I dash out of the house to get the bus with my housemates, only to find it’s delayed again and there was no need to rush. One thing I’ve learned about Oxford is the buses are always late, except when you need them to be.
8:42
My workday officially begins! This morning I’m on the reception desk in the RadCam first thing, so I’m responsible for opening the Lower Camera. This mostly involves moving ladders, switching on computers, and making sure any books left over from yesterday are reshelved. Thankfully, everything is still neat and tidy from closing last night, so it’s quite a quick process.
9:00
The bells of St Mary’s toll and the library is officially open. Sometimes it takes a while for the library to fill up, but today there’s a line of readers all the way down the path as soon as we open the doors – term is definitely in full swing.
While on reception you’re responsible for answering enquiries and making sure people can access the library okay. Despite the constant flow of readers, it’s a relatively quiet shift: I help some people having issues with their university cards, direct one reader to Admissions to get a temporary access pass, and help someone looking for their lost property. In between queries, I pick out any lapsed items from the hold shelf and return them on Alma so they can go back to the CSF with the morning delivery. When we started offering offsite loans this year we had to double our holds space, and we’re still running out of room!
10:30
My desk shift has ended and it’s time for a little break, so I head to the reader common room to eat my belated breakfast and listen to a podcast. I’ve been enjoying No Such Thing as a Fish recently – I think every librarian needs a mental reserve of fun facts.
10:50
Break time is over, so it’s time to head down to the scanning area as I’ve been given fetching duty today. This involves collecting up all the books which are going to be scanned for readers this afternoon. Sometimes the list is quite small, but today it takes me to every reading room in the library! Thankfully, everything is on the shelf where it should be, so I can find it all quickly.
Having collected everything, I still have a lot of time to spare, so I mark out the requested pages in each book for the person scanning later. This helps me spot that one reader has asked for a chapter which doesn’t exist, so I email them the table of contents to clarify what they’re looking for. Copyright law restricts the amount of any given book we can send to readers, so it’s important to make sure people are getting the sections they actually want.
12:00
I’ve opted to take the later lunch slot today, which means I have some free time now. The library has really filled up with readers now and the reshelving trolley is looking quite full, so I decide to do some shelving, which takes me all the way down to the Lower Gladstone Link. Predictably, while I’m there a reader asks for help locating something in the Nicholson sequence (our complicated old shelf system), so I explain how it works and help them find their book.
Nicholson books, just waiting to confuse a reader
12:20
I head upstairs to see if there’s any new books to process, but there’s none waiting for me. I decide to do some relegations instead – my manager has identified some books which can get moved from open shelves to storage, so I edit the item record and package them up to go offsite. The shelves in the HFL are constantly overflowing and we need all the space we can make!
1:00
Lunch time! I don’t dare face the tipping rain today, so it’s back to the reader common room with my sandwich and my water bottle. It can get quite packed in there around midday, because it’s the only space in the library where food is allowed, but luckily I’m able to find a seat.
2:00
This afternoon I’m scheduled to help with the book delivery in the Radcliffe Camera. The Old Bodleian and Radcliffe Camera combined get the most offsite requests by far, so we get our daily book deliveries direct from the CSF, and delivery duty involves transferring items from the van to the delivery room to the collection points. I help unload the crates of new books, scan them into Alma, sort them into loanable and self-collect piles, and move them to their appropriate shelves. Then, I collect any items to go back to storage, scan them out, and package them up for when the van comes tomorrow! The best part about this shift is spotting the different books people have called up – today the highlight is this collection of love spells.
3:15
After all that heavy lifting it’s time for another break – the rain has stopped, so I head across the road to Blackwells to have a quick look at what’s new.
3:35
To finish off the day I get on with some trainee project work. I’m currently working on improving accessibility for a grey literature collection which was housed in the History of Medicine library before it closed last year. Forty archive boxes of material ended up being sent offsite: my project involves designing a LibGuide to promote the collection, as well as creating a physical handlist for each box. For now, I’m calling up boxes from storage so I can inventory the contents, note any cataloguing errors, and digitise any particularly valuable items. It’s interesting work, especially when the collection throws surprises at you. For instance, the box I’m currently working on is entirely in German… which I can’t read.
Some examples of the pamphlets I’m working on at the moment
4:30
Having finished going through one box quicker than I expected, I put my project away for the time being and start working on this blog post.
5:00
The evening staff arrive to take over, and it’s time to head home. As usual, I hurry to the bus stop outside the library, and manage to just miss my bus. Like I said, always late except when you need them to be…
Did you know there’s (part of) a real dodo hidden in an Oxford library? How about the oldest pinned butterfly in the world? Or the first illustrated life cycle of an insect?
As we’ve said before, one of the great advantages of the traineeship is the training itself. As well as our scheduled sessions we’re encouraged to explore different aspects of library work, and there are loads of great opportunities for shadowing across the university. So, as a few of us wanted to learn more about other GLAM1 careers, we decided to arrange a group visit to the Oxford University Museum of Natural History to see what goes on in a museum library. During a rare training-free week, we braved the winter chill to gather at the entrance and meet Danielle, the museum’s lead Librarian and Archivist, for a tour.
Our intrepid tour guide took us to the site of the original library to start with, as she gave us a brief overview of the museum’s history. OUMNH was founded in 1860 with the intent to modernise and promote natural philosophy at Oxford. Previously, science faculties had been scattered across different colleges and institutions, usually without suitable teaching and research space. The museum was designed to house all these departments (and their collections) in one purpose-built location, with a 500-seat lecture theatre, specialised laboratories, and a large library.
The library in particular was designed as a grand intellectual space unifying art and science, in line with contemporary ideas about natural theology. The interior design was crafted to be educational as well as decorative, and while the layout has been altered significantly over time, parts of the original structure remain. This library wasn’t just for private study: it was used for teaching and hosting events too, and many famous feet trod the boards of the museum. Some actually visited before it was fully opened! The museum library was the site of Wilberforce and Huxley’s famous ‘Great Debate’ on natural selection, held before the collections were even installed.
Unfortunately, the lack of light and climate controls in this grandiose Victorian building meant it wasn’t the best space for preserving collections. The library was eventually moved to more suitable rooms on the other side of the building, and this space now holds the museum’s sizeable insect collection – the second largest in the country, with an estimated five million specimens! The Hope Entomological Collections (named for their founder F. W. Hope) particularly focus on historic material, and the museum even holds the world’s oldest pinned entomological specimen: a Bath white butterfly from 1702. We also learned about other gems of the collection such as the world’s largest known bee, Charles Darwin’s beetles, and an individual collection of 140,000 flies. These are all stored safely in their cabinets, protected from harsh sunlight and fluctuating temperatures which could damage them long-term. The perils of beautiful old buildings…
These insects aren’t managed by the library or archives staff as they need more specialist care, but they are available for viewing and study by appointment. Apparently, they’re a very popular topic!
Sunlight and fresh air is great for living specimens… not so great for preserved ones
Once we’d finished staring at drawers full of bugs, we left this room behind and headed to the new library. The bookstacks hold information on all the collections areas in the museum: zoology, entomology, geology, general natural history, and more! However, one unusual feature of the library is a total lack of plant biology. OUMNH doesn’t cover any botanical science, as they try to avoid significant collections overlaps with other university institutions. They coordinate their collection development with the Botanical Gardens and Herbaria (which hold all the university’s plant specimens and literature) and the Radcliffe Science Library (Oxford’s main science library), although a lot of their new material is donated rather than actively sought out. Danielle explained that this means a lot of the collection is highly specific and niche material produced by subject experts. The library also contains a lot of small-scale periodicals and amateur publications – in some cases, it holds the only publicly available copy of an item! While a lot of this content isn’t in high demand, it’s incredibly useful for in-depth research, and people travel from all over to consult the collections.
