Category Archives: Uncategorized

A horse?

Chalk figures on hillsides are not uncommon especially in southern Britain but they still retain the air of mystery. What are some of them?  Who created them? Why are they there? They also caused an issue on maps.  Early modern cartographers drew maps but out of necessity gathered information from other surveyors. This is where errors crept in.  Imagine an surveyor of the Berkshire Downs at Uffington saying “well, there’s this white horse on the side of the hill”.  The prehistoric ‘horse’ famously does not look like a horse therefore the misunderstandings can be seen as a result, most notably the Sheldon tapestry map of Oxfordshire which has a truly majestic (and enormous) white horse striding over the side of the hill.

 

 

Richard Hyckes who designed the tapestry was not to know the reality was rather different.

 

 

 

 

The error was repeated by John Rocque albeit with a more modest horse.

 

 

 

 

 

 

 

 

 

 

It wasn’t until the Ordnance Survey surveyed the country was the Uffington White Horse depicted as it truly is.

 

 

 

 

The Cerne Abbas Giant is actually a giant cut into the chalk of Dorset, rather a famous one. He is  younger than the horse but his beginnings are still shrouded in mystery but possibly something to do with former Cerne Abbey nearby. For some reason he was only represented as lettering by Isaac Taylor 1765.

However, the Ordnance Survey somewhat sanitised him when the 25” was published in 1888.

The Long Man of Wilmington in East Sussex was not so problematic, so much so that he didn’t appear at all until the OS came along. The map by Thomas Yeakell and William Gardner (1778-1783)  ignores him completely – whether they were unaware of the chalk figure or merely swerved the opportunity of representing it history does not tell us.

 

Sheldon tapestry map of Oxfordshire  [1590?] (R) Gough Maps 261

John Rocque. A topographical map of the county of Berks (1761) Gough Maps Berkshire 6

Ordnance Survey 2nd edition 1:2500 Berkshire XIII.14 1899

Isaac Taylor. Dorset-shire. 1765 Gough Maps Dorset 11

Ordnance Survey 1st edition 1:2500 Dorset XXXI.2 1888

Thomas Yeakell, William Gardner. The county of Sussex. 1778-1783. Gough Maps Sussex 14

Ordnance Survey 3rd edition 1:2500 Sussex LXVIII.15 1909

The things you see on maps

Strict segregation on the Côte d’Azur. Caveman on Ile de Port-Cros, nudists on the Ile du Levant, according to this map of the French Riviera.

Pictorial representation on maps is reasonably common (see the blog post in November 2017, ‘Something we should not forget’), nudity isn’t.

Côte d’Azur, Hyéres et les Iles d’Or c1970. C21:41 (57)

Ships

Many maps from the late sixteenth century feature ships and sea monsters in and on the oceans. With a large amount of surface taken up by water cartographers used these images as an embellishment to make the map more attractive, but there are other reasons for such decoration; at the time many people believed in the existence of such creatures so to feature

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monsters from the deep would be as natural as portraying an Elephant in Africa, while the opening up of trade with foreign lands and voyages of discovery made sea travel an important part of late Medieval and Tudor times.

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This recent addition to the Bodleian collection, Britannicarum Insularum… by Abraham Ortelius,

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has in its top left corner one of the more dramatic images of shipping to be found amongst the maps held. In a cloud of smoke and explosion a sea battle takes place as a smaller ship advances, firing from the bow and flying what appears to be a flag of Denmark.

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Abraham Ortelius was a Flemish cartographer who started publishing maps and atlases in 1564, this map comes from an atlas of ancient and classical history called the Parergon, and shows the British Isles with British tribes and Roman features, including both Hadrian’s and the Antonine

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Walls and was published in 1590. This would date the map to the time of the Spanish Armada, which set sail in 1588. As the Spanish fleet rounded the North coast of Scotland and started to sail down past Ireland fierce storms sunk many of the ships, though there was no battle of the type depicted on Ortelius’s map.

