The OxCam College Librarians’ Biennial Conference, Pt. I.

(The following is part one of a two-part blog post on the 2019 OxCam Librarians’ Biennial Conference. It features individual recollections of the day’s events, kindly contributed by some of the Oxford and Cambridge University Graduate Library Trainees in attendance.)

The 2019 OxCam College Librarians’ Biennial Conference, hosted by Worcester College, Oxford, took place on the 19th March in the Sultan Nazrin Shah Centre. The event provided an opportunity to share ideas and updates on developments currently impacting the library services of Oxford and Cambridge University colleges. An exhibition space had been set up in the conference centre’s anteroom, allowing delegates the chance to network throughout the day with representatives from numerous organisations, including Cambridge University Press, Temple Bookbinders, Blackwell’s, and Gresswell. Upon arrival, attendees were given a welcome pack which included a programme of proceedings, some helpful maps and floor plans, a register of delegates and, of course, a complimentary bookmark.

A pictorial map of Worcester College, Oxford.
A map of Worcester College, Oxford, included in the welcome pack.

The day was divided into five sessions, two of which were the morning and afternoon plenary sessions, comprised of talks on mental ill-health in the workplace, the Cambridge Information Literacy Network, and a case study on Balliol’s Wellcome Trust funded project to catalogue the Nicholas Crouch Collection.

Images of the books constituting the Nicholas Crouch Collection.
A sample of the Nicholas Crouch Collection, since catalogued by Balliol College Library staff.

The first talk on mental ill-health in the workplace, delivered by Dan Holloway, was warmly received by the delegation and provided a positive, constructive foundation for the day ahead. Jenna, Graduate Library Trainee at the Bodleian Law Library (BLL) details the conference’s opening prelection:

‘Dan Holloway’s presentation was the first of the day, and he set a really good tone for the remainder of the conference by delivering a very thoughtful and open talk which conveyed important information in an informal and accessible way. Dan ran through some of the issues contributing to and exasperating mental ill-health in the work place; he considered the things we can do to aid workers with mental health difficulties and to break down stigmas, using facts and statistics alongside experiences from his own mental health story.’

After a round of informative and thought-provoking presentations, breakout sessions ran contiguous to the morning’s plenary session. The Graduate Library Trainees were asked to attend a special session led by Eleanor Kelly of St Hilda’s College, Oxford. Ross Jones, Graduate Library Trainee at the Bodleian History Faculty Library, recounts his experience in the passage below:

‘The Graduate Trainee Special Session took place in the Smethurst Studio and served as a platform for sharing our experiences as library trainees. In all, a total of twenty trainees attended, including a party of six from Cambridge University colleges.

Discussions opened with a brief ice-breaker exercise in which we were asked to share our name and our place of work with the group. We were also asked to describe our respective libraries in one word – ‘accommodating’, ‘comfortable’, ‘warm’ and ‘antiquated’ were some examples. After a round of introductions, Eleanor organised us all into five smaller groups and prompt sheets were circulated to guide conversation towards specific talking points. These points centred on aspects of our experiences such as the skills we’d attained, any accomplishments we’d achieved, the challenges we’d faced, and the types of library work we were involved in. I think structuring the conversation in this way helped to determine the significance of any similarities or contrasts that stemmed from working in different libraries.

Towards the end of the session, the group I was in broached the possibility of applying for postgraduate courses in library-related fields and discussed whether it was preferable to enrol as a full-time or part-time student. We also speculated which career paths might suit us best in the future. It was equal parts interesting and reassuring to hear from my compeers about the various activities trainees were involved with day to day; despite the differences, it seems inevitable that every trainee will, at one point, find themselves book processing, adhering bookplates and spine labels to new acquisitions!’

Once the morning breakout sessions had concluded, the delegation broke for lunch in Worcester College Hall. It was a hurried affair as visits to an Oxford archive, museum or college library were scheduled to run concurrently in the early afternoon. Natasha, one of the visiting trainees from Pembroke College, Cambridge, reflects on her tour of the Queen’s College Library in the passage below:

‘After lunch we split into groups for one of the most anticipated parts of the day, the library visits, and the Queen’s College Library did not disappoint. Amanda Saville, the Librarian, raced through the College and Library’s histories before letting us into the Upper Library.

A photograph of the Queen's College Library's Upper Library with orreries in the central passage.
The Upper Library of the Queen’s College.

This space is the oldest part of the Library and it remains open as a student study area. A staircase connects it to the Lower Library which houses much of the modern teaching collection and before the extension the shelves were full. The New Library is the most recent extension and it opened in 2017. Hidden beneath the Provost’s Garden, it allowed the library to expand and houses the special collections and archives in a secure and environmentally controlled storeroom. Multiple new reading rooms allow for better access to the special collections and cater to a wider range of student needs. It was great seeing how popular the New Library is, even in the vacation, and how well Amanda’s team did in supporting their users throughout the different Library spaces.’