After this overview we learned about some of the ongoing projects within the library – mostly to do with organising the collection. As previously mentioned, the museum was originally designed to host all the non-medical sciences in one space. As each of these faculties gradually moved out, they left behind some of their books and papers, which got quietly absorbed into the wider library. While this was useful for expanding the collection, most of these items weren’t re-labelled or updated. This means the library now has a huge variety of shelfmarks and classification systems to contend with, which can make finding certain things a real challenge if you don’t know where to look! The library is in the process of a massive stock inventory and re-classification process to try and alleviate the issue but given the scale of the collection, it’s definitely going to take a while. Thankfully, the collection is fully catalogued, so all these items are traceable online. As trainees, it’s always interesting to see how other libraries manage their collections and what projects get prioritised; there’s always a million jobs to be done in a library, and never the time to do them all…
After that, we moved into the next room to see the archive. Anything which isn’t a book or a specimen goes here, including historical photographs, research notes, old journals, and other relevant ephemera, as well as all the artwork on display in the galleries. If a specimen is in the museum, accompanying field notes are almost certainly held in the archive. The museum also has a smaller institutional archive for important documents and items related to the building’s history. We saw a photo of the museum when it opened, and a picture of the original bird display which featured the remains of an actual Dodo! These remains are still held within the collection (although not on public display), making it the only place in the world to still have a soft tissue Dodo specimen. The nature of archives means that all these items are rare or unique, and the collection is full of unusual gems like a (mildly creepy) cast of a face and an old professor’s shoes.
As a rule, every archive does have at least one item that nobody can quite explain, and this one was no different: Danielle showed us this unidentified old helmet which was allegedly pulled out of a taxidermized camel’s hump!
Now it was time for the really fun part: the treasures of the collection. Every librarian loves to talk about their favourite books, and we loved listening to it! We got to look through a lot of really interesting items, like a handwritten letter from Charles Darwin, the engraved trowel used to lay the museum’s foundations, a handmade eighteenth-century book of botanical and entomological art (left), and a book of butterflies which helped inform Linnaeas’ taxonomy (right).
Not your average library books!
My personal favourite was the first book on natural history written in English: ‘The History of Four-Footed Beasts and Serpents’ (centre).
Produced in London in 1658, the author Edward Topsell had actually never left England, and was working mostly from the descriptions of other naturalists. This meant he had never seen most of the animals he was drawing and describing… and it shows. The book features cats and hedgehogs alongside unicorns and lamiae, each with pages of detailed description. While the animals might not all be real, and some of the drawings are certainly questionable, the fact it’s written in English is historically significant, and it represents an admirable effort to compile and share scientific information.
Another particularly interesting find was the first nationwide geological map of Britain (or any country, actually). The map was produced by William ‘Strata’ Smith, a canal surveyor looking to make some extra money. Smith began noticing consistencies in the strata he saw while working: they were always arranged in a predictable pattern, and usually followed the chronological succession of fossil groups. In search of a way to represent his findings, he developed a detailed geological map of the area around Bath, which he later extrapolated into a map of the entirety of England and part of Scotland. He didn’t find much success or fame during his lifetime unfortunately, but he’s now recognised as the father of English geology and his work is still famous today. Fun fact: he produced each map individually and numbered them, so you can identify where he corrected his own work over time if you look through them in order.
Having seen all there was to see, we said our goodbyes and left, though not without a last glance at the galleries and a few photos of our favourite items. After all, is it even a natural history museum if you don’t see a dinosaur?
The real stars of the show
Oxford Museum of Natural History is a fascinating place, with over 150 years’ worth of collections and a rich institutional history. If you want to learn more about the items mentioned in this blog post, why not see them for yourself! The library covers a huge range of subjects, and the entire collection is searchable via the university catalogue and the museum website, with access open to anyone by appointment.
Gardens/Galleries, Libraries, Archives, and Museums ↩︎
On my journey to work, I start to think about how I’m going to organise my day. I usually try to split it into four parts, with a different project or goal for each section. It works well by keeping me busy and my work varied!
8:40-10:50
I’m not on the desk this morning, so I settle into the office and get started on my current favourite task: updating our LibGuides! The Business and Management LibGuide has information on databases and journals (which only occasionally changes), but our Hot Topics need more frequent attention.
The one I am currently refreshing is the Business of Arts, Culture, & Entertainment, which involves scouring the internet for books, news sources, and consulting firm insights to ensure MBA students taking this elective have up-to-date information.
10:50-11:10
I reach a natural stopping point and, deciding it’s time for a coffee, head downstairs to the café with my latest book in hand. Being able to order virtually any book from Offsite Storage has revived my love of reading after university, and I enjoy squeezing in a few pages whenever I can.
11:10-12:00
Back upstairs, I turn my attention to exploring a new database that the library staff have been given trial access to. The goal is to compare it with some of the databases we already subscribe to, to see whether it offers anything different or complementary. I spend the next hour clicking through its features, keeping it open in one tab while some of our most-used databases sit open in others, and jotting down notes as I go.
12:00-1:00
Lunchtime! Today I have roast pepper chicken with jollof rice, and a muffin for dessert. Thanks to staff discounts at the Business School, the whole lunch costs under £3 – a definite perk.
1:00-3:30
I’m on the enquiry desk for the afternoon, one of my three half-day desk shifts each week. I begin by bringing five Oxford Futures Library boxes upstairs and scanning them in on ALMA using our dummy patron ID. Part of my trainee project is working towards producing standardised catalogues for these collections, which means creating a record for every individual item.
I enjoy doing this task on the desk, as it’s easy to pause while helping readers, and there’s much more space to lay materials out than at my office desk. However, some archive boxes contain more than 30 items, so it can be a very time-consuming process.
3:30-3:50
Time for an afternoon break! I grab a green tea and take a short walk, passing the many statues that have recently appeared around the Business School.
3:50-5:00
The final part of the day is busy with enquiries, both by email and in person. Most questions we get on the desk relate to setting up accounts for databases and news sites, but there are always a few more unusual – and often very niche – data requests that come in by email. Between enquiries, I also set up our Personal Development library display, designed to support students with research skills, mindfulness, and productivity during Hilary term. Closing up is straightforward, as the library remains open for as long as the building does, so it’s just a case of tidying the desk and office before heading home.
Leave for work. I’m lucky to live walking distance from the Art library and don’t have to rely on public transport- the only things that slow me down are my own legs or crowds on Cornmarket Street!
08:45
Arrive at work. I pop up to the staff room to put my lunch away, probably get distracted talking to everyone else doing the same, then head to the front desk. At the Art library, desk shifts are usually 3 hours long, either in the morning or afternoon, and two people sit at the desk together.
Today I’m on desk in the morning, so I turn on the self-issue machine and login to a PC. Our Reader Services Teams chat is named after an animal and changes most days- and today I change it to Pleasing Fungus Beetle.
08:55
Get started on the lapse list. At the Bodleian Libraries, readers can request books from our offsite storage facility to be sent to libraries. Some of this material is loanable and can be given to readers to take away, but some of it has to stay in the library. This is stored on the Self-Collect shelves, and the lapse list involves taking items off the self-collect shelves that needs to be sent back offsite. I take these books off the shelves, scan them out and put them in crates that get picked up every afternoon.
09:15
The Art library opens at 9am, and even outside of term time can get quite busy. By this time we already have a fair few readers, some of which have been queueing to get in! Now I’ll sit at the desk and help readers. Most of the time, readers need pretty straight forward help- loaning or returning books, finding the toilets, locating a printer or PC they can use… but sometimes people ask a tricky one and you have to hit them with a “let’s try and find out together…”
The Art library can be quite confusing to use as there are a lot of different shelfmark systems on the books, and the library is round so you can end up walking in circles for a while. It took me a while to feel confident helping readers find books, but I’m getting a hang of the collections and can usually direct people to where their book is. I still sometimes walk readers in a loop around an entire floor before I know where to look!
10:30
Break time. I head up to the staffroom to make a coffee, browse the biscuit tin and chat to people over the jigsaw. We always have a jigsaw on the go in the staffroom, right now it’s Agatha Christie themed.
10:50
Back at the desk, and now it’s a bit quieter I can do some new book and journal processing. We get sent a lot of new material each week that we need to check is catalogued properly, has all the correct stickers on, and then we can scan it into the library. New books are displayed on our ground floor New Books Displays each week. I’ll do processing in between helping readers and responding to emails and Teams messages.
