A highlight of being a trainee is the access to… well, training! Every Wednesday we have a different session, on topics such as cataloguing, supporting disabled readers, or using the Bodleian databases and software. This week, we were shown around the Conservation and Special Collections areas in the Weston Library, a.k.a where all the rare books magic happens!
The Weston Library holds the majority of all the special collections items within the Bodleian libraries, although much is also held at the Swindon Offsite Storage Facility (CSF). After dropping off our belongings in the lockers (no liquid or even pens allowed in the areas with rare books), we made our way to the conservation area for our introduction to conservation and collection care.
The workspace the conservation team use was bright and peaceful, with long desks lit by many big windows that overlook the city. Each workspace was full of mysterious implements: bone folders, brushes, Japanese paper, display shelves of crushed pigments. Dozens of grey archival boxes were stacked in piles, full of rare books and oddities.
An Introduction to Preventive Conservation
Our first talk was with Catherine, who works in Preventive Conservation, focusing on environmental pest control. There are many things in the environment that can damage a book, whether that is damp, mould, or as we saw – insects! For example, silverfish are very destructive and can do quite drastic damage to paper. They chew through natural fibres, leaving a distinctive lacy pattern behind.
Furniture beetles (otherwise known as carpet beetles or book worms) are also a problem, as they chew straight through furniture like bookcases… and any books that are on them. Not a pleasant guest to have in your library! They bore through bookcases so thoroughly that you can line up the damage to determine which books were placed next to each other on a historical bookshelf. Luckily, this critter needs over 65% relative humidity to thrive, so it won’t visit our modern humidity-controlled collections.
Some calling cards of Silverfish……and Furniture beetles
Fun fact: If you look at the ‘frass’ left behind by a Furniture beetle under a microscope, it looks a bit like rice crispies!
A Genizah Conservation Project
We were then introduced to two conservators working on a long-term rebinding project. This three-year conservation project is focused on preserving items from a Genizah in Cairo for future study. A Genizah is a place in a Jewish synagogue where documents are stored before being ritually buried, as it is forbidden to throw away writing containing the name of God. Typically, items are only stored for 7 years, but the Cairo Genizah contains additions from over 1000 years! There is a huge collection of religious and secular works in around 10 languages (mostly Hebrew and Arabic).
A guardbook being worked on
Many of these valuable paper fragments were bound together into volumes called ‘guardbooks’. The interesting thing is, guardbooks can house texts next to each other which have no intellectual connection, or shared language. The same text could continue in different places within the same guardbook, or across several different guardbooks entirely. These might even be held in different institution’s collections. The University of Cambridge, for example, currently has the largest single unified collection – around 200,000 items from the same Genizah our conservators are working on.
A fascicule containing material from the Genizah
As part of this project, the conservators are working on rehousing these items – disbanding them and putting them into more permanent guardbooks. Some are also put into ‘fascicules’, which are like large A1 pamphlets, where the historic paper is mounted and then attached to the pages flexibly. This means that the pages can be opened flat and examined without damage, whereas the previous bindings could only be opened carefully to a V.
But if the conservators are rebinding the fragments anyway, why don’t they reunite the parts of a text that have been bound in separate guardbooks? Surprisingly, it’s not simply because the papers are fragile. The conservators explained that they need to preserve the historic arrangement of texts in each guardbook, and the shelfmark they were originally classified under. This is so that all the previous research which references those shelfmarks will still make sense. Helpfully, many of the guardbooks have historic marginalia notes which mention where to look to find the rest of the text.
This is a huge project: there are around 12,500 leaves in this collection, and around 217 physical bindings to rehouse. The collection is heavily used and historically important. Many of the items are digitised, but readers and researchers still need to be able to access the originals. It was very interesting to learn more about this long-term conservation project!
Book Conservation – When to Repair?
We also were also shown three examples of individual books being conserved by the Assistant Book Conservator, Alice Evans. One of these examples was Tolkien’s copy of Sir Gawain and the Green Knight. Tolkien thoroughly annotated it and repaired it with tape – something we hope no reader will do to our books! In this case, despite the tape degrading over time and staining the book, the tape will not be removed or replaced with acid-free archive-safe tape. That’s because the value of this object for researchers comes from Tolkien’s interaction with it and the signs of use – including all the tape fragments. Who knows, someone might end up doing a PhD on his use of tape someday!
When repairing an object, one of the most useful tools is Japanese paper. This paper is harvested in a way that keeps the fibres long, and it is activated using only water. It’s non-intrusive and removable, making it perfect for conservation. Conservators want to preserve the signs of use, and the vulnerability of the object itself, repairing as minimally as possible in places with vulnerable edges or tears. You can see some of the long fibres from a torn edge of Japanese paper in this photo.
As Alice told us, everything is degrading anyway. Conservators and curators weigh up what we want and need here and now, what is useful to us today. Those are the items they prioritise and conserve.
Introduction to Special Collections
The last part of the afternoon was a tour and talk with Chris Fletcher, Keeper of Special Collections. The tour included the Centre for Digital Scholarship, the Mackerras Reading Room, the rooftop patio, and a chat with one of the archivists, Frankie. Continuing our accidental Tolkien theme of the day, Frankie was working on cataloguing and digitising the Tolkien papers. There were tables full of rare items and historical objects, and yet more archive boxes of mysterious sizes. We saw Tolkien’s leather suitcases, and a box full of a surprisingly large collection of pipes!
Then we were shown to a reading room where Chris had pulled out a selection of interesting Special Collections books. These included an 18th Century book of animal and plant illustrations (which had the pictured vaguely horrifying rodent with green toenails), a series of 3D pop up Artist Books by Tamba Auerbach, and a copy of John Clare’s The Village Minstrel that contained a unique handwritten poem.
After that, the items got a little unusual. What makes a book a book? Bibliographic detail, a cover, publication date, author, contents, edition? If that’s what a book is, then Ted Hughes’ ‘Laureate’s Choice’ sherry bottle also fits the bill:
As is traditional for a Poet Laureate, Hughes got his own barrel of sherry. This bottle has one of Hughes’ drawings reproduced on the label.