Meanwhile, Bethan, a trainee at the Old Bodleian Library, was among those visiting Exeter College’s Cohen Quad. Elaborating on her experience, she says:

‘I was given the chance to visit Exeter College’s Cohen Quad which contained a purpose-built facility for the College Library’s Special Collections. William Morris is a notable alumnus of Exeter, and some of his possessions were donated to the college. This included his many pipes and a lock of his hair. We were shown an array of artefacts, including books produced by Morris’s printing house, Kelmscott Press; there was a beautifully illustrated edition of Chaucer’s Canterbury Tales, which apparently is the original ‘Kelmscott Chaucer’ and belonged to Morris himself.

The Special Collections Librarian showed us the new facility which houses the collections and archives. This included the colour-coded rolling stacks and a purpose-built metal gate used to keep the rarest items secure. She discussed the logistics of moving over 30,000 rare books and manuscripts to the site and the challenges she faced in the process.  The collections themselves were originally held in poor conditions, so each item had to be individually cleaned and restored before being moved. There was time afterwards for questions and a brief discussion about the promotion of Special Collections.’

Amy, Graduate Trainee at the Howard Piper Library of St Hugh’s College, visited the library at Worcester College and describes the tour here:

‘Mark Bainbridge, the Librarian of Worcester College, was our knowledgeable and enthusiastic tour guide. I think I can safely say everyone in our group had a very pleasant visit. We first climbed up an eighteenth century cantilevered spiral staircase with over 60 steps to reach the modern (upper) library, which was created in the twentieth century. It is open 24/7 and holds 65,000 volumes across two levels. These are all digitally catalogued and can be borrowed via a self-service machine. The card catalogue was discontinued in February 2006, but is still available for consultation. They acquire around 1,000 books each year and have approximately 6 years of space left before the library is full, although there is some weeding to be done which should give them a little more time. The first professional librarian to work here introduced an in-house classification system in the 1960s, which is still used today.

A photograph of the issue desk in Worcester College's more modern upper library.
The Upper Library at Worcester College.

Naturally the highlight of our visit was the handsome Lower Library, completed in 1736. Most of the shelves hold Dr George Clarke’s large bequest of books, manuscripts, prints and drawings, a great deal of which are not digitally catalogued. Sadly, we did not get to walk along the gallery, but we were a big group so this probably was not feasible. The Lower Library is open from 8am until midnight each day. Unsurprisingly, it is a popular place for students to work, so much so that they have to set out modern desks and chairs during particularly busy periods.

A photograph of the early-modern lower library of Worcester College, including busts and galleries.
The Lower Library at Worcester College.

The library team had kindly selected and displayed a few interesting items for us to view in a small room next to the Lower Library…’

A photo of Inigo Jones' copy of Andrea Palladio's 'I Quattro Libri Dell Architettura' on display.
Andrea Palladio, I Quattro Libri Dell Architettura. Venice, 1601. (Inigo Jones’s Copy)

Across town, Jenna (BLL) and Eva of Newnham College, Cambridge, were welcomed into the grounds of Oxford University’s largest college, Christ Church. In detailing their experiences, they recount the awesome purlieus and inspiring collections of the college library.

Eva:

‘It is futile to try to describe the overwhelming grandeur of Christ Church and its libraries in terms of beauty. An oddball of my generation, I am not a big fan of photographing things, preferring to just experience events and commit them to memory. The whistle stop tour of Christ Church library however had me almost instinctively reaching for my iPhone and snapping away unashamedly with the crowd around me.’

Jenna:

‘The visit to Christ Church library began with a small introduction to the college and the library by the College Librarian, Steven Archer, in Tom Quad with assistance from Emma Sillett who is the Reader Services Librarian. The grounds of the college are impressive – Tom Quad being the biggest quad of all the colleges – and you can see why Christ Church has a reputation for being one of the grandest colleges in Oxford. We then walked through the cloisters to what is actually the ‘New’ Library, which was completed in 1772 as a result of the Old Library becoming so full that they had to build another building to accommodate the amount of books that were being donated.’

Eva:

‘What was striking about the New Library was how spacious and accommodating the surroundings felt, as well as elegant. The silence felt hushed as opposed to suffocating. It was as though the prestige of the college’s history and status created an atmosphere of inspiration, rather than intimidation.’

Jenna:

‘The Library’s reading rooms are on the ground floor of the New Library, which holds the working collection, and is a pleasant mix of antiquated and classical design with beautiful iron spiral staircases and wooden shelving, contrasting with white columns and domed archways. I really enjoyed seeing students using the reading rooms, which shows that the ground floor is comfortable and accessible for students to borrow and work from.

