’ appreciation of the importance of small details in literary works.
A few months later, in February of this year, Harry went on to develop “TO BE DESTROYED”: The Legal History of Book Censorship in the UK, a display that charted the events and landmark publications leading to the creation of the 1959 Obscene Publications Act. In terms of the research required, this was more demanding and time-consuming than his earlier display work, especially as it involved going back as far as the late 1400s to the introduction of the printing press in England. Among the six titles exhibited was the uncensored 1960 first edition of Lady Chatterley’s Lover that became a test case for a revised legal definition of obscenity. To add visual appeal and convey a ‘timeline’ idea at a glance with limited resources, Harry employed an ingenious use of book tape to connect each book/event to the next in a chronological chain within the display cases. For readers interested in a deeper engagement with the exhibition, he also added news clippings alongside each item that illustrated the historical context. This exhibition was especially topical as it coincided with Pride Month; Harry wrote a piece for the EFL blog to accompany the exhibition and to highlight in particular the relationship between the 1959 act and the suppression of queer literature, such as Radclyffe Hall’s The Well of Loneliness.
One half of the “TO BE DESTROYED” Display
The EFL’s move to the Schwarzman building provided the impetus for a final Trinity Term display on the past, present and future of the library itself. This display was interdisciplinary in scope and allowed Harry to work with items from the archives, such as the diaries of notable figures from the EFL’s history, which meant engaging with copyright considerations around their inclusion. The display looked back to the library’s beginnings and evolution, as well as looking ahead to its future as it joins a new Centre for the Humanities. Again, Harry worked on a blog post to complement the exhibition and present the research behind it.
Something that Harry has really appreciated in his work with book displays and exhibitions this year is being able to integrate his own interests, knowledge of literature, and research skills into their planning. Although it can be hard to measure the impact of library displays, they are an important way for libraries to connect with their readership. By curating displays that are thoughtfully researched and visually interesting, Harry has engaged with the English Faculty Library community and cultivated interest in EFL collections.
Phoebe Lawson – The Red Cross Collection, or; me, Henry Dunant and a great many books
Written by Emma Brand
As much of this content has already been covered in an informative and entertaining blog by Phoebe, this is a short summary of Phoebe’s presentation. This means I get to toot the horn about how great this project was and why – a summary of which you can see in the image below.
TLDR on why Phoebe’s project worked so well
To quote Phoebe (as I laugh every time), “at some point between the invention of writing and the modern day, the Law Library received a donation.” This donation was from the Henry Dunant Institute, a research institute for the Red Cross based in Geneva.
There are three critical things to know about this project:
It was LARGE (1000+ books!!)
The collection was diverse, spanning 13 different languages
It took up SPACE (for some years), occupying 25 shelves at the Law library.
Phoebe had an interest in cataloguing which brought about this project – and luckily for Phoebe, cataloguing is done on site at the Law Library. This made receiving valuable MARC record training from the beloved Tanya very easy. It also meant that any strange and wonderful cataloguing queries could be answered quickly so Phoebe could power through the many, many records she was creating.
This training set her up to start making minimum level records so that she could send books to the CSF from the start of December. By the end of January, she had blitzed through the English texts and was onto the other languages, which she finished by the end of March.
As someone who has spent time working at the Taylor library this year and handling material in other languages, I need to point out how impressive this timeline is. Yes, Phoebe does have a background in languages, having learnt Ancient Greek and German, however to catalogue in another language (especially 13 different ones) is very noteworthy. To state the obvious – some were in languages that Phoebe does not speak or read. Additionally, not all countries print cataloguing information in the same way, or in as much detail, making it yet again more challenging to process. Speaking of, over the four months processing these records Phoebe worked through a whopping 624 records. It is without doubt that Phoebe learnt loads about cataloguing and the many variations of it during this project.
To help learn more about the Red Cross collection, Phoebe kept two spreadsheets on the books that were catalogued: one for the acquisitions team at the Law library and one for data collecting interests. From this, Phoebe was able to pull out interesting books within the collection, some of which she highlighted during her presentation (and blog post). A fun fact Phoebe came across in Red Cross travels was that numerous North Korean propaganda texts were printed in English, French and Spanish as a way of disseminating information in other countries. My favourite part of the spreadsheets was not the spreadsheets themselves, but the map created from them (what can I say, I am a sucker for visual data). This stellar map shows all of the places that the books in the collection were published.