Britannicarum Insularen Vetus Descriptio…, 1590. Ortelius, A. (E) C15 (971)

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This image of a sea-horse off the coast of Iceland comes from a lavishly illustrated copy of Abraham Oretlius’s Theatrum Orbis Terrarum, published in London in 1606. The sea-horse is described as ‘often dothe fisherman great hurt and skare’. The picture of the Mermaid holding the flag of the Isle of Man at the start of this piece also comes from Ortelius.

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Flies

Maps showing the spread of disease first appeared in the United States towards the end of the 1700s and used spots to showing the location of individual cases of disease. The most famous example of such a map was created by John Snow, in his book On the mode of Communication in Cholera (1855). Originally published in 1849, this later edition dealt with a notorious outbreak of cholera in the Soho district of London the previous year, which killed 616 people.

The Bodleian holds a similar map by Dr H. Acland and shows the outbreaks in 1832, 1849 and 1854 of cholera in the St Clements and St Ebbe’s areas of Oxford. By mapping the deaths in London and Oxford Acland and Snow were able to show that all shared a common link, the local water pump, proving how water was the medium through which cholera spread which as a result improved the sanitation in many areas of poor and working class housing.

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Map of Oxford, to illustrate Dr. Acland’s Memoir on cholera in Oxford in 1854, : showing the localities in which cholera & choleraic diarrhœa occurred in 1854, and cholera in 1832 & 1849; together with the parts of the town described as unhealthy, by Omerod, Greenhill & Allen, and a writer in the Oxford Herald; the parts remedied since the date of their descriptions; the districts still undrained; the parts of the river still contaminated by sewers, in 1855. C17:70 Oxford (15)

Among the many maps showing disease in the collection are a number showing the spread of Tsetse Flies in Central and Southern Africa. Tsetse flies feed on the blood of cattle, which has serious consequences for the lives of farmers in the regions were the flies are wide-spread, as infected animals produce little or no milk, their manure is too weak to fertilize already poor soil and the bites can often lead to the death of the animal. Tsetse Flies also cause sleeping sickness in humans, which can lead to disability or premature death.

Featured here are extracts from two maps. Both show the spread of the Tsete Fly, and are of Zambia and an area of Africa which was called German East Africa up till the end of the First World War, and now covers Burundi, Rwanda and a large part of Tanzania.

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(Reverse of) The Republic of Zambia, Tsetse Fly Distribution, 1968. Ministry of Lands and Mines, Zambia. E43 (200)

Both are conventional thematic maps showing the spread of the flies by shading. What is different from other disease maps in the collection is that both feature prominent images of the Tsetse Fly.

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German East Fly Map, 1915, Published by Topographical Section, General Staff, South Africa.     E11 (217)

Both images bring to mind the picture of the fly from Robert Hooke’s famous book Micrographia,

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first published in 1665. Hooke’s work was the first book to show insects and other minute objects as seen through microscopes and also the first published work to use the term cells.

The beauty of the Portolan

Portolan Charts are navigational aids used by seafarers from the thirteenth century through to the 1800’s, by which time Naval charts had begun to be produced, and published in number.  The majority of portolans are produced on vellum – an animal skin which has been scraped clean and then stretched out on a rack – with some charts attached to boards and folded. Printed charts begin to appear in the early 1500s. Naviagtion is by use of rhumb lines and compass points,  by taking readings of compass directions and speed to determine the course needed to be set.

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Page of portolan showing coasts of part of Britain, Ireland, France and Northern Spain

Portolans are often objects of great skill and beauty, and are an early and evocative record of the start of discovery by European explorers.  The images shown here are from the earliest Portolan in the Bodleian, dating from the early 1400’s.  This portolan is  drawn onto vellum and then backed onto a wooden board and shows, over seven charts, the areas of the Mediterranean Sea, the European Atlantic coast and the Black Sea.

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Page of portolan showing Italy and Sicily

Though the portolan gives no details of production it is believed to have been produced in Venice and came to the library in 1834 as part of the Douce collection.