Then, there was my favourite item – the cheese book! Created by Ben Denzer, 20 Slices is a book where the pages are packaged American style cheese slices, bound with a cover. Denzer’s speciality is poking fun at, and interrogating, ideas of value. What better way do to this than to make the cheapest kind of cheese into a valuable art object and book?
The book was bought by Bodleian for £200 – £10 per slice of cheese. The copy we have is one of ten copies that exist, including the artist’s own copy. Denzer has refused to allow the Bodleian to replace the cheese with a replica cheese. When the time comes, the cheese pages will need to be replaced with more Kraft singles! Although that might not be for some time – when we saw the book, the cheese was 10 years old and still looked normal, with only a bit of white crumbling at the corners. American cheese is something else!
That rounds up our afternoon of rare books adventures! The day was a great introduction to what Archivists and Conservators do, and we saw many weird and wonderful items. The Bodleian’s collections are vast, and there is always something new to discover.
The 2026/27 trainee scheme is now open for applications, so we hope that our blogs will give you some insight into the work you might be doing. Good luck to anyone who will be applying!
The evenings are getting quieter, the libraries are getting chillier, and the returns trolleys are piled high with books… it must be the end of Michaelmas term! It’s been an eventful eight weeks across the libraries: we’ve marked Black History Month and Disability History Month, contributed to Green Libraries Week, put on exhibitions about great academics and gothic artists, and even found a little extra time to do some library tours. The work doesn’t stop just because the students have gone home, and we’ve got plenty to do over the holidays, but the end of term is a chance to breathe out and get ready for the new year. In the meantime, here’s a quick blog update looking back at our first few months on the job.
Some very crafty book displays made by Summer!(Social Science Library)
This term has gone as quickly as the daylight hours, but it’s been great to watch the business school get steadily more festive – especially after the fairy lights were strung up outside the library window! I’ve had so many enjoyable moments over the past eight weeks: learning the curious (and sometimes frustrating) world of Leganto with Anna (our Collections & Instructional Materials Assistant), getting involved with the Oxford Futures Library archives, and even running a crochet workshop with Cui (our Circulation & Customer Service Librarian) – she’s already made some beautiful bookmarks despite only taking up crochet this term! I’ve also greatly appreciated the variety of work I’ve been able to do with the Rare Books team at the Weston Library during my time there this month. All in all, this term has encouraged me to approach the rest of the traineeship with confidence, and I’m excited to keep developing my skills and shaping my trainee project as we head into the new year.
Heidi Cruft, Sainsbury Library
A lot has happened in the Art library this term- I’ve scanned a lot of book chapters, issued and returned a lot of material, packaged a lot of interlibrary loans, filled and emptied a lot of crates, helped (at least I hope) a lot of readers- and endured a few broken lifts, exploding radiators and technical issues along the way. It’s been really satisfying to slowly get the hang of more things and better understand the scale of things going on to keep a library running- it’s not just stamping books! I’ve really enjoyed the training sessions this term- especially the visit to the special collections at the Weston- and loved spending a full week at the Taylor Institution. Next term I plan to get stuck into my trainee project in sorting out the chaotic Haverfield room, and helping the subject librarians with some collections management.
Olly Marshall, Art, Archaeology and Ancient World Library
Term passed in the blink of an eye, but it’s been a lot of fun. The HFL is a really interesting place to work because there’s always something going on: from VIP events to student inductions to spontaneous explosions (not a joke!), this job definitely keeps you on your toes. I’ve reviewed reading lists, done inventory checks, sent damaged items off for repair, hunted for missing books, and kept track of the infinite spreadsheets required for all those tasks. I’m really enjoying getting to work behind the scenes and keep things operating smoothly for readers, and I appreciate the amount of work that goes into running an academic library even more now. While it’s hard to pick out just one thing, a highlight of my term has been getting started on my very collections-focused trainee project, and I’m looking forward to delving deeper into archives and special collections next term. For now, though, I need a few calm weeks to take advantage of the millions of books just waiting to be read (the real perk of the job). Catherine Birch, History Faculty Library
Isaac Newton is feeling festive (Old Bodleian)
Voltaire wanted to dress up too! (Taylor Institution)
Michaelmas has gone by so quickly! This term has been a lot of desk time, displays, photography, and using the mysterious trainee power to arrange meetings with interesting people within the Bodleian. I’ve made themed displays (I especially loved my Halloween one), started photographing all the rooms in the Taylorian for a social media bank, and helped readers find many a book. The most interesting training for me this term has been the visits to the Weston to see the rare books and conservation work, and to CSF (the Bodleian Offsite Storage facility). I’ve made a lot of headway on my project, which involves designing a creative public outreach event for the Strachan collection of Livres d’Artiste / Artist’s Books. I’ve sent a lot of emails to all sorts of people, who have been more than happy to help me with my idea. My favourite days are the ones I can sit in the archives room and go through the collection while listening to music. In Hilary term, I’m looking forward to the training with the Centre for the Study of the Book, where we’ll learn about printing methods, and get to use a hand-operated printing press! Jules McGee-Russell (they/them), Taylor Institution Library
It’s been a busy Michaelmas term here at the SSL. Going from the whirlwind of over 100 library tours for new students in 0/1st week to emptying out after 8th week, the library almost feels eerily quiet without the readers. But just because most students have gone, does not mean the workroom has got any quieter – from an influx of new reading lists to review and books to process, to hunting for missing books and working on my two projects – there’s been plenty to keep me busy! The SSL has received 2 donations that make up the bulk of my project work – 40 boxes of working papers from the University of Bradford and 70 shelves of books from a single donor. I now have endless hours of work transcribing book spines and embellishing Alma catalogue records to keep me busy when the rest of the library gets too quiet! Along with enjoying getting stuck into my project work, one of my highlights this term has been working on the new book displays – from Black History and Disability History months to Bonfire Night and Winter Wellbeing, it’s been great fun researching interesting and unusual books in the CSF that I can add to my displays. I’m looking forward to the training sessions of next term, particularly the one around student wellbeing initiatives in the libraries, and I’m sure Hilary term will go by as quickly as Michaelmas did!
by Catherine Birch, Jules McGee-Russell, and Summer Mainstone-Cotton
On 24th September, the Weston Library hosted a screening of The Librarians, a new documentary about banned books, censorship, and free speech in libraries across the USA. The documentary premiered at the Sundance Film Festival earlier this year, but this was only its second screening in the UK, and the audience was packed with librarians, readers, and film buffs alike. Naturally, a few trainees decided that an entire day spent working in a library wasn’t enough, so we decided to go along that evening too.