12:00
I’m off desk now, so take all the books I’ve processed to our workroom to be put on display next week. While there, I hear that we’re swamped with scan requests so I roll up my sleeves and help out. The Bodleian offer a scan and deliver service for PDFs of journal articles or sections of books. If readers don’t feel like trekking all the way into the library for a single article, they can send us a request and we’ll usually get it back to them by the next day. Among the scans today are a chapter on Tudor portraits, an article about ancient Greek poetry and a chapter on food in Bronze Age Britain.
1:00
I go up to the staff room, warm up my lunch, eat it while half-heartedly helping people with the jigsaw, then pop out for a walk. I try and walk every lunch time if the weather’s okay, and today I go to the University Parks and listen to a podcast.
2:00
I head back to the Art library and go to the Haverfield room on the ground floor to work on my trainee project. The Haverfield room is a small, slightly chaotic room mainly filled with books about ancient coins. My project is to do my part in making it slightly less chaotic, which for now involves doing an audit of some large folios at the back that haven’t been looked at in a long time. I take each one off the shelf, note down the barcode (if it has one), note the condition of the item and if it’s in poor condition, measure it so it can be boxed in conservation approved boxes. There’s very little information available for some of the items, so I have a look through and try to see if a) it’s relevant to our collections and b) where it came from. It’s easy to get distracted looking at books on early Christian art in catacombs, or the symbology in German coats of arms.
A page of coats of arms from Numismatisches Wappen-Lexicon des Mittelalters und der Neuzeit : Staaten und StädtewappenA drawing of a bird in Bildzeichen der Katakomben
3:10
I go for another break, omitting coffee this time and instead have a tea and chat to people.
3:30
I’ve finished the shelf I was working on in the Haverfield room, so now I go down to the Craft Cave (also referred to as the Repairs Dungeon, or more politely, the Basement Office) to do some book repairs.
At the Art and the Taylor we’re trialling a scheme where reader services staff carry out small repairs on books to extend their lives and get them back on the shelves quickly (the previous Art trainee Emma made a great triaging system and resources for minor repairs that we still use now, you can read about her project here).
Down here I carefully repair broken covers, loose pages and fraying corners, and nearly forget to look at the clock close to home time!
5:00
I say goodbye to the evening staff who are just arriving, and head home.
Hello potential graduate trainees of 2026! With applications now open for the 2026/27 cohort of graduate trainees, we thought we’d give you a snapshot of life at the Bodleian.
(If you’re reading these to prepare you for your application or interview – fear not, we did the same. Have a look at this post on application tips and the interview process if you want more advice.)
Summer Mainstone-Cotton, Social Science Library trainee
08:10ish
Get the bus to work. Small sprint to the bus stop with my housemates, 2 other library trainees. Most years, there’s at least one trainee house in Oxford – it makes for a lot of library talk in the kitchen!
08:45
Open up! Once a week, I open up the library with another colleague – I love walking around the library when no one else is there – it’s quite dark and eerie in winter with the lights low and the bookstacks plunged into darkness. Opening up consists of turning on self-issue machines, printers, making sure the monitors haven’t gone walkabouts in the library, checking the phone for voicemail, and bringing in the overnight returns trolley.
09:00
As I’m not at the desk until 11, I start my day with a leisurely cup of tea and checking emails. The SSL trainee is responsible for managing the SSL queries inbox. As term hasn’t started yet, we’re not getting many emails from readers – this morning there’s an offer of a book donation from Hong Kong and a couple of chapter requests from readers wanting to use the Scan and Deliver service.
09:15-10:00
After a relaxed start, I decide to crack on with my trainee project – transcribing and compiling data on a large book donation to the SSL. A single donor has offered approximately 70 shelves of books and journals to the SSL, mainly texts on the USSR and Chechnya. A few months ago, the subject librarian for Slavonic and East European Studies photographed all the books for us to digitally sort through and decide which ones we wanted. It’s my job to go through hundreds of photos and compile a list of every text with a Latin script, noting down as much bibliographic data from the spine as I can find, and then identifying if the item has a record on SOLO and which of the Bodleian libraries have a copy. Whilst most books do seem relevant to us, somehow, I doubt the SSL needs a copy of Delia’s Complete Cookery Course!
10:00-10:40
I write up a blog post for my latest book display: Reading Resolutions. One of the great parts of working at the SSL is the opportunity to regularly write posts for the library blog and contribute to its social media. This month, along with new year’s resolutions, we’re also promoting Veganuary as part of our Green Initiative – so I’ve been liaising with the green team on vegan/plant-based recipe books to include in my display.
10:40
Snack Time! I take my 20-minute break on the sofas in the staff break area and happily eat a mince pie from the communal snack table – plenty of treats left from Christmas still!
11:00-12:00
I generally spend about 1.5-2 hours a day on the desk helping readers with their questions, loaning books and equipment, and handing out requested texts from the CFS. This hour is quiet as there aren’t many readers around at the moment.
12:00-13:00
So much book processing! With the start of term approaching, the acquisitions team at the SSL have been ordering lots of books for our subject reading lists. Practically, this means the book processing shelf is constantly refilling– each time I remove a handful of texts for physical processing, another pile soon replaces them. In book processing, I check that the shelfmarks have been added to ALMA, add reading list codes and then physically process the material by adding Bodleian and Social Science Library stamps, a tattle tape sensor, SSL library slip, and finally add shelf mark stickers and library use only/short-loan labels as required.
13:00-14:00
Lunch time – as it’s not raining, I take my lunch and go for a walk in University Park. The SSL is very conveniently located right by University Park, making it an excellent lunchtime spot. In the spring, I’m planning on going a bit further afield and visiting the Botanical Gardens during my lunch break.
14:00 – 14:30
An email has come in from ARACU (Accessible Resources Unit) requesting an SSL book for them to scan for a student. I go searching for the book on our shelves, scan it out to ARACU on Alma, and then pop it in a parcel to send in the internal mail.
14:30-15:00
CSF delivery. I unpack the blue totes delivered from the CSF (Collections Storage Facility). Readers request a mix of loanable and library-use-only texts from the CSF, and both are kept behind the inquiry desk. It’s always a mystery each day which niche materials have been ordered up – my favourite so far has been 5 massive books containing volumes of the Bell Ringers magazine from the 1880s!
15:00-16:00
Scan & Deliver Triage – unlike some of the other trainees, I don’t do the scanning for scan and deliver, I just triage the requests. I start my shift by checking how many scan requests there are (8) and if there are any scans to be sent from yesterday’s shift (no). Triaging means making sure the requests fit within copyright rules – readers are only allowed 1 chapter or 5%, and ensuring requested texts aren’t available online. I also check to see if any of the requested chapters have been scanned previously by the SSL, track down those scans and send them to the readers. Overall, 3 chapters have been scanned already, and I added 5 books to the fetching list to be scanned by our evening library assistants.
16:00-16:20
Second break – at this point in the day, I’m lagging a bit, so I eat a flapjack to boost my energy and read my current book: Babel – very appropriate to read while working for the Bodleian!
16:30-17:00
I have a meeting to discuss the donation project with my line manager and the subject librarian in charge of the donation – I’m nearly 50% of the way through inputting the donation material into a spreadsheet, and reassuringly, I haven’t made any terrible mistakes so far!
17:00-17:15
Final stretch of my day, where I tidy up my desk and check the inbox for any final emails that have come through. When it gets to 5:15, I say hello/goodbye to the evening staff coming in and head home.
A highlight of being a trainee is the access to… well, training! Every Wednesday we have a different session, on topics such as cataloguing, supporting disabled readers, or using the Bodleian databases and software. This week, we were shown around the Conservation and Special Collections areas in the Weston Library, a.k.a where all the rare books magic happens!
The Weston Library holds the majority of all the special collections items within the Bodleian libraries, although much is also held at the Swindon Offsite Storage Facility (CSF). After dropping off our belongings in the lockers (no liquid or even pens allowed in the areas with rare books), we made our way to the conservation area for our introduction to conservation and collection care.
The workspace the conservation team use was bright and peaceful, with long desks lit by many big windows that overlook the city. Each workspace was full of mysterious implements: bone folders, brushes, Japanese paper, display shelves of crushed pigments. Dozens of grey archival boxes were stacked in piles, full of rare books and oddities.
