Working With Livres d’Artiste: a Tale of Creative Outreach and Organising
Jules, Taylor Institution Library
Written by Heidi Cruft

Jules’ project involved organising a creative workshop and exhibition for the Strachan Collection, a selection of livres d’artiste currently housed in the Art, Archaeology and Ancient World Library. Throughout their presentation, Jules’ enthusiasm for both creative outreach and special collections really shone through, and I will try my best to do their attitude justice here!
Although Jules organised several events related to the collection, including a staff taster session and a show-and-tell for French and History of Art students, the centre of their project for me was the workshop: Myths, Beasts, Artist’s Books. Bringing local poets and artists together with the Strachan Collection, the day was divided between an introduction to the special items and a collaborative creation session. By the end of the day, the group had created five artist’s books inspired by the collection, and some participants went on to attend a letterpress workshop to produce colophons for their finished books.

What impressed me most was just how much behind-the-scenes organisation and collaboration with colleagues from different departments had gone into making the workshop a success. Everything from setting up the space to figuring out how to reach potential attendees had to be arranged beforehand, not to mention the design of an evaluation survey to understand participant experiences. This survey was invaluable for proving the positive impact of the workshop, with 78% of respondents rating the event as “above expectations” and 100% saying that this was their first time attending an event like this.

To showcase participant efforts, the project did not end with the workshop. Instead, the five collaborative artist’s books were first displayed at the Bodleian Bibliographical Press during Oxfordshire Artweeks, before being exhibited alongside selected items from the Strachan Collection for two weeks in the Voltaire Room of the Taylorian. Displaying the collection required extensive planning, including preventative conservation measures to ensure that the light-sensitive materials could be displayed safely.
Alongside the public-facing aspects, the project also had a positive impact on how the Strachan Collection is organised and housed. Jules’ review of the collection, which included reuniting missing parts of 37 items, gathering information to catalogue 60 previously-uncatalogued items, and improving the labelling and retrieval process, has helped make these artist’s books more accessible for future researchers and outreach projects alike.
Overall, I really enjoyed hearing about Jules’ project. It demonstrated their ability to organise complicated events and bring people together around a shared interest, which are skills that will serve them well as they move beyond the traineeship. I also believe the project highlights the potential of creative outreach within the Oxford community and has enormous potential to inspire similar projects in the future. Already there are plans to hold another show-and-tell session next year, and potentially another creative outreach event, making me excited to see the project continue to grow!


“Pieces of Wisdom” in the Pierre Wack Memorial Library
Heidi, Sainsbury Library
Written by Leah Duffin
Heidi’s project centred around cataloguing the fascinating collection of the Pierre Wack Memorial Library. The collection consists of the professional archive of the Shell executive and scenario planning pioneer Pierre Wack (1922–1997). Heidi opened her presentation with a brief overview of how the collection came to Oxford, detailing its journey from the Global Business Network offices in The Hague to its donation to Green Templeton College in 2005. Today it forms part of the Oxford Futures Library and is held at the CSF.
This project was well planned and meticulous executed. Along with her colleagues at the Sainsbury Library, Heidi has spent the last few months sifting through this vast collection, discovering intriguing documents, and cataloguing the items for ease of navigation. Heidi outlined her task of standardising and expanding the existing catalogue as well as identifying missing items and those in need of conservation intervention—a vital part of collection management.

In her presentation, Heidi explained the scope of the 2,000 item collection through an accessible chart, revealing that the portion of catalogued items was made up of reports (27%), journals (19%), magazines (11%), and correspondence (6%), with the rest of the collection given over to conference notes, presentations, graphs, newsletters, drafts, and books.
Heidi spoke about the Pierre Wack Memorial Library with such enthusiasm and took us on a journey of the collection highlights. These included an article from The Financial Times detailing the establishment of the business schools in Oxford and Cambridge.
In addition, the newspaper and magazine holdings revealed advertisements that defined 20th century consumer culture, including graphics centred around domestic family ideals and a rather humorous diamond advert. Such materials are essential to understanding how diamond companies like De Beers have developed their advertising strategies over time, embracing stereotypes as well as challenging them.
Heidi was inspired by Pierre Wack’s commitment to his work and variety of the collection. This is reflected in her choice of title: ‘Pieces of Wisdom’. Wack’s handwritten notes detail the finer points of scenario planning, cognition, and business strategy as well as some motivational quotes . . . Heidi’s diligence over the year has been invaluable, with the cataloguing project about 70% complete—a great result for both Heidi and the team at the Sainsbury library.
The materials in the Pierre Wack Memorial Library will become increasingly more accessible for students and researchers interested in scenario planning, economic and social history, and the legacy of the remarkable Pierre Wack.
Suggested Further Reading:
Kleiner, Art, “The Man Who Saw The Future.” Strategy Business, February 12, 2003, https://www.strategy-business.com/article/8220
Oxford Futures Library. “Pierre Wack Memorial Library.” Accessed July 29, 2026. https://oxfordfutures.sbs.ox.ac.uk/
Haverfield Hijinks: Auditing an Overflowing Collection
Olly, Art, Archaeology and Ancient World Library
Written by Gemma Hammond
Olly’s presentation focused on his attempts to solve the various problems posed by the Haverfield Room in the Art Library. The Haverfield Room, located just off the main Ground Floor reading room and named after Francis Haverfield (Camden Professor of Ancient History at Oxford in the early 20th century), contains an open shelf collection that includes books on numismatics (the study of coins), coin catalogues, museum bulletins, auction catalogues, and periodicals from most of the library’s subject areas.
However, there’s also other books stored in the room which have not been looked at for a while and a lot of overflow, with periodicals or bulletins now continuing their sequence on trolleys or stacked on top of each other on the shelves – and the room itself is not getting any bigger! The library has done its best to keep everything organised but it’s been a (growing) problem for a number of years.
Olly’s plan was to get a better grasp of the situation by identifying what the problems were and the scale of them, and then to look at potential solutions. He undertook an audit of some little-used folios at the very back of the room, where he found that 103 of them belonged to the Art Library but 142 actually belonged to the Oxfordshire Architectural and Historical Society which had stored them there some time ago. Olly said he’d been fascinated by the variety of topics covered by these folios, particularly the coins, but also ceremonial coats of arms, maps, and architectural drawings.

The overflowing journals posed the biggest problem because many runs had not been fully itemised and before they could go to the Bodleian Offsite Storage Facility to create some much-needed space they would need to be barcoded and have an item record on the system.
Olly used a lot of spreadsheets to narrow down which journal runs should be prioritised for this treatment and as a next step he created instructions and a spreadsheet for library staff to physically check the shelves and collect data on which journal runs are currently taking up the most space. He then made use of an itemisation entry form designed for staff to input data about a journal item. The data can then be fed into OLIS to create a record on the system, hugely simplifying the process of itemising. However, Olly also pointed out problems that might come up during this process, such as journals changing their names or having previously been recorded in the system under different names.

The plan is that library staff will continue with the tasks of measuring shelf space and then itemising the journals, meaning that a lot of material can then be sent offsite but still be easily findable, while the Haverfield Room will be a lot more user-friendly.
I really enjoyed Olly’s presentation and admire him for getting stuck into such a huge task and making progress on taming the chaos of the Haverfield Room! The journal itemising in particular clearly took a lot of work and it’s impressive that he’s come up with detailed and methodical long-term solutions that will hopefully be continued and built on in the future.





























































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