An image of a reading room at Christ Church College Library
The wrought iron staircase and gallery in Christ Church College Library’s lower reading room.

In contrast to this though, the Upper Library was arresting in its grandeur and the smell of old books – addictive to anyone working in libraries. The upper floor consists of the college’s rare books which are mainly arranged under named shelves referencing the benefactors who bequeathed the collections. This room also holds a large amount of interesting objects, such as a hat which apparently belonged to Cardinal Wolsey and a full horse skeleton which was being used by an anatomy class at Ruskin School of Art.’

Eva:

‘The magnificent upper library, where the special collections are held is overwhelming. Our tour guide and head librarian Steven was at pains to emphasise the main function of the room is for the collections to be used and consulted, and that this was actively encouraged to potentially timid students.’

Jenna:

‘Steven had arranged for items from the college archive to be brought out for us to see, including an illuminated manuscript, one of Elizabeth I’s bibles, the foundation charter of the college, and a photograph album and draft drawings for Alice in Wonderland which belonged to Lewis Carroll who was Sub-Librarian at Christ Church during the second half of the 19th Century.’

An image of Christ Church College's Upper Library, replete with a full horse skeleton.
It’s true! There really is an entire horse skeleton in the Upper Library!

Eva:

‘The literary association with Christ Church that gets most people excited is Harry Potter, its cloisters and staircase having featured as settings for various scenes in the film series. I, however, was far more excited by another fantasy staple of fiction embedded in its history: Alice’s Adventures in Wonderland. To be able to stand in the same spot as Lewis Carroll did, beside his desk, and look out of the window at the ‘Cheshire Cat’s Tree’ was an eerily wonderful moment, as was being able to look at handcrafted figures of the characters made in 1900 and see original sketches Carroll’s brother drew of the book’s illustrations. I doubt I am the first to tour Christ Church and leave feeling rather like Alice.’

Jenna:

‘Overall, it was a really superb and informative tour which was well-structured but also allowed us freedom to explore the dizzying double-height Upper Library ourselves – I feel very lucky to have had such knowledgeable guides in Steven and Emma and I felt very inspired being ‘let loose’ in such a beautiful library.’

See part two of this blog post for details on the afternoon sessions attended by Oxford and Cambridge University Graduate Library Trainees!

 

Leanne Grainger, Christ Church Library

 

Hi! I’m Leanne, Christ Church Library‘s new Graduate Trainee. I have a background in Mathematics and Physics, and have moved to Oxford from Bristol where I had been a Postgraduate Researcher in Complexity Sciences. Over the past few years I had been finding that Academic research was not for me and started searching for careers I might enjoy. After doing numerous career quizzes, I found Academic Librarian and Public Librarian popping up as my top results. I have always loved books and reading, and I spent much of my childhood at my public library with my nose in a book or taking out as many books as I could! But that’s not really enough on it’s own to embark on such a career change – so I did some reading. From careers sites, job descriptions, to this very blog(!), I found myself really excited about making information accessible, maintaining the current and growing amount of information in the world and about how to approach the new challenge in the Library and Information Sector, of digital information.

The next step was to try it out and I began working as a Library Assistant at a Public Library;  Bristol Central Library. Here I fell in love with library work. I enjoyed the day-to-day tasks, I found assisting library users really rewarding and my colleagues were incredibly supportive and lovely. From there I wanted to continue to expand my experience and continue my journey to becoming an Information Professional. I am really excited and grateful to find myself working at Christ Church Library, and to be a part of the Bodleian Library Trainee Scheme which I know will do just that.

The Upper Library

Christ Church Library houses incredible Special Collections of rare books and manuscripts in its Upper Library. These collections are often consulted by Researchers from outside Oxford as well as within. The space itself is beautiful and still remains breathtaking to me. I have been awestruck to have come across first editions of Darwin’s Origin of Species, Newton’s Principia and Alice in Wonderland signed by Lewis Carroll (Charles Dodgson) himself, Queen Elizabeth I’s personal velvet covered Bible, a tiny 11th century manuscript Book of Psalms designed to be worn on a belt, and my absolute favourite – a pop-up human anatomy book from 1660! I’ll have the opportunity to work on a project involving the Special Collections over the coming year and I am interested to see what I’ll uncover!

View from my staff desk in the East Library

My time so far at the library has been fantastic and I felt a part of the team right away. It has included a big summer book move where we moved every single book in the modern collection (a very good way to get to know the books!), processing interesting new and donated books which are constantly arriving, and now that the students are back it’s gotten even busier and I have been making up welcome packs and showing them the library ropes. I’m really looking forward to the rest of the year, and I’ll be sure to add updates here as new and exciting things continue to happen at the library!

Chris Cottell, Christ Church Library

I was recently asked by a young prospective student from central London, “So what do you think of the Bullingdon club?”