An Introduction to Preventive Conservation
Our first talk was with Catherine, who works in Preventive Conservation, focusing on environmental pest control. There are many things in the environment that can damage a book, whether that is damp, mould, or as we saw – insects! For example, silverfish are very destructive and can do quite drastic damage to paper. They chew through natural fibres, leaving a distinctive lacy pattern behind.
Furniture beetles (otherwise known as carpet beetles or book worms) are also a problem, as they chew straight through furniture like bookcases… and any books that are on them. Not a pleasant guest to have in your library! They bore through bookcases so thoroughly that you can line up the damage to determine which books were placed next to each other on a historical bookshelf. Luckily, this critter needs over 65% relative humidity to thrive, so it won’t visit our modern humidity-controlled collections.
Some calling cards of Silverfish……and Furniture beetles
Fun fact: If you look at the ‘frass’ left behind by a Furniture beetle under a microscope, it looks a bit like rice crispies!
A Genizah Conservation Project
We were then introduced to two conservators working on a long-term rebinding project. This three-year conservation project is focused on preserving items from a Genizah in Cairo for future study. A Genizah is a place in a Jewish synagogue where documents are stored before being ritually buried, as it is forbidden to throw away writing containing the name of God. Typically, items are only stored for 7 years, but the Cairo Genizah contains additions from over 1000 years! There is a huge collection of religious and secular works in around 10 languages (mostly Hebrew and Arabic).
A guardbook being worked on
Many of these valuable paper fragments were bound together into volumes called ‘guardbooks’. The interesting thing is, guardbooks can house texts next to each other which have no intellectual connection, or shared language. The same text could continue in different places within the same guardbook, or across several different guardbooks entirely. These might even be held in different institution’s collections. The University of Cambridge, for example, currently has the largest single unified collection – around 200,000 items from the same Genizah our conservators are working on.
A fascicule containing material from the Genizah
As part of this project, the conservators are working on rehousing these items – disbanding them and putting them into more permanent guardbooks. Some are also put into ‘fascicules’, which are like large A1 pamphlets, where the historic paper is mounted and then attached to the pages flexibly. This means that the pages can be opened flat and examined without damage, whereas the previous bindings could only be opened carefully to a V.
But if the conservators are rebinding the fragments anyway, why don’t they reunite the parts of a text that have been bound in separate guardbooks? Surprisingly, it’s not simply because the papers are fragile. The conservators explained that they need to preserve the historic arrangement of texts in each guardbook, and the shelfmark they were originally classified under. This is so that all the previous research which references those shelfmarks will still make sense. Helpfully, many of the guardbooks have historic marginalia notes which mention where to look to find the rest of the text.
This is a huge project: there are around 12,500 leaves in this collection, and around 217 physical bindings to rehouse. The collection is heavily used and historically important. Many of the items are digitised, but readers and researchers still need to be able to access the originals. It was very interesting to learn more about this long-term conservation project!
Book Conservation – When to Repair?
We also were also shown three examples of individual books being conserved by the Assistant Book Conservator, Alice Evans. One of these examples was Tolkien’s copy of Sir Gawain and the Green Knight. Tolkien thoroughly annotated it and repaired it with tape – something we hope no reader will do to our books! In this case, despite the tape degrading over time and staining the book, the tape will not be removed or replaced with acid-free archive-safe tape. That’s because the value of this object for researchers comes from Tolkien’s interaction with it and the signs of use – including all the tape fragments. Who knows, someone might end up doing a PhD on his use of tape someday!
When repairing an object, one of the most useful tools is Japanese paper. This paper is harvested in a way that keeps the fibres long, and it is activated using only water. It’s non-intrusive and removable, making it perfect for conservation. Conservators want to preserve the signs of use, and the vulnerability of the object itself, repairing as minimally as possible in places with vulnerable edges or tears. You can see some of the long fibres from a torn edge of Japanese paper in this photo.
As Alice told us, everything is degrading anyway. Conservators and curators weigh up what we want and need here and now, what is useful to us today. Those are the items they prioritise and conserve.
Introduction to Special Collections
The last part of the afternoon was a tour and talk with Chris Fletcher, Keeper of Special Collections. The tour included the Centre for Digital Scholarship, the Mackerras Reading Room, the rooftop patio, and a chat with one of the archivists, Frankie. Continuing our accidental Tolkien theme of the day, Frankie was working on cataloguing and digitising the Tolkien papers. There were tables full of rare items and historical objects, and yet more archive boxes of mysterious sizes. We saw Tolkien’s leather suitcases, and a box full of a surprisingly large collection of pipes!
Then we were shown to a reading room where Chris had pulled out a selection of interesting Special Collections books. These included an 18th Century book of animal and plant illustrations (which had the pictured vaguely horrifying rodent with green toenails), a series of 3D pop up Artist Books by Tamba Auerbach, and a copy of John Clare’s The Village Minstrel that contained a unique handwritten poem.
After that, the items got a little unusual. What makes a book a book? Bibliographic detail, a cover, publication date, author, contents, edition? If that’s what a book is, then Ted Hughes’ ‘Laureate’s Choice’ sherry bottle also fits the bill:
As is traditional for a Poet Laureate, Hughes got his own barrel of sherry. This bottle has one of Hughes’ drawings reproduced on the label.
Then, there was my favourite item – the cheese book! Created by Ben Denzer, 20 Slices is a book where the pages are packaged American style cheese slices, bound with a cover. Denzer’s speciality is poking fun at, and interrogating, ideas of value. What better way do to this than to make the cheapest kind of cheese into a valuable art object and book?
The book was bought by Bodleian for £200 – £10 per slice of cheese. The copy we have is one of ten copies that exist, including the artist’s own copy. Denzer has refused to allow the Bodleian to replace the cheese with a replica cheese. When the time comes, the cheese pages will need to be replaced with more Kraft singles! Although that might not be for some time – when we saw the book, the cheese was 10 years old and still looked normal, with only a bit of white crumbling at the corners. American cheese is something else!
That rounds up our afternoon of rare books adventures! The day was a great introduction to what Archivists and Conservators do, and we saw many weird and wonderful items. The Bodleian’s collections are vast, and there is always something new to discover.
The 2026/27 trainee scheme is now open for applications, so we hope that our blogs will give you some insight into the work you might be doing. Good luck to anyone who will be applying!
The evenings are getting quieter, the libraries are getting chillier, and the returns trolleys are piled high with books… it must be the end of Michaelmas term! It’s been an eventful eight weeks across the libraries: we’ve marked Black History Month and Disability History Month, contributed to Green Libraries Week, put on exhibitions about great academics and gothic artists, and even found a little extra time to do some library tours. The work doesn’t stop just because the students have gone home, and we’ve got plenty to do over the holidays, but the end of term is a chance to breathe out and get ready for the new year. In the meantime, here’s a quick blog update looking back at our first few months on the job.
Some very crafty book displays made by Summer!(Social Science Library)
This term has gone as quickly as the daylight hours, but it’s been great to watch the business school get steadily more festive – especially after the fairy lights were strung up outside the library window! I’ve had so many enjoyable moments over the past eight weeks: learning the curious (and sometimes frustrating) world of Leganto with Anna (our Collections & Instructional Materials Assistant), getting involved with the Oxford Futures Library archives, and even running a crochet workshop with Cui (our Circulation & Customer Service Librarian) – she’s already made some beautiful bookmarks despite only taking up crochet this term! I’ve also greatly appreciated the variety of work I’ve been able to do with the Rare Books team at the Weston Library during my time there this month. All in all, this term has encouraged me to approach the rest of the traineeship with confidence, and I’m excited to keep developing my skills and shaping my trainee project as we head into the new year.
Heidi Cruft, Sainsbury Library
A lot has happened in the Art library this term- I’ve scanned a lot of book chapters, issued and returned a lot of material, packaged a lot of interlibrary loans, filled and emptied a lot of crates, helped (at least I hope) a lot of readers- and endured a few broken lifts, exploding radiators and technical issues along the way. It’s been really satisfying to slowly get the hang of more things and better understand the scale of things going on to keep a library running- it’s not just stamping books! I’ve really enjoyed the training sessions this term- especially the visit to the special collections at the Weston- and loved spending a full week at the Taylor Institution. Next term I plan to get stuck into my trainee project in sorting out the chaotic Haverfield room, and helping the subject librarians with some collections management.