I thoroughly enjoyed listening to Phoebe talk about her project. The presentation highlighted not only the amount of work she was able to do, but also demonstrated the enthusiasm she has for a solid spreadsheet, clearing shelves, finding quirky books, and cataloguing. I am positive that the Law Library is thrilled that the shelves are clear, and that they have been processed in such a thorough manner.
As part of our trainee programme, we’ve had some particularly inspiring sessions about ‘assessment’. You might be forgiven for wondering how the words ‘assessment’ and ‘inspiring’ go together. Happily, assessment in this context has nothing to do with exams or inspections; it’s about evaluating library life in a whole variety of ways.
With Dr Frankie Wilson, who leads the Bodleian Libraries’ Assessment Team, trainees explored how stats, surveys and feedback can inform improvements to how libraries do things. We saw how assessment can also demonstrate the impact of what libraries already provide, in a world where physical library spaces and library staff expertise may be undervalued. In a follow-up workshop, we had fun experimenting with research methods ourselves – going undercover in the street observing how a space functions, exchanging ‘break-up letters’ to companies that have bitterly disappointed us and testing glasses that track your eye movements.
I’ve enjoyed being involved in research activities such as focus groups myself, and I quite often find myself thinking about how decisions can be made in an evidenced way. So I was intrigued to see more during a day-long ‘micro-internship’ with the Bodleian’s Assessment Team. Here’s how it went:
9:00 I arrive at the historic Clarendon Building where I’m meeting Rachel Childs, User Experience (UX) Librarian. Initially we have a slightly awkward wait to get into the building because some newly-weds are having official pictures taken in its photogenic archway. (The perils of working in a beautiful part of town…) Once inside, we get settled and say hello to colleagues Debra Hampton and Tom Pouncy.
The Clarendon Building: it’s a looker. Image by Peter Dreisiger on Flickr.
We start the day with a discussion about ‘usability testing’ of a particular tool (for example, an online reading list system). Unlike software user testing, which might answer questions such as “Does this button do what it is designed to do?”, usability testing asks a broader question: “Does this tool offer an optimal experience, given what we can observe about users’ behaviour and expectations?” Usability testing implies multiple rounds of testing of each iteration of a tool over a number of weeks. Looking at the flowchart of the whole process with Rachel, and hearing that testers are often time-pressed student volunteers, I could see how important it would be to plan ahead with everyone involved.
The bible of UX techniques: A Handbook of User Experience and Design in Libraries, by Andy Priestner
10:00 Rachel gives me some background on User Experience research techniques in general, which represent a combination of anthropologists’ methods (‘ethnographish’ techniques) and Design Research processes. Rachel explains that it is important to mix and match your methods; we need both attitudinal and behavioural research to answer a specific question, so that we can see not just what impressions a library-user reports about doing something, but how they actually go about something in reality, too.
10:30 Next, Debra talks me through the gathering of quantitative data from libraries in the Bodleian network. This includes physical occupancy data (how many people are using each library, when), as well as ‘service catalogue’ data (how often particular library resources are used, etc.). She explains that data often needs to go through a cleaning process to weed out errors and for data protection reasons. She introduces me to the software tools used, and explains that individual libraries tend to have one designated stats person who takes responsibility for recording the relevant numbers and passing them on to the team. This makes me realise I have no idea who does this at my own library!
After talking with Debra I have time for a tea break and a quick visit to the Bodleian Publishing team in the same building, to say hello and admire their lovingly-produced books!
11:15 I’m now with Tom, Business Data Analyst, to learn about KPIs (Key Performance Indicators) and data visualisation. Tom has worked on developing KPIs for strategic projects in the Bodleian Libraries organisation. On paper, some aspects of the organisational strategy might sound quite difficult to quantify, such as ‘deliver an inclusive public engagement programme’. We look at the way in which broad goals filter down into programmes, then individual projects, with KPIs attached to define success in a measurable way. Tom shows me how Power Bi is used to bring together accessible graphics and breakdowns illustrating what’s been achieved so far.
