Written up by Catherine Birch, Jules McGee-Russell, and Summer Mainstone-Cotton 

On 24^th September, the Weston Library hosted a screening of The Librarians, a new documentary about banned books, censorship, and free speech in libraries across the USA. The documentary premiered at the Sundance Film Festival earlier this year, but this was only its second screening in the UK, and the audience was packed with librarians, readers, and film buffs alike. Naturally, a few trainees decided that an entire day spent working in a library wasn’t enough, so we decided to go along that evening too. 

Before the film screening, there was a small ceremony held by the Royal Society of Literature to celebrate the Bodleian’s own Richard Ovenden. Richard was recently awarded the RSL’s Benson Medal for outstanding services to literature – in this case, his significant career as a librarian, and his roles leading organisations like the Digital Preservation Coalition and the university’s Gardens, Libraries, and Museums group. On top of this, he also recently wrote a book on the history of book burnings – Burning the Books: A History of Knowledge Under Attack – which makes a brief cameo in The Librarians! The award was certainly well-deserved, and the audience were enthusiastic with cheers and applause. After a short speech and some votes of thanks, he handed over to the director, Kim A. Synder, for a short introduction to the film. From there, all that was left to do was dim the lights, set the stage, and start the screening.  

The film itself was a compelling look at the recent wave of protests against school libraries in the United States. For those unaware: in 2021, public school superintendents across Texas were sent a list of 850 books challenged for potentially causing “discomfort, guilt, anguish, or…psychological distress” to schoolchildren.¹ The list was compiled by state representative Matt Krause and predominantly included books which featured sex education, black history, and LGBTQ+ characters; many were also simply written by LGBTQ+ or non-white authors.² School districts in other parts of the country began similar investigations, and soon libraries throughout the US were facing book bans. Parents began calling for the removal of material that they deemed sexually explicit or inappropriate for children, schools pulled up to hundreds of books from their shelves out of caution, and librarians who protested this were silenced.³ The Librarians follows the people who pushed back against these investigations, exploring their stories and their struggles.    

The film began in Texas but didn’t stop there, travelling to Florida, New Jersey, and other states impacted by book bans. It exposed how school librarians were subjected to bullying, victimisation, and even unemployment for questioning these book bans, and how those who protested more vocally received targeted online harassment and threats of physical violence. The film featured interviews with these librarians, as well as the students and school board members directly impacted by these bans. It also examined the role of politicians, pressure groups, and parents in this ongoing struggle, combining original documentary footage with social media content and relevant news stories for a more complete view of the situation. Interspersed throughout were clips from The Twilight Zone, Fahrenheit 451 (1966), and Storm Centre (1956), as well as archival footage of Nazi book burnings and Joseph McCarthy speeches. Time and again the film returned to these examples of historical censorship to emphasise the necessity of information, the dangers of book bans, and the inalienable right to freedom of expression. It was a moving watch, balancing humour and emotion with a poignant lasting message about the importance of libraries and literature to society. 

After the screening, a panel sat down to discuss the film and take questions from the audience. As well as the director and producers, it featured Dame Mary Beard, Richard Ovenden, and two of the librarians who featured most prominently within the documentary: Julie Miller and Amanda Jones. Discussion quickly turned to the Bodleian’s own experiences with book bans over the centuries, as Richard explained how the original Bodley’s Librarian specifically collected books denounced by religious authorities, preserving this information against censorship or wilful destruction. However, as Dame Mary then pointed out, it is important not to just rest on this legacy. She advised the librarians present to be conscious of how we treat ideas or books that we don’t personally endorse, reminding us that to fight against censorship we must fight for all speech to be free. As the panel reflected on the position of foreign academic librarians in this struggle, they returned to a central motif of the film – that silence is compliance when faced with systematic suppression. 

The panel also discussed how these attacks on librarians have progressed since the film was finished in late 2024: perhaps most notably, in May 2025, the President unceremoniously fired the fourteenth Librarian of Congress.⁴ Carla Hayden, both the first woman and first African American to hold this post, was removed on the grounds that she had promoted DEI and placed “inappropriate books for children” in the library.⁵ This directly echoes the sentiments expressed about school librarians within the documentary, emphasising the increasing scope and scale of this crisis. Julie and Amanda took this opportunity to speak about their continued activism within their local communities and beyond, while the producers explained their plans to publicise the film further and gain international support for the librarians affected by these repressive campaigns. Discussion ended shortly after this, but not without a final round of applause for the librarians, politicians, and everyone behind the film continuing to fight to speak freely and be heard. 

The Librarians is an ambitious project – creating a film about a rapidly developing political storm and screening it internationally is no easy feat – but it is certainly a worthwhile one. The documentary highlights the cultural role of libraries in the past and present, providing useful insight into the politics of information and the tactics used to undermine it. While many of us had heard about these book bans across the US, we weren’t aware of the scale of the issue or the extent of the harm it was causing to individual librarians, and the film was an eye-opening call to act.  As trainees, we are just entering the world of libraries: this film urges us to work to ensure the libraries are still there for us in future. The Librarians was released in the UK on the 26^th of September, with more details of showtimes available here. It will also be available on BBC iPlayer for over a year. If you’re at all interested in libraries and literature, it’s definitely worth a watch. And if our review still hasn’t convinced you, here’s the trailer to speak for itself.  

With thanks to Cyrus Mower (@cyrusoxford) for taking all of the photos included in this blog post 

Notes:

1. Krause’s letter to school superintendents ↩︎
2. Texas lawmaker Matt Krause targets 850 books he says could make students uneasy – NPR ↩︎
3. District’s list of purged school library books circulates around Tennessee – Chalkbeat ↩︎
4. Trump fires Librarian of Congress, continuing to shape cultural institutions – NPR ↩︎
5. White House reveals why Trump fired Librarian of Congress as Democrats call her ouster a ‘disgrace’ – The Independent ↩︎