Olly Marshall, Art, Archaeology and Ancient World Library
Term passed in the blink of an eye, but it’s been a lot of fun. The HFL is a really interesting place to work because there’s always something going on: from VIP events to student inductions to spontaneous explosions (not a joke!), this job definitely keeps you on your toes. I’ve reviewed reading lists, done inventory checks, sent damaged items off for repair, hunted for missing books, and kept track of the infinite spreadsheets required for all those tasks. I’m really enjoying getting to work behind the scenes and keep things operating smoothly for readers, and I appreciate the amount of work that goes into running an academic library even more now. While it’s hard to pick out just one thing, a highlight of my term has been getting started on my very collections-focused trainee project, and I’m looking forward to delving deeper into archives and special collections next term. For now, though, I need a few calm weeks to take advantage of the millions of books just waiting to be read (the real perk of the job). Catherine Birch, History Faculty Library
Isaac Newton is feeling festive (Old Bodleian)
Voltaire wanted to dress up too! (Taylor Institution)
Michaelmas has gone by so quickly! This term has been a lot of desk time, displays, photography, and using the mysterious trainee power to arrange meetings with interesting people within the Bodleian. I’ve made themed displays (I especially loved my Halloween one), started photographing all the rooms in the Taylorian for a social media bank, and helped readers find many a book. The most interesting training for me this term has been the visits to the Weston to see the rare books and conservation work, and to CSF (the Bodleian Offsite Storage facility). I’ve made a lot of headway on my project, which involves designing a creative public outreach event for the Strachan collection of Livres d’Artiste / Artist’s Books. I’ve sent a lot of emails to all sorts of people, who have been more than happy to help me with my idea. My favourite days are the ones I can sit in the archives room and go through the collection while listening to music. In Hilary term, I’m looking forward to the training with the Centre for the Study of the Book, where we’ll learn about printing methods, and get to use a hand-operated printing press! Jules McGee-Russell (they/them), Taylor Institution Library
It’s been a busy Michaelmas term here at the SSL. Going from the whirlwind of over 100 library tours for new students in 0/1st week to emptying out after 8th week, the library almost feels eerily quiet without the readers. But just because most students have gone, does not mean the workroom has got any quieter – from an influx of new reading lists to review and books to process, to hunting for missing books and working on my two projects – there’s been plenty to keep me busy! The SSL has received 2 donations that make up the bulk of my project work – 40 boxes of working papers from the University of Bradford and 70 shelves of books from a single donor. I now have endless hours of work transcribing book spines and embellishing Alma catalogue records to keep me busy when the rest of the library gets too quiet! Along with enjoying getting stuck into my project work, one of my highlights this term has been working on the new book displays – from Black History and Disability History months to Bonfire Night and Winter Wellbeing, it’s been great fun researching interesting and unusual books in the CSF that I can add to my displays. I’m looking forward to the training sessions of next term, particularly the one around student wellbeing initiatives in the libraries, and I’m sure Hilary term will go by as quickly as Michaelmas did!
by Catherine Birch, Jules McGee-Russell, and Summer Mainstone-Cotton
On 24th September, the Weston Library hosted a screening of The Librarians, a new documentary about banned books, censorship, and free speech in libraries across the USA. The documentary premiered at the Sundance Film Festival earlier this year, but this was only its second screening in the UK, and the audience was packed with librarians, readers, and film buffs alike. Naturally, a few trainees decided that an entire day spent working in a library wasn’t enough, so we decided to go along that evening too.
The Weston was steadily filling up with people as we arrived, and there was a lively atmosphere full of conversation and laughter throughout the building. We mingled, chatted, networked, and partook in the drinks and nibbles on offer. However, we didn’t have long to mill around, as seats were being taken fast, and it was time for the event to begin.
The welcome reception in Blackwell Hall@cyrusoxford
Before the film screening, there was a small ceremony held by the Royal Society of Literature to celebrate the Bodleian’s own Richard Ovenden. Richard was recently awarded the RSL’s Benson Medal for outstanding services to literature – in this case, his significant career as a librarian, and his roles leading organisations like the Digital Preservation Coalition and the university’s Gardens, Libraries, and Museums group. On top of this, he also recently wrote a book on the history of book burnings – Burning the Books: A History of Knowledge Under Attack – which makes a brief cameo in The Librarians! The award was certainly well-deserved, and the audience were enthusiastic with cheers and applause. After a short speech and some votes of thanks, he handed over to the director, Kim A. Synder, for a short introduction to the film. From there, all that was left to do was dim the lights, set the stage, and start the screening.
Richard Ovenden accepting the Benson Medal& his acceptance speech @cyrusoxford
The film itself was a compelling look at the recent wave of protests against school libraries in the United States. For those unaware: in 2021, public school superintendents across Texas were sent a list of 850 books challenged for potentially causing “discomfort, guilt, anguish, or…psychological distress” to schoolchildren.1 The list was compiled by state representative Matt Krause and predominantly included books which featured sex education, black history, and LGBTQ+ characters; many were also simply written by LGBTQ+ or non-white authors.2 School districts in other parts of the country began similar investigations, and soon libraries throughout the US were facing book bans. Parents began calling for the removal of material that they deemed sexually explicit or inappropriate for children, schools pulled up to hundreds of books from their shelves out of caution, and librarians who protested this were silenced.3The Librarians follows the people who pushed back against these investigations, exploring their stories and their struggles.
The film began in Texas but didn’t stop there, travelling to Florida, New Jersey, and other states impacted by book bans. It exposed how school librarians were subjected to bullying, victimisation, and even unemployment for questioning these book bans, and how those who protested more vocally received targeted online harassment and threats of physical violence. The film featured interviews with these librarians, as well as the students and school board members directly impacted by these bans. It also examined the role of politicians, pressure groups, and parents in this ongoing struggle, combining original documentary footage with social media content and relevant news stories for a more complete view of the situation. Interspersed throughout were clips from The Twilight Zone, Fahrenheit 451 (1966), and Storm Centre (1956), as well as archival footage of Nazi book burnings and Joseph McCarthy speeches. Time and again the film returned to these examples of historical censorship to emphasise the necessity of information, the dangers of book bans, and the inalienable right to freedom of expression. It was a moving watch, balancing humour and emotion with a poignant lasting message about the importance of libraries and literature to society.
The crowd applauding Julie Miller and Amanda Jones& a close up on the discussion panel@cyrusoxford
After the screening, a panel sat down to discuss the film and take questions from the audience. As well as the director and producers, it featured Dame Mary Beard, Richard Ovenden, and two of the librarians who featured most prominently within the documentary: Julie Miller and Amanda Jones. Discussion quickly turned to the Bodleian’s own experiences with book bans over the centuries, as Richard explained how the original Bodley’s Librarian specifically collected books denounced by religious authorities, preserving this information against censorship or wilful destruction. However, as Dame Mary then pointed out, it is important not to just rest on this legacy. She advised the librarians present to be conscious of how we treat ideas or books that we don’t personally endorse, reminding us that to fight against censorship we must fight for all speech to be free. As the panel reflected on the position of foreign academic librarians in this struggle, they returned to a central motif of the film – that silence is compliance when faced with systematic suppression.
The panel also discussed how these attacks on librarians have progressed since the film was finished in late 2024: perhaps most notably, in May 2025, the President unceremoniously fired the fourteenth Librarian of Congress.4 Carla Hayden, both the first woman and first African American to hold this post, was removed on the grounds that she had promoted DEI and placed “inappropriate books for children” in the library.5 This directly echoes the sentiments expressed about school librarians within the documentary, emphasising the increasing scope and scale of this crisis. Julie and Amanda took this opportunity to speak about their continued activism within their local communities and beyond, while the producers explained their plans to publicise the film further and gain international support for the librarians affected by these repressive campaigns. Discussion ended shortly after this, but not without a final round of applause for the librarians, politicians, and everyone behind the film continuing to fight to speak freely and be heard.