12:00 I have a chat with Frankie around midday about the priorities and challenges of her role as Head of Assessment. “It’s my job to tell the truth,” she summarises. The Assessment Team sits outside of the main Bodleian divisions and maintains an independent, user-centred approach. Frankie and her colleagues will undertake projects across the Bodleian as a whole (an organisation-wide Reader Survey has recently taken place, for example). But they also support individual libraries with their own research ideas and sometimes work with external partners as well. Relationship-building and listening skills are therefore really important for understanding different perspectives and making influential recommendations; Frankie credits some of her previous library roles, e.g. as a subject liaison librarian, with helping her to develop these.
A cultural probe kit ready to go
14:30 After lunch I am tasked with archiving some images from a ‘Cultural Probe’. Not as ominous as it sounds, this study was ‘probing’ into participants’ experience of library support for their doctoral studies. Each person was given a physical journal with a prompt on each date. It could be a direct question about how they located the books/articles they had been using that day. Or it could be an instruction to ‘take a picture of something that has surprised you today’ (hence there being images for me to process). The thinking is that, by asking people to express themselves in a range of ways, a cultural probe can get to insights that more conventional methods may not. To me, this study looks quite enjoyable for participants and useful to them personally as a reflective log of this time in their lives. For the Assessment Team, it provides a really rich source of feedback that could be analysed in a variety of ways.
15:15 Tom sets me a small challenge: interpreting data from the feedback forms of workshop attendees and picking out the parts that are relevant to a KPI we have seen this morning. Initially I am a little apprehensive about putting my GCSE Statistics into practice, but soon I’m converting the attendees’ satisfaction ratings into a visual format using Excel tools and deciding which style would be most effective for telling the story at a glance.
16:30 In the final part of the day, I help Rachel prepare handouts for the next session of a co-design project she is running with neurodivergent students. ‘Co-design’ is about tailoring a new initiative to its users as closely as possible by involving them in every step of its conception. The focus of Rachel’s project is left intentionally open-ended at the start: participants work together to define an area of the library experience that they may want to rethink, and go from there. I could see that this approach benefits from a lot of preparation and openness/responsiveness on all sides. It is also quite exciting; it makes complete sense that engaging the target demographic in the creation of a new service is going to enhance its relevance and effectiveness. From a participant perspective, I could also imagine this being an interesting and empowering learning process.
17:00ish I head home, my brain starting to digest everything we’ve done and discussed. I feel as if I’ve gained a tangible insight into the Assessment Team’s work, combining day-to-day monitoring of library performance with some quite experimental and innovative projects to influence library life for the better. Thanks to Rachel, Debra, Tom and Frankie for such an illuminating day!
At some point between the invention of writing and the modern day, the Law Library received a donation. This donation consisted of close to a thousand books from the Henry Dunant Institute, a research institute for the Red Cross based in Geneva. As many good donations do, the collection sat on our shelves for years waiting for somebody to find the time to go through it and see what was there.
Between December and April of this year, I set out for my trainee project to clear out the Red Cross collection. The donation sprawled across four shelving-units on the ground floor, consuming valuable shelving space. In December, the Law Library’s incredible foreign-languages cataloguer, Tanya (whom we love) gave me lessons on creating minimum level records (MLRs) on the library catalogue. With that knowledge, I began clearing the collection.
Over the next few months, I checked the books against our library management system ALMA and discarded anything we already had. After that, everything else in the donation was free to be added to the Bodleian Library collections. Aside from a handful of books which came to the Law Library, the vast majority of those books went to The Stacks (henceforth known as CSF), our giant book warehouse in Swindon. By the time the collection had been finished, I had created 624 records for books in 13 different languages published in over 50 different countries across the world.
When I started the project, I didn’t appreciate how interesting it would be. Aside from the opportunity to learn about cataloguing, the collection turned out to be an incredible set of documents detailing some really interesting parts of 19th and 20th century history.
So, in the interests of making this collection a wee bit more accessible and discoverable, I want to briefly talk about a few of the stand-outs from the collection. This is by no means an exhaustive list; there are many very interesting books here but I want to highlight a few parts of the collection which I really enjoyed.
Drawing the Great War (1914 and 1916)
Histoire illustrée de la guerre du droit
I adore the fabulously intricate designs on the front covers of the booksLord Kitchener’s moustache has never been more moustachy
The oldest book in the collection came from as far back as 1855 but, to me, some of the most interesting parts of the donation were the WW1-era books. Amongst these, I really want to single out the gorgeous Histoire illustrée de la guerre du droit. I will say, it was a bold choice to write an illustrated history of the First World War in 1916 but that didn’t stop Émile Hinzelin from turning out this beautiful three-volume set.
