Who doesn’t love a book display? We’re sure you want to know all about the books we’ve displayed this month, and we are here to provide!
Trainees often end up working on book displays throughout their year, and we’re no different. A few lucky trainees got to start working on their first displays within our initial few weeks. Each library has their own approach to displays, with unique spaces, signage, and book selections.
The theme for Black History Month 2025 is ‘Power and Pride’, where Power represents ‘the influence, leadership, and capacity to effect positive change’ and Pride reflects ‘cultural identity, heritage, and the celebration of Black excellence.’
Here’s our takes on the Black History Month theme this year, with a spotlight on some of our favourite books.
Taylor Institution Library – Jules McGee-Russell
My first reaction when I found out I’d be taking on the displays at the Taylor was, admittedly, panic. I had one week to research suitable books from our collections, which are mostly made up of books in languages I can’t read, with historical contexts I don’t know much about. Luckily, after many hours searching our catalogue on SOLO, chats with Subject Librarians and colleagues, and several trips up and down all our stairs, I had a very nice stack of books from both the Teaching and Research Collections.
I wanted to stick closely to the theme and include as many different languages and cultures as I could. I chose books that focused on Black European visionaries and icons of influence, Black excellence in the arts, the power of Black protest movements, and Black experiences across Europe. I made an effort to include books from as many areas of our library as possible. I ended up with books including Germany, Portugal, Brazil, France, Martinique, Guadeloupe, Wales, Russia, Linguistics, fiction (poetry), and biography. Not bad for a speedy one-week display!
I hope my display showcases the breadth of our collections and will encourage readers to explore this area in their studies.
I was able to put the large display in the Teaching Collection, right next to the Issue desk and the Self-Issue machine, where plenty of people will see it!
Books included:
Aimé Césaire : inventor of souls by Jane Hiddleston.
This biography focuses on one of the most influential Caribbean literary writers, Césaire. Césaire was a Martinican poet, playwright, politician, and co-founder of the movement ‘Négritude’, which sought to restore the cultural identity of Black Africans.
Black Paris : the African writers’ landscape by Bennetta Jules-Rosette ; foreword by Simon Njami.
Black Paris explores three generations of African writers in Paris between 1947 and the mid-1990s. Using archival, ethnographic, and historical research in addition to interviews with writers of the new generation, this book explores their writing and identity.
Blues in schwarz weiss nachtgesang : Gedichte by May Ayim.
This poetry collection is written by established Afro-German writer/activist, May Ayim.
Farbe bekennen : Afro-deutsche Frauen auf den Spuren ihrer Geschichte by May Ayim, Katharina Oguntoye, Dagmar Schultz (Hg.)
A collection of texts by Afro-German women about their experiences.
Access the translated version online, Showing Our Colors : Afro-German Women Speak Out
Mapping Black Europe : monuments, markers, memories by Natasha A. Kelly.
This text highlights unrecognised contributions by Black communities to the cultural landscapes of eight European cities. Black scholars and activists examine monuments, markers, and memorials to excavate these obscured narratives.
Frantz Fanon : a biography by David Macey.
This biography centres on Frantz Fanon, an influential Martinican psychoanalyst and social philosopher, known for his notable works Black Skin, White Masks and The Wretched of the Earth, about the effects of colonialism on racial consciousness.
Language in the inner city; studies in the Black English vernacular by William Labov.
Originally published in 1972, “Labov probed the question “Does ‘Black English’ exist?” and emerged with an answer that was well ahead of his time, and that remains essential to our contemporary understanding of the subject.”
Mobilizing Black Germany : Afro-German women and the making of a transnational movement by Tiffany N. Florvil.
“Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression…including Audre Lorde’s role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans (ISD) and Afro-German Women (ADEFRA).”
Signs of dissent : Maryse Condé and postcolonial criticism by Dawn Fulton.
“Maryse Condé is a Guadeloupean writer and critic whose work has challenged the categories of race, language, gender, and geography that inform contemporary literary and critical debates. In Signs of Dissent, the first full-length study in English on Condé, Dawn Fulton situates this award-winning author’s work in the context of current theories of cultural identity in order to foreground Condé’s unique contributions to these discussions.”
The stolen prince : Gannibal, adopted son of Peter the Great, great-grandfather of Alexander Pushkin, and Europe’s first black intellectual by Hugh Barnes.
This book focuses on the historical figure of Gannibal, a kidnapped and enslaved young African who was adopted by tsar Peter the Great, who “soared to dizzying heights as a soldier, diplomat, mathematician and spy” and “founded a dynasty of his own in Russia, where he came to embody the strengths and weaknesses of the country itself.”
Terms of inclusion : Black intellectuals in twentieth-century Brazil by Paulina L. Alberto.
“In this history of black thought and racial activism in twentieth-century Brazil, Paulina Alberto demonstrates that black intellectuals, and not just elite white Brazilians, shaped discourses about race relations and the cultural and political terms of inclusion in their modern nation.”