The Weston was steadily filling up with people as we arrived, and there was a lively atmosphere full of conversation and laughter throughout the building. We mingled, chatted, networked, and partook in the drinks and nibbles on offer. However, we didn’t have long to mill around, as seats were being taken fast, and it was time for the event to begin.
The welcome reception in Blackwell Hall@cyrusoxford
Before the film screening, there was a small ceremony held by the Royal Society of Literature to celebrate the Bodleian’s own Richard Ovenden. Richard was recently awarded the RSL’s Benson Medal for outstanding services to literature – in this case, his significant career as a librarian, and his roles leading organisations like the Digital Preservation Coalition and the university’s Gardens, Libraries, and Museums group. On top of this, he also recently wrote a book on the history of book burnings – Burning the Books: A History of Knowledge Under Attack – which makes a brief cameo in The Librarians! The award was certainly well-deserved, and the audience were enthusiastic with cheers and applause. After a short speech and some votes of thanks, he handed over to the director, Kim A. Synder, for a short introduction to the film. From there, all that was left to do was dim the lights, set the stage, and start the screening.
Richard Ovenden accepting the Benson Medal& his acceptance speech @cyrusoxford
The film itself was a compelling look at the recent wave of protests against school libraries in the United States. For those unaware: in 2021, public school superintendents across Texas were sent a list of 850 books challenged for potentially causing “discomfort, guilt, anguish, or…psychological distress” to schoolchildren.1 The list was compiled by state representative Matt Krause and predominantly included books which featured sex education, black history, and LGBTQ+ characters; many were also simply written by LGBTQ+ or non-white authors.2 School districts in other parts of the country began similar investigations, and soon libraries throughout the US were facing book bans. Parents began calling for the removal of material that they deemed sexually explicit or inappropriate for children, schools pulled up to hundreds of books from their shelves out of caution, and librarians who protested this were silenced.3The Librarians follows the people who pushed back against these investigations, exploring their stories and their struggles.
The film began in Texas but didn’t stop there, travelling to Florida, New Jersey, and other states impacted by book bans. It exposed how school librarians were subjected to bullying, victimisation, and even unemployment for questioning these book bans, and how those who protested more vocally received targeted online harassment and threats of physical violence. The film featured interviews with these librarians, as well as the students and school board members directly impacted by these bans. It also examined the role of politicians, pressure groups, and parents in this ongoing struggle, combining original documentary footage with social media content and relevant news stories for a more complete view of the situation. Interspersed throughout were clips from The Twilight Zone, Fahrenheit 451 (1966), and Storm Centre (1956), as well as archival footage of Nazi book burnings and Joseph McCarthy speeches. Time and again the film returned to these examples of historical censorship to emphasise the necessity of information, the dangers of book bans, and the inalienable right to freedom of expression. It was a moving watch, balancing humour and emotion with a poignant lasting message about the importance of libraries and literature to society.
The crowd applauding Julie Miller and Amanda Jones& a close up on the discussion panel@cyrusoxford
After the screening, a panel sat down to discuss the film and take questions from the audience. As well as the director and producers, it featured Dame Mary Beard, Richard Ovenden, and two of the librarians who featured most prominently within the documentary: Julie Miller and Amanda Jones. Discussion quickly turned to the Bodleian’s own experiences with book bans over the centuries, as Richard explained how the original Bodley’s Librarian specifically collected books denounced by religious authorities, preserving this information against censorship or wilful destruction. However, as Dame Mary then pointed out, it is important not to just rest on this legacy. She advised the librarians present to be conscious of how we treat ideas or books that we don’t personally endorse, reminding us that to fight against censorship we must fight for all speech to be free. As the panel reflected on the position of foreign academic librarians in this struggle, they returned to a central motif of the film – that silence is compliance when faced with systematic suppression.
The panel also discussed how these attacks on librarians have progressed since the film was finished in late 2024: perhaps most notably, in May 2025, the President unceremoniously fired the fourteenth Librarian of Congress.4 Carla Hayden, both the first woman and first African American to hold this post, was removed on the grounds that she had promoted DEI and placed “inappropriate books for children” in the library.5 This directly echoes the sentiments expressed about school librarians within the documentary, emphasising the increasing scope and scale of this crisis. Julie and Amanda took this opportunity to speak about their continued activism within their local communities and beyond, while the producers explained their plans to publicise the film further and gain international support for the librarians affected by these repressive campaigns. Discussion ended shortly after this, but not without a final round of applause for the librarians, politicians, and everyone behind the film continuing to fight to speak freely and be heard.
Some familiar faces deep in conversation@cyrusoxford
After all that talking, it was finally time for… more talking! There was a short drinks reception in Blackwell Hall following the screening, which gave us the opportunity to chat with other library staff and visitors who’d come to the viewing. The room really came alive, and the hall was buzzing with noise as the film gave everyone a lot to talk about. We had some interesting conversations about public services, the accessibility of our libraries, and our responsibilities in this struggle as new professionals. We also got the chance to tell some other attendees about our traineeships, and found time to catch up with some former trainees! All-in-all, a great end to the night.