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Front cover

Portolan charts are often heavily decorated. Ships sail the oceans, wonderful creatures inhabit the lands and some feature the Madonna and Child. Compass roses can often be very eleborate, sometimes including gold leaf in the design.

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Inside front cover showng Annunciation

While the charts featured in this portolan are not as decorated as later charts held in the Bodleian the cover, front and back inner sleeves are beautifully created works of art. The cover is a wooden board inlaid with ivory and coloured stone while the inner sleeve shows the Annunciation, with the Angel Gabriel telling Mary of the immaculate conception while the back features Saint Mark, patron Saint of Venice and Saint Paul.

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Inside back cover showing Saints Mark and Paul

The portolan was originally enclosed in a leather embossed slip-case, and would have been used by sailors navigating the seas and oceans shown on the maps. The portolan, leather case and notes are now housed separately in a specially made box.

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Front of slip-case

Items belonging to Francis Douce were donated to the Library after his death in 1834. Douce was for a time Keeper of Manuscripts at the British Museum so the Bodleian is lucky to have his collection of books, manuscripts and other items, numbering over 19,000 volumes.

Untitled book of seven portolans, early fifteenth century, possibly Venice. MS Douce 390

The Type ‘Q’ Sailing Dinghy

This piece on maps related to the Q Type Dinghy was submitted by a volunteer working in the Map Department

Working as a volunteer in the Map Room in the Weston Library may not be your forte but I can assure you having been doing just that for the last 2 years life is full of surprises. This week we received an embroidered map of London done by soldiers working for the Disabled Soldiers Embroidery Industry set up to help those recovering from action in WW1. Earlier, I was shown documentation about the ‘Q’ Type Sailing Dinghy, an inflatable sailing dinghy used during WW2, which is of particular interest to me as an ex-navigator on maritime Shackletons and Nimrods. One of our primary tasks was Search and Rescue. There were always crews on standby ready to fly and help those in danger at sea whether they be people in ships or yachts in difficulty or aircraft that had ditched. In our aircraft’s bomb bay we carried Lindholme gear which was basically 3 buoyant containers joined by 400 metres of cord, one container had a dinghy in it which would inflate on impact, and the other containers were filled survival rations and equipment. The dinghy had a sea anchor which meant that it would stay roughly where it had been dropped but its position would, of course, be affected by the strength of the local wind and current. The survivors would be rescued by shipping diverted to the scene.

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The philosophy behind the ‘Q’ Type Sailing Dinghy, which, as I have mentioned, was in use in WW2, was somewhat different. The dinghy was packed into similar Lindholme gear and dropped to the survivors. However, rather than the survivors ‘sitting tight’ they were expected to sail the dinghy to the nearest land. To do this the instructions, on silk, were comprehensive and included in the dinghy pack. There was a diagram of a fully rigged dinghy with mast, mainsail, foresail, rudder and keel plus a weather cover. There were instructions about how to rig the 4 piece mast, set the sails, general sailing guidance and advice about when to reef the sails. Attached to these instructions, also on silk, were maps of the eastern Atlantic from Northern Norway to the Cape Verde Islands and Iceland. The maps and instructions were all just 12 x 13 inches pinned together in the top left hand corner. The maps were produced by the Sea Rescue Equipment Drawing office and based on the GSGS 4080 plotting series which uses the Mercator projection and landmass heights are shown in metres. There is a compass rose and the lines of magnetic variation are as in 1942. A variable ruler showing statute miles is included alongside the left hand margin.

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I do wonder how practical the idea of sailing back to land really was. From experience the Atlantic Ocean is rarely smooth and rigging the dinghy would have been a hazardous occupation. One of the instructions was: ‘don’t stand up in the dinghy as you will make it unstable!’ In any survival situation protection from the elements is the most important thing, especially a cold, windy, wet Atlantic. And navigating back to land, well the dinghy had a compass and knowing roughly your location it should be possible to steer he dinghy roughly in the right direction. Perhaps, psychologically, the possibility of being able to sail back was all important with the chance of being picked up by a ship on the way. Or perhaps, when sitting in the dinghy, it was a case of, ‘Give me a map and I am content’ (Wainwright A. 1938).