Tribuna Negra : origens do movimento negro em Portugal (1911-1933) by Cristina Roldão, José Augusto Pereira e Pedro Varela.
This book highlights the little-known Black movement in 1911-1933 Lisbon that “fought racism, demanded rights for populations in colonized territories, and… engag[ed] in dialogue with forms of Black internationalism, such as Pan-Africanism.”
Globalising Welsh studies : decolonising history, heritage, society and culture, edited by Neil Evans and Charlotte Williams.
This text explores “the development of Welsh Studies through the lens of race/ethnicity. Contributors from history, heritage studies, literature, film, policy, social and cultural studies offer case analyses adopting new perspectives, theoretical routes and methodological innovations, with the aim of illustrating aspects of the decolonising of knowledge production.”
Voices of negritude in modernist print : aesthetic subjectivity, diaspora, and the lyric regime by Carrie Noland.
“Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an “aesthetic subjectivity.””
Social Sciences Library – Summer Mainstone-Cotton
Luckily, unlike some of the other trainees, I had plenty of notice to work on my Black History Month display – it’s been in the works since mid-September! With 22 books covering a broad range of social science subjects from our collection, it proved to be quite the research challenge for my first month!
My aim for the display was to represent as many areas of the social science subjects as possible, while showcasing broader aspects of Black British history. During my research, I was particularly interested to discover several titles in the Bodleian’s collection that focus on Black activism within the University of Oxford. Two that stood out were Malcolm X at Oxford Union: Racial Politics in a Global Era by Saladin M. Ambar and Rhodes Must Fall: The Struggle for Justice at the Heart of Empire ed. by Brian Kwoba, Roseanne Chantiluke, and Athinangamso Nkopo.
This made it all the more disappointing when some books arrived from Swindon in plain black hardback covers, with their vibrant dust jackets removed for preservation. As a result, there are a few titles I would have loved to include in the SSL’s book display that, unfortunately, didn’t make the final cut. Overall, though, I’m happy with the selection of titles in the book display and the balance between academic texts, Women political leaders in Africa by Rosemari Skaine, alongside poetry and fiction texts: Saluting our sisters ed. by Cherron Inko-Tariah, and Girl, woman, other by Bernardine Evaristo.
Art, Archaeology and Ancient World Library – Olly Marshall
With our collections split into a few distinct subject areas, it can be difficult when making displays for all of them to be properly represented. We have loads of fantastic resources on black artists in our upper floor collections, but I was particularly keen on displaying resources on black voices in archaeology which are often overlooked both within the wider field of archaeology and within our own collections. Some of the highlights included:
The first Black archaeologist: a life of John Wesley Gilbert by John W.I. Lee.
This biography looks at the life of John Wesley Gilbert, from his education in segregated Georgia in the late 19th century, his research trip to Greece with the American School of Classical Studies at Athens in 1890-1891, returning to become Paine College’s first black faculty hire and his missionary work later in his life.
Black Feminist Archaeology by Whitney Battle-Baptiste.
This book is the first of its kind in outlining how black feminist thought and philosophy can be applied to archaeological theory and practise. Battle-Baptiste calls for a more sensitive look at race and gender within the archaeological field, and offers Black Feminist Archaeology as a method by which to look at the plantation home of Andrew Jackson, the W. E. B. DuBois homesite and the Lucy Foster homestead- the first archaeological excavation of an African American home.
African Connections: Archaeological Perspectives on Africa and the Wider World by Peter Mitchell.
Peter Mitchell offers an analysis of Africa’s identity within the wider world- looking at what archaeology can illuminate about trade routes, the spread of farming systems and the experiences of the African diaspora. Though the book looks at early expansion out of Africa in the Pleistocene the story is mainly that of Africa in the Holocene, a sorely neglected subject in the field. Mitchell confronts this neglect by emphasising early on that “Africa’s inhabitants interacted with those of other landmasses, not merely as consumers or dependents, but as equal partners in exchange and active donors of goods, ideas and people.”
Documenting activism, creating change: archaeology and the legacy of #MeToo edited by Hannah Cobb and Kayt Hawkins.
Multiple authors contributed to this volume sharing their experiences as women in working in archaeology and how women within the sector navigate social media in the face of online harassment based on gender and race. Several chapters look at the state of sexism and online activist circles in specific countries. Chapter 19, “In Pursuit of Systemic Equality: The UK’s First Network For Ethnically Diverse Staff In Development-Led Archaeology” reflects on the state of diversity in archaeology in the UK, the groups, committees and alliances that work to improve it and how this aim for diversity can affect the practise of archaeology itself. This book also has a chapter on mentorship for women in archaeology and could be an enlightening resource for anyone working in the sector.
A full list of the books and a more in-depth look at some of our art collections can be seen on the art library blog.
Bodleian Library – Catherine Birch and Rebecca Cartwright
While trainees in the Old Bodleian aren’t in charge of curating our library’s displays, we thought we should let everyone know what the Bodleian has been doing to mark Black History Month.
