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Trainee Showcase 2026: Part 3

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Using Special Collections for Teaching

Amy, Christ Church Library

Written by Rebecca 

Engaging with special collections material often requires specialist skills, and the best way to acquire these is practical experience. Hands-on teaching is therefore central to undergraduates’ learning experience, building their confidence and preparing them for independent research. To pre-empt requests from tutors, Amy spent her traineeship planning displays carefully tailored to Prelims and Final Honours Scheme (FHS) syllabi. 

 

The title page of 'The Starry Messenger', a seventeenth-century tract written to interpret a recent astronomical phenomenon.
The Starry Messenger, William Lilly, Wellcome Collection, CC PDM 1.0. 

Christ Church Library caters to many disciplines but is particularly well-placed to support humanities subjects. Amy began by identifying modules across four subjects (History, English, Music, and Geography) where special collections formed a component of undergraduate studies. For each selected module, she created a longlist of potentially relevant works, selected ones that were suitable for teaching, and wrote up new captions where needed (88 in total!). In the process, she unearthed various treasures, including The Wonderful Discoverie of the Witchcrafts of Margaret and Phillip and The Starry Messenger (pictured). 

After surveying the selected items, she was able to finalise plans for thirteen displays. Each corresponded to a module, such as ‘The Scientific Movement in the 17th Century’ (BA History FHS Special Subject), ‘The Renaissance Madrigal’ (BA Music FHS), or ‘Historical Geography’ (BA Geography Prelims and FHS). These featured include items on faculty reading lists, works by named authors, and other potentially relevant items. For example, for ‘Gender and Protestant Cultures in England, 1558-1659’, Amy selected a mid-16th century manuscript copy of Katherine Parr’s Prayers or Meditations. This is the first work ever published by an English woman under her own name! 

Amy’s hard work has produced a valuable set of resources that serve as a blueprint for future work (should any future trainees want to pick up where she left off). The displays will hopefully inspire both tutors and undergraduates to explore Christ Church’s overlooked collections. 

Meinen lieben Eltern!: Cataloguing 155 Doctoral Theses (in German, French, Spanish, and Dutch)

Gemma, Law Library

Written by Amy Fry

Gemma’s project involved creating and updating catalogue records for a collection of antique legal theses in the Law Library. There are 14450 foreign theses at the library dating from the 1850s to the 1930s and mostly in French and German, which can currently be browsed by going onto their website and using the ‘Search foreign dissertations’ page. These items are taking up a lot of space, but before they are sent to the Collections Storage Facility (CSF) for off-site housing, they need to be properly catalogued. Gemma identified that there were over 100 records that had insufficient data to allow for CSF processing. 

A photo of a catalogue record for these theses with generic sample text filled in.
A blank example of the Alma record that Gemma was creating.

Thus, her task was to locate all of the missing data, by examining the items herself, and then to add it to the catalogue entry on Alma, our Library Management System. 

However, the task was not without its challenges. These dissertations are not in English, so Gemma had to stretch herself to work in languages in which she was not fluent. Further, she had to assign the theses subject areas, a very important aspect of cataloguing that allows for a better browsing experience, but, as many cataloguers would tell you, a surprisingly tricky one. In total, she catalogued 155, and succeeded in refining the catalogue by eliminating duplicate entries and existing errors in the entry fields.

Gemma showed us some highlights that she had found when assessing the theses. These involved touching dedications to parents and siblings, some of which show their era with marks of respect to those who died in the First World War.

Page saying, in French, "In memory of my dear brother Emile le Corre, law student, Sergeant in the 91st Infantry regiment, killed in action on 20th October 1917, awarded the Croix de Guerre with palm, mentioned in dispatches by the Sixth Army in the following terms: “On 7th October 1916, he bravely captured a German machine gun battery, turned it around and used it to our advantage. He left the lines carrying this machine gun under fire and brought it back to the rear.” 
In memory of my dear brother Emile le Corre, law student, Sergeant in the 91st Infantry regiment, killed in action on 20th October 1917, awarded the Croix de Guerre with palm, mentioned in dispatches by the Sixth Army in the following terms: “On 7th October 1916, he bravely captured a German machine gun battery, turned it around and used it to our advantage. He left the lines carrying this machine gun under fire and brought it back to the rear.” 
Photograph of the title: MEINEN LIEBEN ELTERN! Translated to English To my dear parents.
To my dear parents 

Another fascinating discovery was seeing evidence of students who had travelled far to make their studies possible: students from Greece to Germany, from Japan to France.