The Librarians is an ambitious project – creating a film about a rapidly developing political storm and screening it internationally is no easy feat – but it is certainly a worthwhile one. The documentary highlights the cultural role of libraries in the past and present, providing useful insight into the politics of information and the tactics used to undermine it. While many of us had heard about these book bans across the US, we weren’t aware of the scale of the issue or the extent of the harm it was causing to individual librarians, and the film was an eye-opening call to act. As trainees, we are just entering the world of libraries: this film urges us to work to ensure the libraries are still there for us in future. The Librarians was released in the UK on the 26th of September, with more details of showtimes available here. It will also be available on BBC iPlayer for over a year. If you’re at all interested in libraries and literature, it’s definitely worth a watch. And if our review still hasn’t convinced you, here’s the trailer to speak for itself.
With thanks to Cyrus Mower (@cyrusoxford) for taking all of the photos included in this blog post
Who doesn’t love a book display? We’re sure you want to know all about the books we’ve displayed this month, and we are here to provide!
Trainees often end up working on book displays throughout their year, and we’re no different. A few lucky trainees got to start working on their first displays within our initial few weeks. Each library has their own approach to displays, with unique spaces, signage, and book selections.
The theme for Black History Month 2025 is ‘Power and Pride’, where Power represents ‘the influence, leadership, and capacity to effect positive change’ and Pride reflects ‘cultural identity, heritage, and the celebration of Black excellence.’
Here’s our takes on the Black History Month theme this year, with a spotlight on some of our favourite books.
Taylor Institution Library – Jules McGee-Russell
My first reaction when I found out I’d be taking on the displays at the Taylor was, admittedly, panic. I had one week to research suitable books from our collections, which are mostly made up of books in languages I can’t read, with historical contexts I don’t know much about. Luckily, after many hours searching our catalogue on SOLO, chats with Subject Librarians and colleagues, and several trips up and down all our stairs, I had a very nice stack of books from both the Teaching and Research Collections.
I wanted to stick closely to the theme and include as many different languages and cultures as I could. I chose books that focused on Black European visionaries and icons of influence, Black excellence in the arts, the power of Black protest movements, and Black experiences across Europe. I made an effort to include books from as many areas of our library as possible. I ended up with books including Germany, Portugal, Brazil, France, Martinique, Guadeloupe, Wales, Russia, Linguistics, fiction (poetry), and biography. Not bad for a speedy one-week display!
I hope my display showcases the breadth of our collections and will encourage readers to explore this area in their studies.
I was able to put the large display in the Teaching Collection, right next to the Issue desk and the Self-Issue machine, where plenty of people will see it!
Books included:
Aimé Césaire : inventor of souls by Jane Hiddleston.
This biography focuses on one of the most influential Caribbean literary writers, Césaire. Césaire was a Martinican poet, playwright, politician, and co-founder of the movement ‘Négritude’, which sought to restore the cultural identity of Black Africans.
Black Paris : the African writers’ landscape by Bennetta Jules-Rosette ; foreword by Simon Njami.
Black Paris explores three generations of African writers in Paris between 1947 and the mid-1990s. Using archival, ethnographic, and historical research in addition to interviews with writers of the new generation, this book explores their writing and identity.
Blues in schwarz weiss nachtgesang : Gedichteby May Ayim.
This poetry collection is written by established Afro-German writer/activist, May Ayim.
Farbe bekennen : Afro-deutsche Frauen auf den Spuren ihrer Geschichte by May Ayim, Katharina Oguntoye, Dagmar Schultz (Hg.)
A collection of texts by Afro-German women about their experiences.
Mapping Black Europe : monuments, markers, memories by Natasha A. Kelly.
This text highlights unrecognised contributions by Black communities to the cultural landscapes of eight European cities. Black scholars and activists examine monuments, markers, and memorials to excavate these obscured narratives.
This biography centres on Frantz Fanon, an influential Martinican psychoanalyst and social philosopher, known for his notable works Black Skin, White Masks and The Wretched of the Earth, about the effects of colonialism on racial consciousness.
Language in the inner city; studies in the Black English vernacular by William Labov.
Originally published in 1972, “Labov probed the question “Does ‘Black English’ exist?” and emerged with an answer that was well ahead of his time, and that remains essential to our contemporary understanding of the subject.”
Mobilizing Black Germany : Afro-German women and the making of a transnational movement by Tiffany N. Florvil.
“Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression…including Audre Lorde’s role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans (ISD) and Afro-German Women (ADEFRA).”
Signs of dissent : Maryse Condé and postcolonial criticism by Dawn Fulton.
“Maryse Condé is a Guadeloupean writer and critic whose work has challenged the categories of race, language, gender, and geography that inform contemporary literary and critical debates. In Signs of Dissent, the first full-length study in English on Condé, Dawn Fulton situates this award-winning author’s work in the context of current theories of cultural identity in order to foreground Condé’s unique contributions to these discussions.”
The stolen prince : Gannibal, adopted son of Peter the Great, great-grandfather of Alexander Pushkin, and Europe’s first black intellectual by Hugh Barnes.
This book focuses on the historical figure of Gannibal, a kidnapped and enslaved young African who was adopted by tsar Peter the Great, who “soared to dizzying heights as a soldier, diplomat, mathematician and spy” and “founded a dynasty of his own in Russia, where he came to embody the strengths and weaknesses of the country itself.”
Terms of inclusion : Black intellectuals in twentieth-century Brazilby Paulina L. Alberto.
“In this history of black thought and racial activism in twentieth-century Brazil, Paulina Alberto demonstrates that black intellectuals, and not just elite white Brazilians, shaped discourses about race relations and the cultural and political terms of inclusion in their modern nation.”
Tribuna Negra : origens do movimento negro em Portugal (1911-1933)by Cristina Roldão, José Augusto Pereira e Pedro Varela.
This book highlights the little-known Black movement in 1911-1933 Lisbon that “fought racism, demanded rights for populations in colonized territories, and… engag[ed] in dialogue with forms of Black internationalism, such as Pan-Africanism.”
Globalising Welsh studies : decolonising history, heritage, society and culture,edited by Neil Evans and Charlotte Williams.