The books cover the build-up to, and history of, the war from the mid-19th century to 1916 and are lavishly illustrated with a range of photographs, illustrations and what appear to be coloured photographs as well. Being written when they were, it should come as no surprise that these books are full of wartime propaganda and represent a particularly nationalist perspective on the war. According to Hinzelin, for example, the French republic has only ever desired peace but is now being forced to fight to help save the entire world from German aggression and imperialism.
They are truly incredible books and I would absolutely encourage people to take a look at them, even if just for the many (and beautiful) pictures. I have to say that, after the Bodleian Trainees received training on using a printing press recently, I feel like I appreciate better just how much work must have gone into printing these books and the many images contained within.
The Sino-Japanese War (1938)
La Presse Chinois et le Conflit Sino-Japonais 1937 Japanese Aggression and Chinese Opinion
Another book which really stuck with me when I was doing the Red Cross collection was this one. Written in early 1938 (possibly February, judging from a date at the end of the book), this book was published by the Bureau du Kuomintang en Europe as part of a broad attempt by the Kuomintang (the governing party of Republican China) to build support in Europe to protect against the rapid advance of Japanese soldiers through China.
The book consists of a series of articles written by Chinese press agencies throughout 1937 during the build-up to war, its declaration on July 7th and the first few months of active combat, culminating in the fall of Nanjing in December of that year. The stated aim of the book is to demonstrate the broad support throughout China for continued resistance against the Japanese army in an attempt to galvanise foreign support.
The book is a fascinating historical document, providing transcriptions of original news and magazine articles published throughout 1937. It also gives some insight into how the Kuomintang were attempting to present themselves and to generate support abroad during these first few months of the war.
North Korean Propaganda (1970s-1980s)
Significacion historico-mundial de la idea zuche
Kim il-Sung: a l’occasion du 30e anniversaire de la fondation du parti du travail de coree
The (temporary) North Korean shelf in the Law Library’s storage rooms!
Something which surprised me in the collection was the number of books published in North Korea. Many of these we already had and, for the last while, the library has been home to a small shelf of books which I call the ‘North Korea Shelf’. Most of the books are biographies of Kim il-Sung, the first leader of North Korea and founder of the ruling Kim Dynasty. Published by the ‘Foreign Languages Publishing House’ in Pyongyang, the books were part of a change in North Korean literature in the 1960s through 1980s.
Earlier North Korean literature had consisted of traditional Korean stories, translated into other languages in the USSR and distributed from there. However, the 1960s saw the Foreign Languages Publishing House starting its own publications. With the development of Kim il-Sung’s own brand of Marxism-Leninism in the mid-1960s (known as Juche), North Korean literature shifted towards celebrating Kim il-Sung and his ideology.
The goal of these was to promote Juche outside of North Korea, especially throughout East and South-East Asia, West Africa and the Americas. As such, these books were published in a range of languages including English, French, Spanish, and Indonesian and distributed through the USSR, a practice which ended when the Soviet Union fell in the 1990s.
These books are a fascinating artefact of the time and an incredible insight into how North Korea chose to self-represent during the 1970s and 1980s. Personally, I found it quite interesting to see a book published in North Korea, having never actually come across one before and I’m excited to see what research people can do with these additions to the Bodleian going forward!
Conclusion
There isn’t space in a single post to highlight all the books we received from the Red Cross. Even if I just picked the ones which I found most interesting, I think we would be here for tens of thousands of words. Instead, what I’ve tried to do here is just to pick out a few examples from across just the 20th century collections. My hope is to make some of the books just a wee bit more accessible and well-known so that they don’t simply disappear into CSF never to be seen again.
I loved cataloguing the Red Cross collection this year. The vast majority of the books weren’t quite as cool as these ones but it’s still an incredible collection of books and I can’t wait to see what research they might support in the future. For anyone out there (including, again, any future trainees) interested in cataloguing, I would say that it’s absolutely worth getting into, doing this project was one of my favourite parts of the year and I’m really glad that the traineeship gave me the opportunity to do some.
To finish off, I just wanted to add a small map of all the different countries represented in the collection. I was struck by how wide-ranging and different the books we received were and kept a small list of different countries (because, you know, I’m a librarian and I enjoy data).
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