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Map images from A set of charts showing the coasts of Europe and North Africa, printed on cloth. Published by ‘Sea Rescue Equipment Drawing Office, (F) K1:2 (5)

The following images come from a diagram on the use of the Q type provided by the Royal Air Force Museum. According to Air Historical Branch monograph Air/Sea Rescue issued in 1952 ‘the Q type seems to have been introduced in early 1943 and by the end of that year had been cleared for use in the Whitley, Wellington, Warwick, Lancaster and Halifax – it seems not to have been used in the Lindholme Gear. The lateen rig version replaced a more complex sail plan in 1944’.

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Parallax

Parallax is a way of determining distances and heights by measuring the angles of a certain point from different locations. Once you have the angles from two points you can then work out the distance by working out the third angle of a triangle and measuring the sides. Amongst other uses parallax is the method in which the distance to stars is measured.

Parallax is also the title of a recent donation to the Map Room, Parallax without tears, the determination of heights from vertical airphotographs

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and published in the war years by the Royal Canadian Engineers. Using a giant as an example, the booklet teaches how to measure heights by the use of aerial photograph, the giants eyes

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becoming the camera eye with pictures taken from different angles of the object to be measured.

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Pictorial representation of transport, or nice pictures of ships, planes and trains

Amongst some recent donations to the Map Room have been some maps featuring planes. One appears on an Air Routes map by British European Airways. As well as the air routes and planes

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BEA International Air Routes, 1954. C1 (1020)

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extract from BEA map

the map also works as a tourist guide, showing areas of interest and local customs and peoples. The map goes as far south as North Africa and far enough east to include the Middle East, to continue the transport theme camel trains are featured

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extract from BEA map

The second image comes from a road map of Queensland from circa 1950, which evokes images of Tintin and dashing adventures.

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[Extract from] Vacuum Road Map of Queensland, c1950. I3:20 (61)

More planes feature in this extract from a map of the travels of Prime Minister Winston Churchill during the Second World War. The map plots the routes taken by Churchill to the various conferences and meetings between the leaders of the three great allied powers.

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[Extracts from] Dunkirk to Berlin, June 1940 – July 1945. Journeys undertaken by the Rt. Honble. Winston S. Churchill, O.M., C.H., F.R.S., M.P., Prime Minister of Great Britain in defence of the British Commonwealth and Empire, 1947. B2 (101)

Early maps of railways sometimes included images of steam engines, we give two particularly good examples here

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Drake’s map of the Grand Junction Railway, 1839. (E) C17:5 (18)

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Cheffin’s Map of the English and Scotch Railways (Facs), 1845. C16 (359)

Ships feature heavily in maps of the country and any coastal county published before the coming of the railways, signifying the importance of Britain’s reliance on both trade and naval power.

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[Extract from] England and Wales…by John Rocque, in four sheets, c1761. Gough Maps England & Wales 34

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[Extract from] Hampshire and the Isle of Wight by E. Bowen, 1767. Gough Maps Hampshire 5

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A geometrical plan…H.M.’s dockyard, nr. Plymouth, 1756. Gough Maps Devonshire 7

To show that road maps are no a modern invention this extract comes from a 1809 map showing stagecoach routes. There are a large number of stagecoach maps in the Bodleian collection, this is one of the few that actually has the mode of transport featured on the map itself

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[Extract from] Bowles Road Director through England and Wales…, 1809. (E) C17 (115)

The final map featured shows a more serious scene. In an extract from a map published circa 1746 and showing events from the Jacobite Rising of 1745 two ships are engaged in battle at

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[Extract from] Map showing routes of Prince Charles, c1746. Gough Maps British Isles 23.

close quarters off the South-West coast.