This text explores “the development of Welsh Studies through the lens of race/ethnicity. Contributors from history, heritage studies, literature, film, policy, social and cultural studies offer case analyses adopting new perspectives, theoretical routes and methodological innovations, with the aim of illustrating aspects of the decolonising of knowledge production.”
Voices of negritude in modernist print : aesthetic subjectivity, diaspora, and the lyric regimeby Carrie Noland.
“Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an “aesthetic subjectivity.””
Luckily, unlike some of the other trainees, I had plenty of notice to work on my Black History Month display – it’s been in the works since mid-September! With 22 books covering a broad range of social science subjects from our collection, it proved to be quite the research challenge for my first month!
My aim for the display was to represent as many areas of the social science subjects as possible, while showcasing broader aspects of Black British history. During my research, I was particularly interested to discover several titles in the Bodleian’s collection that focus on Black activism within the University of Oxford. Two that stood out were Malcolm X at Oxford Union: Racial Politics in a Global Era by Saladin M. Ambar and Rhodes Must Fall: The Struggle for Justice at the Heart of Empire ed. by Brian Kwoba, Roseanne Chantiluke, and Athinangamso Nkopo.
This made it all the more disappointing when some books arrived from Swindon in plain black hardback covers, with their vibrant dust jackets removed for preservation. As a result, there are a few titles I would have loved to include in the SSL’s book display that, unfortunately, didn’t make the final cut. Overall, though, I’m happy with the selection of titles in the book display and the balance between academic texts, Women political leaders in Africa by Rosemari Skaine, alongside poetry and fiction texts: Saluting our sisters ed. by Cherron Inko-Tariah, and Girl, woman, other by Bernardine Evaristo.
Art, Archaeology and Ancient World Library – Olly Marshall
With our collections split into a few distinct subject areas, it can be difficult when making displays for all of them to be properly represented. We have loads of fantastic resources on black artists in our upper floor collections, but I was particularly keen on displaying resources on black voices in archaeology which are often overlooked both within the wider field of archaeology and within our own collections. Some of the highlights included:
The first Black archaeologist: a life of John Wesley Gilbert by John W.I. Lee.
This biography looks at the life of John Wesley Gilbert, from his education in segregated Georgia in the late 19th century, his research trip to Greece with the American School of Classical Studies at Athens in 1890-1891, returning to become Paine College’s first black faculty hire and his missionary work later in his life.
Black Feminist Archaeology by Whitney Battle-Baptiste.
This book is the first of its kind in outlining how black feminist thought and philosophy can be applied to archaeological theory and practise. Battle-Baptiste calls for a more sensitive look at race and gender within the archaeological field, and offers Black Feminist Archaeology as a method by which to look at the plantation home of Andrew Jackson, the W. E. B. DuBois homesite and the Lucy Foster homestead- the first archaeological excavation of an African American home.
African Connections: Archaeological Perspectives on Africa and the Wider World by Peter Mitchell.
Peter Mitchell offers an analysis of Africa’s identity within the wider world- looking at what archaeology can illuminate about trade routes, the spread of farming systems and the experiences of the African diaspora. Though the book looks at early expansion out of Africa in the Pleistocene the story is mainly that of Africa in the Holocene, a sorely neglected subject in the field. Mitchell confronts this neglect by emphasising early on that “Africa’s inhabitants interacted with those of other landmasses, not merely as consumers or dependents, but as equal partners in exchange and active donors of goods, ideas and people.”
Documenting activism, creating change: archaeology and the legacy of #MeToo edited by Hannah Cobb and Kayt Hawkins.
Multiple authors contributed to this volume sharing their experiences as women in working in archaeology and how women within the sector navigate social media in the face of online harassment based on gender and race. Several chapters look at the state of sexism and online activist circles in specific countries. Chapter 19, “In Pursuit of Systemic Equality: The UK’s First Network For Ethnically Diverse Staff In Development-Led Archaeology” reflects on the state of diversity in archaeology in the UK, the groups, committees and alliances that work to improve it and how this aim for diversity can affect the practise of archaeology itself. This book also has a chapter on mentorship for women in archaeology and could be an enlightening resource for anyone working in the sector.
A full list of the books and a more in-depth look at some of our art collections can be seen on the art library blog.
Bodleian Library – Catherine Birch and Rebecca Cartwright
While trainees in the Old Bodleian aren’t in charge of curating our library’s displays, we thought we should let everyone know what the Bodleian has been doing to mark Black History Month.
Our physical book display in the Gladstone Link is focused on themes of activism, resistance, and liberation in the nineteenth and twentieth centuries, taking material from the History lending shelves. We’ve also signposted a few ebooks from our collection, looking at black identities and intersectionality in Britain. There’s a broad range of texts spanning different historical disciplines, time periods, and places, reflecting the richness of Black history in the United Kingdom. If you’re unsure where to start, try checking out these texts:
There Ain’t No Black in the Union Jack by Paul Gilroy.
Originally published in 1987, this book examines racial politics and race relations in the UK and argues that the (then contemporary) sociological model of race and culture is inherently flawed. Predominantly researched and written during a period of significant racial tension in Britain, the book caused controversy after Gilroy accused left- AND right-wing intellectuals and leaders of failing to properly consider race in their politics. Almost 40 years later, it has held up as a foundational study of the relationship between race, class, and nationality. This edition also contains an edited introduction, where Gilroy reflects on the change he had seen since the book was first published.
Rhodes Must Fall: The Struggle to Decolonise the Racist Heart of Empire by the Rhodes Must Fall Movement (Oxford).
This collection of writings on the Rhodes Must Fall movement has close links to the university. It was compiled and edited by members of Rhodes Must Fall Oxford, a group founded in 2016 in solidarity with anticolonial student protests at the University of Cape Town. The Oxford chapter’s aim was to decolonise the university’s curriculum and remove a statue of Cecil Rhodes from Oriel College. The book sets out their arguments as to why Rhodes shouldn’t be honoured, exploring the modern legacy of colonialism and the enduring impact of racism and empire on all aspects of Western life. While much has changed in the 7 years since this book was published, it reflects a pivotal moment in the university’s history, and it remains a thought-provoking read.