Our physical book display in the Gladstone Link is focused on themes of activism, resistance, and liberation in the nineteenth and twentieth centuries, taking material from the History lending shelves. We’ve also signposted a few ebooks from our collection, looking at black identities and intersectionality in Britain. There’s a broad range of texts spanning different historical disciplines, time periods, and places, reflecting the richness of Black history in the United Kingdom. If you’re unsure where to start, try checking out these texts:
There Ain’t No Black in the Union Jack by Paul Gilroy.
Originally published in 1987, this book examines racial politics and race relations in the UK and argues that the (then contemporary) sociological model of race and culture is inherently flawed. Predominantly researched and written during a period of significant racial tension in Britain, the book caused controversy after Gilroy accused left- AND right-wing intellectuals and leaders of failing to properly consider race in their politics. Almost 40 years later, it has held up as a foundational study of the relationship between race, class, and nationality. This edition also contains an edited introduction, where Gilroy reflects on the change he had seen since the book was first published.
Rhodes Must Fall: The Struggle to Decolonise the Racist Heart of Empire by the Rhodes Must Fall Movement (Oxford).
This collection of writings on the Rhodes Must Fall movement has close links to the university. It was compiled and edited by members of Rhodes Must Fall Oxford, a group founded in 2016 in solidarity with anticolonial student protests at the University of Cape Town. The Oxford chapter’s aim was to decolonise the university’s curriculum and remove a statue of Cecil Rhodes from Oriel College. The book sets out their arguments as to why Rhodes shouldn’t be honoured, exploring the modern legacy of colonialism and the enduring impact of racism and empire on all aspects of Western life. While much has changed in the 7 years since this book was published, it reflects a pivotal moment in the university’s history, and it remains a thought-provoking read.
We Were There by Lanre Bakare.
On this “road trip around Black Britain… this time, London is in the back seat, and Bradford’s our driver. Liverpool’s choosing the music. Edinburgh’s navigating.”[1] Often, black history in Britain is confined to the urban southeast. Areas like Cardiff, Manchester, or Bradford (where Bakare was born) are a footnote, and rural black lives are overlooked entirely. This book seeks to move beyond this conception and illuminate aspects of British history we’re yet to fully explore. It’s a recent publication which looks to the future as well as the past, emphasising that blackness and black culture is not universal, modular, or static. Filled with humour and introspection, it questions what it actually means to be a Black Briton, not just a Londoner.
We’ve also picked out some books from our wellbeing display in the Old Bodleian which embody this year’s theme. When you next need a study break, take a look at these:
Celebrations: Rituals of Peace and Prayer by Maya Angelou.
Maya Angelou is widely recognised as one of the most significant poets of the twentieth century, and this anthology brings together some of her most famous works. Angelou was not just a great writer and artist – she was closely involved with the civil rights movement in the USA, and was a fierce activist throughout her life. Her life and her writings truly embody the theme of “Standing Firm in Power and Pride”, and her legacy is one felt here as well as in the United States. ‘Celebrations’ contains 12 poems about peace, love, and hope, and is a great book to dip into whenever you need some joy.
Self-Care for Black Men: 100 Ways to Heal and Liberate by Jor-El Caraballo, LMHC.
‘Self-Care for Black Men’ does what it says on the tin: the book is a guide to coping with racism, prejudice, and intergenerational trauma as a modern Black man. Carabello is writing for men who feel like they don’t have access to the support that they need, offering guidance on how to take care of yourself and your wellbeing in a constructive manner. The book is full of Black pride and empowerment, with 100 meditations on identity, respect, and personal dignity. For those feeling insecure or emotionally drained, it could be a very useful read.
If these have interested you, or you want to learn more, check out our HFL blog post for a full list of the books on display in the Upper Link. Our Wellbeing display is available year-round and is located at the top of the North Stairs in the Old Bodleian.
Signpost – Events
If you liked our displays and want to see more of what the university have to offer, come along to the Weston Library on Wednesday 29th October for a chance to see some unique items from the university’s Special Collections. There’ll be a show-and-tell of archival material focused on black lives in history, with the opportunity to learn about racial activism and black culture in Britain from the nineteenth century onwards. The event is free to attend – to learn more and register attendance, visit the Oxford SU website.
The Ashmolean has also recently unveiled a new display: ‘Shedding Light’. An evolution of the earlier installation ‘A Nice Cup of Tea?’, this room was carefully crafted to tell a story about the interconnected histories of slavery, colonialism, sugar production, and ceramics. It takes the form of a 1950s-60s Caribbean living room filled with books, records, ceramic, and life – viewers are encouraged to literally read the room. It’s an interesting lens into British Caribbean heritage and intergenerational experiences, with a particular focus on the sugar trade and how this shaped black lives and culture. It’s located in the European Ceramics Gallery on the second floor and is intended to be a permanent fixture in the museum.
Recent Comments