Photograph of the title "Dr Georg-August-Universität zu Göttingen vorgelegt von Agis P. Tambacopoulos aus Athen." Translated to English: Submitted to the Georg August University of Göttingen by Agis P. Tambacopoulos from Athens.
Submitted to the Georg August University of Göttingen by Agis P. Tambacopoulos from Athens

Looking to the future, there is scope to develop what this project started, by cataloguing the non-dissertations and creating more records, before the move to the CSF.  

Gemma’s project was really interesting for a variety of reasons. Firstly, from a nerdier library perspective, it demonstrated the importance of proper cataloguing in order to make items both searchable, and to enable them to be more effectively housed offsite. However, it also reminded us of the human side of libraries and the items that they hold, with the moving familial dedications and the evidence of life behind academia. 

The Many Books of the Bennigsen Donation and How to Process Them 

Summer, Social Science Library 

Written by Summer Mainstone-Cotton

I had the dubious honour of being the only trainee this year who didn’t present at the showcase, the consequence of leaving the trainee programme at the end of May for permanent employment with the Bodleian. As such, I thought I’d take the opportunity to detail my trainee project here instead: 

Back in the spring of 2025, a donor got in touch with the Bodleian regarding his late wife’s book collection. His wife, Marie Bennigsen-Broxup, was an expert on the Caucasus and Central Asia, particularly on Muslim resistance within the former Soviet Union. Her collection consequently contained a wealth of rare and potentially invaluable material for the Bodleian’s collections. There was, however, one small problem: the collection contained more than 70 shelves of books and journals, with plenty of material that was not relevant to the Bodleian. Rather than transporting around 1,700 books to the Social Science Library (SSL) and sorting through them there, the subject librarian for Slavonic and East European Studies travelled to the donor’s house and photographed the shelves. This meant that the collection could be assessed digitally before deciding which books were worth bringing back to the library. However, the process of sorting through hundreds of images of books (264 photos were taken) and transcribing all legible bibliographic data is a long and arduous task, and so the images were left to collect digital dust until someone had too much time on their hands.

Jump forward to November 2025, where I was firmly settled into my trainee role at the SSL and needed a project, the perfect opportunity for this project to land on my desk. Luckily, I only had to work on the texts that were written in Latin script, as my Cyrillic is non-existent. Over the course of about three months (minus time for Christmas), I carefully trawled through the photographs, noting down any information on the title, author, publisher, place of publication, date of publication, ISBN, and any notable physical descriptions of the texts. While this task was mostly straightforward, it did involve some investigative elements – quite a few of the spines were only partially legible due to lighting, wear and tear. For example, I may have had only the author’s surname and a publisher to go on when trying to identify a text. Once I had enough information to determine the text, I would then check to see if it was listed on SOLO and already part of the Bodleian’s collections.

A shelf full of potential donations which needed sorting.
An example of the photos I was working from

While I know little about this subject area, some of the texts chosen seem obviously relevant just from their titles, such as Muslim Eurasia: Conflicting Legacies and The Soviet Empire: A Study in Discrimination. Notably, we did not take Delia’s Complete Cookery Course or Slow Cooker Favourites from the offered collection, but don’t worry, I have checked and both of these titles are already in the Bodleian Libraries’ collection. 

…and with that, we’re done!

Unfortunately this is our last post as trainees before we scatter to new roles, within Oxford and beyond. Thank you to everyone who’s supported us as we found our feet within libraries, and especially thank you to anyone still reading; it’s nice to think we’re not posting into the void! Huge congratulations to the new trainees who’ll be starting soon – we hope this won’t be the last you see of us, but in case it is, good luck and we hope you have a fantastic year.

Somewhere the library has every book ever written, that will ever be written, and, notably, every book that it is possible to write. These are not on the public shelves lest untrained browsing cause the collapse of everything that is possible to imagine.

Terry Pratchett, Going Postal
The 2025/26 trainees, in the Divinity School.
Goodbye!