We Were There by Lanre Bakare.
On this “road trip around Black Britain… this time, London is in the back seat, and Bradford’s our driver. Liverpool’s choosing the music. Edinburgh’s navigating.”[1] Often, black history in Britain is confined to the urban southeast. Areas like Cardiff, Manchester, or Bradford (where Bakare was born) are a footnote, and rural black lives are overlooked entirely. This book seeks to move beyond this conception and illuminate aspects of British history we’re yet to fully explore. It’s a recent publication which looks to the future as well as the past, emphasising that blackness and black culture is not universal, modular, or static. Filled with humour and introspection, it questions what it actually means to be a Black Briton, not just a Londoner.
We’ve also picked out some books from our wellbeing display in the Old Bodleian which embody this year’s theme. When you next need a study break, take a look at these:
Celebrations: Rituals of Peace and Prayer by Maya Angelou.
Maya Angelou is widely recognised as one of the most significant poets of the twentieth century, and this anthology brings together some of her most famous works. Angelou was not just a great writer and artist – she was closely involved with the civil rights movement in the USA, and was a fierce activist throughout her life. Her life and her writings truly embody the theme of “Standing Firm in Power and Pride”, and her legacy is one felt here as well as in the United States. ‘Celebrations’ contains 12 poems about peace, love, and hope, and is a great book to dip into whenever you need some joy.
Self-Care for Black Men: 100 Ways to Heal and Liberate by Jor-El Caraballo, LMHC.
‘Self-Care for Black Men’ does what it says on the tin: the book is a guide to coping with racism, prejudice, and intergenerational trauma as a modern Black man. Carabello is writing for men who feel like they don’t have access to the support that they need, offering guidance on how to take care of yourself and your wellbeing in a constructive manner. The book is full of Black pride and empowerment, with 100 meditations on identity, respect, and personal dignity. For those feeling insecure or emotionally drained, it could be a very useful read.
If these have interested you, or you want to learn more, check out our HFL blog post for a full list of the books on display in the Upper Link. Our Wellbeing display is available year-round and is located at the top of the North Stairs in the Old Bodleian.
Signpost – Events
If you liked our displays and want to see more of what the university have to offer, come along to the Weston Library on Wednesday 29th October for a chance to see some unique items from the university’s Special Collections. There’ll be a show-and-tell of archival material focused on black lives in history, with the opportunity to learn about racial activism and black culture in Britain from the nineteenth century onwards. The event is free to attend – to learn more and register attendance, visit the Oxford SU website.
The Ashmolean has also recently unveiled a new display: ‘Shedding Light’. An evolution of the earlier installation ‘A Nice Cup of Tea?’, this room was carefully crafted to tell a story about the interconnected histories of slavery, colonialism, sugar production, and ceramics. It takes the form of a 1950s-60s Caribbean living room filled with books, records, ceramic, and life – viewers are encouraged to literally read the room. It’s an interesting lens into British Caribbean heritage and intergenerational experiences, with a particular focus on the sugar trade and how this shaped black lives and culture. It’s located in the European Ceramics Gallery on the second floor and is intended to be a permanent fixture in the museum.
Hello again, loyal readers, and welcome to part two of our introduction to the 2025/26 Graduate Trainees. This time, the spotlight is on the Business, Law, and Social Sciences libraries, as well as this year’s College trainees.
Noughth week was busy! We’ve been running induction tours, putting up Black History Month displays, visiting the newly opened Schwarzman Humanities Centre, and somehow keeping our libraries running smoothly. The city is covered in falling leaves (romantic, autumnal, stunning) and the beginnings of the expected wet weather (slippery cobblestones, my nemesis). Regardless, we’re all set to give warm welcomes to our incoming freshers.
Now, let’s meet some more trainees!
Trainee Introductions: Business, Law and Social Sciences
Heidi Cruft – Sainsbury Library, Saïd Business School
Hi everyone! I’m Heidi, the Graduate Trainee at the Sainsbury Library in the Saïd Business School.
Although my BA wasn’t in Business – I studied English at the University of Cambridge – I got a taste of what business students might be looking for while working with them during a summer scheme at my college. That experience gave me some insight into their research habits and made me appreciate how unique the Sainsbury Library is among the Bodleian Libraries: we primarily serve postgraduates, with a strong focus on journals and databases.
I knew quite early on in my undergraduate degree that I wanted to pursue a career in libraries and was lucky to gain experience by volunteering at two of Cambridge’s college libraries. That proved invaluable – not only did I get to work with some fascinating special collections, but I learnt a lot about the day-to-day tasks common across most libraries, including processing new books, shelving, and answering enquiries.
I’m really enjoying my role at the Sainsbury Library so far, and it’s been lovely to get to know the (quite large!) team here. I’ve particularly enjoyed learning how varied everyone’s roles are – it’s shown me how much collaboration goes on behind the scenes in library work.
Hello! I’m Gemma, the graduate trainee at the Bodleian Law Library.
I have a BA in History and an MPhil in Ancient History, both from Oxford. I’ve always been interested in working in libraries in some capacity, so after my Master’s I looked for volunteering opportunities and found a position in the library of a small theological college. This was a really useful experience because as well as getting a lot of shelving practice(!) I got to do all sorts of other background tasks (cataloguing, checking reading lists, working with the archive). I went on to work part-time as an evening and weekends library assistant in the Old Bodleian and the Art Library, which was much more focused on front-line reader services: issuing and returning books and generally helping readers and problem-solving.
What I enjoy about working in libraries is that it’s relatively structured but also involves a variety of tasks, and you never quite know what will come up so it doesn’t get boring! I decided to apply for the graduate trainee role because I wanted to learn more about working in libraries in general, and technical services in particular, and to hopefully work out whether to commit to a further Master’s.