The question wasn’t malicious- just curious. It’s an honest reflection of the many issues that the University of Oxford is currently contending with, balancing its roles as an internationally renowned centre of learning with its cultural history as a centre of class privilege. Working at Christ Church library, and as a recent Oxford graduate (from Hertford College), I will be dealing with these issues all year, and hopefully through this blog we’ll all show the more open, friendly and accessible side of Oxford through detailing our work at one of its most stereotypically closed institutions.

But for now? Top of my to-dos is shelving… so I think I’ll write this blog instead.

Taccio il Cielo in la Terra, Rovetta, 1629, Canto
First page of the Canto part of the madrigal Taccia il Cielo in la terra
(Rovetta, 1629) (Mus 484) [thanks, Alina!]
As an undergrad, I’d been into Christ Church  for occasional tutorials, but never seen the majority of the college. As it turns out, Christ Church is big- with seemingly infinite gardens (rectors’, deans’, fellows’, summer, winter, moon, cheese) and many quadrangles, through which flow an also apparently infinite stream of tourists, who seem to wake up much earlier than any current students.

As a rude introduction to college life, one of the earliest issues I had was not knowing what to say to tourists who would like to look around the library. Apparently, like a “broken record”, I should repeat that the library is for members only. It seemed a shame to shut out people who mostly would just like to wonder at the space that our students (and staff) inhabit and often take for granted- but if there was a possibility of them disturbing our readers, then there isn’t much else that can be done. Unlike most students, I’m rather fond of tourists: their constant presence reminds me how beautiful and full of history these spaces are, and through their presence they support the studies of all of our academics, providing a sustainable source of income for both the central Bodleian Library and many colleges.

Work in the library so far has mostly been processing, tagging, shelving and re-shelving- like Oxford’s other academic libraries, we’re trying to get all of our big jobs completed before the start of term rush. However, we’re currently losing a significant amount of space in our basement storage area due to a redevelopment of the buildings it is situated under, so we’re in the process of re-organising much of our basement stock. In fact, the whole quad is being redeveloped; as part of this plan, a future refurbishment of the library is on the calendar in a few years’ time, so it’s certainly worth the extra work now for the later rewards- though that will be well beyond my time here!

This shifting around of stock has meant that I get involved in lots of book moving, and to my great interest, has meant taking ownership of shelving the music score collection in the student library for the first time in a long while. Hopefully this means it will be borrowed, as it turns out that many of the titles are listed on SOLO under their names in foreign languages and have been impossible to find for many years!

[Image courtesy of David Stumpp,  Antiquarian Catologuer at Christ Church]
Perhaps the most exciting thing that’s happened so far is also the reason I am most eager to be working here at Christ Church. We have the largest college library staff, up to nine on a good day with fair weather, four of us working downstairs in the Student Library. The remainder of the staff work upstairs in the Upper Library, which houses much of our Special Collections, under the supervision of the Keeper of Special Collections, Dr Cristina Neagu, while the Archivist works separately in the archives. The library and archives hold tens of thousands of priceless materials currently being digitised, catalogued and regularly read (under strict supervision!) by readers and academics from the international community.

Recently, Alina, our Photographic and Special Collections Assistant, asked for my help with a project. A significant proportion of Alina’s job is photographic commissions, where a researcher asks for highly detailed reproductions of a particular item that we hold, generally for publication or because they are unavailable to view the item in person. A researcher had asked for photographs of the madrigal (an early type of choral piece) Taccia il Cielo in la terra (1629), from Rovetta’s Madrigali Concertati Libro Primo (Mus 484-488), a manuscript of early music of which we have a copy in Special Collections. Alina asked for my help identifying the piece of music in question, making my music degree significantly more useful than I could ever have expected.

Identifying the individual work was difficult as Mus 484-488 are a set of part-books: this means that the nine individual parts of the madrigal (six voice parts and three instrumental parts) are spread across five physical books. To increase the complexity, each individual part book also includes multiple collections of madrigals! After a struggle, we found the start of the piece, and noted that parts were arranged in pairs: two parts in each partbook, facing each other on opposite pages. This meant that the first violin part was on the opposite page to the highest voice part, et cetera down through the parts, leaving the basso continuo (the instrumental accompaniment part) in its own book. Cross-referencing sections between parts and between books, it was easy to identify where Taccia il Cielo began and ended, and Alina showed me how her camera set-up works, which involves a very expensive camera, a frame and even a vacuum!

Hopefully there will be more like this- Alina’s said she’d love for me to help more often- and I’m expecting the year will be varied. However, one thing’s for sure, as the arrival of students looms: there’ll always be something to do around here.

Now, I’d better get to that shelving…

A view across the back of Tom Quad, taken from Killcanon
A drab day in Christ Church is still pretty magical!