Some familiar faces deep in conversation@cyrusoxford
After all that talking, it was finally time for… more talking! There was a short drinks reception in Blackwell Hall following the screening, which gave us the opportunity to chat with other library staff and visitors who’d come to the viewing. The room really came alive, and the hall was buzzing with noise as the film gave everyone a lot to talk about. We had some interesting conversations about public services, the accessibility of our libraries, and our responsibilities in this struggle as new professionals. We also got the chance to tell some other attendees about our traineeships, and found time to catch up with some former trainees! All-in-all, a great end to the night.
The Librarians is an ambitious project – creating a film about a rapidly developing political storm and screening it internationally is no easy feat – but it is certainly a worthwhile one. The documentary highlights the cultural role of libraries in the past and present, providing useful insight into the politics of information and the tactics used to undermine it. While many of us had heard about these book bans across the US, we weren’t aware of the scale of the issue or the extent of the harm it was causing to individual librarians, and the film was an eye-opening call to act. As trainees, we are just entering the world of libraries: this film urges us to work to ensure the libraries are still there for us in future. The Librarians was released in the UK on the 26th of September, with more details of showtimes available here. It will also be available on BBC iPlayer for over a year. If you’re at all interested in libraries and literature, it’s definitely worth a watch. And if our review still hasn’t convinced you, here’s the trailer to speak for itself.
With thanks to Cyrus Mower (@cyrusoxford) for taking all of the photos included in this blog post
Who doesn’t love a book display? We’re sure you want to know all about the books we’ve displayed this month, and we are here to provide!
Trainees often end up working on book displays throughout their year, and we’re no different. A few lucky trainees got to start working on their first displays within our initial few weeks. Each library has their own approach to displays, with unique spaces, signage, and book selections.
The theme for Black History Month 2025 is ‘Power and Pride’, where Power represents ‘the influence, leadership, and capacity to effect positive change’ and Pride reflects ‘cultural identity, heritage, and the celebration of Black excellence.’
Here’s our takes on the Black History Month theme this year, with a spotlight on some of our favourite books.
Taylor Institution Library – Jules McGee-Russell
My first reaction when I found out I’d be taking on the displays at the Taylor was, admittedly, panic. I had one week to research suitable books from our collections, which are mostly made up of books in languages I can’t read, with historical contexts I don’t know much about. Luckily, after many hours searching our catalogue on SOLO, chats with Subject Librarians and colleagues, and several trips up and down all our stairs, I had a very nice stack of books from both the Teaching and Research Collections.
I wanted to stick closely to the theme and include as many different languages and cultures as I could. I chose books that focused on Black European visionaries and icons of influence, Black excellence in the arts, the power of Black protest movements, and Black experiences across Europe. I made an effort to include books from as many areas of our library as possible. I ended up with books including Germany, Portugal, Brazil, France, Martinique, Guadeloupe, Wales, Russia, Linguistics, fiction (poetry), and biography. Not bad for a speedy one-week display!
I hope my display showcases the breadth of our collections and will encourage readers to explore this area in their studies.
I was able to put the large display in the Teaching Collection, right next to the Issue desk and the Self-Issue machine, where plenty of people will see it!
Books included:
Aimé Césaire : inventor of souls by Jane Hiddleston.
This biography focuses on one of the most influential Caribbean literary writers, Césaire. Césaire was a Martinican poet, playwright, politician, and co-founder of the movement ‘Négritude’, which sought to restore the cultural identity of Black Africans.
Black Paris : the African writers’ landscape by Bennetta Jules-Rosette ; foreword by Simon Njami.
Black Paris explores three generations of African writers in Paris between 1947 and the mid-1990s. Using archival, ethnographic, and historical research in addition to interviews with writers of the new generation, this book explores their writing and identity.
Blues in schwarz weiss nachtgesang : Gedichteby May Ayim.
This poetry collection is written by established Afro-German writer/activist, May Ayim.
Farbe bekennen : Afro-deutsche Frauen auf den Spuren ihrer Geschichte by May Ayim, Katharina Oguntoye, Dagmar Schultz (Hg.)
A collection of texts by Afro-German women about their experiences.
Mapping Black Europe : monuments, markers, memories by Natasha A. Kelly.
This text highlights unrecognised contributions by Black communities to the cultural landscapes of eight European cities. Black scholars and activists examine monuments, markers, and memorials to excavate these obscured narratives.
This biography centres on Frantz Fanon, an influential Martinican psychoanalyst and social philosopher, known for his notable works Black Skin, White Masks and The Wretched of the Earth, about the effects of colonialism on racial consciousness.
Language in the inner city; studies in the Black English vernacular by William Labov.
Originally published in 1972, “Labov probed the question “Does ‘Black English’ exist?” and emerged with an answer that was well ahead of his time, and that remains essential to our contemporary understanding of the subject.”
Mobilizing Black Germany : Afro-German women and the making of a transnational movement by Tiffany N. Florvil.
“Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression…including Audre Lorde’s role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans (ISD) and Afro-German Women (ADEFRA).”
Signs of dissent : Maryse Condé and postcolonial criticism by Dawn Fulton.
“Maryse Condé is a Guadeloupean writer and critic whose work has challenged the categories of race, language, gender, and geography that inform contemporary literary and critical debates. In Signs of Dissent, the first full-length study in English on Condé, Dawn Fulton situates this award-winning author’s work in the context of current theories of cultural identity in order to foreground Condé’s unique contributions to these discussions.”
The stolen prince : Gannibal, adopted son of Peter the Great, great-grandfather of Alexander Pushkin, and Europe’s first black intellectual by Hugh Barnes.
This book focuses on the historical figure of Gannibal, a kidnapped and enslaved young African who was adopted by tsar Peter the Great, who “soared to dizzying heights as a soldier, diplomat, mathematician and spy” and “founded a dynasty of his own in Russia, where he came to embody the strengths and weaknesses of the country itself.”
Terms of inclusion : Black intellectuals in twentieth-century Brazilby Paulina L. Alberto.
“In this history of black thought and racial activism in twentieth-century Brazil, Paulina Alberto demonstrates that black intellectuals, and not just elite white Brazilians, shaped discourses about race relations and the cultural and political terms of inclusion in their modern nation.”
Tribuna Negra : origens do movimento negro em Portugal (1911-1933)by Cristina Roldão, José Augusto Pereira e Pedro Varela.
This book highlights the little-known Black movement in 1911-1933 Lisbon that “fought racism, demanded rights for populations in colonized territories, and… engag[ed] in dialogue with forms of Black internationalism, such as Pan-Africanism.”
Globalising Welsh studies : decolonising history, heritage, society and culture,edited by Neil Evans and Charlotte Williams.
This text explores “the development of Welsh Studies through the lens of race/ethnicity. Contributors from history, heritage studies, literature, film, policy, social and cultural studies offer case analyses adopting new perspectives, theoretical routes and methodological innovations, with the aim of illustrating aspects of the decolonising of knowledge production.”
Voices of negritude in modernist print : aesthetic subjectivity, diaspora, and the lyric regimeby Carrie Noland.
“Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an “aesthetic subjectivity.””
Luckily, unlike some of the other trainees, I had plenty of notice to work on my Black History Month display – it’s been in the works since mid-September! With 22 books covering a broad range of social science subjects from our collection, it proved to be quite the research challenge for my first month!
My aim for the display was to represent as many areas of the social science subjects as possible, while showcasing broader aspects of Black British history. During my research, I was particularly interested to discover several titles in the Bodleian’s collection that focus on Black activism within the University of Oxford. Two that stood out were Malcolm X at Oxford Union: Racial Politics in a Global Era by Saladin M. Ambar and Rhodes Must Fall: The Struggle for Justice at the Heart of Empire ed. by Brian Kwoba, Roseanne Chantiluke, and Athinangamso Nkopo.