I’ve really enjoyed my first month at the Law Library. Everyone has been welcoming and very helpful, and I feel like I’m beginning to settle in and become part of the team. I’ve obviously had a lot of experience using the Bodleian libraries as a student as well as working in them for the past year or so, but before now I hadn’t ever been in the Law Library. I don’t know much about law as a subject at all, so I’ve been learning a lot! I’ve also been getting used to the library itself, since of course although they’re all under the Bodleian Libraries umbrella, each library has its own idiosyncrasies. The Law Library is reference only, so no one can take the books out, which is a change from the libraries I’d worked in previously. As well as legal texts, the library houses the Official Papers collection, some of which date from the 16th century.
So far, I’ve mainly been processing new books (putting tattle-tape in them and stamping them) and labelling them (there’s two different types of labels, reflecting the two classification systems that the library uses). I’ve also got to grips with using the Bookeye scanner, which is actually a lot easier than it looks! There’s not been too much shelving to do but the library has been getting busier as the beginning of term gets closer, so I’m sure I’ll soon have the opportunity to properly test myself on the library layout and shelfmarks. I’ve also spent some time at the Enquiry Desk. The (Grade II*-listed) building that the library is in can be a bit of a labyrinth and I’m still working on how best to answer the inevitable questions from readers about how to find the water fountain… For October I’m hoping to get involved in the book displays we have planned and looking forward to the start of a new term!
Summer Mainstone-Cotton – Social Science Library
Hi everyone! I’m Summer, the graduate trainee at the Social Science Library (the SSL).
Whilst a medievalist at heart, having studied an MA in Medieval Studies, I feel that I’m starting to find my feet amongst the Social Sciences (there were plenty of economic and political influences in the medieval world after all!) At the SSL we serve a mix of undergrads and postgrads, with probably our largest undergraduate cohort being the PPE students – I’m always a bit daunted when their big economic textbooks come to me for processing!
I was fairly inexperienced with library work before this traineeship. As a student I spent a lot of time in libraries and became quite good at the detective work of tracking down obscure research books, but the inner workings of libraries remained a mystery. During my MA I did a placement at Cambridge University Library, but that was with special collections rather than reader or technical services – I learnt a lot about childbirth in medieval medical manuscripts, but I’m yet to find a use for that knowledge in the SSL! Far from being a disadvantage though, it’s made everything here feel new and interesting – I still get a lot of satisfaction from stamping books with the Bodleian stamp (even if I haven’t managed to stamp in a straight line yet).
I’ve really enjoyed my first few weeks at the SSL. Everyone in the library has been very friendly and patient with my many questions and triple checking alma holdings editing – I’m still terrified I’ll accidently delete a book from the system!
The traineeship offers a great mix of technical and reader services alongside the Wednesday training sessions, which makes every day new and interesting. I’m looking forward to the upcoming chaos of Michaelmas term and I’m sure this year will fly by!
Trainee Introductions: Colleges
Amy Fry – Christ Church College Library
Hi everyone! I’m Amy, the Graduate Trainee at Christ Church Library for this year. My position is slightly different to the Bodleian Trainees: I’m technically employed by my college, but I still get the same training sessions and experiences. The best of both worlds!
I studied Music at Lincoln College before starting this job, probably the only other Oxford college library whose beauty can compare to Christ Church’s (I still can’t quite work out where my loyalties lie…), however the world of libraries is rather new to me. It was actually the advertisement for the Bodleian Trainee scheme that sparked my interest in librarianship as a career, and after some great advice from Lucy and Marina, the librarians at Lincoln, I decided I would give it a go.
Christ Church Library is a wonderfully impressive place to work. Vertically split into the Working Library downstairs and the Special Collections upstairs, it offers such variety on a daily basis. Downstairs, my responsibilities include much of the day-to-day tasks involved in keeping the library useful for students: processing, shelving, collections management, and fielding questions (if I know the answers that is…). Upstairs, I get to help out with exhibitions, and over the course of the year will also put on various short pop-ups. I’m currently planning one to celebrate the Christ Church 500 Music Festival – a rather cool experience for a music grad! I’m lucky to have joined such a welcoming and knowledgeable team here (9 of us total!) and feel very excited for what the rest of the year will hold, both in Christ Church and across the wider Bodleian Libraries!
Leah Duffin – New College Library
Hello. My name is Leah, and I am the Graduate Trainee at New College Library. As I work in one of the colleges my role is different from the other trainees. I work across a multitude of projects, execute various tasks, and contribute to the successful running of the library. I am fortunate to feel quite settled in this role as I started in July and have had lots of exciting opportunities since then.
I hold a bachelor’s degree in English Literature and History and a masters in Medieval Studies from University College Dublin. I have spent much of my academic career in libraries and upon completing my master’s I found myself drawn to a career in libraries. Due to the nature of my master’s research, I worked closely with special collections, and I knew that I wanted to foster this interest in a more professional capacity. Thus, I decided to move away from Ireland and combine my passion for history and libraries and what better place to do that than Oxford!
Perhaps I show my bias but, in my opinion, New College is one of the finest colleges in Oxford and the library has become a welcoming and wonderful place to work. New College Library is home to a renowned collection of rare books and manuscripts; this includes 384 manuscripts and thousands of rare books and incunables. I was particularly drawn to this role as it allowed me to use the knowledge I gained in my studies through working with a rich repository of special collections whilst also learning more about librarianship and supporting readers. Here at the library, our year is full of opportunities to showcase our special collections, as we often hold exhibitions for the public to come and view our treasures! We also assist academics and readers in viewing our collections. Recently, I aided in curating our current temporary exhibition on the American illustrator Edward Gorey. I was responsible for deciding which items to showcase along with carrying out research, creating labels and designing the promotional material. As term has begun, we are busy holding inductions for new students, purchasing books from readings lists and planning our next exhibition that will take place in November. I am looking forward to what the next few months have in store!