Trainee Showcase 2026: Part 2

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Working With Livres d’Artiste: a Tale of Creative Outreach and Organising

Jules, Taylor Institution Library

Written by Heidi Cruft

Jules presents to a group of poets and artists, at the Weston Library. Special collection items from the Strachan Collection and the Weston's collections are laid out on the table.
Jules introducing local poets and artists to special collections on the ‘Myths, Beasts, Artist’s Books’ creative outreach day

Jules’ project involved organising a creative workshop and exhibition for the Strachan Collection, a selection of livres d’artiste currently housed in the Art, Archaeology and Ancient World Library. Throughout their presentation, Jules’ enthusiasm for both creative outreach and special collections really shone through, and I will try my best to do their attitude justice here! 

Although Jules organised several events related to the collection, including a staff taster session and a show-and-tell for French and History of Art students, the centre of their project for me was the workshop: Myths, Beasts, Artist’s Books. Bringing local poets and artists together with the Strachan Collection, the day was divided between an introduction to the special items and a collaborative creation session. By the end of the day, the group had created five artist’s books inspired by the collection, and some participants went on to attend a letterpress workshop to produce colophons for their finished books. 

three groups of poets and artists work together on their creative pieces. They are all painting, talking, drawing, or writing, on a busy table cluttered with creative detritis.
Poets and artists creating their responses during ‘Myths, Beasts, Artist’s Books’

What impressed me most was just how much behind-the-scenes organisation and collaboration with colleagues from different departments had gone into making the workshop a success. Everything from setting up the space to figuring out how to reach potential attendees had to be arranged beforehand, not to mention the design of an evaluation survey to understand participant experiences. This survey was invaluable for proving the positive impact of the workshop, with 78% of respondents rating the event as “above expectations” and 100% saying that this was their first time attending an event like this. 

A photo of half of one of the display cases used for the exhibition in the Voltaire Room. It shows a zine bestiary, half unfolded. Below, are photos of the making process, an image of a livre d'artiste that inspired them, and the group's letterpress colophon.
Part of the display in the Voltaire Room

To showcase participant efforts, the project did not end with the workshop. Instead, the five collaborative artist’s books were first displayed at the Bodleian Bibliographical Press during Oxfordshire Artweeks, before being exhibited alongside selected items from the Strachan Collection for two weeks in the Voltaire Room of the Taylorian. Displaying the collection required extensive planning, including preventative conservation measures to ensure that the light-sensitive materials could be displayed safely. 

Alongside the public-facing aspects, the project also had a positive impact on how the Strachan Collection is organised and housed. Jules’ review of the collection, which included reuniting missing parts of 37 items, gathering information to catalogue 60 previously-uncatalogued items, and improving the labelling and retrieval process, has helped make these artist’s books more accessible for future researchers and outreach projects alike. 

Overall, I really enjoyed hearing about Jules’ project. It demonstrated their ability to organise complicated events and bring people together around a shared interest, which are skills that will serve them well as they move beyond the traineeship. I also believe the project highlights the potential of creative outreach within the Oxford community and has enormous potential to inspire similar projects in the future. Already there are plans to hold another show-and-tell session next year, and potentially another creative outreach event, making me excited to see the project continue to grow! 

An artist making a sketch from some of the livres d'artiste on display
three artists working together on their creative response, in the Bibliographical Press

“Pieces of Wisdom” in the Pierre Wack Memorial Library

Heidi, Sainsbury Library

Written by Leah Duffin

Heidi’s project centred around cataloguing the fascinating collection of the Pierre Wack Memorial Library. The collection consists of the professional archive of the Shell executive and scenario planning pioneer Pierre Wack (1922–1997). Heidi opened her presentation with a brief overview of how the collection came to Oxford, detailing its journey from the Global Business Network offices in The Hague to its donation to Green Templeton College in 2005. Today it forms part of the Oxford Futures Library and is held at the CSF.  

This project was well planned and meticulous executed. Along with her colleagues at the Sainsbury Library, Heidi has spent the last few months sifting through this vast collection, discovering intriguing documents, and cataloguing the items for ease of navigation. Heidi outlined her task of standardising and expanding the existing catalogue as well as identifying missing items and those in need of conservation intervention—a vital part of collection management.  