This made it all the more disappointing when some books arrived from Swindon in plain black hardback covers, with their vibrant dust jackets removed for preservation. As a result, there are a few titles I would have loved to include in the SSL’s book display that, unfortunately, didn’t make the final cut. Overall, though, I’m happy with the selection of titles in the book display and the balance between academic texts, Women political leaders in Africa by Rosemari Skaine, alongside poetry and fiction texts: Saluting our sisters ed. by Cherron Inko-Tariah, and Girl, woman, other by Bernardine Evaristo.
Art, Archaeology and Ancient World Library – Olly Marshall
With our collections split into a few distinct subject areas, it can be difficult when making displays for all of them to be properly represented. We have loads of fantastic resources on black artists in our upper floor collections, but I was particularly keen on displaying resources on black voices in archaeology which are often overlooked both within the wider field of archaeology and within our own collections. Some of the highlights included:
The first Black archaeologist: a life of John Wesley Gilbert by John W.I. Lee.
This biography looks at the life of John Wesley Gilbert, from his education in segregated Georgia in the late 19th century, his research trip to Greece with the American School of Classical Studies at Athens in 1890-1891, returning to become Paine College’s first black faculty hire and his missionary work later in his life.
Black Feminist Archaeology by Whitney Battle-Baptiste.
This book is the first of its kind in outlining how black feminist thought and philosophy can be applied to archaeological theory and practise. Battle-Baptiste calls for a more sensitive look at race and gender within the archaeological field, and offers Black Feminist Archaeology as a method by which to look at the plantation home of Andrew Jackson, the W. E. B. DuBois homesite and the Lucy Foster homestead- the first archaeological excavation of an African American home.
African Connections: Archaeological Perspectives on Africa and the Wider World by Peter Mitchell.
Peter Mitchell offers an analysis of Africa’s identity within the wider world- looking at what archaeology can illuminate about trade routes, the spread of farming systems and the experiences of the African diaspora. Though the book looks at early expansion out of Africa in the Pleistocene the story is mainly that of Africa in the Holocene, a sorely neglected subject in the field. Mitchell confronts this neglect by emphasising early on that “Africa’s inhabitants interacted with those of other landmasses, not merely as consumers or dependents, but as equal partners in exchange and active donors of goods, ideas and people.”
Documenting activism, creating change: archaeology and the legacy of #MeToo edited by Hannah Cobb and Kayt Hawkins.
Multiple authors contributed to this volume sharing their experiences as women in working in archaeology and how women within the sector navigate social media in the face of online harassment based on gender and race. Several chapters look at the state of sexism and online activist circles in specific countries. Chapter 19, “In Pursuit of Systemic Equality: The UK’s First Network For Ethnically Diverse Staff In Development-Led Archaeology” reflects on the state of diversity in archaeology in the UK, the groups, committees and alliances that work to improve it and how this aim for diversity can affect the practise of archaeology itself. This book also has a chapter on mentorship for women in archaeology and could be an enlightening resource for anyone working in the sector.
A full list of the books and a more in-depth look at some of our art collections can be seen on the art library blog.
Bodleian Library – Catherine Birch and Rebecca Cartwright
While trainees in the Old Bodleian aren’t in charge of curating our library’s displays, we thought we should let everyone know what the Bodleian has been doing to mark Black History Month.
Our physical book display in the Gladstone Link is focused on themes of activism, resistance, and liberation in the nineteenth and twentieth centuries, taking material from the History lending shelves. We’ve also signposted a few ebooks from our collection, looking at black identities and intersectionality in Britain. There’s a broad range of texts spanning different historical disciplines, time periods, and places, reflecting the richness of Black history in the United Kingdom. If you’re unsure where to start, try checking out these texts:
There Ain’t No Black in the Union Jack by Paul Gilroy.
Originally published in 1987, this book examines racial politics and race relations in the UK and argues that the (then contemporary) sociological model of race and culture is inherently flawed. Predominantly researched and written during a period of significant racial tension in Britain, the book caused controversy after Gilroy accused left- AND right-wing intellectuals and leaders of failing to properly consider race in their politics. Almost 40 years later, it has held up as a foundational study of the relationship between race, class, and nationality. This edition also contains an edited introduction, where Gilroy reflects on the change he had seen since the book was first published.
Rhodes Must Fall: The Struggle to Decolonise the Racist Heart of Empire by the Rhodes Must Fall Movement (Oxford).
This collection of writings on the Rhodes Must Fall movement has close links to the university. It was compiled and edited by members of Rhodes Must Fall Oxford, a group founded in 2016 in solidarity with anticolonial student protests at the University of Cape Town. The Oxford chapter’s aim was to decolonise the university’s curriculum and remove a statue of Cecil Rhodes from Oriel College. The book sets out their arguments as to why Rhodes shouldn’t be honoured, exploring the modern legacy of colonialism and the enduring impact of racism and empire on all aspects of Western life. While much has changed in the 7 years since this book was published, it reflects a pivotal moment in the university’s history, and it remains a thought-provoking read.
We Were There by Lanre Bakare.
On this “road trip around Black Britain… this time, London is in the back seat, and Bradford’s our driver. Liverpool’s choosing the music. Edinburgh’s navigating.”[1] Often, black history in Britain is confined to the urban southeast. Areas like Cardiff, Manchester, or Bradford (where Bakare was born) are a footnote, and rural black lives are overlooked entirely. This book seeks to move beyond this conception and illuminate aspects of British history we’re yet to fully explore. It’s a recent publication which looks to the future as well as the past, emphasising that blackness and black culture is not universal, modular, or static. Filled with humour and introspection, it questions what it actually means to be a Black Briton, not just a Londoner.
We’ve also picked out some books from our wellbeing display in the Old Bodleian which embody this year’s theme. When you next need a study break, take a look at these:
Celebrations: Rituals of Peace and Prayer by Maya Angelou.
Maya Angelou is widely recognised as one of the most significant poets of the twentieth century, and this anthology brings together some of her most famous works. Angelou was not just a great writer and artist – she was closely involved with the civil rights movement in the USA, and was a fierce activist throughout her life. Her life and her writings truly embody the theme of “Standing Firm in Power and Pride”, and her legacy is one felt here as well as in the United States. ‘Celebrations’ contains 12 poems about peace, love, and hope, and is a great book to dip into whenever you need some joy.
Self-Care for Black Men: 100 Ways to Heal and Liberate by Jor-El Caraballo, LMHC.
‘Self-Care for Black Men’ does what it says on the tin: the book is a guide to coping with racism, prejudice, and intergenerational trauma as a modern Black man. Carabello is writing for men who feel like they don’t have access to the support that they need, offering guidance on how to take care of yourself and your wellbeing in a constructive manner. The book is full of Black pride and empowerment, with 100 meditations on identity, respect, and personal dignity. For those feeling insecure or emotionally drained, it could be a very useful read.
If these have interested you, or you want to learn more, check out our HFL blog post for a full list of the books on display in the Upper Link. Our Wellbeing display is available year-round and is located at the top of the North Stairs in the Old Bodleian.
Signpost – Events
If you liked our displays and want to see more of what the university have to offer, come along to the Weston Library on Wednesday 29th October for a chance to see some unique items from the university’s Special Collections. There’ll be a show-and-tell of archival material focused on black lives in history, with the opportunity to learn about racial activism and black culture in Britain from the nineteenth century onwards. The event is free to attend – to learn more and register attendance, visit the Oxford SU website.
The Ashmolean has also recently unveiled a new display: ‘Shedding Light’. An evolution of the earlier installation ‘A Nice Cup of Tea?’, this room was carefully crafted to tell a story about the interconnected histories of slavery, colonialism, sugar production, and ceramics. It takes the form of a 1950s-60s Caribbean living room filled with books, records, ceramic, and life – viewers are encouraged to literally read the room. It’s an interesting lens into British Caribbean heritage and intergenerational experiences, with a particular focus on the sugar trade and how this shaped black lives and culture. It’s located in the European Ceramics Gallery on the second floor and is intended to be a permanent fixture in the museum.
Hello again, loyal readers, and welcome to part two of our introduction to the 2025/26 Graduate Trainees. This time, the spotlight is on the Business, Law, and Social Sciences libraries, as well as this year’s College trainees.