As we enter October and the new academic year begins, we thought it was high time that the new batch of trainees said hello. Our first month in Oxford has flown by in a whirl of training sessions and desk duty, and we’re all braced for the imminent chaos and excitement of noughth week. It’s been strange working at a university with no students, but whilst waiting for them to turn up, we’ve certainly been busy! We’ve learnt our way around the libraries (some of which are more complex than others…), processed books, and reviewed many, many reading lists to prepare for the start of Michaelmas term. Over the next year, we plan to keep you well informed about the adventures and mishaps of graduate trainee life, but thought we’d start by introducing ourselves:
Trainee Introductions: Arts and Humanities
Catherine Birch – Bodleian Library / History Faculty Library
Hello all! I’m Catherine and I’m one of two trainees in the Bodleian Library. As the Collections trainee, I can usually be found in the History Faculty Library, but the role actually involves working across multiple libraries – more on that later.
I started university with no clue what I was going to do with a History degree, and I only fully decided on a career in libraries in my final year. I gravitated towards collections work while volunteering in a few different archives in my spare time, where I realised I really liked transcribing and digitising materials. I got a job working in reader services to test the waters, and after a lot of shelving, researching, and scanning, I felt confident that library work was definitely for me.
Being based in the HFL has been excellent because I’m surrounded by my favourite subject, but even if you aren’t a history buff there’s something for you at the Bodleian. Our holdings include English, Classics, Philosophy, Theology, and more, so there’s no shortage of interesting material. There’s also a study space for every mood, as our site includes the historic Old Bodleian, the underground Gladstone Link, and the iconic Radcliffe Camera. I do already have a favourite, but I’ll never say which…
I’ve only been working in the HFL a short while now, but I’m enjoying it a lot. There’s a real variety of work to do every day, from processing new acquisitions and creating displays to helping readers use the printer or find a misplaced book. The team have been offering me plenty of useful support and advice, and they’ve been very patient when I ask where the light switches are for the hundredth time. I’m looking forward to finding my confidence and developing new skills through the traineeship, and I’m excited to see what this year has in store!
Hello! I’m Rebecca, one of the two Bodleian Library trainees. While I’m primarily based in Reader Services and spend most of my time in the Old Library, I also pick up work in the Radcliffe Camera and Gladstone Link (which host the History Faculty Library’s undergraduate teaching collections).
I studied BSc Geography at Lancaster University, during which I completed a placement year. Living and working in the South is all very new to me, let alone in Oxford! Over the years, I’ve worked as an ambassador for my university, in an automotive manufacturer’s Environment Team, and even as an Assessment Coordinator for a major education company. However, the extent of my experience working in libraries is volunteering one hour a week at my sixth form college library. Librarianship has always appealed to me, but it wasn’t until I graduated that I began to seriously consider it.
Over the course of my degree, I developed an interest in data. So much so, that my dissertation was a data synthesis project using Python, where I examined trends in the carbon intensity of global primary energy (thrilling stuff, I know). I graduated with a whole host of skills—from research and report writing, to customer service and administration—and after some soul-searching realised maybe a career in libraries was possible after all. Enter: the Bodleian Libraries Graduate Trainee scheme.
While there has been a lot of information to absorb (and a few trials by fire), my first month has flown by. There are some major changes taking place at the moment, so it’s an exciting time to be working at the Bodleian. Working on the Main Enquiries Desk three days a week gives me the opportunity to engage with readers and exercise my problem-solving skills. Besides this, it’s varied work and you never stop learning. Can’t wait to see what chaos awaits in Michaelmas!
Olly Marshall – Art, Archaeology and Ancient World Library
Hello- I’m Olly and I’m the new trainee in the Art, Archaeology and Ancient World Library (better known simply as Art).
My background doesn’t lie in art, archaeology OR the ancient world, but in environmental science; I graduated this summer from the University of the West of England with my BSc. In my final year I wrote my dissertation on how coal has been represented in British art and I developed an interest in art history and criticism through that.
Other than briefly volunteering in a public library for my bronze Duke of Edinburgh award (which I did not complete…) my only experience in libraries is as a reader. Last summer I did an internship at Kew Gardens Herbarium re-curating the fern specimen collection, and learnt a lot about classification systems, considering users when managing collections and I made good use of the amazing library in the herbarium! Here someone suggested to me that I consider a career in libraries and I liked the idea a lot.
It’s early days in my traineeship and I’ve already learnt so much! I’ve issued, returned and shelved a lot of books, helped a lot of readers find items in our confusing classification systems, made new book displays, completed some minor book repairs, traversed many flights of stairs and become very distracted by our collections – this happens most in our second-floor art collections and ancient coin materials in the Haverfield Room. I also swap with Jules to work in the Taylor Institute Library a few times a week, because I can’t get enough of confusing collections and stairs.
I’ve really enjoyed getting to know the wonderful team here in the humanities libraries and I’m looking forward to the rest of my year- though nervous for the chaos of the start of Michaelmas!
Jules McGee-Russell – The Taylor Institution Library
Hello world (and future trainees probably reading this blog)! I’m Jules, my pronouns are they/them, and I’m the trainee this year at the Taylor Institution Library.
I graduated from Newcastle University with a Combined Honours degree in English Literature, Spanish and Latin American Studies, and Chinese in 2021 – which feels like forever ago! I graduated thinking I’d go into journalism, publishing, or marketing, and completely wasn’t expecting to fall in love with library work.
I first volunteered in my college library during A-Levels for my silver DofE award, but in 2023 I found myself a casual job in the library I visited weekly as a child. Working in public libraries completely shifted my career goals, and I found a true passion! Two years later, I had worked in six libraries across West Sussex, from a small lone-working library to the second largest in the county. I decided I wanted to become a librarian.
Many google searches later, I came across this blog, and the Graduate Trainee programme here at the Bodleian libraries. I was thrilled to accept the position here at the Taylor, the exact library I had put on my vision board months before.
I’m still finding my feet within the Oxford University system – it has only been a few weeks after all! Things work very differently here to public libraries (what is a Michaelmas and why does it have a week -1?). The Taylor is two beautiful buildings mushed together, with the spiral staircases to match. It also has a plethora of both old classifications and newer Library of Congress classification all in the same places. At the moment, I’m looking forward to shadowing the Assessment Team, and getting my teeth into my own project over the course of the year – if I can get through student inductions that is!
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