In her presentation, Heidi explained the scope of the 2,000 item collection through an accessible chart, revealing that the portion of catalogued items was made up of reports (27%), journals (19%), magazines (11%), and correspondence (6%), with the rest of the collection given over to conference notes, presentations, graphs, newsletters, drafts, and books.

Heidi spoke about the Pierre Wack Memorial Library with such enthusiasm and took us on a journey of the collection highlights. These included an article from The Financial Times detailing the establishment of the business schools in Oxford and Cambridge.

In addition, the newspaper and magazine holdings revealed advertisements that defined 20th century consumer culture, including graphics centred around domestic family ideals and a rather humorous diamond advert. Such materials are essential to understanding how diamond companies like De Beers have developed their advertising strategies over time, embracing stereotypes as well as challenging them. 

Heidi was inspired by Pierre Wack’s commitment to his work and variety of the collection. This is reflected in her choice of title: ‘Pieces of Wisdom’. Wack’s handwritten notes detail the finer points of scenario planning, cognition, and business strategy as well as some motivational quotes . . .  Heidi’s diligence over the year has been invaluable, with the cataloguing project about 70% complete—a great result for both Heidi and the team at the Sainsbury library.

The materials in the Pierre Wack Memorial Library will become increasingly more accessible for students and researchers interested in scenario planning, economic and social history, and the legacy of the remarkable Pierre Wack. 

Suggested Further Reading: 

Kleiner, Art, “The Man Who Saw The Future.” Strategy Business, February 12, 2003, https://www.strategy-business.com/article/8220 

Oxford Futures Library. “Pierre Wack Memorial Library.” Accessed July 29, 2026. https://oxfordfutures.sbs.ox.ac.uk/ 

Haverfield Hijinks: Auditing an Overflowing Collection 

Olly, Art, Archaeology and Ancient World Library 

Written by Gemma Hammond

Olly’s presentation focused on his attempts to solve the various problems posed by the Haverfield Room in the Art Library. The Haverfield Room, located just off the main Ground Floor reading room and named after Francis Haverfield (Camden Professor of Ancient History at Oxford in the early 20th century), contains an open shelf collection that includes books on numismatics (the study of coins), coin catalogues, museum bulletins, auction catalogues, and periodicals from most of the library’s subject areas.

However, there’s also other books stored in the room which have not been looked at for a while and a lot of overflow, with periodicals or bulletins now continuing their sequence on trolleys or stacked on top of each other on the shelves – and the room itself is not getting any bigger! The library has done its best to keep everything organised but it’s been a (growing) problem for a number of years. 

Olly’s plan was to get a better grasp of the situation by identifying what the problems were and the scale of them, and then to look at potential solutions. He undertook an audit of some little-used folios at the very back of the room, where he found that 103 of them belonged to the Art Library but 142 actually belonged to the Oxfordshire Architectural and Historical Society which had stored them there some time ago. Olly said he’d been fascinated by the variety of topics covered by these folios, particularly the coins, but also ceremonial coats of arms, maps, and architectural drawings.  

The overflowing journals posed the biggest problem because many runs had not been fully itemised and before they could go to the Bodleian Offsite Storage Facility to create some much-needed space they would need to be barcoded and have an item record on the system.

Olly used a lot of spreadsheets to narrow down which journal runs should be prioritised for this treatment and as a next step he created instructions and a spreadsheet for library staff to physically check the shelves and collect data on which journal runs are currently taking up the most space. He then made use of an itemisation entry form designed for staff to input data about a journal item. The data can then be fed into OLIS to create a record on the system, hugely simplifying the process of itemising. However, Olly also pointed out problems that might come up during this process, such as journals changing their names or having previously been recorded in the system under different names.

Screenshot of Olly's itemisation entry form used to enter journal details, including library, location, title, volume, issue, date, range, language, and notes fields.

The plan is that library staff will continue with the tasks of measuring shelf space and then itemising the journals, meaning that a lot of material can then be sent offsite but still be easily findable, while the Haverfield Room will be a lot more user-friendly.