 

A list of selected accessions to the map collection in June 2015

Map of the ancient glaciers of Sequoia National Park, Sierra Nevada, California. 1965. Published by the U.S. Geological Survey. F6:13 (191)

Topographic map of the Grand Canyon National Park, Arizona. 1927. U.S. Geological Survey, F6:11 (62)

Map of Queensland showing annual rainfall to end of 1899. c1900. I3:20 (54)

Plan of the Church of the Holy Sepulchre, Jerusalem. 1892. Ordnance Survey. D26:20 Jerusalem (45)

Railway administration map of the railway system in the Russian Empire, showing the estimated maximum traffic capacity, based upon the actual traffic during the winter period of 1916-17, 1918. Ordnance Survey. With various insets showing junctions etc. C40 (434).

Mean annual rainfall of Australia…1887. Scottish Geographical magazine. I3 (327)

A diagrammatic map of part of the Tigre Province, Ethiopia, showing positions of rock-hewn churches, 1974. Manuscript map. (MS) E3:20 (22)

Map of the Klondike Goldfields, Yukon District, 1900. Geological Survey of Canada. F4:23 (31)

Brisbane River, Victoria Bridge to Fairway Light, 1902. Harbours and Rivers Department of Queensland. I3:50 Brisbane (15)

First World War mapping and the Bodleian

Trench maps are an important source of information regarding topography, defences and changes in the position of front-lines in the First Wold War. They are also, for those looking back at the war from the distance that 100 years brings, a stark representation of how close enemy forces were to each other. Detailed maps such as the one shown here reveal a no-mans land often less than 100 metres across. At first maps were based on existing French and Belgian pre-war sheets, but problems with marrying up scales and grids used on these sheets meant that by late 1914 the War Office and the Ordnance Survey took over production of trench maps, and from then until the end of the war a large number of sheets of different scales and designs were published to meet the varying demands of the British Army.

The development of trench warfare in late 1914 meant a fairly static front-line position. This, along with increasing importance in the use of artillery, led to both a need for accurate mapping of enemy positions and the time in which to produce the maps. Trenches that did not move and positions that stayed stable for months at a time meant that surveying, mainly by aerial observation and photography, produced maps that were often available before any changes in territory held made them obsolete, though this was not always the case during the major offensives launched later in the war. For instance, a map produced by the War Office for the Passchendaele area went through 9 different editions during the 3rd Battle of Ypres between July and December 1917.

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Fonquevillers, 57D N.E., sheets 1 & 2 (parts of), G.S.G.S. 3602. 1917. C1 (3) [1449]

The map featured here, sheet 57D N.E. parts 1 & 2, is one sheet in a large series covering the Western Front in great detail, at a scale of 1:10,000. For security reasons only the front-lines of the British trenches are shown while the full scale of the German trenches are clearly defined in red. Grid numbers and then numbers in circles at junctions and angles of enemy trenches are for artillery purposes.

Forty-one members of staff left the Bodleian Library to take part in the war. Up until the start of 1917 all were safe but by the appearance of the first issue of the Bodleian Quarterly Review for 1917 this was no longer the case. ‘The immunity of the members of staff on military service from serious injury has been sadly broken by the death of Lieut. R.A. Abrams…who fell while gallantly discharging his duty on the Western Front on March 4 last, aged 28’. Abrams and a fellow solider were reconnoitring near La Brayelle Farm, in between Gommecourt and Essarts on the map, when both were killed by enemy fire. Abrams death in action was followed later that year by a second Bodleian employee, Lieut. H.J. Dunn, also 28, on November the 26th.

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Title page from ‘The Sherwood Foresters in the Great War…’, 1920. 22281 e.1305.

A large number of books were produced in the years immediatly after the War by Battalions detailing the part they played in the conflict. The Sherwood Foresters book can be read as a diary of events set down in chronological order and includes plans and photographs

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to accompany the text. The above plan shows the area in the Trench map shown earlier and is also mentioned in the previous page in the book with reference to the death of Lieut. Abrams.

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As well as British produced maps the Bodleian holds maps by the French and German armies of the Western Front and Allied and Turkish trench maps from the Gallipoli campaign in 1916.