Noughth week was busy! We’ve been running induction tours, putting up Black History Month displays, visiting the newly opened Schwarzman Humanities Centre, and somehow keeping our libraries running smoothly. The city is covered in falling leaves (romantic, autumnal, stunning) and the beginnings of the expected wet weather (slippery cobblestones, my nemesis). Regardless, we’re all set to give warm welcomes to our incoming freshers.
Now, let’s meet some more trainees!
Trainee Introductions: Business, Law and Social Sciences
Heidi Cruft – Sainsbury Library, Saïd Business School
Hi everyone! I’m Heidi, the Graduate Trainee at the Sainsbury Library in the Saïd Business School.
Although my BA wasn’t in Business – I studied English at the University of Cambridge – I got a taste of what business students might be looking for while working with them during a summer scheme at my college. That experience gave me some insight into their research habits and made me appreciate how unique the Sainsbury Library is among the Bodleian Libraries: we primarily serve postgraduates, with a strong focus on journals and databases.
I knew quite early on in my undergraduate degree that I wanted to pursue a career in libraries and was lucky to gain experience by volunteering at two of Cambridge’s college libraries. That proved invaluable – not only did I get to work with some fascinating special collections, but I learnt a lot about the day-to-day tasks common across most libraries, including processing new books, shelving, and answering enquiries.
I’m really enjoying my role at the Sainsbury Library so far, and it’s been lovely to get to know the (quite large!) team here. I’ve particularly enjoyed learning how varied everyone’s roles are – it’s shown me how much collaboration goes on behind the scenes in library work.
Hello! I’m Gemma, the graduate trainee at the Bodleian Law Library.
I have a BA in History and an MPhil in Ancient History, both from Oxford. I’ve always been interested in working in libraries in some capacity, so after my Master’s I looked for volunteering opportunities and found a position in the library of a small theological college. This was a really useful experience because as well as getting a lot of shelving practice(!) I got to do all sorts of other background tasks (cataloguing, checking reading lists, working with the archive). I went on to work part-time as an evening and weekends library assistant in the Old Bodleian and the Art Library, which was much more focused on front-line reader services: issuing and returning books and generally helping readers and problem-solving.
What I enjoy about working in libraries is that it’s relatively structured but also involves a variety of tasks, and you never quite know what will come up so it doesn’t get boring! I decided to apply for the graduate trainee role because I wanted to learn more about working in libraries in general, and technical services in particular, and to hopefully work out whether to commit to a further Master’s.
I’ve really enjoyed my first month at the Law Library. Everyone has been welcoming and very helpful, and I feel like I’m beginning to settle in and become part of the team. I’ve obviously had a lot of experience using the Bodleian libraries as a student as well as working in them for the past year or so, but before now I hadn’t ever been in the Law Library. I don’t know much about law as a subject at all, so I’ve been learning a lot! I’ve also been getting used to the library itself, since of course although they’re all under the Bodleian Libraries umbrella, each library has its own idiosyncrasies. The Law Library is reference only, so no one can take the books out, which is a change from the libraries I’d worked in previously. As well as legal texts, the library houses the Official Papers collection, some of which date from the 16th century.
So far, I’ve mainly been processing new books (putting tattle-tape in them and stamping them) and labelling them (there’s two different types of labels, reflecting the two classification systems that the library uses). I’ve also got to grips with using the Bookeye scanner, which is actually a lot easier than it looks! There’s not been too much shelving to do but the library has been getting busier as the beginning of term gets closer, so I’m sure I’ll soon have the opportunity to properly test myself on the library layout and shelfmarks. I’ve also spent some time at the Enquiry Desk. The (Grade II*-listed) building that the library is in can be a bit of a labyrinth and I’m still working on how best to answer the inevitable questions from readers about how to find the water fountain… For October I’m hoping to get involved in the book displays we have planned and looking forward to the start of a new term!
Summer Mainstone-Cotton – Social Science Library
Hi everyone! I’m Summer, the graduate trainee at the Social Science Library (the SSL).
Whilst a medievalist at heart, having studied an MA in Medieval Studies, I feel that I’m starting to find my feet amongst the Social Sciences (there were plenty of economic and political influences in the medieval world after all!) At the SSL we serve a mix of undergrads and postgrads, with probably our largest undergraduate cohort being the PPE students – I’m always a bit daunted when their big economic textbooks come to me for processing!
I was fairly inexperienced with library work before this traineeship. As a student I spent a lot of time in libraries and became quite good at the detective work of tracking down obscure research books, but the inner workings of libraries remained a mystery. During my MA I did a placement at Cambridge University Library, but that was with special collections rather than reader or technical services – I learnt a lot about childbirth in medieval medical manuscripts, but I’m yet to find a use for that knowledge in the SSL! Far from being a disadvantage though, it’s made everything here feel new and interesting – I still get a lot of satisfaction from stamping books with the Bodleian stamp (even if I haven’t managed to stamp in a straight line yet).
I’ve really enjoyed my first few weeks at the SSL. Everyone in the library has been very friendly and patient with my many questions and triple checking alma holdings editing – I’m still terrified I’ll accidently delete a book from the system!
The traineeship offers a great mix of technical and reader services alongside the Wednesday training sessions, which makes every day new and interesting. I’m looking forward to the upcoming chaos of Michaelmas term and I’m sure this year will fly by!
Trainee Introductions: Colleges
Amy Fry – Christ Church College Library
Hi everyone! I’m Amy, the Graduate Trainee at Christ Church Library for this year. My position is slightly different to the Bodleian Trainees: I’m technically employed by my college, but I still get the same training sessions and experiences. The best of both worlds!
I studied Music at Lincoln College before starting this job, probably the only other Oxford college library whose beauty can compare to Christ Church’s (I still can’t quite work out where my loyalties lie…), however the world of libraries is rather new to me. It was actually the advertisement for the Bodleian Trainee scheme that sparked my interest in librarianship as a career, and after some great advice from Lucy and Marina, the librarians at Lincoln, I decided I would give it a go.
Christ Church Library is a wonderfully impressive place to work. Vertically split into the Working Library downstairs and the Special Collections upstairs, it offers such variety on a daily basis. Downstairs, my responsibilities include much of the day-to-day tasks involved in keeping the library useful for students: processing, shelving, collections management, and fielding questions (if I know the answers that is…). Upstairs, I get to help out with exhibitions, and over the course of the year will also put on various short pop-ups. I’m currently planning one to celebrate the Christ Church 500 Music Festival – a rather cool experience for a music grad! I’m lucky to have joined such a welcoming and knowledgeable team here (9 of us total!) and feel very excited for what the rest of the year will hold, both in Christ Church and across the wider Bodleian Libraries!
Leah Duffin – New College Library
Hello. My name is Leah, and I am the Graduate Trainee at New College Library. As I work in one of the colleges my role is different from the other trainees. I work across a multitude of projects, execute various tasks, and contribute to the successful running of the library. I am fortunate to feel quite settled in this role as I started in July and have had lots of exciting opportunities since then.
I hold a bachelor’s degree in English Literature and History and a masters in Medieval Studies from University College Dublin. I have spent much of my academic career in libraries and upon completing my master’s I found myself drawn to a career in libraries. Due to the nature of my master’s research, I worked closely with special collections, and I knew that I wanted to foster this interest in a more professional capacity. Thus, I decided to move away from Ireland and combine my passion for history and libraries and what better place to do that than Oxford!
Perhaps I show my bias but, in my opinion, New College is one of the finest colleges in Oxford and the library has become a welcoming and wonderful place to work. New College Library is home to a renowned collection of rare books and manuscripts; this includes 384 manuscripts and thousands of rare books and incunables. I was particularly drawn to this role as it allowed me to use the knowledge I gained in my studies through working with a rich repository of special collections whilst also learning more about librarianship and supporting readers. Here at the library, our year is full of opportunities to showcase our special collections, as we often hold exhibitions for the public to come and view our treasures! We also assist academics and readers in viewing our collections. Recently, I aided in curating our current temporary exhibition on the American illustrator Edward Gorey. I was responsible for deciding which items to showcase along with carrying out research, creating labels and designing the promotional material. As term has begun, we are busy holding inductions for new students, purchasing books from readings lists and planning our next exhibition that will take place in November. I am looking forward to what the next few months have in store!
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