I really enjoyed Olly’s presentation and admire him for getting stuck into such a huge task and making progress on taming the chaos of the Haverfield Room! The journal itemising in particular clearly took a lot of work and it’s impressive that he’s come up with detailed and methodical long-term solutions that will hopefully be continued and built on in the future.

Trainee Showcase 2026: Part 1

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If you’ve read previous blog posts, you might have seen us mentioning our trainee projects at various points. As an Oxford trainee you have the chance to take on a personal project outside your regular duties to help you explore different parts of library work and leave your mark on the Bodleian. This all leads to the Graduate Trainee Showcase at the end of the year, where you get to present your work and explain what you’ve been doing to a captive audience of librarians and colleagues.

The showcase this year was held at Christ Church College and organised by fellow trainees Heidi, Rebecca, Jules, and Amy – huge thanks to them for their planning and effort (and for some last minute tech fixes). Over the next month we’ll be posting short summaries of our projects and presentations for anyone who couldn’t make it. Writing about our own work is too easy though, so we’ve each picked someone else’s project to talk about. Now to get us started, here’s some Royal Regalia, medical paraphernalia, and a whole lot of library data. Enjoy!

Promoting Special Collections at New College Library & Archives

Leah, New College Library

Written by Catherine Birch

Leah’s project involved designing an exhibition to promote New College Library’s incredible special collections. Having had the chance to see her exhibition in-person, I thought it looked incredible, but I’d had no idea just how much work had gone into it over the year! 

Leah started by giving us some background on New College’s special collections, which house an astounding 384 historic manuscripts and over 30,000 rare books. Having specialised in medieval royalty and diplomacy during her MA, she wanted to highlight the wealth of royal history in the collection and work to improve public engagement with them. Identifying materials for display involved endless SOLO searching, trawling through various handlists, and consulting various colleagues, as well as every librarian’s secret weapon… a huge spreadsheet. Deciding which items to use in an exhibition is a very involved process, as Leah explained – you have to consider display space, transport logistics, and item condition before you even get into issues like audience interest and the exhibition theme. Having narrowed down which items she could practically include and which were most relevant to the topic, she picked her final items based on one key rule: are they fabulous?  

From there she wrote item captions and labels, proofread them, proofread them again (those pesky oxford commas…), and got to work producing promotional material. Some of this material included posters, banners, booklets, and postcards, which looked great and were very nice to keep as souvenirs. Leah also promoted the exhibition through social media, university mailing lists, local news pages, and word of mouth, trying to reach library staff, students, and the public in equal measure. Her hard work definitely paid off, as they had over 150 visitors, making it the most successful exhibition of the year! Leah herself was on hand to answer any questions and talk to visitors, which was a nice touch that really improved engagement and interest (as did the free refreshments next door).  

Even though the exhibition has finished, Leah is far from done getting people interested in New College Library’s special collections. She’s already planned an article about representations of King David in medieval manuscripts for an upcoming issue of New College Notes (the college’s scholarly journal), and she’s supporting a Curator’s Choice video highlighting a book published in 1687 to mark the coronation of James II. It was really interesting getting to see the full process of putting together an exhibition, and her display shone a spotlight on the sort of books and manuscripts that most librarians relish working with. 

A poster for the exhibition 'Royal Regalia: Signatures, Statecraft, and Sovereignty' at New College. The background has been made to look like a manuscript covered in cursive middle english. The foreground contains the date and location of the exhibition along with some images of items from the collection.

HML Grey Literature: Part II

Catherine, Bodleian Library (History Faculty Library)

Written by Olly Marshall

Catherine’s project revolved around a collection of grey literature from the History of Medicine Library, picking up the baton and expanding on the work done by previous HFL trainee Xanthe.  

Catherine first explained to us the complicated past of the HML, occupying a site on Banbury Road but being under the stewardship of the Radcliffe Camera, with most of the material having now moved to the Humanities Library at the Schwarzman Centre and some of it being stored in our offsite storage facility. This is fairly standard for a lot of collections in the Bodleian- everything has been moved between many libraries and has had many different names.  

The “grey literature” in question is far more interesting than the name suggest- it’s a mix of material produced by various medical institutions, but not controlled by a traditional commercial publisher like a book or journal article is. The HML collection includes a lot of organisational reports, speeches, statistics, training guides, public health pamphlets and other miscellaneous material important to understanding the history of healthcare and the work of significant institutions and professionals in the field.  

The bulk of Catherine’s project involved going through 41 boxes of the material and creating handlists for them- a list describing each item in a box – to make the contents identifiable and discoverable to researchers.  

The grey literature Catherine has been working with is now housed offsite and involved many requests for it all to be called up, looking through the contents and picking out important information such as institutions, authors, date ranges, topics, formats and other useful information for locating the right resource. This was frequently made difficult by material being in foreign languages, being in odd formats, using antiquated language or being catalogued poorly. By doing thorough research into the items, using templates for how to describe the items, and like any seasoned librarian – expecting and accepting a certain amount of chaos – Catherine developed a good system for listing the boxes consistently. All together there were approximately 450 items to describe and list, which is an amazing amount to achieve over the year!  

The contents of the boxes will ultimately be published in a LibGuide that Catherine has been making to promote their use, make the collection navigable and link to boxes on SOLO for people to call them up from CSF. I was really impressed by the skills Catherine got to develop during her project and her methodical approach, and I thought that the collection sounds fascinating. Work like this is really important for ensuring library collections are accessible and available to use, and the efforts Catherine went through will benefit readers and library staff alike. 

Managing & Adapting to Change

Rebecca, Bodleian Library (Reader Services)

Written by Jules McGee-Russell

Rebecca’s presentation focused on her research into different changes happening in the Old Bod and wider changes across the library service. This included the new Extended Lending rules at the Bodleian, the digital shift towards eBooks and AI usage, and how these things connect to the Climate Emergency. 

Rebecca demonstrated her points using journalistic headlines over time, data from Freedom of Information Requests, and statistical forecasting she did herself using Python. The messages I took away were that there is a year-on-year decline in borrowing requests from readers in the Bodleian. Even though the lending rules have changed to allow some items to be loanable from the Old Bod, the number of annual requests to borrow physical books is decreasing. In contrast, the demand for eBooks is huge and ever-growing, as are the profits publishers are making from eBooks sales. 1/3 of students surveyed are, concerningly, reaching for AI over primary sources.  

A map generated by ChatGPT, colour coded according to which countries it believes are smarter. The general trend is that Europe, North America, East Asia, and Australasia are considered smartest, while Africa, South America, and the Middle East are considered the least smart. This is designed to highlight ChatGPT's racial bias and inherent inequality.
‘GPT Opinion Map‘. 1

ChatGPT has been shown to amplify global inequalities by making assumptions about geographical locations that are not supported by data. AI “makes mistakes and tells people what they want to hear” according to research at the Oxford Internet Institute, influencing search strategies and resource discovery. Using these search strategies can reduce the “serendipity” of discovery, and can also dramatically change how users are interacting with libraries. 

Rebecca questioned the transparency of publishers’ connections with fossil fuel companies, and how skyrocketing profits from eBook sales could be funding carbon emissions. There have been walkouts from journal editors protesting unethical fees for these eResources, and there is growing concern regarding the use of AI within publishing. Purchased goods and services made up 42% of Gardens, Libraries, and Museums (GLAM) emissions in 24/25, which may not even fully capture the scope of emissions related to library purchasing of eBooks and eResources. The effectiveness and integrity of climate pledges across publishing are also questionable – who is holding them to account, and who is measuring their success? 

I was incredibly impressed with Rebecca’s research, and so were several others in the room. She was asked to share her slides with senior members of staff, and will be repeating the presentation to wider university staff groups. A great success, and it really shows how interesting and relevant her work was. These are concerns and developments that affect us all, and I truly admired the effort she put into excavating and illustrating them. 

The presentation closed by recommending the university’s internal Carbon Literacy training module, which anyone can attend. There are certainly more steps to be taken both as individuals and as an institution to investigate and mitigate these impacts. This presentation is one that really stuck with me, and increased my awareness about how all these issues connect.  

1 Kerche, F. W., Zook, M., & Graham, M. (2026).The Silicon gaze: A typology of biases and inequality in LLMs through the lens of place. Platforms & Society, 3. https://doi.org/10.1177/29768624251408919 (Original work published 2026)

Further reading for anyone who wants to learn more: